Talking Behind Me Quotes & Sayings

She looks exactly like a - like a gimlet." Marilla smothered a smile under the conviction that Anne must be reproved for such a speech. "A little girl like you should be ashamed of talking so about a lady and a stranger," she said severely. "Go back and sit down quietly and hold your tongue and behave as a good girl should." "I'll try to do and be anything you want me, if you'll only keep me," said Anne, returning meekly to her ottoman. When they arrived back at Green Gables that evening Matthew met them in the lane. Marilla from afar had noted him prowling along it and guessed his motive. She was prepared for the relief she read in his face when he saw that she had at least brought back Anne back with her. But she said nothing, to him, relative to the affair, until they were both out in the yard behind the barn milking the — L.M. Montgomery

I look forward all day to evening, and then I put an "engaged" on the door and get into my nice red bath robe and furry slippers and pile all the cushions behind me on the couch, and light the brass student lamp at my elbow, and read and read and read. One book isn't enough. I have four going at once. Just now, they're Tennyson's poems and "Vanity Fair" and Kipling's "Plain Tales" and - don't laugh - "Little Women." I find that I am the only girl in college who wasn't brought up on "Little Women." I haven't told anybody though (that would stamp me as queer). I just quietly went and bought it with $1.12 of my last month's allowance; and the next time somebody mentions pickled limes, I'll know what she is talking about! — Jean Webster

This is what I get very upset at ... ' Temple, who was driving suddenly faltered and wept. 'I've read that libraries are where immortality lies ... I don't want my thoughts to die with me ... I want to have done something ... I'm not interested in power, or piles of money. I want to leave something behind. I want to make a positive contribution - know that my life has meaning, Right now, I'm talking about things at the very core of my experience.' I was stunned. As I stepped out of the car to say goodbye, I said, 'I'm going to hug you. I hope you don't mind.' I hugged her - and (I think) she hugged me back. — Oliver Sacks

Quiet, you say.
I hardly hear you.
You're already that far.
Don't leave me behind like this.


I stop talking.
Immediately I'm so dizzy
I have to hold on to myself.
Quiet, you say.


I miss your laugh so much
I copy it,
louder and louder.
That's as quiet as I can be. — Nachoem M. Wijnberg

Total?" I said when he was close. "Can you talk?" He flopped down on the grass, panting slightly. "Yeah. So?" Jeezum. I mean, mutant weirdos are nothing new to me, you know? But a talking dog? "Why didn't you mention this before?" I asked him. "It's not like I lied about it," said Total, reaching up with a hind leg to scratch behind one ear. "Between you and me, I'm still trying to get used to the whole flying-kid thing. — James Patterson

What do I say to a whale, Galen?" I hiss.
"Tell him to come closer."
"No way."
"Fine. Tell him to back up."
I nod. "Right. Okay." I lace my fingers together to keep from wringing my hands raw. Even more than terror, I feel the insanity of the situation. I'm about to ask a fish the size of my house to make a U-turn. Because Galen, the man-fish behind me, doesn't speak humpback. "Uh, can you please back away from me?" I say. I sound polite, like I'm asking him to buy some Girl Scout cookies.
I feel better in the few moments afterward because Goliath doesn't move. It proves Galen doesn't know what he's talking about. It proves this whale can't understand me, that I'm not some Snow White of the ocean. Except that, Goliath does start to turn away.
I look back at Galen. "That's just a coincidence."
Galen sighs. "You're right. He probably mistook us for a relative or something. Tell him to do something else, Emma. — Anna Banks

I don't fight old men, he said. That was strange. No one had ever called me old before. I remember laughing, but there was shock behind my laughter. Weeks before, talking with Aethelflaed, I had mocked her because she was staring at her face in a great silver platter. She was worried because she had lines about her eyes and she had responded to my mockery by thrusting the plate at me, and I had looked at my reflection and seen that my beard was gray. I remember staring at it as she laughed at me, and I did not feel old even though my wounded leg could be treacherously stiff. Was that how people saw me? As an old man? Yet I was forty-five years old that year, so yes, I was an old man. — Bernard Cornwell

I have a secret. A big, fat, hairy secret. And I'm not talking minor-league stuff, like I once let Joseph Applebaum feel me up behind the seventh-grade stairwell or I got a Brazilian wax after work last Friday or I'm hiding a neon blue vibrator called the Electric Slide in my night table. Which I'm not, by the way. In case you were wondering. — Karen MacInerney

Emilio appeared with wine before Cal could say anything, and Min beamed at him, grateful for the rescue. "Emilio, my darling. I forgot to mention cake boxes. Two hundred cake boxes."
"Already on it," Emilio said. "Nonna said you'd need them. She said to get four-inch-square boxes for three-inch-square cakes."
"I'm getting the boxes," Min said, nodding. "Sure. Great. Fine. Your grandmother is an angel and you are my hero. And of course, a genius with food."
"And you are my favorite customer." Emilio kissed her cheek and disappeared back into the kitchen.
"I love him," she told Cal.
"I noticed," Cal said. "Been seeing him behind my back, have you?"
"Yes," Min said. "We've been having conversations about cake."
"Whoa," Cal said. "For you, that's talking dirty. — Jennifer Crusie

You are gonna shoot me," he says. "One day." He's still holding Lindsay's hand, he's looking down at where their fingers are wound together and not at Lindsay's face, but his voice is clear. "I ain't thick. I know you'll get sick of me. You can't just let me go, I know too much, you'd be freaked out forever in case I snitched. You'll get proper sick of me one day, not just annoyed, and then you'll shoot me. It's okay."
"I won't get sick of you," Lindsay says. He feels numb and far away, as if its somebody else talking, and almost like he's going to throw up, a sort of lurch in his stomach like when you're at the top of the the Angel tube station escalator and somebody a bit too eager to get on the train shoves you from behind.
"Yeah you will. I'm gonna be with you til I die, though. Least I can say that and know its true, how many people can do that? Bit romantic, really. If you squint, and look at it sideways. — Richard Rider

I was not a great bartender, but I did OK. I wasn't great at being efficient behind the bar, but I was pretty great at talking to people. I was a pretty good waiter. It was painstaking to get me to care about the clientele of some of these places I was working at. — Jack Falahee

I like bustling around Paul's kitchen. And I like it even more when he walks up behind me and wraps his arms around me while I'm standing at the stove. He pretends like he's going to try to steal a piece of chicken from the pasta, but he presses his lips to my shoulder and lingers, his hot breath blowing across my neck. I reach up and wrap my hand around his neck and bring him down so I can kiss him. Then he pops the chicken into his mouth and grins. "That's pretty good," he says, nodding. I roll my eyes. "Glad you like my chicken." "Oh, I wasn't talking about the chicken," he says, letting his eyes roam up and down my body. — Tammy Falkner

Here, m'lord." She put her hands over his eyes from behind. "Can you guess what I'm wearing?"
"Nothing?"
"Oh, you're so smart," she pouted, snatching her hands away. "How did you know?"
"You're very beautiful in nothing".
"Am I?" She said. "Am I truly?"
"Oh yes."
"Then shouldn't you be fucking me instead of talking? — George R R Martin

When you're in a two-shot together, you can't be the same as when you're both in singles. Try as you will, it cannot be the same as when you're in the shot together. It simply cannot be. It's physically impossible. You're behind the camera desperately wanting to help your colleague. When it's just you, on your own, it can be self-conscious in a way that you're not when we're just talking, you and I, and then all of a sudden it's me and then it's you. The two-shots were probably more natural. — Tom Courtenay

What are you looking to do?" Aaron asked as we walked into his workroom.
"Nothing too complicated," I said, displaying my wrist. "I want Bailey's name on my wrist."
Aaron exhaled slowly. "Are you sure? The Johanssons don't play when it comes having their women's names on their wrists. It's forever shit for them. That's how I knew Cooper wasn't fucking around with Farah."
"Bailey's mine, but I can't find a way to make her truly believe. When I try, it feels like just words. I know her name on my wrist is a word too, but maybe it's one that she'll know means forever."
"Fair enough. Just know once the Johansson boys see her name on your wrist, it's like you've gotten on one knee and proposed. Trust me that Bailey and Jodi will be talking wedding dates behind your back. If you lose interest or cheat or break it off, it's not going down softly. The shit will hit the fan."
"The only way Bailey gets rid of me is to put me in the ground. — Bijou Hunter

You're going to have to drive off the road and park behind thoses bushes," I instructed Vee. Vee leaned forward, peering into the darkness. "Is that a ditch between me and the bushes ?" "It's not very deep. Trust me, we'll clear it." "Looks deep to me. This is a Neon we're talking about, not a Hummer. — Becca Fitzpatrick

I don't mind people talking about me behind my back. It means they know me, and I'm out in front. — David Lucero

His feet started in her direction, his body following rather as a dog would its master, with no thought of deviating from the path chosen by her for him
iAm grabbed his arm and yanked him back. "Don't even fucking think about it."
Trez's first impulse was to rip himself free, even if he left his own limb behind in his brother's grip. "I don't know what you're talking about - "
"Do not make me grab your hard-on to prove my point," iAm hissed.
Numbly, Trez looked down at the front of himself. Well. What do you know. "I'm not going to ... " Fuck her came to mind, but God, he couldn't use the f-word around that female, even in the hypothetical. "You know, do anything."
"You actually expect me to believe that."
Trez's eyes flipped over to the doorway she'd disappeared through. Shit. Talk about having no credibility on the subject of abstinence — J.R. Ward

After searching for a space, I parked behind the tattoo parlor in front of a sign that said NO PARKING. Since it didn't specify to whom it was referring, I figured it couldn't possibly be talking to me. — Darynda Jones

Yes, I'm sorry you won't be coming with us," Chloe said to Alex. "But please don't worry. I'm certain The Lord has another plan for you." She glanced at me. "For both of you."
"Oh, I can assure you,"said a new, deeply masculine voice from behind me. I turned to see John sitting, tall and dark and disapproving, on the back of his horse, Alastor. "He does."
"Chloe wasn't talking about you," I said to John, leaning my elbows against the rough wood of the dock railing. "She meant the other lord."
John raised a dark eyebrow. "Oh, that one," he said. "My mistake. — Meg Cabot

Thomas was still outside, so I knocked once and opened the door without waiting for a response. Loki was in the middle of changing clothes as I came in. He'd already traded his worn slacks for a pair of pajama pants, and he was holding a white T-shirt, preparing to put it on.
He had his back to me, and it was even worse than I'd thought.
"Oh, my god, Loki," I gasped.
"I didn't know you were coming." He turned around to face me, smirking. "Shall I leave the shirt off, then?"
"No, put the shirt on," I said, and I closed the door behind me so nobody could see or overhear us talking.
"You're no fun." He wrinkled his nose and pulled the shirt over his head.
"Your back is horrific."
"And I was just going to tell you how beautiful you look today, but I'm not going to bother now if you're going to talk that way." Loki sat back down on his bed, more lying than sitting. — Amanda Hocking

He smiled. "You're into me, I can tell."
"I'm not into you," I said hotly. Hotly, because as soon as the words left my lips, sparklers erupted on top of my head.
Hudson looked at them, and a grin spread across his face. The baby cooed and reached out, trying to grab the flaring light. Hudson moved farther away. "Don't touch. Just look at Mommy's pretty liar hat."
He was enjoying this way too much. "Okay," I said. "Maybe I like you a little."
The sparklers dimmed, but didn't go out.
Hudson raised an eyebrow.
"All right," I said, nervously eyeing the area to make sure no one saw us. "I'm into you."
The sparklers died, but I didn't wait around for more commentary. I headed to the inn. Behind me I heard Hudson still talking to the baby. "Yes, we like Mommy's flaming hairdo, don't we? — Janette Rallison

You're standing by yourself talking about tits?" Kyler asked from behind me. I gave a little shriek and spun around. "God ... " A sexy half-grin appeared. "I need to keep a better eye on you, if that's what you talk about when you're alone. — Jennifer L. Armentrout

Just a guy. A college-aged guy. Talking to Chloe.
I watched him bend over the table, hands planted on it, his gaze fixed on Chloe, his lips parting in a smile as he said something to her. A slow burn started in my gut, and before I could stop myself, I was barreling down on them, Simon's protests fading behind me. — Kelley Armstrong

And let me tell you something else, my friend," she said in the precise enunciation of a trained nurse talking to a worried patient. "It is all very easy for a man to talk about living in the present. Much more so than for a woman, who is liable to get knocked up higher than a kite every time the man enjoys himself in the present. Thats one thing I dont have to worry about, thank God. But there are a lot of others: such as what I am going to do when my husband kicks me out and then my lover throws me over when he has to support me, and me not being trained for anything but to be somebody's wife and having to do all my politicking and achieving and gain what little success I can by getting behind some stupid man and pushing him. — James Jones

What... what are you doing here?"
He's shaking his head as he walks my way; a steaming coffee mug is in his hand.
"What am I doing here? I live here."
"Y-you do? How did I get here?"
He starts to laugh. "You don't remember?"
"No... I really don't."
He places the mug in front of me. "You called me on your cell. I found you spaced out of your mind in an alley behind the bar. You were talking to a cat. You claimed it was your mother. — Greg Logsted

Outside, the city is changing. While we have been talking of God's laws and seacrets of the earth, a cold fog has come rolling off the sea, pushing through the allys, sliding over the water, rubbing up agienst the cold stone. As I walk the street falls away behind me, the shop's blue awning lost within seconds. People move like ghosts, their voices disconnected from their bodies; as fast as they loom up they dissapear agien. The fog is so dense that by the time I have crossed toward the Merceria, I can barely see the ground under my feet or tell if the gloom is weather of the beginning of dusk. — Sarah Dunant

Kestrel, this isn't you."
She pressed back against the chill glass. "I don't know what you mean."
"This voice you've been using, that bright one...do you think I don't recognize it? It's the sound of you laying a trap. Of you hiding behind your own words. And I know that the way you've been talking is not you. Say what you want about me, about what happened between us, about the shape of the sun and the color of the grass and any other truths in this world you want to deny. Deny everything until the gods strike you down. But you can't say that I don't know you." He was now close enough that the air between them was alive against Kestrel's skin. "I... have thought about you." His voice dropped. "I have thought about how I have never known you to be dishonest with me. — Marie Rutkoski

As a woman with strong opinions talking about technology and politics is not always welcome in Germany. Nope, it's more like having a great cheerleader team behind me. People who follow my journey know I have a slightly colorful personality. The rest skipped out long ago. — Angela Merkel

Last night me and Kate we laid in bed talking about getting out, Packing up our bags, maybe heading south. I'm thirty-five, we got a boy of our own now. Last night I sat him up behind the wheel and said, Son, take a good look around, This is your hometown. — Bruce Springsteen

When I came to New York, I was really awkward. I went to military academy for high school, so I didn't have the socialization that most kids do. When I got here, I was five years behind everybody. Talking to women was weird for me. — Adam Rapp

They are going to laugh at you and mock you and then they are going to - " "Eat me. Yes. I understand." "You don't seem to be grasping the meaning behind the words. This isn't a metaphor. I'm talking about huge teeth and digestive systems." "Fat and bones and marrow and meat," Winter sang. "We only wanted a snack to eat." Scarlet grunted. "You can be so disturbing. — Marissa Meyer

Anarchy!" Tony confirmed in sort of a laugh.
"Sometimes I think, you know, if there were not cops, I would be fine, and I probably would. I was taught right from wrong when I was a kid. But the truth is, I drive completely different when there is a cop behind me than when there isn't."
And what Tony and I were talking about is true. It is hard for us to admit we have a sin nature because we live in a system of checks and balances. If we get caught, we will be punished. But that doesn't make us good people; it only makes us subdued. Just think about the Congress and Senate and even the president. The genius of the American system is not freedom; the genius of the American system is checks and balances. Nobody gets all the power. Everybody is watching everybody else. Is is as the founding fathers knew, intrinsically, that the soul of man, unwatched, is perverse. — Donald Miller

Stupid, infuriating, overgrown ass!" I hiss as I slam the back door behind me and stomp my foot for good measure. I'm home, I think to myself. I can finally throw a satisfying fit all by myself. Fuming, I stomp both of my feet on the kitchen floor again and again, picturing my cousin's face each time I bring my feet down. He is the most infuriating oaf on the face of the planet, and I want nothing more than to punch him. I'm still muttering to myself when I hear chuckling and jump in response.

Whirling around, I look up and find Flint standing by the coffee pot watching my display of temper and shaking his head. "I certainly hope you're not talking about me."

I scowl at him. "For once, no. You may be an infuriating ass, but I've never considered you stupid. Looks like sparking my temper isn't an exclusive ability of yours, after all. — Allana Kephart

Winter, I know you're used to batting your eyelashes at everyone who walks by and expecting them to fall in love with you, but that's not going to happen here. They are going to laugh at you and mock you and then they are going to - "

"Eat me. Yes. I understand."

"You don't seem to be grasping the meaning behind the words. This isn't a metaphor. I'm talking about huge teeth and digestive systems. — Marissa Meyer

All of that art-for-art's-sake stuff is BS," she declares. "What are these people talking about? Are you really telling me that Shakespeare and Aeschylus weren't writing about kings? All good art is political! There is none that isn't. And the ones that try hard not to be political are political by saying, 'We love the status quo.' We've just dirtied the word 'politics,' made it sound like it's unpatriotic or something." Morrison laughs derisively. "That all started in the period of state art, when you had the communists and fascists running around doing this poster stuff, and the reaction was 'No, no, no; there's only aesthetics.' My point is that is has to be both: beautiful and political at the same time. I'm not interested in art that is not in the world. And it's not just the narrative, it's not just the story; it's the language and the structure and what's going on behind it. Anybody can make up a story. — Toni Morrison

I met a reverend mother once who cried ... ah, it's all so sad' - 'What did she cry about?' - 'I don't know, after talking to me, I remember I said some silly thing like "the universe is a woman because it's round" but I think she cried because she was remembering her early days when she had a romance with some soldier who died, at least that's what they say, she was the greatest woman I ever saw, big blue eyes, big smart woman ... you could do that, get out of this awful mess and leave it all behind — Jack Kerouac

My grandmother taught me that accomplishments meant less than what you left behind. I started to ask myself what impact my comedy would have on people's lives. And that changed my act. I got cleaner. I stopped talking about generic stuff like airplane peanuts and started speaking the truth about my gift. — Sherri Shepherd

For me, working in the fashion industry is about getting to meet the minds behind the brands. Sure, there are nice dinners, events and shows - even the occasional freebie - but the best part is getting to sit down with and talk to people that have done great things. You quickly realize that no matter who you're talking to, how famous, brilliant or wealthy they are, they are just "people." — Ben Clymer

That church . . . it reminds me of one in downtown Chicago. Do you remember? That beautiful one with the courtyard near the Drake."
Jeremy took a newspaper from a stack behind him and sat across from me. "I know the one you're talking about, but that church," he gestured out the window, "is older than America."
I sighed. "Of course it is. Did I really just try to compare British and American architecture? How insensitive of me. — Jessica Martinez

Can't you get a guard or something to take me to the bathroom?" I asked.
"I am the guard," Ludlow snapped, sounding huffy.
"Oh,really?" I smirked at him, realizing this might be far easier than I thought.
"Don't underestimate me, Princess," Ludlow growled. "I eat girls like you for breakfast."
"So you're a cannibal?" I wrinkled my nose.
"Ludlow, are you harassing the poor girl?" came a voice from behind Ludlow. He moved to the side, and through the slot I saw Loki swaggering toward us.
"She's harassing me," Ludlow complained.
"Yes,talking to a beautiful Princess-what a rough lot you have in life," Loki said dryly, and Matt snorted behind me. — Amanda Hocking

When my son Lowell was eight years old, one day he and I had just finished playing. Tired and exhausted, we were lying on the bed talking. He sat up in the bed and started to trace his finger over the scar behind my neck. He asked me with concern in his voice,
'Daddy, how you got this cut behind your neck?'

I hesitated for a while, wondering how much I should tell him, or if I should even tell him at all. I decided to tell him some of it, leaving out the part about the shooting. So I told him,
'I got that from fighting with one of my friends.'

Lowell didn't respond right away. After a moment of silence and tracing his finger over the scar, my son said something to me that I had never even considered up to that point. He said,
'Daddy, your friend tried to kill you! — Drexel Deal

So I leave proof of my existence behind me like a snail trail with the small hope that years of talking at me will someday soften her enough to talk with me, that she'll finally pull the knife from my chest and say yes, we are better off without him. That what happened wasn't my fault and from now on she will thrust herself between me and danger, and shout NO. — Laura Wiess

She stared at me curiously. Her voice dropped to a whisper. "Sometimes, when I walk along the corridor here, I fancy I hear her just behind me. That quick, light footstep. I could not mistake it anywhere. And in the minstrels' gallery above the hall. I've seen her leaning there, in the evenings in the old days, looking down at the hall below and calling to the dogs. I can fancy her there now from time to time. It's almost as though I catch the sound of her dress sweeping the stairs as she comes down to dinner." She paused. She went on looking at me, watching my eyes. "Do you think she can see us, talking to one another now?" she said slowly. "Do you think the dead come back and watch the living? — Daphne Du Maurier

It's not that simple."
"It's as simple as dry toast."
"You're encouraging me to knowingly hurt him."
Cletus grunted impatiently and threw his hands up. "We're talking in circles. Here's reality: People get hurt and they move on or they don't. You can't have it both ways. You either get to be famous, and deal with the hassle that comes with it, or you leave it all behind. Own your shit, Sienna. And let Jethro own his. And then get married and own that shit together."
Cletus stood, clearly frustrated, and stomped away from me to the back door. He disappeared into the house only to appear three seconds later to add, "And while you're at it, beget me some nieces and nephews. — Penny Reid

The kiss lasted forever as Otto Frank kept talking from behind me. "And my conclusion is," he said, "since I had been in very good terms with Anne, that most parents don't know really their children. — John Green

There's nothing about me on the jacket because I have no credentials. I majored in English at school, but I only took one creative writing class. I think I got a B. And I never really thought about getting an MFA. I'm too spiteful to take criticism constructively and I'm only comfortable being honest about people behind their backs, so workshops or group critiques were never what I was looking for. For years I just wrote in journals and didn't really worry about turning any of it into stories or stuff for other people to read, so I guess I developed my writing style by talking to myself, like some homeless people do. Only I used a pen and paper instead of just freaking out on the street. If they switched to a different medium they might be better off. It would probably help if they had someplace to live too. — Paul Neilan

I'm not really putting this very well. My point is this: This book contains precisely zero Important Life Lessons, or Little-Known Facts About Love, or sappy tear-jerking Moments When We Knew We Had Left Our Childhood Behind for Good, or whatever. And, unlike most books in which a girl gets cancer, there are definitely no sugary paradoxical single-sentence-paragraphs that you're supposed to think are deep because they're in italics. Do you know what I'm talking about? I'm talking about sentences like this:
The cancer had taken her eyeballs, yet she saw the world with more clarity than ever before.
Barf. Forget it. For me personally, things are in no way more meaningful because I got to know Rachel before she died. If anything, things are less meaningful. All right? — Jesse Andrews

Let me know when you're ready to talk." She stopped and glanced at them both over her shoulder. "Maybe then I'd be ready to discuss your sexual twists and my own little abnormal desires. You never know what we all might learn that we haven't already."
With that, she turned and moved back into the house, closing the door behind her and disappearing out of sight. And Cam found his back slammed against the side of Ian's Hummer, his brother in his face.
Lust and irritation flared in his brother's eyes. "You better start talking," he grated. "Because you know what she just did?"
"She just dared us, Cam. And I don't know about you, but the thought of 'abnormal desires' dancing through her mind is going to drive me fucking crazy. Now, fix it. — Lora Leigh

His heart's occupied elsewhere," said Ben from behind me. "And even if it weren't he's not interested in your kind. But, I'm available and ready."
"You don't have a heart," I told him. "Just a gaping hole where it should have been."
"All the more reason for you to give me yours."
I pounded my forehead against Warren 's back. "Tell me Ben's not flirting with me."
"Hey," said Ben sounding hurt. "I was talking cannibalism, not romance. — Patricia Briggs

Whenever I'm waiting behind the stage, it's kind of like my normal Jackie mode is me talking a lot, playing around, but superstar Jackie mode is me concentrating on making sure that this performance was going to be a great performance. — Jackie Evancho

A famous Japanese Zen master, Hakuun Yasutani Roshi, said that unless you can explain Zen in words that a fisherman will comprehend, you don't know what you're talking about. Some fifty years ago a UCLA professor told me the same thing about applied mathematics. We like to hide from the truth behind foreign-sounding words or mathematical lingo. There's a saying: The truth is always encountered but rarely perceived. If we don't perceive it, we can't help ourselves and we can't much help anyone else. — Jeff Bridges

I don't care if you've changed. I don't care who you are now. I don't need or want your explanations because what you did, you didn't do it to me, you did it to that girl you left behind. And I'm not her anymore. You made certain of that. She might have needed answers and an apology, but me ... I don't know what you're talking about. — Samantha Young

A married couple never seem so married as when viewed from the back seat of a motor car, talking quietly together in the front. Polly and Marcus might have been in their bedroom already, so soft and intimate their converse sounded to me, as I sat there alertly mute behind the backs of their heads — John Banville

Nick spreads cream cheese on my bagel for me because it's hard to do with one hand. You need to hold the bagel and everything.
"You are the nicest boyfriend ever," I tell him and kiss his cheek.
"Gag," Devyn says.
"You're just jealous," Nick teases him and points his plastic knife at Devyn. "Which is ridiculous because you are the star of the school now that the wheelchair is totally gone. Everyone is talking about you."
"Star of the school?" Devyn asks. He takes a swig of Gatorade.
"All the girls." Nick gestures to the girls giggling behind them. "They like miracles. It's sexy. Remember how much play Jay Dahlberg got when he came back from being abducted?" He does not add by pixies because he does not have to.
"Really?" Devyn does this cheesy and really fake eyebrow wiggle thing so he looks like some sleezy porn dog. — Carrie Jones

A wave of blood goes up to my head, my stomach shrinks together, as if something dangerous has just missed hitting me. It's as if I've been caught stealing, or telling a lie; or as if I've heard other people talking about me, saying bad things about me, behind my back. There's the same flush of shame, of guilt and terror, and of cold disgust with myself. But I don't know where these feelings have come from, what I've done. — Margaret Atwood

Give us privacy," James told him, his voice sharp. The man beat a hasty retreat. James shut and locked the door behind him. Handy that, a lock. He started loosening his tie. When it was untied, he hooked a finger into the hoop at my neck. He pushed my back to the wall. Or rather, the door. He reached above my head and I looked up. There was a coat hanger above me, hooked over the top of the tall door. James was tying his tie to it with swift, sure motions. He pulled my arms up and together, wrapping the tie around them, tying more swift knots around my wrists. This took longer, and I watched those skillful hands with rapt attention. "This is going to get loud, Bianca. I'm going to fuck you so hard that you scream my name. And you are going to scream so loudly that nobody will doubt just why you're screaming. Would you like to tell me what you and Roger were talking about before I'm inside of you? Or will this be a mid-fuck confession? — R.K. Lilley

You should be proud of her. She cracked the wall, and I never thought I'd live to see it cracked."
What are you talking about?" I said. "What wall?"
The one you built around you," Jeannie said. "Don't say it wasn't there. It was there. I tried to crack it but I didn't have the confidence, you know? What happened is, it cracked me, but that's okay, I'm working around my crack pretty well. But you were dying behind your wall, and you're lucky to have a daughter who has the guts to crack it. I hope she smashes it to fucking smithereens and you never have another peaceful day in your whole fucking life, Mr. Deck! — Larry McMurtry