The Story Of Us Book Quotes & Sayings

I suppose that's the point of this book. There's truth in the idea we're never going to be perfect in love but we can get close. And the closer we get, the healthier we will be. Love is not a game any of us can win, it's just a story we can live and enjoy. It's a noble ambition, then, to add a chapter to the story of love, and to make our chapter a good one. — Donald Miller

Of course, I'm being rude. I'm spoiling the ending, not only of the entire book, but of this particular piece of it. I have given you two events in advance, because I don't have much interest in building mystery. Mystery bores me. It chores me. I know what happens and so do you. It's the machinations that wheel us there that aggravate, perplex, interest, and astound me. There are many things to think of. There is much story. — Markus Zusak

Truth and Truthfulness is an ambitious work, and its journeys into history give it a breadth unusual in these days of increased academic specialization ... William's book combines real history and fictional constructs to tell a revealing story that makes us reconsider the meaning of familiar concepts. — Julian Baggini

We come to the page with too many expectations. Each poor little story is like a trembling donkey upon which we heap tons of weight. We don't just want a good book, we want a bestseller. If it isn't perfect, we hate it. If it isn't 100% right, it's 1000% wrong. Problem: we care too damn much. It's all or nothing with us and that's the kind of dichotomy that shanks our happiness right in the kidneys. So: care less. Ease off the stress stick. Have more fun with what you're doing. When your kids and dogs play in the mud, you can either freak out that they're too dirty, or you can laugh and jump in the mud, too. So, fuck it: jump in the damn mud already. — Chuck Wendig

French with Madame Fine is reduce to a long series of technical exercises whether we're doing grammar or reading texts. With her it's as if a text was written so that we can identify the characters, the narrator, the setting, the plot, the time of the story, and so on. I don't think it has ever occurred to her that a text is written above all to be read and to arouse emotions in the reader. Can you imagine, she has never even asked us the question: Did you like this book? — Muriel Barbery

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

There are far too many people for us to think about each of them during our short stay on earth - like the thousands of books in a library we haven't time to read in an afternoon. But this is no excuse to cease browsing. For every now and then, we find that one book that reaches us deep inside and introduces us to ourselves. And, in someone else's story, we come to understand our own. — Richard Paul Evans

People are often wary of reading or watching anything in the horror genre because in their minds, it's just senseless gore, death and violence. Well, I can tell you from avid experience, that's not what horror is about. The horror genre teaches us that sometimes really bad things happen to really good people, but that hope always prevails in even the darkest of situations. That's a very important lesson, no matter how frightening you think the teacher is, and to be in the top of her class, all you need to do is to go in with an open mind. — Rebecca McNutt

A story wearing another dress every time you hear it - what could be better? A story that grows and puts out flowers like a living thing! But look at the stories people press in books! They may last longer, yes, but they breathe only when someone opens the book. They are sound pressed between the pages, and only a voice can bring them back to life! Then they throw off sparks, Balbulus! Then they go free as birds flying out into the world. Perhaps you're right, and the paper makes them immortal. But why should I care? Will I live on, neatly pressed between the pages with my words? Nonsense! We're none of us immortal; even the finest words don't change that, do they? — Cornelia Funke

To get the whole story of Jesus, we must be regularly reading and teaching the whole book - New Testament and Old, narrative, poetry, Gospels, apocalyptic, Epistles, Wisdom Literature, prophecy - all of it! All the parts work together, in God's providence, to feed us fully on this one who comes and tells us that he is the living water and the bread of life. — Gloria Furman

Books that take us to an exotic place and never let the grit of that place get under our fingernails...are far less successful. One leaves the places of the book and never feels like one's really gotten one's imaginative passport stamped. — Andrew Lazo

Too few of us from the Black Power generation and the movements to take power in cities through the election of black elected officials have told our story. Hence there is very little understanding of the agenda for change we outlined for black people and America in the 1960s and early 1970s. We wanted self-determination, and end to racism, and economic security. It is an agenda that was never fulfilled, and hence the title of my book, Unfinished Agenda. — Junius Williams

Those of us who can remember our childhoods will recall how ardently we relished the moment of the bedtime story, when our mother or father would sit down beside us in the semi-dark and read from a book of fairy tales. — Paul Auster

Elizabeth Turnage is a woman of grit and grace who lives into the stories of those who join her in this odd journey of seeking God. She honors the complexity of life without ever losing sight of the simple glory of the cross. Her grasp of the mundane and miraculous and their interplay gives a depth and honesty to her story that tugs at the heart and gives us hope our story can matter. Her book will be a clarion call to bring our broken, holy, troubled, and glorious life to the author of all stories: Jesus. — Dan B. Allender

A history of the working class in the United States should, first of all, give a sense of what is meant by "the working class in the United States." It means most of us who live in the United States of America-which, unfortunately, has not been the focus of a majority of history books that claim to tell the story of this country. This doesn't make sense because without the working class there would be no United States. (From a certain point of view, this history book deficiency does make sense, given the biases built into our business-dominated culture.) — Paul Le Blanc

I think it's why we're able to look at with comic book stories or origin stories, why is it that we can keep retelling these stories over and over? And hopefully it's because it hits something so universal and so primal inside of us that we actually yearn for that same story over and over. But toned and different form, and updated and modernized, and I can go into the specifics. — Kimberly Peirce

Reading may be the last secretive behavior that is neither pathological or prosecutable. It is certainly the last refuge from the real-time epidemic. For the stream of a narrative overflows the banks of the real. Story strips its reader, holding her in a place time can't reach. A book's power lies in its ability to erase us, to expand or contract without limit, to circle inside itself without beginning or end, to defy our imaginary timetables and lay us bare to a more basic ticking. The pages we read are a nowhen, unfolding far outside the public arena. As long as we remain in them, now reveals itself to be the baldest of inventions. — Richard Powers

Storytelling is how history is passed. It's what our ancestors did, it's what everybody's done. It has to come back into a story because otherwise, it's stuck in this book and it's boring and it's academic and I'm not against intelligence and I'm not against education, I don't want to be misunderstood, but we have tell the stories to our young people a little bit early and history gives us a lot of things. — Nikki Giovanni

After her death, at the age of thirty-nine, I wrote a book about us. I wrote it as a way to memorialize her and mourn her, and as a way of keeping her own important memoir, Autobiography of a Face, alive, even as I had not been able to keep her alive. This was a story of a Herculean effort to endure hardship, and to be a friend. Even when the details of our lives became sordid, it was not the stuff of sewers. — Ann Patchett

We usually break the story first. For instance, on The Monuments Men, and this one is more complicated because there's a lot of history, so before we started, we sat down with Robert Edsel, the author of the book, for about a week, and basically, he just gave us a lecture and went through everything. And then, I had a researcher, somebody who we had actually used on Argo. — Grant Heslov

I'm always left with such a barren idea of myself if I let an opportunity pass. I get home and I feel like yesterday's dirty plates, smeared in dried sauce and grease. I have this idea that it's the women we don't sleep with who haunt us. They become like a missing page in our book. The part of the story we'll never know. — Glenn Haybittle

The best stories (whether book or movie) involve redemption. If you are someone who believes you have made too many mistakes or your life has been too "bad" for God to want you, think of it this way: God, the greatest story teller, has not yet finished your story, and He can make it a really great story by including a really great redemption. All of us, in truth, need a really great redemption, which means, through Jesus, all of us have a really great story. — Donna E. Lane

I do not think I ever opened a book in my life which had not something to say upon woman's inconstancy. Songs and proverbs, all talk of woman's fickleness. But perhaps you will say, these were all written by men."
"Perhaps I shall. Yes, yes, if you please, no reference to examples in books. Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything. — Jane Austen

The Bible give us a list of human stories on both sides of the ledger. On list of human stories is used examples - do what these people did. Another list of human stories is used as warnings - don't do what these people did. So if your story ever gets in one of these books, make sure they use it as an example, not a warning. — Jim Rohn

Like the librarians of Babel in Borges's story, who are looking for the book that will provide them with the key to all the others, we oscillate between the illusion of perfection and the vertigo of the unattainable. In the name of completeness, we would like to believe that a unique order exists that would enable us to accede in knowledge all in one go; in the name of the unattainable, we would like to think that order and disorder are in fact the same word, denoting pure chance.
It's possible also that both are decoys, illusions intended to disguise the erosion of both books and systems. It is no bad thing in any case that between the two our bookshelves should serve from time to time as joggers of the memory, as cat-rests and as lumber-rooms. — Georges Perec

We are all a volume on a shelf of a library, a story unto ourselves, never possibly described with one word or even very accurately with thousands. A person is never as quiet or unrestrained as they seem, or as bad or good, as vulnerable or as strong, as sweet or as fiesty; we are thickly layered, page upon lying page, behind simple covers. And love - it is not the book itself, but the binding. It can rip us apart or hold us together. — Deb Caletti

What a worthwhile pursuit! Jesus tells us in His word to ask...seek...knock. But how often do we sincerely follow His command? Through her award-winning book, Transformed by Desire, author Patty Mason challenges us to ask with expectation, seek with abandon, and knock with confidence, knowing that our Bridegroom--our Lord and Savior, Jesus Christ--is ready to fulfill the deepest desires of our hearts. It's a love story that needs to be told over and over again! — Vonda Skelton

As Christians, I feel those of us in the creative community must seek to be more than scribes. If Diarmaid MacColloch is right in his immense history, The Reformation, we had plenty of Christian scribes on the eve of that enormous and painful upheaval. But it was the printing press that enabled the great thinkers of that time, both Reformer and Catholic, to transform our "assumptions about knowledge and originality of thought." I suggest now that we must seize the revolutionary media of our age in the way that those earlier Christians and Catholics seized the printed book. We must truly use the realistic novel, the television drama, and the motion picture to tell the Christian story anew. It is our obligation to tell that story over and over and to use the best means that we have. In that spirit this novel was written - with the hope of exploring and celebrating the mystery of the Hypostatic Union as well as the mystery of the Incarnation - in a wholly fresh way. — Anne Rice

This was hopeless. In a novel, Adrian wouldn't just have accepted things as they were put to him. What was the point of having a situation worthy of fiction if the protagonist didn't behave as he would have done in a book? Adrian should have gone snooping, or saved up his pocket money and employed a private detective; perhaps all four of us should have gone off on a Quest to Discover the Truth. Or would that have been less like literature and too much like a kids' story? — Julian Barnes

It was as if I'd been in the middle of a book that I had to put down when I got too tired to keep reading, or a video put on pause. I wanted to pick back up with the story and find out what happened to the characters, except that the characters were us. — Joyce Maynard

For Chuang Tzu, the truly great man is therefore not the man who has, by a lifetime of study and practice, accumulated a great fund of virtue and merit, but the man in whom "Tao acts without impediment," the "man of Tao." Several of the texts in this present book describe the "man of Tao." Others tell us what he is not. One of the most instructive, in this respect, is the long and delightful story of the anxiety-ridden, perfectionistic disciple of Keng Sang Chu, who is sent to Lao Tzu to learn the "elements." He is told that "if you persist in trying to attain what is never attained ... in reasoning about what cannot be understood, you will be destroyed. — Thomas Merton

I felt that Lionsgate really understood the material and that they would let us make a faithful adaptation; that they wouldn't soften it, they wouldn't age up the characters, to make them older so that it would be more palatable. I felt that the power of the book was in the youth of these protagonists and that you couldn't cheat on that in terms of their age in the story. Lionsgate was on board for, of course, the PG-13 version of the movie, not something full of blood and guts, but something more thematically driven. -Nina Jacobson, pg. 14 — Kate Egan

We were little children, four or five years old, but they were all around the house and they made us look epic, like we were part of some story being told. My mom would have this woman come to our house and take photos of us. She did a photo book of us as well when I was one. I still have it. — Jeff Vespa

Some of us think we already know the answer. They are the people who close a book and never think about it again. To them, the story ends at the words 'The End' and that's that. — Sarah Dalton

Buddha's Wife tells a fascinating story, little known in the west, about the woman whom Buddha left behind. Gabriel Constans focuses the reader's attention on the strong and complicated women who surrounded Buddha and makes us re-think the nature of spiritual life. — Chitra Banerjee Divakaruni

Anyway.
I'm not allowed to watch TV, although I am allowed to rent documentaries that are approved for me, and I can read anything I want. My favorite book is A Brief History of Time, even though I haven't actually finished it, because the math is incredibly hard and Mom isn't good at helping me. One of my favorite parts is the beginning of the first chapter, where Stephen Hawking tells about a famous scientist who was giving a lecture about how the earth orbits the sun, and the sun orbits the solar system, and whatever. Then a woman in the back of the room raised her hand and said, "What you
have told us is rubbish. The world is really a flat plate supported on the back
of a giant tortoise." So the scientist asked her what the tortoise was standing
on. And she said, "But it's turtles all the way down!"
I love that story, because it shows how ignorant people can be. And also because I love tortoises. — Jonathan Safran Foer

Perfect. Then imagine that you started reading the most interesting and fascinating comic book ever created. You fell in love with some characters, you hated others. Endless plots unfolded and every one was an emotional page-turner you couldn't read fast enough because you had to know what was going to happen next. You felt like the world would end if you didn't find out how the story ended. But then you get to the end and there was no end. The author didn't finish it. You don't know if good or evil won. You don't know if the guy got the girl. You don't know any of the answers to all your important questions — Karen Amanda Hooper

There are many readers of the book, who don't know anything about the authors and the artists. There is more than one author. It doesn't matter, if you can't make the reader dive into the story and surround him with that environment and those characters. That's an experience that lasts longer than figuring out who did what. I think that's what makes our working relationship better, it helps us to make a book that feels unique and not like different voices. — Gabriel Ba

Integrity Integrity is the ability to listen to a place inside oneself that doesn't change, even though the life that carries it may change. - RABBI JONATHAN OMER-MAN Much of our journey throughout this book has been about discovering that place inside and cultivating the ability to listen to it, while having compassion for the life that carries it. It moves me to share the story of a troubled man who, exhausted from his suffering and confusion, asked a sage for help. The sage looked deeply into the troubled man and with compassion offered him a choice: "You may have either a map or a boat." After looking at the many pilgrims about him, all of whom seemed equally troubled, the confused man said, "I'll take the boat." The sage kissed him on the forehead and said, "Go then. You are the boat. Life is the sea." As we have discovered so many times, we have everything we need within us. This ability to listen inside is our oldest oar. You are the boat. — Mark Nepo

The wonderful thing about books
and the thing that made them such a refuge for the islanders during the Occupation
is that they take us out of our time and place and understanding, and transport us not just into the world of the story, but into the world of our fellow readers, who have stories of their own. — Annie Barrows

But the truth is that I don't want to simply offer others a fleeting moment of "inspiration." I want my story to spark real change. An aha moment becomes most meaningful when it leads us to do more. Dream bigger. Move past our so-called limitations. Defy expectations. Bounce back with the resilience that every single one of us was born with. I didn't write this book because I want you to say, "Wow, look at what that girl overcame - good for her." I'm sharing my story because I want you to see what's possible in your own life. Right here. Right now. Starting the second you pick up your pen and create your own amazing narrative. The words of the Chinese philosopher Lao-tzu have always resonated with me: "A journey of a thousand miles begins with a single step." What follows is my first step. My first stumble. My first dance. My first dream. — Amy Purdy

It is, as I say, easy enough to describe Holden's style of narration; but more difficult to explain how it holds our attention and gives us pleasure for the length of a whole novel. For, make no mistake, it's the style that makes the book interesting. The story it tells is episodic, inconclusive and largely made up of trivial events. Yet the language is, by normal literary criteria, very impoverished. Salinger, the invisible ventriloquist who speaks to us through Holden, must say everything he has to say about life and death and ultimate values within the limitations of a seventeen-year-old New Yorker's argot, eschewing poetic metaphors, periodic cadences, fine writing of any kind. — David Lodge

One thing that gets lost in all the aggregation throughout this book: on an individual level, the personal affects of these broad social forces are often very subtle... when you go person by person, any individual's experience is too small and too varied to conclusively say anything racial has happened. It could be your skin or it could be just you. On the other side of it, it's laughable to think of one red-faced guy searching for n****r jokes because Barak Obama got elected, but it's a lot less funny when you can see that he's one of thousands and thousands making the same search. And it's less funny still when you see the large affects these private attitudes can still have, even in public life. Thus the story of just one of us versus the story of us all. That's why data like this is necessary; it ends arguments that anecdotes could never win. It provides facts that need facing. — Christian Rudder

When I was a kid, the book that I liked the most was 'Aesop's Fables.' There was a version of it that my father read stories to us kids out of. I liked the idea of the short story format. — Mark Mothersbaugh

The writing of a book may be a solitary business, it is done alone. The writer sits down with paper and pen, or typewriter, and, withdrawn from the world, tries to set down the story that is crying to be written. We write alone, but we do not write in isolation. No matter how fantastic a story line may be, it still comes out of our response to what is happening to us and to the world in which we live. — Madeleine L'Engle

My hope is that you will see this book for what it is...a conversation about the core questions that call us into humanity. Who am I? What am I? Who created me? What is my purpose? This is the story about the journey through the mysteries that make up the depths of life. — Julia J. Gibbs

I want to say before I go on that I have never previously told anyone my sordid past in detail. I haven't done it now to sound as though I might be proud of how bad, how evil, I was.
But people are always speculating-why am I as I am? To understand that of any person, his whole life, from birth, must be reviewed. All of our experiences fuse into our personality. Everything that ever happened to us is an ingredient.
Today, when everything that I do has an urgency, I would not spend one hour in the preparation of a book which had the ambition to perhaps titillate some readers. But I am spending many hours
because the full story is the best way that I know to have it seen, and understood, that I had sunk to the very bottom of the American white man's society when-soon now, in prison-I found Allah and the religion of Islam and it completely transformed my life. — Malcolm X

See, the institutions and specialist, experts, you see. Yes, yes,
experts, indeed. See, they would have us believe that there is an order
to art. An explanation. Humans are odd creatures in that way. Always
searching for a formula. Yes, a formula to create an expected norm for
unexplainable greatness. A cook book you might say. Yes, a recipe
book for life, love, and art. However, my dear, let me tell you. Yes,
there is no such thing. Every individual is unique in their own design,
as intended by God himself. We classify, yes, always must we classify,
for if not, then we would be lost, yes lost now wouldn't we?
Classification, order, expectations, but alas, we forget. For what is art,
if not the out word expression of an artist. It is the soul of the artisan
and if his expectations are met, than who are we to judge whether his
work be art or not? — Cristina Marrero

literary fiction is fiction that examines the character of the people involved in the story, and that popular fiction is driven by plot. Whereas popular fiction, I tell them, is meant primarily as a means of escape, one way or another, from this present life, a kind of book equivalent of comfort food, literary fiction confronts us with who we are and makes us look deeply at the human condition. — Bret Lott

Stories don't teach us to be good; it isn't as simple as that. They show us what it feels like to be good, or to be bad. They show us people like ourselves doing right things and wrong things, acting bravely or acting meanly, being cruel or being kind, and they leave it up to our own powers of empathy and imagination to make the connection with our own lives. Sometimes we do, sometimes we don't. It isn't like putting a coin in a machine and getting a chocolate bar; we're not mechanical, we don't respond every time in the same way ...
The moral teaching comes gently, and quietly, and little by little, and weighs nothing at all. We hardly know it's happening. But in this silent and discreet way, with every book we read and love, with every story that makes its way into our heart, we gradually acquire models of behaviour and friends we admire and patterns of decency and kindness to follow.
Philip Pullman from his Award Lecture, Astrid Lindgren Memorial Award Recipient 2005 — Philip Pullman

You are angry at the God you were taught to believe in as a child. The God who is supposed to watch over you and protect you, who answers your prayers and forgives your sins. This God is just a story. Religions try to capture God, but God is beyond religion. The true God lies beyond our comprehension. We can't understand His will; He can't be explained in a book. He didn't abandon us and He will not save us. He has nothing to do with our being here. God does not change. He simply is. I don't pray to God for forgiveness or favors, I only pray to be closer to Him, and when I pray, I fill my heart with love. When I pray this way, I know that God is love. When I feel that love, I remember that we don't need angels or a heaven, because we are a part of God already. — Nando Parrado

What readers seek is an experience different from their own. Story is how readers dream. Story is what sells the book. The power of the premise is what captures the reader, editor, or agent's attention - not the characters and prose. Unless we care about the story we will never welcome the actors on stage. It is this power of desire that pulls us into the story. — Eddie Jones

So if we're going to keep all kids safe, we have to make incest and child sexual abuse acceptable topics of conversation. When other people want us to keep quiet because the subject makes them uncomfortable, or when someone questions our memory of events, we have to hold to the truth. Sexual abuse of children is preventable! But we can't wait for someone else to act. We're the ones who have to stop this madness. And it starts with each of us telling our story. — Lauren Book

I have my first review this is exciting
I write a passage to introduce the book and want to share it on SNS .
As below words,hope you can give me some advice.

" Want to share a book with all of you,my friends .So luck to read this book.
He is not a famous writer but all story is he's real experience,how to be abuse by his mother,
how to overcome learn disablity ,how to be a good father in life and how to get a middle class life
in US now.The purpose to write this book is that he want to help someone who have same experience
with him and encourage those people,you are not alone,there are many people have experienced
similar things,you can overcome it and you deserved a good life. This book can help us to avoid many
mistake when we as a parent . — Shawn Woods

So then the year is repeating its old story again. We are come once more, thank God! to its most charming chapter. The violets and the Mayflowers are as its inscriptions or vignettes. It always makes a pleasant impression on us, when we open again at these pages of the book of life. — Johann Wolfgang Von Goethe

In this story the father represents the Heavenly Father Jesus knew so well. St. Paul writes: "God was in Christ reconciling the world to himself, not reckoning to them their trespasses" (2 Corinthians 5:19 - American Standard Version). Jesus is showing us the God of Great Expenditure, who is nothing if not prodigal toward us, his children. God's reckless grace is our greatest hope, a life-changing experience, and the subject of this book. — Timothy Keller

No one who reads this book will remain unchanged or unaffected-Julene Bair's story arcs from the cornfields of Kansas and Nebraska to the food on our tables and the gas in our cars. There is always a price to be paid, she reminds us, for the pleasures and comforts of this day. If you read only one memoir this year, this is the one to read and pass along. — Jonis Agee

People know us best for our entrepreneurial success as the founders of Three Dog Bakery; what they don't know is that we owe it all to a gigantic deaf dog named Gracie. But even though Gracie sowed the seeds of our success, this isn't a book about "making it." This is the story of a dog who was born with the cards stacked against her, but whose passionate, joyful nature helped her turn what could have been a dog's life into a victory of the canine spirit - and, in the process, save two guys who thought they were saving her. — Dan Dye

We knew Terry Brooks' work, but we hadn't read the Shannara books. So, they sent us the book to read and we just loved the story and the characters. We thought it would make a very compelling season of television. We were like, "Someone is going to make this. Why don't we do it?" — Miles Millar

Every book is a miracle,' Bill said. 'Every book represents a moment when someone sat quietly - and that quiet is part of the miracle, make no mistake - and tried to tell the rest of us a story. — J.R. Moehringer

I wanted to know how it was going to turn out, like flipping ahead in a book. I didn't even know what kind of story it was, or what kind of role I was supposed to be playing. Which of us was taking it more seriously? Didn't that have to be me, because I was younger, and also because I was the girl? One the other hand, I thought that there was a way in which I was lighter than he was - that there was a serious heaviness about him that was foreign to me, and that I rejected. — Elif Batuman

It's about us," I whisper. He looks confused. "What are you talking about?" "The book. It's the story of us." He sighs as if he's been waiting to hear these words all his life. "I hope it never ends. — Cassia Leo

Life is depressing and hopeless enough, without imbibing further depression and hopelessness through story. I don't care how realistic people like to think that is. It's not what inspires me, or makes me love and cherish a book or a television show or a movie. When I am imbibing fiction, I want to be inspired. I want bold tales, told boldly. I want genuine Good People who, while not perfect, are capable of rising beyond their ordinary beginnings. To make a positive difference in their world. Even when all hope or purpose might seem lost. Because this is what I think fiction - as originally told around the campfires, through verbal legend - ought to do, more than anything else: Illuminate the way, shine a spiritual beacon, tell us that there is a bright point in the darkness, a light to guide the way, when all other paths are cast in shadow. — Brad R. Torgersen

This book is a story of encounters between Reef peoples and places, ideas, and environments, over more than two centuries, beginning with James Cook's bewildered voyage through a coral maze and ending with the searing mission of reef scientist John "Charlie" Veron to goad us to act over the impending death of the Reef. — Iain McCalman

It gets you thinking about all the parts in a story we never see"
he cleared his throat
"the parts around the edges. You bring someone like that boy so alive before us and there he is set loose in our world so that we can't stop thinking of him. But then the report is over, the boy disappears. He was just a boy in a story and we never know the ending, we never get to close the book. It makes you wonder what happens to the people in them after the story stops
all the stories you've reported for instance. Where are they all now? — Sarah Blake

If there's one thing I sincerely hope this book might get you to reconsider," Rudder writes in the introduction, "it's what you think about yourself. Because that's what this book is really about. OKCupid is just how I arrived at the story." Rudder wants to convince us that data is how we can arrive at our own stories. "As the Internet has democratized journalism, photography, pornography, charity, comedy, and so many other courses of personal endeavor, it will, I hope, eventually democratize our fundamental narrative." Gone are the days when our moment is defined only by researchers, effete columnists or whoever else gets to say what a millennial is. Now, Rudder argues, the story is ours to tell. — Christian Rudder

Ezra clapped his hands. "all right," he said. "In addition to the books we're reading as a class, I want to do an extra side project on unreliable narrators." Devon Arliss raised her hand. "what does that mean?" Ezra strode around the room. "well, the narrator tells us the story in the book, right? But what if ... the narrator isn't telling us the truth? Maybe he's telling us his skewed version of the story to get you on his side. Or to scare you. Or maybe he's crazy! — Sara Shepard

Tessa craned her head back to look at Will. "You know that feeling," she said, "when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside." His blue eyes were dark with understanding - of course Will would understand - and she hurried on. "I feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done."
"You fear for Jem," Will said.
"Yes," she said. "And I fear for you, too."
"No," Will said, hoarsely. "Don't waste that on me, Tess. — Cassandra Clare

So. If this was some normal fictional young-adult book, this is the part of the story where after the film, the entire high school would rise to their feet and applaud, and Earl and I would find True Acceptance and begin to Truly Believe in Ourselves and Rachel would somehow miraculously make a recovery, or maybe she would die but we would Always Have Her to Thank for Making Us Discover Our Inner Talent, and Madison would become my girlfriend and I would get to nuzzle her boobs like an affectionate panda cub whenever I wanted.
That is why fiction sucks. None of that happened. Instead, pretty much everything happened that I was afraid of, except worse. — Jesse Andrews

In The Second Fontana Book of Great Ghost Stories, Aickman elaborates further his ideas: The good ghost story gives form and symbol to themes from the enormous areas of our own minds which we cannot directly discern, but which totally govern us; and also to the parallel forces of the external universe, about which we know so little, much less than people tell us [8]. He sees that modern man has spent his time avoiding his true nature, the mystery within himself and in the universe that makes him human. — Gary William Crawford

This book was written so that we may take heed and remold our story. I am certain that when enough of us become aware of how we are being exploited by the economic engine that creates an insatiable appetite for the world's resources, and results in systems that foster slavery, we will no longer tolerate it. We will reassess our role in a world where a few swim in riches and the majority drown in poverty, pollution, and violence . We will commit ourselves to navigating a course toward compassion, democracy, and social justice for all. — John Perkins

Sticking to the Bible at every turn, like it's an owner's manual or book of instruction, as the way to know God misses what Paul and the rest of the New Testament writers show us again and again: the words on the page of the Bible don't drive the story, Jesus does. Jesus is bigger than the Bible. For — Peter Enns

Books can make a difference in dispelling prejudice and building community: not with role models and recipes, not with noble messages about the human family, but with enthralling stories that make us imagine the lives of others. A good story lets you know people as individuals in all their particularity and conflict; and once you see someone as a person - flawed, complex, striving - you've reached beyond stereotype. — Hazel Rochman