Max Liesel Quotes & Sayings

Where Hans Hubermann and Erik Vandenburg were ultimately united by music, Max and Liesel were held together by the quiet gathering of words. — Markus Zusak

For Liesel Meminger, the early stages of 1942 could be summed up like this:
She became thirteen years of age. Her chest was still flat. She had not yet bled. The young man from her basement was now in her bed.
***Q&A***
How did Max Vandenburg end up in liesel's bed? He fell. — Markus Zusak

They sat a few meters apart, speaking very rarely, and there was really only the noise of turning pages ( ... ) Where Hans Hubermann and Erik Vandenburg were ultimately united by music, Max and Liesel were held together by the quiet gathering of words.
"Hi, Max."
"Hi, Liesel."
They would sit and read. — Markus Zusak

For at least twenty minutes she handed out the story. The youngest kids were soothed by her voice, and everyone else saw visions of the whistler running from the scene. Liesel did not. The book thief saw only the mechanics of the words
their bodies stranded on the paper, beaten down for her to walk on. Somewhere, too, in the gaps between a period and the next capital letter, there was also Max. She remembered reading to him when he was sick. It he in the basement? she wondered. Or is he stealing a glimpse of the sky again? — Markus Zusak

It would be nice to say that after this small breakthrough, neither Liesel nor Max dreamed their bad visions again. It would be nice but untrue. The nightmares arrived like they always did, much like the best player in the opposition when you've heard rumors that he might be injured or sick - but there he is, warming up with the rest of them, ready to take the field. Or like a timetabled train, arriving at a nightly platform, pulling the memories behind it on a rope. A lot of dragging. A lot of awkward bounces. — Markus Zusak

The book thief lay in bed that night, and the boy only came before she closed her eyes. He was one member of a cast, for Liesel was always visited in that room. Her papa stood and called her half a woman. Max was writing The Word Shaker in the corner. Rudy was naked by the door. Occasionally her mother stood on a bedside train platform. And far away, in the room that stretched like a bridge to a nameless town, her brother, Werner, played in the cemetery snow. — Markus Zusak

It's such a beautiful day," he said, and his voice was in many pieces. A great day to die. A great day to die, like this.

Liesel walked at him. She was courageous enought to reach out and hold his bearded face. "Is it really you, Max?"

Such a brilliant German day and its attentive crowd.

He let his mouth kiss her palm. "Yes, Liesel, it's me," and he held the girl's hand in his face and cried onto her fingers. He cried as the soldiers came and a small collection of insolent Jews stood and watched.

Standing, he was whipped. — Markus Zusak

The juggling comes to an end now, but the struggling does not. I have Liesel Meminger in one hand, Max Vandenburg in the other. Soon I will clap them together. Just give me a few pages. — Markus Zusak

The sky is blue today, Max, and there is a big long cloud, and it's stretched out, like a rope. At the end of it, the sun is
like a yellow hole ... — Markus Zusak

You should give it to Max, Liesel. See if you can leave it on the bedside table, like all the other things." Liesel watched him as if he'd gone insane. "How, though?" Lightly, he tapped her skull with his knuckles. "Memorize it. Then write it down for him. — Markus Zusak

Max, Hans, and Rosa I cannot account for, but I know that Liesel Meminger was thinking that if the bombs ever landed on Himmel Street, not only did Max have less chance of survival than everyone else, but he would die completely alone. — Markus Zusak