Story Titles In Quotes & Sayings

I had an epiphany where I realised that there are song titles everywhere - in advertising, in conversations with people at the grocery store - and every time I open my mind to that and find titles, I then weave a story around that. — Bonnie McKee

Who is telling us about the false self today? Who is even equipped tell us? Many clergy have not figured this out for themselves, since even ministry can be a career decision or an attraction to "religion" more than the result of an encounter with God or themselves. Formal religious status can maintain the false self rather effectively, especially if there are a lot of social payoffs like special respect, titles, salaries, a good self image, or nice costumes. It is no accident that the religious "Pharisees" became the symbolic bad guys in the Jesus story. — Richard Rohr

As a girl, I sat awestruck at the feet of Harriet Ne, author of 'Tales of Molokai'. It was she who used to say, 'I myself have seen it,' after telling a particularly hair-raising ghost story - a phrase that I borrowed for one of my titles. — Susanna Moore

My Cuddle Time Bible Story Book
Sleeping with Jesus
Baby Bibles: Tall Tales for Tiny tots
Everybody Poops (Except God) — Dave Eggers

Peter's Jesus of Nazareth, the one who lived and died and who was raised and ascended and enthroned, is both Messiah of Israel and Lord of the whole world. Those are the terms of the early gospeling in the book of Acts, and if we want to be faithful to the Bible, those should be our terms as well. Those titles for Jesus tell the gospel Story of Jesus. — Scot McKnight

My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it. — Saul Bass

Wintry morning, looking with dull eyes and sallow face upon the neighbourhood of Leicester Square, finds its inhabitants unwilling to get out of bed. Many of them are not early risers at the brightest of times, being birds of night who roost when the sun is high and are wide awake and keen for prey when the stars shine out. Behind dingy blind and curtain, in upper story and garret, skulking more or less under false names, false hair, false titles, false jewellery, and false histories, a colony of brigands lie in their first sleep. Gentlemen — Charles Dickens

What was required was a new story, a new history told through the lens of our struggle. I had always known this, had heard the need for a new history in Malcolm, had seen the need addressed in my father's books. It was in the promise behind their grand titles - Children of the Sun, Wonderful Ethiopians of the Ancient Kushite Empire, The African Origins of Civilization. Here was not just our history but the history of the world, weaponized to our noble ends. — Ta-Nehisi Coates

In our confusion, we're accustomed to according the titles of good news and "a positive message" to the most soul-sucking, sentimental fare imaginable. Any song or story that deals with conflict by way of a strained euphemistic spin, a cliche, or a triumphal cupcake ending strikes us as the best in family entertainment. This is the opposite of apocalyptic. Apocalyptic maximizes the reality of human suffering and folly before daring a word of hope. The hope has nowhere else to happen but the valley of the shadow of death. — David Dark

Los Angeles people are incapable of passively mainlining TV and movies. Here you have to read who produced or directed every episode, who wrote it, who had guests shots and whether you know them personally and if they like you. You have to figure out who everybody's agent is and whether yours is better. You not only know but deeply care about the difference between such job titles as Producer, Supervising Producer, and Executive Story Editor ... So while the rest of the country is lying stupid in a media-induced coma, people in L.A. are in constant withdrawal. — Cynthia Heimel

Instead, I practiced different forms of reading. The possibilities offered by books are legion. The solitary relationship of a reader with his or her books breaks into dozens of further relationships: with friends upon whom we urge the books we like, with booksellers (the few who have survived in the Age of Supermarkets) who suggest new titles, with strangers for whom we might compile an anthology. As we read and reread over the years, these activities multiply and echo one another. A book we loved in our youth is suddenly recalled by someone to whom it was long ago recommended, the reissue of a book we thought forgotten makes it again new to our eyes, a story read in one context becomes a different story under a different cover. Books enjoy this modest kind of immortality. — Alberto Manguel

Great Britain, for instance, is too big and too diverse to be home to a small-island civilization, but in modern times the English - though not, I think, other peoples of the island - have cultivated what might be called a small-island mentality: all their most tiresome history books stress, sometimes in their opening words, that their history is a function of their insularity. They still write and read histories with such titles as Our Island Story and The Offshore Islanders.4The conviction that their island "arose from the azure main" and is like a gem "set in the silver sea" resounds in national songs and scraps of verse which they hear repeatedly. In the eighteenth and nineteenth centuries, the English invested heavily in naval security. They created the cult of the "English eccentric" - which is a way of idealizing the outcome of isolation. They have projected an image as "a singular race, one which prides itself on being a little mad. — Felipe Fernandez-Armesto

That is the American story. People, just like you, following their passions, determined to meet the times on their own terms. They weren't doing it for the money. Their titles weren't fancy. But they changed the course of history and so can you. — Barack Obama

Studios, to cut through the clutter, want recognisable titles. But that does not excuse you, as a writer, from having an original story. — Roberto Orci

One day he reads his friend's novel and discovers that Ishmael's account and his own memories of what happened are completely different. So he writes his own version of the story. Call me Queequeg the story begins, and he titles it A Whale. From the harpooner's point of view, Ishmael was a pedantic scholar who blew things out of proportion. Moby Dick wasn't to blame, he was a whale like any other. It was all a matter of an incompetent captain wanting to settle a personal score instead of filling barrels with oil. "What does it matter who tore his leg off?" writes Queequeg. — Arturo Perez-Reverte

People look at initiates or gurus as having fancy titles, deep or advanced spiritual information or super powers. Yet in truth initiation is about becoming a good human again. The same way animals know what their role is when it comes to serving nature. Initiates understand their unique roles in serving nature. Since each person is unique, either initiate understands they were born under an astrological sign, to serve a unique role to nature.

Adebamgbe From the short story Dark Initiation — Jamal Thompson

I have always credited the writer of the original material above the title: Mario Puzo's The Godfather, Bram Stoker's Dracula, or John Grisham's The Rainmaker. I felt that I didn't have the right to Francis Coppola's anything unless I had written the story and the screenplay. — Francis Ford Coppola