Spoken Word Poem Quotes & Sayings

My first spoken word poem, packed with all the wisdom of a 14-year-old, was about the injustice of being seen as unfeminine. The poem was very indignant, and mainly exaggerated, but the only spoken word poetry that I had seen up until that point was mainly indignant, so I thought that that's what was expected of me. — Sarah Kay

To read a poem
Is to see light where there is darkness
Is to hear silence where there is noise
Is to dance where there is no music
Is to sing where the only instrument is words
And the stirring, impassioned pauses — A.A. Patawaran

A good poem is a tautology. It expands one word by adding a number which clarify it, thus making a new word which has never before been spoken. The seedword is always so ordinary that hardly anyone perceives it. Classical odes grow from and or because, romantic lyrics from but and if. Immature verses expand a personal pronoun ad nauseam, the greatest works bring glory to a common verb. Good poems, therefore, are always close to banality, over which, however, they tower like precipices. — Alasdair Gray

Welcome to His poem. His play. His novel. Skip the bowls of fruit and statues. Let the page flick your thumbs. This is His spoken word. — N.D. Wilson

The Old Man at the Wheel
Measured against the immeasurable
universe, no word you have spoken
brought light. Brought
light to what, as a child, you thought
too dark to be survived. By exorcism
you survived. By submission, then making.
You let all the parts of that thing you would
cut out of you enter your poem because
enacting there all its parts allowed you
the illusion you could cut it from your soul.
Dilemmas of choice given what cannot
change alone roused you to words.
As you grip the things that were young when
you were young, they crumble in your hand.
Now you must drive west, which in November
means driving directly into the sun. — Frank Bidart

I became part of his ocean, an ocean of poetry that swayed and moved anybody near, that plunged up against every chair and table and tugged and tried our souls. His poem left me dry-mouthed and hungry, diminished only slightly from the bitterness of the beer I continually forgot was in my hand. — Annie Fisher

Khairani Barokka is a writer, spoken-word poet, visual artist and performer whose work has a strong vein of activism, particularly around disability, but also how this intersects with, for example, issues of gender - she's campaigned for reproductive rights in her native Indonesian, and is currently studying for a PhD in disability and visual cultures at Goldsmiths. She's written a feminist, environmentalist, anti-colonialist narrative poem, with tactile artwork and a Braille translation. How could I not publish that? — Deborah Smith

I think you can perform any poem. But what I believe is that the best examples of spoken word poetry I've ever seen, are spoken word poems that, when you see them, you're aware of the fact they need to be performed. That there's something about that poem that you would not be able to understand if you were just reading it on a piece of paper. — Sarah Kay

The first time I ever performed spoken word poetry in front of a big crowd, it totally failed. It ended, people barely clapped ... in retrospect the poem was terrible. And for a while I thought this was something I would never do again. And then I realized that, in my 17-year-old head, that was the worst it could have been. And it wasn't that bad - [because] from there, it could only get better. And I think that failure kind of freed me up to explore and not be afraid of failing again. — Phil Kay

The first spoken word poem I ever wrote was when I was 14 and I wrote it because I was accidentally signed up for a teen poetry slam. Because I loved poetry I said that I'd try it out. — Sarah Kay

When you are writing a spoken word poem, the tools you're working with are your voice, your body, how it's going to sound to someone when you're saying it out loud. Which is different from when you're writing it on the page. That toolbox becomes how does this look visually on the page, how does this read among pages, how is this in relation to poems that are before it or after it. I don't think one is better or more successful than the other. You've just gotta think about "what are the tools I'm using, and how are they most effective in this form?" — Phil Kay

High school was the first time I ever saw spoken word poetry. The first place I ever performed a poem was at my school, so in some ways it was the nucleus of how it all started. For me I think high school was a period of trying to figure myself out, and poetry was one of the ways I did that, and was a very helpful avenue to try to do that. — Phil Kay

If I were a psychiatrist, I should advise my patients who suffer from "anguish" to read this poem of Baudelaire's whenever an attack seems imminent. Very gently, they should pronounce Baudelaire's key word, vast. For it is a word that brings calm and unity; it opens up unlimited space. It also teaches us to breathe with the air that rests on the horizon, far from the walls of the chimerical prisons that are the cause of our anguish. It has a vocal excellence that is effective on the very threshhold of our vocal powers. The French baritone, Charles Panzera, who is sensitive to poetry, once told me that, according to certain experimental psychologists, it is impossible to think the vowel sound ah without a tautening of the vocal chords. In other words, we read ah and the voice is ready to sing. The letter a, which is the main body of the word vast, stands aloof in its delicacy, an anacoluthon of spoken sensibility. — Gaston Bachelard