You Know It's Real Quotes & Sayings

Music is real when it goes inside you. You know when you really love someone, and you look into their eyes and you know it's real? Even though I'm an electronic artist, I wanna keep it real. — Eva Simons

You know that moment in 'The Matrix' when Neo takes the red pill and is plunged into the real world? That's what it felt like when I first read 'Watchmen' - like someone was taking a can opener to my head to make room for Moore's audacious brilliance. — Libba Bray

Falling in love is like eating mushrooms, you never know if it's the real thing until it's too late. — Bill Ballance

I had a dream about you. In my dreams you are always different, perhaps even more real to me. How can I explain this to you? It seems like in my dreams I envision parts of you that you prefer keep under surface. You hide from me, as if there was something to hide. You push me away, in fear. Now, I know you are not afraid of me, but that you can't trust yourself, since it's beyond your control. I know it's frightening to love someone that much. I know it because I am afraid, too. And I just wish that for once, we would be afraid together. — Aleksandra Ninkovic

Does your manager know that you talk to your customers like this? (Blaine)
If you'd like to talk to my mother, who owns this bar, my overindulgent brother, who manages it, or my father, who delights in kicking everyone's ass around, about your treatment by me, just let me know and I'll be more than happy to go get one of them for you. I know they'd just love to waste their time dealing with you. They're real understanding that way. (Aimee) — Sherrilyn Kenyon

You're not old enough to have a real boyfriend," he muttered.
I stiffened.
"If I'm old enough to have babies, then I'm damn well old enough to have a boyfriend," I ground out. "And just as soon as I decide on who it's going to be, I'll let you know. — Katherine Allred

If I ever have to cast an acting role, I want the wrong person for the part. I can never visualize the right person in a part. The right person for the right part would be too much. Besides, no person is every completely right for any part, because part in a role is never real, so if you can't get someone who's perfectly right, it's more satisfying to get someone who's perfectly wrong. Then you know you've really got something. — Andy Warhol

I know California isn't a real destination. You can't get there from New Jersey, not simply by following a line drawn on a map. The process of arrival is more subtle and complex. It involves acts of contrition. You must appease the gods. You must find novel forms of penance. You must tattoo your children and look at the wonder. It's about conjuring and awakening and intuitions you wish you never had. — Kate Braverman

I have seen conversations that I had three years ago, when I was young, in love, and naive. I've grown a lot since those days. I now know that love isn't just that abstract feeling, because there are so many other sides to it. Sometimes you learn that to truly love someone you have to just support them as a person, and step out of their view finder. Be their friend and nothing else. Sometimes you learn to walk away and find what you need. You learn you knew nothing and that's when you grow up and change your ways. There may be no fairy take endings, but that is okay, because love is much more real than that. So much less superficial. — Jennifer Megan Varnadore

What I hear all the time is to stop and listen. When you do a scene 30 times, and know the lines, you stop listening. The point is to listen, that's the only thing that can make it real. — Parker Stevenson

Okay, my man, in a minute you are gonna hear a bunch of shit that's gonna knock your socks off. So, two seconds to prepare, Ivey is my best friend, outside you my only real one, as you know. What you don't know, she is not my lover. She's my friend. And I'm gay. You tell anyone, I'll shoot you and you know I'm not fucking with you about that. Deal with it. We gotta move on, like, now. — Kristen Ashley

There's a real feeling when you know you're getting it right. It's a physical feeling. — Robert Caro

When the writing is really working, I think there is something like dreaming going on. I don't know how to draw the line between the conscious management of what you're doing and this state ... I would say that it's related to daydreaming. When I feel really engaged with a passage, I become so lost in it that I'm unaware of my real surroundings, totally involved in the pictures and sounds that that passage evokes. — John Hersey

[ ... ]you don't have to be Sun freakin Tzu to know that real fighting isn't about killing or even hurting the other guy, it's about scaring him enough to call it a day. — Max Brooks

But wherever I am, whatever this world is, I've just got to be sure I'm me and that's what's real ... Know yourself and go in swinging. If it hurts when you hit it, it might be real, too. — Patrick Ness

I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that. — Emma Stone

Aw, honey - you sound real ready for it. You always get like this? All on edge like this, just about a second away from coming, before we've even started?"

How did he know? She didn't even know and she was the one about to do it.

"You know, most women can't come easy, this way. But it's good to know you can, 'cause baby I'm gonna work you so good on my cock, I swear to God. — Charlotte Stein

You know good and well that you don't want a problem like that, you gon' make someone around me catch a body like that. Ohhh, don't do it! Please don't do it. Cause one of us goes in and we all go through it. And Drizzy got the money, so Drizzy gonna pay it. Those my brothers, I aint even gotta say it, that's just something they know — Drake

I don't know how to be myself. It's like I'm permanently outside myself. Like, like you could push your hands straight through me if you wanted to. And I can see the type of man I want to be versus the type of man I actually am and I know that I'm doing it but I'm incapable of what needs to be done. I'm like Pinocchio, a wooden boy. Not a real boy. And it kills me. — Richard Ayoade

At Least I Am Free

At last I am free
I can hardly see in front of me
I can hardly see in front of me

And now love please listen
To what I say
I can't go on living life this way
I've tried and I've tried
To make you see
You call this love
All this lying, my friend, it just can't be

At last I am free
I can hardly see in front of me
I can hardly see in front of me

And now love, please hold me
Come closer, my dear
It feels so good, just having you near
But who am I fooling
When I know it's not real?
I can't hide
All this hurt and pain inside I feel — Elisabeth Fraser

Also, unless you critique moralism, many irreligious people won't know the difference between moralism and what you're offering. The way to get antinomians to move away from lawlessness is to distinguish the gospel from legalism. Why? Because modern and post-modern people have been rejecting Christianity for years thinking that it was indistinguishable from moralism. Non-Christians will always automatically hear gospel presentations as appeals to become moral and religious, unless in your preaching you use the good news of grace to deconstruct legalism. Only if you show them there's a difference - that what they really rejected wasn't real Christianity at all - will they even begin to consider Christianity.2 — Tullian Tchividjian

Unfortunately, oppression does not automatically produce only meaningful struggle. It has the ability to call into being a wide range of responses between partial acceptance and violent rebellion. In between you can have, for instance, a vague, unfocused dissatisfaction; or, worst of all, savage infighting among the oppressed, a fierce love-hate entanglement with one another like crabs inside the fisherman's bucket, which ensures that no crab gets away. This is a serious issue for African-American deliberation.
To answer oppression with appropriate resistance requires knowledge of two kinds: in the first place, self-knowledge by the victim, which means awareness that oppression exists, an awareness that the victim has fallen from a great height of glory or promise into the present depths; secondly, the victim must know who the enemy is. He must know his oppressor's real name, not an alias, a pseudonym, or a nom de plume! — Chinua Achebe

Reading all my old love letters was disorienting. You remember thinking the thoughts and writing the words but, man, you can't TOUCH those feelings. Its like they belonged to someone else. Someone you don't even know. I'm aware, in an intellectual way. That I felt all those things about him, but this emotions are far away now.
What's so strange to me is that I can't even force my heart back to that place where I felt that all consuming passion. That makes me feel distant from myself. Who WAS I then? Will I ever be able to get back to that place? Reading the letters again made me wonder: Which is the real me? The one who saw the world in that emotionally saturated way, or the me who sees it the way I do now? — Bill Shapiro

I don't know why you want to hang out when I'm half asleep?"
Cooper leaned over and kissed me softly. His lips sucked at my bottom lip for a second before he pulled back and relaxed into the corner of the couch. "You pout when you sleep."
"Huh?"
"Like an angry little pout," he said, demonstrating with his lips. "It's the hottest thing I've ever seen. I thought you might give me a real talking to like my old gym teacher. Man, did that bitch hate me."
"I'm sure she had her reasons."
Cooper snorted. "Of course, you'd take a stranger's side over the guy who's feeding you."
"Maybe you called her a bitch forty times."
"Yeah, there was that. — Bijou Hunter

Almost all Japanese animation is produced with hardly any basis taken from observing real people, you know. It's produced by humans who can't stand looking at other humans. And that's why the industry is full of otaku! — Hayao Miyazaki

I've seen him before you know. In real life." "What? When?" I catch a twinge of hurt in her voice for not filling her in on it earlier. "When I was at Sephora," I tell her. "So he's a metrosexual ghost as well?" Dex asks. — Karina Halle

As soon as we were outside, I whipped my hand from his. 'What's the matter with you? You know he was wrong.'
Stacey swallowed to flush his anger, then said gruffly, "I know it, and you know it, but he don't know it, and that's where the trouble is. Now come on before you get us into a real mess. — Mildred D. Taylor

That's the trouble with a story spinner. You never know what's real and what's made up. Even when they are telling the truth, they can't stop themselves from spinning it into something better; something prettier, with more of a pattern to it. — Philip Reeve

I do lay in some opinions here and there. For example, I don't think it should be socially acceptable for people to say they are "bad with names." No one is bad with names. That is not a real thing. Not knowing people's names isn't a neurological condition; it's a choice. You choose not to make learning people's names a priority. It's like saying, "Hey, a disclaimer about me: I'm rude." For heaven's sake, if you don't know someone's name, just pretend you do. Do that thing everyone else does, where you vaguely say, "Nice to see you!" and make weak eye contact. So, — Mindy Kaling

Braeden sighed and looped his arm across my shoulders again and steered me toward a stack of books. "So innocent," he mused. "Tutor girl, as your man's best friend and your self-appointed big brother, I feel like it's time I teach you about the real world."
"You're my self-appointed big brother?" I asked, looking up at him.
He nodded like it was obvious. "You and Rome ... you're an exception to the rule. You two are the real deal, but most guys, guys like me, aren't looking to settle down. They like - "
"To have fun?" I finished for him, slightly amused.
"Exactly."
"But what about the girls?" I asked.
He gave me a clueless look.
I sighed. "Maybe it's me who needs to teach you, brother."
He lifted an eyebrow.
"Guys might want to have fun," I said, using his words, "but girls have a harder time keeping their feelings from getting involved."
"Relax, tutor girl," Braeden said. "I know how to handle things."
-Braeden & Rimmel — Cambria Hebert

You are in love, at a point where pride and apprehension scuffle within you. Part of you wants time to slow down: for this, you say to yourself, is the best period of your whole life. I am in love, I want to savour it, study it, lie around in languor with it; may today last forever. This is your poetical side. However, there is also your prose side, which urges time not to slow down but hurry up. How do you know this is love, your prose side whispers like a sceptical lawyer, it's only been around for a few weeks, a few months. You won't know it's the real thing unless you (and she) still feel the same in, oh, a year or so at least; that's the only way to prove you aren't living a dragonfly mistake. Get through this bit, however much you enjoy it, as fast as possible; then you'll be able to find out whether or not you're really in love. — Julian Barnes

Not that I say,"Oh,I'm not going to associate with certain people.," but I have my world,and I only want to be around people who I feel stimulated by. I have to be honest I do have a new quest: I want to meet more vegetarians,people who are more like minded. There's something real neat about that feeling. It makes you feel so settled to know there's somebody else sitting right there,being so passionate about what I'm passionate about. I don't want to be around selfish people. I try to keep myself surrounded by deep people who will move me. — Alicia Silverstone

People that I care about, that I consider being friends of mine, most of the things I discuss with them I wouldn't discuss in public because it's a real relationship. It's not a relationship for the public, you know? — Common

Peter Gibbons: The thing is, Bob, it's not that I'm lazy, it's that I just don't care.
Bob Porter: Don't... don't care?
Peter Gibbons: It's a problem of motivation, all right? Now if I work my ass off and Initech ships a few extra units, I don't see another dime; so where's the motivation? And here's something else, Bob: I have eight different bosses right now.
Bob Slydell: I beg your pardon?
Peter Gibbons: Eight bosses.
Bob Slydell: Eight?
Peter Gibbons: Eight, Bob. So that means that when I make a mistake, I have eight different people coming by to tell me about it. That's my only real motivation is not to be hassled; that, and the fear of losing my job. But you know, Bob, that will only make someone work just hard enough not to get fired. — Mike Judge

How are you feeling, man?" he asks me.
"Great," I tell him, and it is purely the truth. Doves clatter up out of a bare tree and turn at the same instant, transforming themselves from steel to silver in the snow-blown light. I know at that moment that the drug is working. Everything before me has become suddenly, radiantly itself. How could Carlton have known this was about to happen? "Oh," I whisper. His hand settles on my shoulder.
"Stay loose, Frisco," he says. "There's not a thing in this pretty world to be afraid of. I'm here."
I am not afraid. I am astonished. I had not realized until this moment how real everything is. A twig lies on the marble at my feet, bearing a cluster of hard brown berries. The broken-off end is raw, white, fleshly. Trees are alive.
"I'm here," Carlton says again, and he is. — Michael Cunningham

I don't want to sound too silly or pretentious about this, but, you know, I love being in Paris. I love working at Louis Vuitton. I love fashion. That's why I do it. No one's forcing me to do this. And nobody forces anyone to buy it. It's a real love affair. — Marc Jacobs

It's a real leveller, you know, to do theatre at least once every two years. — Brenda Blethyn

If you want to make yourself more sensitive to the small details in your work, cultivate a habit of imagining, as specifically as possible, what you expect to see and do when you get to your desk. Then you'll be prone to notice the tiny ways in which real life deviates from the narrative inside your head. If you want to become better at listening to your children, tell yourself stories about what they said to you at dinnertime last night. Narrate your life, as you are living it, and you'll encode those experiences deeper in your brain. If you need to improve your focus and learn to avoid distractions, take a moment to visualize, with as much detail as possible, what you are about to do. It is easier to know what's ahead when there's a well-rounded script inside your head. — Charles Duhigg

In real life we don't know what's going to happen next. So how can you be that way on a stage? Being alive to the possibility of not knowing exactly how everything is going to happen next - if you can find places to have that happen onstage, it can resonate with an experience of living. — Sam Shepard

He leans over and snarls, "Yo' mama."
I grin. "She's yo' mama too, and I'm telling her you said that."
He opens up his arms, taunting me, "Do it. I'll tell her the real story about the dried basil leaves in your sock drawer."
The motherfucker. "It was yours! I was hiding it for you!"
He shrugs. "She don't know that. — Belle Aurora

I never even thought the sophomore slump existed. You hear the saying, but you never thought it was for real or anything. But that's kind of what happened to us last year, and I don't know really why that is. — Kasey Kahne

You're scared," he said quietly.
"Scared?" I scoffed. "Of what?"
"Of anything real. And what we have is real. You love me and it terrifies you."
"I don't love you," I lied.
He grabbed my face then, dragging me closer with both hands. "You love me. I know you do. I know it because I can see it in your eyes ... in the way you look at me." He inhaled. "It's the same way I look at you. — Sophie Jordan

He glanced over at me. 'Scared? Of Reggie? What, she thinks he might force her to give up caffeine for real or something?'
'No,' I said.
'Of what, then?' he asked.
I paused, only just now realizing that the subject was hitting a little close to home. 'You know, getting hurt. Putting herself out there, opening up to someone.'
'Yeah,' he said, adding some cheese straws to the car, but risk is just part of relationships. Sometimes they work, sometimes they don't.'
I picked up a box of cheese straws, examinig it. 'Yeah,' I said. 'But it's not all about chance, either.'
'Meaning what?' he asked, taking the box from me and adding the rest.
'Just that, if you know ahead of time that there might an issue that dooms everything- like, say, you're incredibly controlling and independent, like Harriet- maybe it's better to acknowledge that and not waste your time. Or someone else's. — Sarah Dessen

I had a good time that night, too," Michael said, "but I kept thinking, This is forever. This is forever. You will have this good time again and again, a million times over, until it will be like a play in which you and Laura and a few fugitive lives sit around an imaginary fire and talk and sing songs and love each other and sometimes throw imaginary brands at the eyes blinking beyond the circle of imaginary firelight. And then I thought - and this is where I sounded just like a real philosopher - And even when you admit that you know every line in the play and every song that will be sung, even when you know that this evening spent with friends is pleasant and joyful because you remember it as pleasant and joyful and wouldn't change it for the world, even when you know that anything you feel for these good friends has no more reality than a dream faithfully remembered every night for a thousand years - even then it goes on. Even then it has just begun. — Peter S. Beagle

L.A. is such a real, active place. My mother was very into the core of the city. She worked in politics, and you have to know your territory. It's an active matrix; we're all parts of it, but people don't often stop to wonder what's going on. — Janet Fitch

I'm just a girl from Flatbush, Bo. There's nothing special here.""You're so wrong.""I know what people think. To friends and family I'm sweet and helpless. To guys I'm a body.""Your body is spectacular. I'm not going to pretend I don't see that. But I can have any body. You've lit something inside me. And it's you, not your assets.""You don't know me. We've hardly scratched the surface.""That's why I need time. I want to know your story, your dreams, your longings. Every part I see makes me want more." He was speaking her own desire to understand him, because his real self called to her more strongly than anyone she'd known , even people she'd known for years. — Kristen Heitzmann

There's a lot of thought in art. People get to talk about important things. There's a lot of sex, you know, in art. There's a lot of naked women and men, and there's intrigue, there's fakery. It's a real microcosm of the larger world. — Steve Martin

Most people don't know what they're talking about. They move their mouth and say things because they don't want to admit they don't know. Or they think they know, but it's just confabulation and biases. So ignore them unless what they say resonates with some real wisdom inside of you. Assume they're a fool and find out the truth for yourself. — Derek Sivers

I laughed. "I don't care if you're nice or not. I just want you to be you. No more pretending. I think it's time we all got to know the real Logan Lyke."
"What if I don't know who the real me is?" he asked.
"Then I guess you better find yourself," I smiled. — Micalea Smeltzer

The first problem of any kind of even limited success is the unshakable conviction that you are getting away with something, and that at any moment now they will discover you. It's Imposter Syndrome, something my wife Amanda christened The Fraud Police.

In my case, I was convinced that there would be a knock on the door, and a man with a clipboard (I don't know why he carried a clipboard, in my head, but he did) would be there, to tell me it was all over, and they had caught up with me, and now I would have to go and get a real job, one that didn't consist of making things up and writing them down, and reading books I wanted to read. — Neil Gaiman

You been forgetting Who's in charge and who ain't. So here's what I'm gone do: I'm gone send a storm so big it rips the roof off the shed where you keep that mule you so proud of. Then I'm gone send hail big as walnuts down on that mule, making it break its leg trying to bust out of there. Then, just so you know for sure it's Me you dealing with, the next morning after you put that mule down and buried it and you up on the ladder trying to nail the roof back onto the shed I'm gone to let that weak top rung, the one you ain't got around to fixing yet, I'm gone let it rot all the way through so you fall off and break your own leg, and I'm gone to send Florence and Lilly Mae to a birthing and the twins out to the far end of the field so you laying there half the day. That'll give you time to think real hard on what I been trying to tell you. — Hillary Jordan

English and Gym. That's it. Look, do you know how difficult it is to write about being at school convincingly? It's been years since Stephfordy graduated, so it'll save us all a lot of time and effort if we just stick to two real subjects... — Stephfordy Mayo

I like the adventures because you know that when they say, "I've got a plan," and then they tell you, you know it's not going to work. And when they say, "I've got a plan," and they don't tell you, you know it is going to work, and it's all very exciting. I thought real life might be like that for a while, so I didn't tell anybody what I wanted to happen, but it didn't make any difference. I knew I was kiddin' meself. — Dave McKean

Disorder in the house
The doors are coming off the hinges
The earth will open and swallow up the real estate
I just got my paycheck
I'm gonna paint the whole town grey
Whether it's a night in Paris or a Fresno matinee
It's the home of the brave and the land of the free
Where the less you know the better off you'll be — Warren Zevon

Am I a fruitcake? I don't know. Perception is reality, so if I sit here and say, "I'm not a fruitcake, I'm a lemon cake," it doesn't matter. What you see me as in your world is what I am; it doesn't matter what I am - do you know what I mean? To me, I know what my real problems are - and they're certainly not about cake. And that's just the way it is. — Macy Gray

I think we've met our quota for tearful reunions," she chuckled against the top of my head.
"When this is done, I promise I'm never going to leave the house ever again. We'll just stay in and order pizza and watch bad television."
Mom pulled away and looked over my shoulder. "Oh, I think you might want to get out every now and then," she said.
I felt the warm weight of Archer's hand on my waist. "Hey, I like pizza and bad TV."
I turned to him, surprised. "Your chest-"
"Cal," he said by way of explanation. "I owe that guy, like, a mountain of burgers. It's getting embarrassing."
Mom flashed me a little smile before saying, "You know, this isn't how I imagined meeting Sophie's first real boyfriend."
"Mom."
Archer gave me a little squeeze. "You mean I'm the first guy your parents have rescued from an enchanted island via use of a magic mirror? I feel so special. — Rachel Hawkins

I loved them in the way one loves at any age - if it's real at all - obsessively, painfully, with wild exaltation, with guilt, with conflict; I wrote poems to and about them; I put them into novels (disguised of course); I brooded upon why they were as they were, so often maddening, don't you know? I wrote them ridiculous letters. I lived with their faces. I knew their every gesture by heart. I stalked them like wild animals. I studied them as if they were maps of the world - and in a way, I suppose they were." She had spoken rapidly, on the defensive ... if he thought she didn't know what she was talking about! "Love opens the doors into everything, as far as I can see, including and perhaps most of all, the door into one's own secret, and often terrible and frightening, real self. — May Sarton

Make each feature work hard to be implemented. Make each feature prove itself and show that it's a survivor. It's like "Fight Club". You should only consider features if they're willing to stand on the porch for three days waiting to be let in.
That's why you start with no. Every feature request that comes in to us - or from us - meets a no. We listen but don't act. The initial response is "not now". If a request for a feature keeps coming back, that's when we know it's time to take a deeper look. Then, and only then, do we start considering the feature for real. — 37 Signals

And what's wrong with innocence, anyway? Huh? I don't get it. I grew up with no innocence. None. From day one, I was contaminated with the 'real world' and you know what? It sucked. It royally sucked." - Harper Bailey, Callum & Harper — Fisher Amelie

It's a tough thing to know that when you're making your album, you're going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying. — Ben Folds

Every place you have ever imagined is real.
There's a fictional city in your mind and you know every corner of it.
Your mind is a world and each of us is a place. — Unknown

Whales, for example, also navigate with sound, but they're now beginning to be beached because the ocean is getting too noisy. Weird things like that. I mean this is very real. Like, if you look at the satellites in the sky at night you know it's an eerie sense of we're ... — DJ Spooky

You matter as much as the things that matter to you. And I got so backwards trying to matter to him. All this time, there were real things to care about: real, good people who care about me, and this place. It's so easy to get stuck. You just get caught in being something, being special or cool or whatever, to the point where you don't even know why you need it; you just think you do. — John Green

Yes! Yes. Thank you. I'm on my way right now, so I'll see you later, you know, like, in five minutes. And I'll just wait in the car - you can send them out so we don't take up any more of your time. So say hi to Clark for me, you know, since I might not get a chance to talk to you from the car. But thanks so much for watching the kids for me, and I'll see you later . . . in five."

There was a pause. Then Angela's voice piped up, as enthusiastic as ever.

"Okay, see you later in five!"

Oh great, Becky thought as she jogged back to her car. Now Angela would be using that phrase, convinced it was a real idiom. And it would be all Becky's fault. As if the poor lady didn't have enough communication problems as it was, what with the excessive exclaiming. — Shannon Hale

Why is it Americans are socially permitted to say 'fricking' when in fact everyone knows the word they're actually saying is 'fucking'?
... here you have some bland ho-bag telly presenter saying 'I'm so fricking mad' about whatever, while you, the home viewer, know she's three millimeters away from saying 'I'm so fucking mad'. But instead of being outraged because she basically said 'fucking' on TV, everyone giggles, like she's being cute.
... it's like ten times worse because the public is thinking 'fucking, fucking, fucking'. They're so full of shame or so socially conditioned that the mental effect of saying the word 'fucking' is technically amplified. By actually saying the word 'fucking' in real life, instead of 'fricking', you're doing American society a favor. — Douglas Coupland

It's all sort of dreams and it's all illusion. It's theater; it's not real. We're making up stories, you know, and people tend to run into you and believe you are your characters. And I suppose the funny thing is the longer you go, you do become sort of some version of [your characters]. You both diverge from them - you know - you live, but you also permanently inhabit that geography and that mental space - and so you do morph a little bit. We do become what we imagine. — Bruce Springsteen

It's entirely possible to get to know someone without actually seeing them in person. In fact, it's better like that because none of the superficial stuff gets in the way. You really get to know a person. And it's easier to express yourself when you're writing things down. At least it is for me. I like to order my thoughts, and delete them if they don't make any sense. You can't do that in real life. — Cat Clarke

Keesha looked at me for a long time. "I did leave you alone. We all did. But you didn't get better. You didn't stop. You're still doin' all your weird shit. And I think it's time to stop."
"You think it's time to stop!" I exploded, and lunged at her with my hands outstretched. I pushed her real hard. She almost fell down. "I don't care what time you think it is!" I screamed. "Do you think I want to do this! Do you think I like it?"
"You pushed me!"
"Yeah. So what?"
"You're so afraid of being interrupted that you pushed me!"
"I'm not scared of being interrupted, you jerk! I'm ... I'm scared ... I'm scared of being." I crumpled into a ball and sat down where I was standing. I sat on a crack. Unevenly.
"Who are you anymore, Tara?"
Tears spilled over my frozen lashes and disappeared across my cheekbones. I had never felt so defeated. "I don't know. — Terry Spencer Hesser

It's only sixteen ninety-five," I say with a flutter of my lashes.
"You're serious."
I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don't I look serious?"
She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says.
"Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be - " I spin and strike another pose. "An inspiration."
She sniffs and swipes at her eyes. "The real Dylan would die before he'd be seen in public in something like that."
"The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he's not one fourth the kisser I am."
"Is that right?" Her lips quirk.
"You know it is."
Her smile melts, and her breath comes faster. "Yeah. I do. — Stacey Jay

I think I find tactile things, you know. Just the feeling of blood itself is enough for me. If you, even if it's not real blood. I mean that's enough, like sometimes there are very simple things that are enough. — Jake Gyllenhaal

I love really exploring ... you know, a cop drama for example is a great way to explore class in this country and explore, you know, really, identity in the country and who we are in a way that is extremely exciting, but it's also real, you know, it's also real people and real drama. The same with the military. I mean, a good science fiction story is also great. — Ethan Hawke

There are all kinds of things that can scare you every day. What if someone you know gets cancer? What if something happens to you sister or your friends or your parents? And what if you get hit by a car crossing the street or the kids at school find out what an unnatural freak you are and what if you go too far out in the lake and the water is over your head and what if there's a fire or a war?
And you can lie awake at night and worry about these things because it's scary and unpredictable, but it's REAL. It's possible.
-Mackie Doyle, The Replacement — Brenna Yovanoff

We don't know love like we should. We always talk about 'I have unconditional loveunconditional love iswe don't even know it. Because if a person stops stimulating us, we stop loving them. You're not interesting to talk to anymore, goodbye. But that real love, that love that sometimes is difficult, difficult to have. That's that love. And that's a confidence builder. — Lauryn Hill

Brooks stuck his hands in his pockets and examined his shoes. It would be nice to be known fully and still loved, but what if it was one or the other? What if by the time someone got to know you, the person didn't love you anymore? And when could you be sure the person really knew you? Two years? Four? It was probably better to pull back while the going was good, rather than to risk losing a marriage on the gamble of someone's still liking the real you, the forty-years-of-marriage you. Yes, definitely better to leave good things alone. Things such as friendship.
"You look like someone ran over your dog." Blanche nudged him with her elbow. — Mary Jane Hathaway

They say you never know who's the real hero and who's the real coward until you're looking death in the face. I've always been afraid of plenty of things, but fear isn't what makes you a coward. It's how depraved your heart becomes when fear gets pumped through it. — Neal Shusterman

If you dread tomorrow it's because you don't know how to build the present, and when you don't know how to build the present, you tell yourself you can deal with it tomorrow, and it's a lost cause anyway because tomorrow always ends up being today don't you see ... We have to live with the certainty that we'll get old and that it won't look nice or be good or feel happy. And tell ourselves that it's now that matters: to build something now at any price using all our strength. Always remember that there's a retirement home waiting somewhere and so we have to surpass ourselves every day, make every day undying. Climb our own personal Everest and do it in such a way that every step is a little bit of eternity. That's what the future is for: to build the present with real plans made by living people. — Muriel Barbery

Somewhere out there is a true and living prophet of destruction and I dont want to confront him. I know he's real. I have seen his work. I walked in front of those eyes once. I wont do it again. I wont push my chips forward and stand up and go out to meet him. It aint just bein older. I wish that it was. I cant say that it's even what you are willin to do. Because I always knew that you had to be willin to die to even do this job. That was always true. Not to sound glorious about it or nothin but you do. If you aint they'll know it. They'll see it in a heartbeat. I think it is more like what you are willin to become. And I think a man would have to put his soul at hazard. And I wont do that. — Cormac McCarthy

This is an important lesson to remember when you're having a bad day, a bad month, or a shitty year. Things will change: you won't feel this way forever. And anyway, sometimes the hardest lessons to learn are the ones your soul needs most. I believe you can't feel real joy unless you've felt heartache. You can't have a sense of victory unless you know what it means to fail. You can't know what it's like to feel holy until you know what it's like to feel really fucking evil. And you can't be birthed again until you've died. — Kelly Cutrone

I hide myself in my words. There's a cipher, and one half is in my writing and the other half is in me, and if you have them both then you'll understand everything. Strangers think it's just a story, but you'll know what's real. You'll know who I really am. — Leah Raeder

I want to know something real. Something that not everyone in the world knows about you." His puppy face deepens, his mouth sagging at the corners.

"I can't get to sleep when I have socks on, but my feet are always cold so it's kind of a problem. — Jasmine Warga

That's something - you laugh about Eminem ... It's funny, man, because I didn't like him when he first came out, ya know. It seemed like a big joke. But I think the guy's for real, and I like his lyrics! — Alan Vega

The strength of the script, for me, was that you're really left, right till the end, to know what's happening. This seemingly perfect, happy, kooky real relationship slowly turns into something horrifying, but you get there through a filter of reality with all of it. — Harry Treadaway

It is easy to jump out of the village, move to the cities, and spend your time poking fun at the little places we hail from and their routine ways, but deep down inside you know that's where the real people are, the truly decent souls, and you fight and fight to deny it, until you need them so bad it hurts. p.223
Brendan ... I get it! — Brendan Cowell

This date. You're really giving me a chance, right? I need for you to be open to things and not just playing along because I said I would keep chasing. I need a real chance because you've got me all messed up inside."

Staring up at Cooper, I held his gaze and forced a smile. "I like you a lot. I don't think we make any sense, but I wish we did."

"We could though," he said, taking my hand. "You're scared of all the surface stuff. The tats and the way I mouth off, but that's surface. On the inside, I know you're special. It's why I need a chance."

"I'm going on the date."

Sighing, Cooper frowned. "Because I said I would basically stalk you until you said yes."

"I don't expect anything from tonight. Good or bad. I just want to see what happens. I'm giving you a chance. — Bijou Hunter

It's good you have something to keep you occupied." I smile stiffly and turn away from her. Because I'm this far from asking what the fuck she thinks I do all day. But even through the surge of anger that's rising, I remind myself of what I know is true: she means well. They all do. These women want me to receive all of God's blessings, many of which can be bestowed only after my temple marriage, which should be my first objective. Everything I've done so far (my two graduate degrees, my international travels, my teaching career, my friendships, my creative pursuits), is "preparing." Treading water, keeping time, staying busy until real life begins. — Nicole Hardy

Storytelling, you know, has a real function. The process of the storytelling is itself a healing process, partly because you have someone there who is taking the time to tell you a story that has great meaning to them. They're taking the time to do this because your life could use some help, but they don't want to come over and just give advice. They want to give it to you in a form that becomes inseparable from your whole self. That's what stories do. Stories differ from advice in that, once you get them, they become a fabric of your whole soul. That is why they heal you."

~Alice Walker, in an interview about her work in Common Boundary, 1990 — Alice Walker

Exactly. You know what it says in the Book of Job." "Remind me." "Well, Satan is there in heaven, with God. God says, where have you been? And Satan says, roaming around the earth! It's a regular conversation. And they begin arguing about Job. Satan believes Job's goodness is founded entirely upon his good fortune. And God agrees to let Satan torment Job. This is the most nearly true picture of the situation which we possess. God doesn't know everything. The Devil is a good friend of his. And the whole thing is an experiment. And this Satan is a far cry from being the Devil as we know him now, worldwide." "You're really speaking of these ideas as if they were real beings ... — Anne Rice

It's a great idea to analyze how screen time has changed your life and how it alters your behavior. If you don't like what you see, implement changes. Get comfortable again with real human connection and don't give so much power to the screen and what is behind it. Real life is in the present moment, happening right now. We never know how many days we have in front of us. Let's live them fully, not virtually. — Jennifer L. Scott

What sucks even more is getting hung up on the "what is he thinking and feeling?" shit. Does he miss me as much as I miss him? No. If he did, you'd know it by his actions. Is he seeing someone else? Maybe. Probably. Or at least he's planning on it. Again-it sucks, but if you get real about it you'll realize that knowing the answers to these questions still doesn't change the fact that your relationship didn't make the cut. — Greg Behrendt

Do you want to know something? I have three pairs of kid gloves. I've had kid mittens before from the Christmas tree, but never real kid gloves with five fingers. I take them out and try them on every little while. It's all I can do not to wear them to classes. — Jean Webster

Do you know the real secret of how Presidents become Presidents?" Before I can answer, he explains, "It's because they're good at getting people to do things for them. In fact, they're not just good at it. They're maestros. Virtuosos. To get that title of President, you need thousands of people doing thousands of different things, all for your benefit. It's a massive churning machine. And y'know what feeds that machine?" he asks. "People like you, Beecher. It's fed with your life, and your family, and your reputation. Because when things go wrong ... and they always go wrong ... the President isn't allowed to have that skunk smell around him. So when that happens, he doesn't just replace you. He crumples you up, tosses you out back, and ... chomp goes the woodchipper. — Brad Meltzer

I know that look. It comes in the quiet moments, like this one. I know you're thinking that this is all your fault and that I would be better off without you. But here's the thing you need to understand. You are my peace and my home. You are the everything. The pain isn't real. The hearts are. — Brodi Ashton

Wait," I cleared my throat. "He eats the cows?"
"What else would he do with them?" Morgan put his empty brownie plate with the rest of the trash.
"I thought he had the cows because of his wife."
"He does."
"Then how can he eat them?"
"What do you think they were going to do with the first cow?"
"I don't know, I just thought, well ... I don't know what I thought, but it sure wasn't grinding them up and making burgers. That just seems wrong."
"Why?"
"They remind him of his wife."
"And she ran a restaurant. C'mon, Grant, this is real life, not a Hallmark movie. Man's gotta eat. — Adrienne Wilder

Songwriting ability is a gift. After a while, you come to realize, "I've really been blessed. I can write these things and it makes me happy, and it makes millions of people happy." It's an obligation, it's bigger than you. It's the only true magic I know. It's not pulling a rabbit out of a hat; it's real. It's your soul floating out to theirs. — Tom Petty

I think for some people real success would mean having all the money in the world and having everyone love you every minute of the day. I don't know if that's really my aspiration. I just want to keep doing this. I just want to keep finding new ways and new paths and new territory. Every time I get to do it, it feels like freedom. — Stacey D'Erasmo

When you form a band, you form a real relationship that's like a marriage. It's an emotional connection, especially when you're young ... because you don't know what's out there. — Robert Coppola Schwartzman

It's not arrogant to say that you can't figure out the answers to the universe with your internal faith. It's not arrogant to know that there's no omniscient, omnipotent prime mover in the universe who loves you personally. It's not sad to feel that life and the love of your real friends and family is more than enough to make life worth living. Isn't it much sadder to feel that there is a more important love required than the love of the people who have chosen to spend their limited time with you? — Penn Jillette

When I walk into a room, you're the only person I see. My brain doesn't get a choice anymore, because there's something inside you so rare it radiates out and blocks everyone else. You have the kind of beauty that can't be manufactured - the kind that comes from in here." He tapped a finger against her chest. "I didn't know what real beauty was before I met you, but I get it now. So trust me when I say you're the most breathtaking girl in my world. — Melissa Landers

Therefore, to you, and to the fifty governors, I have a request. Please, do not send me politicians. We do not have the time to do the things that must be done through that process. I need people who do real things in the real world. I need people who do not want to live in Washington. I need people who will not try to work the system. I need people who will come here at great personal sacrifice to do an important job, and then return home to their normal lives. I want engineers who know how things are built. I want physicians who know how to make sick people well. I want cops who know what it means when your civil rights are violated by a criminal. I want farmers who grow real food on real farms. I want people who know what it's like to have dirty hands, and pay a mortgage bill, and raise kids, and worry about the future. I want people who know they're working for you and not themselves. That's what I want. That's what I need. I think that's what a lot of you want, too. — Tom Clancy

Petyr 'Littlefinger' Baelish: The realm. Do you know what the realm is? It's the thousand blades of Aegon's enemies, a story we agree to tell each other over and over, until we forget that it's a lie.

Lord Varys: But what do we have left, once we abandon the lie? Chaos? A gaping pit waiting to swallow us all.

Petyr 'Littlefinger' Baelish: Chaos isn't a pit. Chaos is a ladder. Many who try to climb it fail and never get to try again. The fall breaks them. And some, are given a chance to climb. They refuse, they cling to the realm or the gods or love. Illusions. Only the ladder is real. The climb is all there is. — George R R Martin