Vasily Rozanov Quotes & Sayings

We mean to say that Symbolism and Decadence - the negative attitude to which is indisputable to everyone except the "participants" - are genetically connected with everything brilliant and sublime created by the "unbound personality" during this period of time, from the Renaissance up to the development of electrical engineering; contrariwise, the border which they cannot cross is laid down where man understood that he was always "bound." The great continent of history, the continent of real deeds, practical needs, and more than all that, of received religion and the established Church - that is whose shore this stinking monster can never crawl into, that is where we are fleeing to from it, that is where man can always save himself. Where the monastery wall rises this surge of the faithless waves of history - no matter how strong it may become and how far it may spread around - will stop and fall back.

("On Symbolists & Decadence") — Vasily Rozanov

With a rumble and a roar, an iron curtain is descending on Russian history. — Vasily Rozanov

Thus, Symbolism and Decadence are not a separate new school which arose in France and spread throughout all of Europe: they represent the end and culmination of a certain other school whose links were very extensive and whose roots go back to the beginning of the modern age. Symbolism, easily deduced from Maupassant, can also be deduced from Zola, Flaubert, and Balzac, from Ultra-realism as the antithesis of the previous Ultra-idealism Romanticism and "renascent" Classicism. It is precisely this element of ultra - the result of ultra manifested in life itself, in its mores, ideas, proclivities, and aspirations - that has wormed into literature and remained there ever since, expressing itself, finally, in such a hideous phenomenon as Decadence and Symbolism. The ultra without its referent, exaggeration without the exaggerated object, preciosity of form conjoined with total disappearance of content, and "poetry" devoid of rhyme, meter, and sense - that is what constitutes Decadence. — Vasily Rozanov

The religion of this 'I', the poetry of this 'I', and the philosophy of the same 'I' that from Poggio and Felelfo to Byron and Goethe produced a number of works astonishing for their profundity and brilliance have finally exhausted its content; and in the poetry of Decadence we see the rapid falling away of the empty shell of this 'I'. We remarked previously about the exaggeration without the exaggerated object, and about the precious style without the subject of this preciosity, which characterize this poetry - this is so in regard to its form; in regard to its content Decadence is above all hopeless egoism. The world, as an object of love, of interest, even as the object of indignation or contempt, has disappeared from this "poetry"; the world has disappeared, not only as an object exciting some reaction in this vapid 'I', but also as a spectator and possible judge of this 'I'; it is not even present.

("On Symbolists And Decadence") — Vasily Rozanov

All religions will pass but this will remain: simply sitting in a chair and looking into the distance. — Vasily Rozanov

Look everywhere with your eyes; but with your soul never look at many things, but at one. — Vasily Rozanov

Obviously, for these artists history has died; and even in their favorite "subjects" the face, name, past, and future of man have died; and out of this dead silence, out of this dark non-existence protruded - just as for the Decadents of our own day - nothing but "pale legs," the fixed idea of their morbidly disposed imagination.

("On Symbolists And Decadents") — Vasily Rozanov