Great Images And Quotes & Sayings

I'd been surprised by the depth of emotion that was invested in that curiously archaic phrase 'great power'. What would it mean, I'd asked myself, to the lives of working journalists, salaried technocrats and so on if India achieved 'great power status'? What were the images evoked by this tag?
Now, walking through this echoing old palace, looking at the pictures in the corridors, this aspiration took on, for the first time, the contours of an imagined reality. This is what the nuclearists wanted: to sign treaties, to be pictured with the world's powerful, to hang portraits on their walls, to become ancestors. On the bomb they had pinned their hopes of bringing it all back. — Amitav Ghosh

Knowing a great deal about what is in the world art, catastrophe, the beauties of nature through photographic images, people are frequently disappointed, surprised, unmoved when the see the real thing. For photographic images tend to subtract feeling from something we experience at first hand and the feelings they do arouse are, largely, not those we have in real life. Often something disturbs us more in photographed form than it does when we actually experience it. — Susan Sontag

I have closely noted that people who watch a great deal of TV never again seem able to adjust to the actual pace of life. The speed of the passing images becomes the speed the aspire to and they seem to develop an impatience and boredom with anything else. — Jim Harrison

A great philosopher once said: 'We are what we Contemplate'
And in these modern times when mankind is constantly confronted with images of conflict and world disasters, it seems very important to contemplate the Beautiful.
It has become my personal crusade as an artist, to create images which uplift and nurture the human heart; to create that which serves as a reminder of what is Sacred and Beautiful within the drama of Life....
Ever since I can remember, my innermost nature has always been to do acts of kindness and to create, from saving lost animals, to organizing charitable events; from mothering my four children to now giving birth to the 'Art of Beauty'. — Ginger Gilmour

Above all we have to go beyond words and images and concepts. No imaginative vision or conceptual framework is adequate to the great reality. — Bede Griffiths

But the incredible thing for me in this moment was to see both these masks, of one and the same Being, melt inseparably into each other. Because here for the first time an agonising conflict resolved itself, which I, great-grandson of an idealistic, grandson of a romantic, and son of a materialistic race, had hitherto regarded as irreconcilable. It didn't exactly happen that an Either-Or metamorphosed into an As-Well-As. No, the real is just as fantastical as the fantastical is real.
That was the wonderful thing which delighted us about the doubled images we observed through the stereoscope as children: In the same moment in which they melted together into a single picture, the new dimension of depth burst out from them. — Ernst Junger

One great film The 33, based on a book The 33 or Deep Down Dark by Hector Tobar. A story about miners, which are locked in a cave and survive 69 days with not a lot of food. The book can't show a lot of images, but if you want to feel everything the film is the best choice, a lot of different emotions, one moment you see anger, other rage and many others... but survive, still remaining brothers up to today! — Deyth Banger

You [film critics] always overstress the value of images. You judge films in the first place by their visual impact instead of looking for content. This is a great disservice to the cinema. It is like judging a novel only by the quality of its prose. I was guilty of the same sin when I first started writing for the cinema ... Now I feel that only the literary mind can help the movies out of that cul de sac into which they have been driven by mere technicians and artificers. — Orson Welles

My two great loves when I'm shooting are working with great actors and composing images. — Tom Hooper

We're losing film, especially in projection, we're losing a great achievement of civilization. A still image and darkness make up 50% of the experience. The still images become movement in your head. That's the magic of cinema. — Laszlo Nemes

And young people who are learning digital skills discover that the real challenge is coming up with an image that resonates, first of all, with your self and hopefully, with an audience. They can learn all these new techniques and think that they're easier to use, but creating great images isn't about the tools. — Jerry Uelsmann

Coastal people never really know what the ocean symbolizes to landlocked inland people - what a great distant dream it is, present but unseen in the deepest levels of subconsciousness, and when they arrive at the ocean and the conscious images are compared with the subconscious dream there is a sense of defeat at having come so far to be so stopped by the mystery that can never be fathomed. The source of it all. — Robert M. Pirsig

In our world, in which religious images are losing their meaning, in which our customs are getting more and more secular, we are losing our sense of the eternal. I think it's a loss that has done a great deal of damage to modern art. Painting is a return to origins. — Antoni Tapies

The great thing about visual horror films is there's real potential for strong, beautiful imagery. It's the one genre that really lends itself to creating strong images. And I've always loved that idea of windmills - your mind aimlessly spinning. — Tim Burton

I got an image in my head that never got out. We see a great many things and can remember a great many things, but that is different. We get very few of the true images in our heads of the kind I am talking about, the kind that become more and more vivid for us as if the passage of the years did not obscure their reality but, year by year, drew off another veil to expose a meaning which we had only dimly surmised at first. Very probably the last veil will not be removed, for there are not enough years, but the brightness of the image increases and our conviction increases that the brightness is meaning, or the legend of meaning, and without the image our lives would be nothing except an old piece of film rolled on a spool and thrown into a desk drawer among the unanswered letters. — Robert Penn Warren

In al-Qaeda we see a terrorist grouping with, in many ways, a medieval ideology, employing today's technology to great advantage. It works in a thoroughly modern way, virtual, amorphous, franchised and unbounded by geography. It has recruited people from all over the world. It understands the power of images, both in its campaign of terror and in its recruitment and proselytising material. It skillfully exploits the instant communications and social networking of the IT age. — Eliza Manningham-Buller

Mike Forsberg's images give us bright openings onto a world ... Here on the Great Plains both people and trees and everything else are in some way shaped by wind and weather. This book, too, has been shaped by where it comes from, and that's just a part of its beauty. — Ted Kooser

I wish Howard Ashman was still alive so I could just meet him and tell him his words are magic. It's so fun to say. He has such great alliteration and paints the most vivid images with his lyrics — Tituss Burgess

She had realized there are only fragments, that 'memories' always consist of fragments the mind puts together into a pattern, adapts a picture staked out early without the need for a conenction with anything that really happened. A great deal is misunderstood by small children, then stored as images that attract similar images, confirming and reinforcing. — Marianne Fredriksson

Heaven and hell are within us, and all the gods are within us. This is the great realization of the Upanishads of India in the ninth Century B.C. All the gods, all the heavens, all the world, are within us. They are magnified dreams, and dreams are manifestations in image form of the energies of the body in conflict with each other. That is what myth is. Myth is a manifestation in symbolic images, in metaphorical images, of the energies of the organs of the body in conflict with each other. This organ wants this, that organ wants that. The brain is one of the organs. — Joseph Campbell

I think in a post-9/11 world, with the images coming back from Iraq, everybody knows more and more people who are going over there ... the images on the YouTube phenomenon where the violence is so immediate. Direct people need something stronger to respond to. I think that there's definitely a wave of directors - who are labelled the splat pack - who really, really care about making great scary movies. — Eli Roth

I begin to realize that my memory is a great catacomb, and that below my actual standing-ground there is layer after layer of historical ashes.
Is the life of mind something like that of great trees of immemorial growth? Is the living layer of consciousness super-imposed upon hundreds of dead layers? Dead? No doubt this is too much to say, but still, when memory is slack the past becomes almost as though it had never been. To remember that we did know once is not a sign of possession but a sign of loss; it is like the number of an engraving which is no longer on its nail, the title of a volume no longer to be found on its shelf. My mind is the empty frame of a thousand vanished images. — Henri Frederic Amiel

The Wars is a great book, rich in its images, its language, its construction, and, ultimately, its conception. — Guy Vanderhaeghe

We are afraid of the instincts. We are afraid of the intuition within us. We suppress the instincts, and we cut off our intuitional awareness from one another and from the world. The reason being some great shock to the procreative self. Now we know one another only as ideal or social or political entities, fleshless, bloodless and cold like Bernard Shaw's creatures. Intuitively we are dead to one another, we have all gone cold. But by intuition alone can man really be aware of man, or of the living, substantial world. By intuition alone can man love and know either woman or world, and by intuition alone can he bring forth images of the magic awareness which we call art. — D.H. Lawrence

My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool. — Fernando Pessoa

Because of the way human beings relate to narrative, we tend to identify with those characters we find appealing. We try to see ourselves in them. The same I.D.-relation, however, also means that we try to see them in ourselves. When everybody we seek to identify with for six hours a day is pretty, it naturally becomes more important to us to be pretty, to be viewed as pretty. Because prettiness becomes a priority for us, the pretty people on TV become all the more attractive, a cycle which is obviously great for TV. But it's less great for us civilians, who tend to own mirrors, and who also tend not to be anywhere near as pretty as the TV-images we want to identify with. Not only does this cause some angst personally, but the angst increases because, nationally, everybody else is absorbing six-hour doses and identifying with pretty people and valuing prettiness more, too. This very personal anxiety about our prettiness has become a national phenomenon with national consequences. — David Foster Wallace

F8 And Be There! For years, this was the cry of the photojournalist. It meant that 90% of a great photo was being in the right place at the right time. True, it was simplistic, but in the Age of Photoshop, this maxim is too often forgotten. No matter how much you play with the bits and bytes, the best images always start out with a great vision, clearly and cleanly seen. — Dewitt Jones

You usually get one or the other, you get someone who knows how to tell a story but they don't necessarily know about light and camera and rhythm, or you get someone who can make beautiful images but they can't necessarily tell a great story. He[Mark Webb] does both and I think he's going to be one of the film-makers that our time is remembered for. — Joseph Gordon-Levitt

The dismal half-baked images of the average "reportage" and "documentary" photography are self dammning ... the slick manner, the slightly obscure significance, the esoteric fear of simple beauty for its own sake - I am deeply concerned with these manifestations of decay. Gene Smith's work validates my most vigorous convictions that if the documentary photographs is to be truly effective it must contain elements of art, intensity, fine craft and spirituality. All these his work contains and we may turn to his work with gratitude, appreciation and great respect. — Ansel Adams

He thought, that all men, trickled away, changing constantly, until they finally dissolved, while the artist-created images remained unchangeably the same. He thought that the fear of death was perhaps the root of all art, perhaps also of all things of the mind. We fear death, we shudder at life's instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do. Perhaps the woman after whom the master shaped his beautiful Madonna is already wilted or dead, and soon he, too, will be dead; others will live in his house and eat at his table- but his work will still be standing hundreds of years from now, and longer. It will go on shimmering in the quiet cloister church, unchangingly beautiful, forever smiling with the same sad, flowering mouth. — Hermann Hesse

Resurrection, he thought, comes not by plan or effort, and should the past ever come alive, it will be a great surprise, in which images and ritual memory will pale. — Mark Helprin

The great wheel of fire of ancient wisdom, silence and word engendering the myth of the origin, human action engendering the epic voyage toward the other; historical violence revealing the tragic flaw of the hero who must then return to the land of origin; myth of death and renewal and silence from which new words and images will arise, keeps on turning in spite of the blindness of purely lineal thought. — Carlos Fuentes

It is a great priviledge to hear from the mouth of an initiate what struggles we are ensnared in and what the meaning is of the sacrifices we are required to make before veiled images. Even if we should hear something evil, it would still be a blessing to see our task as something beyond a senseless cycle of recurrence. — Ernst Junger

One of the great things about 'Jericho' that is a parallel with 'Over There' is, in this country, we tend to forget the news we don't want to know about. We're so oversaturated with media and other images that we can turn our head a little bit. — Sprague Grayden

He was drifting, I could hear it in his voice. He always fell asleep as easily as some great lazing cat, he only had to close his eyes and moments later he'd be gone, while my own mind kept on whirring round with scattered thoughts and images. — Susanna Kearsley

Logicians may reason about abstractions. But the great mass of men must have images. The strong tendency of the multitude in all ages and nations to idolatry can be explained on no other principle. — Thomas B. Macaulay

She opens the book. Each sheet has one or two antique photographs stuck with corner tabs. The images are neither black and white nor gray, but hold that brownish gold of time and exposure to air.

"This man is your great grandfather. Look at that face, Pedro. It is a mean mean face." He's standing in front of a wood pile, holding an axe. "I think he was only a teenager there, a long time before he met my mother. But look how handsome he was. And how mean."

It's funny the way she smiles when she talks about him. Saying he's mean has a perverse joy for her, as if she can stick her tongue out at him and his hands are tied so he can't slap her for doing it. She's right, though. There's no lingering smile, no potential for mirth in the burlap of his skin. I notice snow on the ground at his feet, but he's wearing a thin, unbuttoned shirt, showing no sign of cold. — Laurie Perez

Only a drummer-boy in a ballad or a story could have been so in the thick of the fight. She was taken into the confidence of passions on which she fixed just the stare she might have had for images bounding across the wall in the slide of a magic-lantern. Her little world was phantasmagoric - strange shadows dancing on a sheet. It was as if the whole performance had been given for her - a mite of a half-scared infant in a great dim theatre. She was in short introduced to life with a liberality in which the selfishness of others found its account, and there was nothing to avert the sacrifice but the modesty of her youth. — Henry James

Great images have both a history and a prehistory; they are always a blend of memory and legend, with the result that we never experience an image directly. Indeed, every great image has an unfathomable oneiric depth to which the personal past adds special color. Consequently it is not until late in life that we really revere an image, when we discover that its roots plunge well beyond the history that is fixed in our memories. In the realm of absolute imagination, we remain young late in life. But we must lose our earthly Paradise in order to actually live in it, to experience it in the reality of its images, in the absolute sublimation that transcends all passion. A poet meditating upon the life of a great poet, that is Victor-Emile Michelet meditating upon the life of Villiers de l'Isle-Adam, wrote: "Alas! we have to grow old to conquer youth, to free it from its fetters and live according to its original impulse. — Gaston Bachelard

You know, not every good book needs to be a movie, or a television series, or a video game. There's great work in those mediums, of course, but sometimes a book should remain a book. I still believe nothing tells a story with the richness and complexity of a good novel. When people say they think a book would make a good movie, they say this sometimes because, if it worked, they already saw all the images in the movie theatre that is in their brains. And sometimes that is the way it should stay. — Carlos Ruiz Zafon

And I understand my sisters when they say every woman has a story that's been told a maxim of one soul, maybe less
And that is why you'll never hear me call a woman slut, bitch or a dyke,
No matter what she does, because I do not blame her
I blame the men who have emotionally and physically raped her,
I blame these corporations whose images tell them they hate her,
And I put my arms on her shoulder and tell her how great to life and
to God that SHE created her — Mark Gonzales

A man's work is nothing but this slow trek to rediscover, through the detours of art, those two or three great and simple images in whose presence his heart first opened. — Albert Camus

Words and images run riot in my head, pursuing, flying, clashing, merging, endlessly. But beyond this tumult there is a great calm, and a great indifference, never really to be troubled by anything again. — Samuel Beckett

But it is possible, it is possible: the old grief, by a great mystery of human life, gradually passes into quiet, tender joy; instead of young, ebullient blood comes a mild, serene old age: I bless the sun's rising each day and my heart sings to it as before, but now I love its setting even more, its long slanting rays, and with them quiet, mild, tender memories, dear images from the whole of a long and blessed life
and over all is God's truth, moving, reconciling, all-forgiving! — Fyodor Dostoyevsky

everyday life - a series of incidents, some of which make an impression, while most are forgotten. Your consciousness is trained to repress. You crave a holiday, two weeks on a Greek island in the summer or, slighter shorter-term, a long weekend on a ferry to Denmark. Drinking, shouting, laughing, homing in on a woman with just the right kind of husky laugh, who has warm eyes and who thinks pointed shoes are absolutely great. But until that happens: days like photographic slides - images which flicker for a few seconds before disappearing, some easier to remember than others, but then those disappear, too. — K.O. Dahl

The old grief of the great mystery of human life gradually passes into a quiet, tender joy; in place of the boiling blood of youth there comes a meek serene old age: I bless the daily rising of the sun, and my heart sings to it as it did of old, but now I am more enamored of its setting, its long, oblique rays, and the quiet, gentle, tender memories that accompany them, the dear images from the whole of a long and blessed life
and above it all the truth of God, moving, reconciling, all-forgiving! — Fyodor Dostoyevsky

...The happy Warrior... is he... whose powers shed round him in the common strife, or mild concerns of ordinary life, a constant influence, a peculiar grace; but who, if he be called upon to face some awful moment to which Heaven has joined great issues, good or bad for human kind, is happy as a lover; and attired with sudden brightness, like a man inspired; and, through the heat of conflict, keeps the law in calmness made, and sees what he foresaw; or if an unexpected call succeed, come when it will, is equal to the need: he who, though thus endued as with a sense and faculty for storm and turbulence, is yet a soul whose master-bias leans to homefelt pleasures and to gentle scenes; sweet images! which, wheresoe'er he be, are at his heart; and such fidelity it is his darling passion to approve; more brave for this, that he hath much to love:- — William Wordsworth

It was just like a digital fixation with cards and math and science and then I started to look at images of great magicians from Houdini down the line. — David Blaine

I did not think I should be ever loved: do you indeed
Love me so much as now you say you do?
Ask of the sea-bird if it loves the sea,
Ask of the roses if they love the rain,
Ask of the little lark, that will not sing
Till day break, if it loves to see the day:
And yet, these are but empty images,
Mere shadows of my love, which is a fire
So great that all the waters of the main
Can not avail to quench it. — Oscar Wilde

Poetry taught me a great deal about language and images, but when it came to plotting, I was stumped. It's been very much a learn-by-doing thing for me. — Jennifer McMahon

This is natural: one must read Herodotus's book-and every great book-repeatedly; with each reading it will reveal another layer, previously overlooked themes, images, and meanings. For within every great book there are several others. — Ryszard Kapuscinski

The great mystery is not that we should have been thrown down here at random between the profusion of matter and that of the stars; it is that from our very prison we should draw, from our own selves, images powerful enough to deny our own nothingness. — Andre Malraux

When women get great roles in life, they start to get great roles in films and TV. Look at Janet Reno, Madeleine Albright, and Mrs. Thatcher. Because those images are coming at us in life, they are reflected in acting. — Helen Mirren

Before they had kids, if asked to conjure images of parenthood they would have said things like "Reading in bed," and "Giving a bath," and "Running while holding the seat of a bicycle." Parenthood contains such moments of warmth and intimacy, but isn't them. It's cleaning up. The great bulk of family life involves no exchange of love, and no meaning, only fulfillment. Not the fulfillment of feeling fulfilled, but of fulfilling that which now falls to you. — Jonathan Safran Foer

The pieces of the puzzle are visible, but not the grand design. Images flicker and dance like memories, hinting at events to come. They scatter the moment I reach for them only to re-form to taunt me. I who never truly possessed them, nor may I ever.
They do tell me this: a time of great change approaches and it's not enough to watch. We must act. We can't count on others to do our work for us or all may be lost.
- Oracle Lilian's Diary, Winter of 3765 — Mara Amberly

As soon as we confront concrete marriages with other foreign images-such as well-being, happiness, a home for children-marriage appears to be senseless, withered, moribund, and kept alive largely by a great apparatus of psychologists and marriage counselors. Marriage is dead. Long live marriage! — Adolf Guggenbhuhl-Craig

It is unwise to equate scientific activity with what we call reason, poetic activity with what we call imagination. Without the imaginative leap from facts to generalisation, no theoretic discovery in science is made. The poet, on the other hand, must not imagine but reason
that is to say, he must exercise a great deal of consciously directed thought in the selection and rejection of his data: there is a technical logic, a poetic reasoning in his choice of the words, rhythms and images by which a poem's coherence is achieved. — Cecil Day-Lewis

A number of Chinese filmmakers, including Chen Kaige and Li Shaohong, imitated Zhang's visual style in the early 1990s by multiplying various erotic images of the oriental Other for global consumption. Consequently, these films, usually sponsored by multinational corporations and catering to the tastes of global audiences, can be perceived as following the same model -- the Zhang Yimou model. To a great degree, this model also marks the end of formal experiment for the Fifth Generation directors because they must adopt a much more conventional way of filmmaking in order to meed the demand of the global market. — Tonglin Lu

They've found a way to privately, or within a small family group, share expressions, or other images, drawings, and then gain access to some of the world's great expressions and images and make them real, make them tangible. — John Doerr

I have been so great in boxing they had to create an image like Rocky, a white image on the screen, to counteract my image in the ring. America has to have its white images, no matter where it gets them. Jesus, Wonder Woman, Tarzan and Rocky. — Muhammad Ali

Along with the mystical wonderment and sense of ecological responsibility that comes with the recognition of connectedness, more disturbing images come to mind. When applied to economics, connectedness seems to take the form of chain stores, multinational corporations, and international trade treaties which wipe out local enterprise and indigenous culture. When I think of it in the realm of religion, I envision smug missionaries who have done such a good job of convincing native people everywhere that their World-Maker is the same as God, and by this shoddy sleight of hand have been steadily impoverishing the world of the great fecundity and complex localism of belief systems that capture truths outside the Western canon. And I wonder - if everything's connected, does that mean that everything can be manipulated and controlled centrally by those who know how to pull strings at strategic places? — Malcolm Margolin

Movies always fascinated me. They are an endless source of inspiration. There are countless images by great directors that made a profound impression on me, and I see film as a sublime example of teamwork. — Giorgio Armani

Ads sell a great deal more than products. They sell values, images, and concepts of success and worth. — Brene Brown

The great problems of life - sexuality, of course, among others - are always related to the primordial images of the collective unconscious. These images are really balancing or compensating factors which correspond with the problems life presents in actuality. This is not to be marveled at, since these images are deposits representing the accumulated experience of thousands of years of struggle for adaptation and existence. — Carl Jung

Plays are literature: the word, the idea. Film is much more like the form in which we dream - in action and images (Television is furniture). I think a great play can only be a play. It fits the stage better than it fits the screen. Some stories insist on being film, can't be contained on stage. In the end, all writing serves to answer the same question: Why are we alive? And the form the question takes - play, film, novel - is dictated, I suppose, by whether its story is driven by character or place. — Israel Horovitz

We are images of Adonai, and are responsible for one another, and for taking care of all on earth created by Adonai: just as Adonai is responsible for everything created. We learned to differentiate between good and evil. We can even create order out of chaos, as Adonai did on day one. We not only procreate, but also teach the next generations. (Deuteronomy 6:7). All of these abilities and responsibilities, we inherited when created in the image of Adonai. Every person also has a spark of Adonai within. We can choose to ignore this, or to embrace this. We have the power of choice. With this great power, comes great responsibility. You see, not only were we given the ability to reason, but also, we have the ability to create a new and different future, because we have the ability to change, both ourselves, and the world. — Laura Weakley

But I had no mind for these smooth things; instead, fear worked like yeast in my thoughts, and the fermentation brought to the surface, in great gobs of scum, the images of disaster; a loaded gun held carelessly at a stile, a horse rearing and rolling over, a shaded pool with a submerged stake, an elm bough falling suddenly on a still morning, a car at a blind corner; all the catalogue of threats to civilized life rose and haunted me; I even pictured a homicidal maniac mouthing in the shadows, swinging a length of lead pipe. — Evelyn Waugh

I've spent my life capturing beautiful images. And whether in wilderness or in the downtown of a giant city, I find connections, universal rhythms, patterns and beauty that I recognize as a part of me, a part of all of us that celebrates life. It's my great pleasure to share with you that energy which inspires me; this great visual beauty of our world. — Louis Schwartzberg

Because there are innumerable things beyond the range of human understanding, we constantly use symbolic terms to represent concepts that we cannot define or fully comprehend. This is one reason why all religions employ symbolic language or images. But this conscious use of symbols is only one aspect of a psychological fact of great importance: Man also produces symbols unconsciously and spontaneously, in the form of dreams. — C. G. Jung

What I want to do is make films that astonish people, that astound people, and I hope you want to do that too. It's easy to make money. It's easy to make films like everybody else. But to make films that explode like grenades in people's heads and leave shrapnel for the rest of their lives is a very important thing. That's what the great filmmakers did for me. I've got images from Fellini, from Bergman, from Kurowsawa, from Bunuel, all stuck in my brain. — Terry Gilliam

The reverie we intend to study is poetic reverie. This is a reverie which poetry puts on the right track, the track an expanding consciousness follows. This reverie is written, or, at least, promises to be written. It is already facing the great universe of the blank page. Then images begin to compose and fall into place. — Gaston Bachelard

The most racking pangs succeeded: a grinding in the bones, deadly nausea, and a horror of the spirit that cannot be exceeded at the hour of birth or death. Then these agonies began swiftly to subside, and I came to myself as if out of a great sickness. There was something strange in my sensations, something indescribably sweet. I felt younger, lighter, happier in body; within I was conscious of a heady recklessness, a current of disordered sensual images running like a millrace in my fancy, a solution of the bonds of obligation, an unknown but innocent freedom of the soul. I knew myself, at the first breath of this new life, to be more wicked, tenfold more wicked, sold a slave to my original evil and the thought, in that moment, braced and delighted me like wine. — Robert Louis Stevenson

I could Google image search 'the sky' and I would probably see beautiful images to knock my socks off. But I can't Google, you know, 'What does my friend look like today?' For you to be able to take a picture of yourself that you feel good enough about to share with the world - I think that's a great thing. — Ezra Koenig

The soul is one of the most venerable, enduring images of spiritual traditions worldwide. In The Great Field, John James brings new information to this ancient concept, and in so doing helps bridge the worlds of modern science and spirituality, which is one of the most urgent tasks of our time. — Larry Dossey

Dr. Kunkel's teacher, Dr. Jung, believed that archetypes are blueprints of the basic human qualities we all share. The archetypes themselves are undefinable natural patterns or forces that shape life in all ages and places. They cannot be known directly, but archetypal themes and images appear in myth, fairy tales, dreams, and fantasies. We tend to think of ourselves as unique individuals, and to a great extent we are. But just as there are shared patterns that shape our physical existence, such as having two arms and legs, two eyes, ten fingers and toes, so there are underlying patterns that shape our psychic existence. — Robert A. Johnson

You, yesterday's boy,
to whom confusion came:
Listen, lest you forget who you are.
It was not pleasure you fell into. It was joy.
You were called to be bridegroom,
though the bride coming toward you is your shame.
What chose you is the great desire.
Now all flesh bares itself to you.
On pious images pale cheeks
blush with a strange fire.
Your senses uncoil like snakes
awakened by the beat of the tambourine.
Then suddenly you're left all alone
with your body that can't love you
and your will that can't save you.
But now, like a whispering in dark streets,
rumors of God run through your dark blood. — Rainer Maria Rilke

Every word he wrote would be strong with that sweet purity and simplicity that was his gift alone, placing him higher than any living poet, secure on his pedestal apart from the world, like a great silent god above the little dwarfs of men tossed hither and thither in the stream of life. From the crystal clearness of his brain the images became words, and the words became magic, and the whole was transcendent of beauty, one thread touching another, alike in their perfection and their certitude of immortality. Thus it seemed to me he was not a living figure of flesh and blood, but a monument to the national pride of his country, his England, and now and then he would bow gravely from his pedestal and scatter to the people a small quantity of his thought, which they would grub for on their poor rough ground, then clasp to their hungry hearts as treasure. — Daphne Du Maurier

The human condition can almost be summed up in the observation that, whereas all experiences are of the past, all decisions are about the future. It is the great task of human knowledge to bridge this gap and to find those patterns in the past which can be projected into the future as realistic images. — Kenneth E. Boulding

Images adorn our inner life and carry great power there. — William Shirley

There is a great correlation between music and images. — Graham Nash

The images of the unconscious place a great responsibility upon a man. Failure to understand them, or a shirking of ethical responsibility, deprives him of his wholeness and imposes a painful fragmentariness on his life. — Carl Jung

What disturbs and depresses young people is the hunt for happiness on the firm assumption that it must be met with in life. From this arises constantly deluded hope and so also dissatisfaction. Deceptive images of a vague happiness hover before us in our dreams, and we search in vain for their original. Much would have been gained if, through timely advice and instruction, young people could have had eradicated from their minds the erroneous notion that the world has a great deal to offer them. — Arthur Schopenhauer

Truly great images make all the other millions of images you look at unimportant. You gotta look at an image and understand it in a nanosecond. — George Lois

The quintessential emblem of religion - and the clearest manifestation of the perversity that lies at its core - is the sacrifice of a child by a parent.
Almost all religious faiths incorporate the myth of such a sacrifice, and some have actually made it real. Lucretius had in mind the sacrifice of Iphigenia by her father Agamemnon, but he may also have been aware of the Jewish story of Abraham and Isaac and other comparable Near Eastern stories for which the Romans of his times had a growing taste. Writing around 50 BCE he could not, of course, have anticipated the great sacrifice myth that would come to dominate the Western world, but he would not have been surprised by it or by the endlessly reiterated, prominently displayed images of the bloody, murdered son. — Stephen Greenblatt

As an emerging photojournalist in the early 70s, my focus was on trying to create stories for magazines to the exclusion of almost everything else. I wish someone had told me then that the most personally important pictures you'll ever make are those about you and your life. I'm glad I had the chance to work for some great magazines, but I really miss those little everyday images, the ones that take place in and around your own life, which will never make the news. Don't sell yourself short: photograph your own life, not just everyone else's. — David

Imagine that someone came up with a brilliant new campaign against smoking. It would show graphic images of people dying of lung cancer followed by the punch line: 'It's easy to be healthy - smoke one less cigarette a month.' We know without a moment's reflection that this campaign would fail," wrote British climate activist and author George Marshall. "The target is so ludicrous, and the disconnection between the images and the message is so great, that most smokers would just laugh it off. — Naomi Klein

At the end of the day, my life isn't about other people's work. I've got to stop giving stuff away. I've got my own stories to tell, and a great need to tell them. I've got these images, these thoughts in my head, and I need to find a way to cope with them. — Paddy Considine

Beneath the skin, there is fear. Pain. Remorse. Yearning. Desire. A fierce longing for power. All of this. We are joined. It is as if we live in the center of a great storm. Around us the world of the realms revolves like a giant kaleidoscope, images refracted again and again. So many worlds! So much to know. — Libba Bray

HIPPOLYTA

But all the story of the night told over,
And all their minds transfigured so together,
More witnesseth than fancy's images
And grows to something of great constancy,
But, howsoever, strange and admirable. — William Shakespeare

All around the world, tourist boards advertise trips to Britain with images of the great castles and cathedrals that occupy the commanding heights of our landscape. They seem timeless and typically English. It is rarely mentioned that they are predominately French - proud monuments to the invasion that signals the end of England's 'dark age'. — Robert Winder

Your equipment DOES NOT affect the quality of your image. The less time and effort you spend worrying about your equipment the more time and effort you can spend creating great images. The right equipment just makes it easier, faster or more convenient for you to get the results you need. — Ken Rockwell

Music television is all about the media-oriented version of what it is to be a rock star; it's not about what Bob Dylan or Jimi Hendrix were about - which included great images, sure, but they had spiritual and political and revolutionary content, too. — Patti Smith

I hadn't seen 'Bride of Frankenstein' until high school or maybe even later than that. It's really one of the great movie experiences where you think you know what it's going to be, but it's so much weirder and so much better than anything you could've imagined. It's so full of these striking, powerful images. — Mike Mignola

Great lovers lie in hell, the poet says. Even now, long afterwards, I cannot destroy the images. They remain within me like the yearnings of an addict. I need only hear certain words, see certain gestures, and my thoughts begin to tumble. I despise myself for thinking of her. Even if she were dead, I would feel the same. Her existence blackens my life. — James Salter

UNREALITY IS THE HALLMARK of narcissism. Whether it's idealizations, expectations of perfection, manufactured images, illusions, distortions of fact, catastrophizing or other kinds of exaggerations, denial, or outright lying, Narcissists will go to great lengths to avoid any reality that evokes shame and to promote fanatasies that sustain their grandiosity and omnipotence. They require accomplices for this, people to admire them and do their bidding, — Sandy Hotchkiss

You are meant to judge physical reality. You are meant to realize that it is a materialization of your thoughts and feelings and images, that the inner self forms that world. In your terms, you cannot be allowed to go into other dimensions until you have learned the great power of your thoughts and subjective feelings. — Seth

Just as a fisherman cannot catch fish unless his line is in the water, a wildlife photographer cannot shoot great wildlife images unless he or she is out there with camera in hand and the knowledge of what to do then the 'magnificent moment' occurs. — George H. Harrison

What a concentration of images in Pasternak's swallow's nest! And, in reality, why should we stop building and molding the world's clay about our own shelters? Mankind's nest, like his world, is never finished. And imagination helps us to continue it. A poet cannot leave such a great image as this, nor, to be more exact, can such an image leave its poet. Boris Pasternak also wrote Man himself is mute, and it is the image that speaks. For it is obvious that the image alone can keep pace with nature. — Gaston Bachelard

The struggle for power had reached a new stage; it was fought with scientific formulas. The weapons vanished in the abyss like fleeting images, like pictures one throws into the fire ...
When new models were displayed to the masses at the great parades on Red Square in Moscow or elsewhere, the crowds stood in reverent silence and then broke into jubilant shouts of triumph ...
Though the display was continual, in this silence and these shouts something evil, old as time, manifested itself in man, who is an outsmarter and setter of traps. Invisible, Cain and Tubalcain marched past in the parade of phantoms. — Ernst Junger

So words play a very important part in our lives. Our life, it appears, is a network of complicated, interrelated words. Words have a great impact upon us, like 'god', 'democracy', 'freedom', 'totalitarianism'. These words conjure up familiar images. The words 'wife' and 'husband' are part of our everyday currency. But the word 'wife' is not actually the living person, with all her complexities and troubles. So the word is never the actual.

When the word becomes all-important, the living, the actual is neglected. — Jiddu Krishnamurti