Quotes & Sayings About Plot Writing

We must remember that there's more than one story and plot in every novel. There are at least as many stories as there are main characters, and each of these stories has to have multiple plots to keep it going - blood and bone, nerve and tissue, forgotten longing and unknown events. — Walter Mosley

A story that has nothing but action and plot is a pretty poor affair; and some great stories have neither. — Ursula K. Le Guin

The writer seems constrained, not by his own free will but by some powerful and unscrupulous tyrant who has him in thrall, to provide a plot, to provide comedy, tragedy, love interest, and an air of probability embalming the whole so impeccable that if all his figures were to come to life would find themselves dressed down to the last button of their coats in the fashion of the hour. The tyrant is obeyed; the novel is done to a turn. But sometimes, more and more often as time goes by, we suspect a momentary doubt, a spasm of rebellion, as pages fill themselves in the customary way. Is life like this? Must novels be like this? — Virginia Woolf

As regards plot I find real life no help at all. Real life seems to have no plots. And as I think a plot desirable and almost necessary, I have this extra grudge against life. — Ivy Compton-Burnett

T[he rules of writing] require that the episodes in a tale shall be necessary parts of the tale, and shall help to develop it. — Mark Twain

I became much more interested in plot when I really didn't consider myself a writer anymore. When I was in an art context and I started to do installations, that was when writing of mine almost returned to fiction. Earlier I felt like I didn't have anything to write about, I could only concentrate on the page, I could only concentrate on words. — Vito Acconci

I have no problem in moving a date one way or another or coming up with a subplot that gets my characters in (or out) of a fix more rambunctiously than the extant records show. — Sara Sheridan

Now the second common characteristic of fiction follows from this, and it is that fiction is presented in such a way that the reader has the sense that it is unfolding around him. This doesn't mean he has to identify himself with the character or feel compassion for the character or anything like that. It just means that fiction has to be largely presented rather than reported. Another way to say it is that though fiction is a narrative art, it relies heavily on the element of drama. — Flannery O'Connor

Usually when I put my focus on the pacing, the plot, the specific characterizations, - it's ironic - but then I actually increase my chances of writing something that moves people because I haven't become too self-conscious of the goal. — Christopher Rice

Chris Claremont once said of Alan Moore, "if he could plot, we'd all have to get together and kill him." Which utterly misses the most compelling part of Alan's writing, the way he develops and expresses ideas and character. Plot does not define story. Plot is the framework within which ideas are explored and personalities and relationships are unfolded. — Warren Ellis

I've never written a book with an outline or a predetermined theme. It's only in retrospect that themes or subjects become identifiable. That's the fun of it: discovering what's next. I'm often surprised by plot developments I would not have dreamed of starting out, but that, in the course of the writing, come to seem inevitable. — Susan Choi

The opposing missions of the various characters create the plot. — James N. Frey

This is what love does: It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot. The person you love sits across from you, and you want to do everything in your power to make it possible, endlessly possible. And when it's just the two of you, alone in a room, you can pretend that this is how it is, this is how it will be. — David Levithan

But the reason that writers like Harlan and Lee don't outline is that they enjoy the serendipity, the surprises that arise when they're not constricted by the steel girdle of an outline. And I get that too. Some of the best plot twists in my work have been ones that I didn't plan on, including the ending to PARANOIA. One of the great pleasures of writing fiction is living in the story so that you "experience" it the way your characters do. — Joseph Finder

Characters are incredibly important, but I tend to build them around the plot during the outline stage. However, once I'm writing the manuscript, the characters I'm writing dictate how the plot unfolds. — Aimee Carter

Knowing Chris Bennett's Writing as I do, I expected Only Superhuman to have an imaginative plot and a compelling superheroine in Emry Blair. What I hadn't expected was for the backstory to make so much sense. Usually science is the first causality of superhero stories, tossed aside with the breezy rationalization: 'Hey, it's comics!' Only Superhuman is, to my knowledge, the first hard science superhero story. And the Story is the better for it. — Mike W. Barr

Authors of so-called 'literary' fiction insist that action, like plot, is vulgar and unworthy of a true artist. Don't pay any attention to misguided advice of that sort. If you do, you will very likely starve trying to live on your writing income. Besides, the only writers who survive the ages are those who understand the need for action in a novel. — Dean Koontz

I thought why not write a kind of mystery, murder, thriller book, but use romance language where the language plays completely against the very dark subject matter, that very strange murderous plot, but use that Harlequin Romance language. — Chuck Palahniuk

There's an old rule of theater that goes, 'If there's a gun on the mantel in Act I, it must go off in Act III.' The reverse is also true. — Stephen King

How do I happen to believe in God? . . . Writing novels, I got into the habit of looking for plots. After awhile, I began to suspect that my own life had a plot. And after awhile more, I began to suspect that life itself has a plot. - FREDERICK BUECHNER — Sarah Arthur

Facing the sagging middle when writing a novel, while inevitable, may be
overcome by pre-planning. I divide my collection of proposed scenes into three acts, each scene inciting tension that builds toward the final crisis in Act Three. If by Act Two the emotional river isn't spilling over the banks, I reassess the plot so that once the writing is flowing I don't slide into a dry creek. The central character should be struggling to navigate life well into the end of Act One, even if her fiercest antagonist is only from within. — Patricia Hickman

Brandon: How does the character fit into the story, how will people expect them to fit into the story, and how, therefore, can I make them incongruous for those expectations? I'm looking for incongruity. Ask yourself why this character cannot fill the role in the plot that they are expected to fulfill. Ask yourself who would be perfect for this role. I'm not going to use that person. — Brandon Sanderson

I took many notes, more than usual before I sat down and wrote Act One, Scene One. I had perhaps eighty pages of notes ... I was so prepared that the script seemed inevitable. It was almost all there. I could almost collate it from my notes. The story line, the rather tenuous plot we have, seemed to work out itself. It was a very helpful way to write, and it wasn't so scary. I wasn't starting with a completely blank page. — Charles Busch

Cooking up ideas and crafting good plot into a unique, natural, stirring taste is like cooking patiently in a charcoal stove. — Angelica Hopes

The character's attitude is more important than plot. — Stephen J. Cannell

Even if I never sold another book, I'd keep writing, because the stories are here, in my head. Stories that just need to be told. I love watching a plot unfold, and feeling the surprise when the unexpected happens. — Tess Gerritsen

I started out as a poet who primarily wanted to write about image and moment. Over the years I've been trying to teach myself how to do plot and scene. My first story collection had the most issues with the plotlessness, and when I was writing my second collection I was teaching myself how to make things happen. — Dan Chaon

I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way. — Rebecca Miller

I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about. — Warren Leight

Despite my affection for subtext and plot and prose at its best... life, it turns out, is nothing more than the finer details. — Bailey Vincent

I've always wrestled with the difference between plot and structure, and after re-reading a lot of writing books I realized I wasn't alone. — Jeff VanderMeer

I want my stories to be understood and enjoyed by anyone, so I need 'beta-readers' who will tell me when the plot is working or not working, and when my writing is concise or vague. — Tony DiTerlizzi

I'm trained as an architect; writing is like architecture. In buildings, there are design motifs that occur again and again, that repeat
patterns, curves. These motifs help us feel comfortable in a physical space. And the same works in writing, I've found. For me, the way words, punctuation and paragraphs fall on the page is important as well
the graphic design of the language. That was why the words and thoughts of Estha and Rahel, the twins, were so playful on the page ... I was being creative with their design. Words were broken apart, and then sometimes fused together. "Later" became "Lay. Ter." "An owl" became "A Nowl." "Sour metal smell" became "sourmetal smell."
Repetition I love, and used because it made me feel safe. Repeated words and phrases have a rocking feeling, like a lullaby. They help take away the shock of the plot
death, lives destroyed or the horror of the settings
a crazy, chaotic, emotional house, the sinister movie theater. — Arundhati Roy

I am writing to a rhythm and not to a plot. — Virginia Woolf

He was back at the point of departure, at the place that filled writers with dread and excitement, for this was where they must decide which new story to tackle of the many floating in the air, which plot to bind themselves to for a lengthy period; and they had to choose carefully, study each option calmly ... because there were dangerous stories, stories that resisted being inhabited, and stories that pulled you apart while you were writing them ... At that moment, before reverently committing the first word to paper, he could write anything he wanted, and this fired his blood with a powerful sense of freedom, as wonderful as it was fleeting, for he knew it would vanish the moment he chose one story and sacrificed all the others. — Felix J. Palma

The books people are writing today, they're too long. You get a little bit of plot, and then pages and pages of Creative Writing. They teach classes in how to do this. They should teach classes in how to stop! — Douglas Adams

There's that lovely thing for the first month or two of writing a new book: OK, I don't know what that character's going to do, but we'll find out later. After about three or four months you come to that bit where you've got to put some plot in before it's too late, and you have to go back and start inserting plot, and, ooh, I've left out the literature, OK, lets put some in. — Terry Pratchett

THE STORIES WE TELL fearlessly explores the textures of the human heart, finding a path toward hope through a Savannah that is jagged with class issues, faith misused, and broken trust. Henry loses you in a landscape peopled with secret keepers, storytellers and liars, and proves that in the end, love is the only reliable compass. This is everything you expect from Patti Callahan Henry - lyrical writing, characters worth rooting for, a sure-footed belief in the power of goodness - plus a twisty plot that will keep the pages turning long into the night. — Joshilyn Jackson

For whatever reason, thus far it's been important to me not to write that kind of collection. Which means that I've spent months playing tic-tac-notecard, trying to get the stories in an order whereby stories that are similar in any given way (diction, narrative stance, setting, plot) are separated by others that aren't. — Roy Kesey

My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne. — John Irving

Writing fiction is the act of weaving a series of lies to arrive at a greater truth. — Khaled Hosseini

After preliminary research, I zero in on an idea, and then I spend at least four months exploring the topic and in plot-building. I jot down every single detail of the plot as bullet points per chapter, and only when the skeleton is complete do I start writing. — Ashwin Sanghi

I don't write plot-driven stories. Plotting feels too contrived and constraining to me. I posit. I agitate. I present contradictions, and in that respect, I suppose I write belief-driven stories. The point A to point B happens when the main character questions a belief they have at the beginning only to realize at the end that they were wrong.

The wade through the mud is what interests me. — Cheryl Anne Gardner

Plot, or evolution, is life responding to environment; and not only is this response always in terms of conflict, but the really great struggle, the epic struggle of creation, is the inner fight of the individual whereby the soul builds up character. — William Wallace Cook

To be stories at all they must be a series of events: but it must be understood that this series - the plot, as we call it - is only really a new whereby to catch something else. — C.S. Lewis

I cannot tell you how important fresh, crisp writing is for an aspiring writer. Plot is great. The overall concept is super important. But the writing is what sells your work. It all boils down to the words you choose and the order in which you arrange them. — Darynda Jones

Writing a log line helps you define - for yourself - the essential elements of the plot. It will also let you know immediately if major components of the plot are missing. — David Macinnis Gill

Every day, while I was writing out my description of what I was going to write for the knowledge component of the triangle, I would play the scene through in my mind and try to get excited about it. I'd look for all the cool little hooks, the parts that interested me most, and focus on those since they were obviously what made the scene cool. If I couldn't find anything to get excited over, then I would change the scene, or get rid of it entirely. I decided then and there that, no matter how useful a scene might be for my plot, boring scenes had no place in my novels. — Rachel Aaron

If you are names without a nature, it's not because I don't remember, no, the opposite is true, you are remembered in me as an endless stirring and turning. But it's for this precisely that you must forgive me, because in every story of obsession there's only one character, only one plot. I am writing about myself alone, it's all I know, and for this reason I have always failed in every love, which is to say at the very heart of life. — Damon Galgut

Find the problem, find the story. — John Brown

Plot comes from the mind but the characters come from the heart! — Varsha Dixit

You don't need to know the purpose as you write, but when you read over something you've written, you should be able to point to any given element - be that a line of dialogue, a descriptive phrase, a plot point - and say why it's there. — Diana Gabaldon

Remember: Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations. Plot is observed after the fact rather than before. It cannot precede action. It is the chart that remains when an action
is through. That is all Plot ever should be. It is human desire let
run, running, and reaching a goal. It cannot be mechanical. It can
only be dynamic. So, stand aside, forget targets, let the characters, your fingers, body, blood, and heart do. — Ray Bradbury

I work on one book at a time. And yes, I am immersed. Six days a week for four to six hours a day. In between books, I stop writing for as much as two to three months, but during that time, I do research and think, plot and plan the book. — M.J. Rose

In a lot of ways, TV writing taught me how to be a good storyteller. I learned about dialogue, scenes, moving the plot forward. — Maria Semple

The real targets of terrorism are the rest of us: the billions of us who are not killed but are terrorized because of the killing. The real point of terrorism is not the act itself, but our reaction to the act. And we're doing exactly what the terrorists want [ ... ] Our politicians help the terrorists every time they use fear as a campaign tactic. The press helps every time it writes scare stories about the plot and the threat. And if we're terrified, and we share that fear, we help. — Bruce Schneier

In the story of life, the prologue and epilogue are written by God. Yet the plot has been given to us; therefore we should write the best prose we can. — James D. Maxon

I don't know'," he said. "Those three words from a willing soul are the start of a grand and magnificent voyage." And with that he began a discourse that lasted for several weeks, covering scene-setting, establishing conflict, plot twists, and first- and third-person narration. [ I learned in these rapid-fire mini-dissertations that like most literature lovers I would come to know, Henry was a book snob. He assumed that if a current author was popular and widely enjoyed, then he or she had no merit. He made a few exceptions, such as Kurt Vonnegut, although that was mostly because Vonnegut lived on Cape Cod and so he probably had some merits as a human being, if not as a writer.
I think that the way Henry saw it was that he was not being a snob. In fact I would venture that in his view of things, snobbery had nothing to do with it. Rather, it was a matter of standards. It was bout quality in the author's craftsmanship. — John William Tuohy

Structure 19. You worried about structure when you came up with your story! If you did, I'm sorry. You missed some of the most joyous moments in writing. Character and story come first. Before anything. Certainly before all that Act One, Two, and Three crapola. When you're teasing out your story, make lots of notes. Think out loud. Talk to a tape recorder. Make more notes. Fill up oceans of 3x5 cards. Write on yellow legal pads. Write on white legal pads. Scribble on napkins or beer coasters. Write down cool stuff for characters to do that may never find its way into the movie. Make notes and more notes and more notes, but do not trouble yourself with structure. Screw structure. Have fun. Structure is for later. For now, just let your incredibly creative mind run free. Make notes about character and plot and story and funny moments and locations you'd like to visit. Tape record dialogue for your — William M. Akers

While every chapter should have goals to further the plot and delve our readers deeper into our world, there must be one goal above all else: Emotional Impact. — A.J. Flowers

With six weeks' worth of recuperation time, you'll also be able to see any glaring holes in the plot or character development. And listen
if you spot a few of these big holes, you are forbidden to feel depressed about them or to beat up on yourself. Screw-ups happen to the best of us. — Stephen King

Occasionally a particular word or phrase in a letter or diary has sparked an entire plot - like an echo from history, still very alive. — Sara Sheridan

He had a book to finish. Ten-thousand words. The other ninety thousand had been difficult. This last tenth seemed impossible. His plot had become derailed. He was unable to see his way through the smoke and coke dust of a mythical railway track that should stretch ahead. Yes, the characters were there, good and solid. Indeed, the story's engine was strong and had shunted yet forward and forward, with only one or two sharp halts. But six weeks ago he met the bumpers. R. was now stuck in a deserted station, his progress blocked. ("Out Back") — Garry Douglas Kilworth

In my case, if I start out by thinking about the plot, things don't go well. Small points, such as my impression of what is likely to occur, do come to mind, but I let the rest of the story take its own course. I don't want to spend as long as two years writing a story whose plot I already know. — Haruki Murakami

Fiction writers come up with some interesting metaphors when speaking of plot. Some say the plot is the highway and the characters are the automobiles. Others talk about stories that are "plot-driven," as if the plot were neither the highway nor the automobile, but the chauffeur. Others seem to have plot phobia and say they never plot. Still others turn up their noses at the very notion, as if there's something artificial, fraudulent, contrived. — James N. Frey

What must novel dialogue ... really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It must express character. It must advance plot. During dialogue, the characters confront one another. The confrontation is in itself an occasion. Each one of these occasions, throughout the novel, is unique. — Elizabeth Bowen

In commercial fiction especially, everything in the story usually contributes directly to the plot The shorter the story, the truer this is — Nancy Kress

Well, it's my voice, so it's more accessible that way, and there are also all sorts of things like plot and timelines that are already known entities, so for me, it's very different from writing fiction. — Alice Sebold

When I am writing a book, I'll go to sleep with a plot hole in my story that I don't know how to fix. When I wake up, I know. It's as if it were there all along and I just needed the right sleep to access the answer. — Tarryn Fisher

You have the capacity to change the plot line of your life, even if you've been acting from the same script since before you can remember. No matter what has happened up to this point, you have the right and the capacity to be happy. You are an innately creative being, capable of writing a love story worth living. — David Simon

Where do writers get their ideas from? Anywhere and everywhere.
Nothing is sacred. — Darynda Jones

Remember: Bad timing equals great plot twists. — A.L. Mabry

It's one of the most liberating things I experience in writing - letting yourself get rid of a gesture or character or plot point that always nagged, even if you couldn't admit to yourself that it did. — Leslie Jamison

Writer's groups work for some new writers, not for others. I was never cut out for a writer's group. So much depends on the people in it. What are they criticizing about your work? Grammar, syntax, plot holes? Or are they criticizing your personal style, your world view and your personal philosophy? If they're criticizing the latter, it's not a good group for you, no matter what support you might think you're getting from it. Your style, your perspective, and your philosophy of life are the main things you have to sell; they are what make you different, and you shouldn't
in fact you can't
change them. — Dean Koontz

There always had to be a survivor. Maybe this simply spoke to the optimism of the men writing those screenplays; even with an uncomfortable sci fi plot they had to subconsciously comfort themselves by thinking that at least a hundred people would survive.
Someone has to survive — Chris Dietzel

The craft of writing is all the stuff that you can learn through school; go to workshops and read books. Learn characterization, plot and dialogue and pacing and word choice and point of view. Then there's also the art of it which is sort of the unknown, the inspiration, the stuff that is noncerebral. — Garth Stein

A plot without action is like pasta without garlic, like Dolly Parton without cleavage, and like a writer without his similes. — Dean Koontz

Fantasy writing must be grounded in both truth and life experience if it is to work. It can be as inventive and creative as the writer can make it, a whirlwind of images and plot twists, but it cannot be built on a foundation of air. The world must be identifiable with our own, must offer us a frame of reference we can recognize."
"Fantasy stories work because the writer has interwoven bits and pieces of reality with imagination to form a personal vision. — Terry Brooks

I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot - you know, beginning, middle and end--that has forward motion. I don't like series books that leave you hanging after you've finished a book and in my own fiction I try to make sure that there's always an entry point for those who are new to the book as well as long-time readers. — Charles De Lint

I begin by writing paragraphs that don't have an immediate relation to a plot. The sound of the story comes first. — Grace Paley

But it isn't a rough draft either. The one I turned in several months ago was rough. There were some bad plot holes, some logical inconsistencies, pacing problems, and not nearly enough lesbian unicorns. — Patrick Rothfuss

Plot might seem to be a matter of choice. It is not. The particular plot is something the novelist is driven to: it is what is left after the whittling-away of alternatives.' Elizabeth Bowen opened her Notes on Writing a Novel (1945, reprinted in Collected Impressions, Longmans, Green & Co., — Elizabeth Bowen

In our modern age, there are writers who have heaped scorn on the very idea of the primacy of story. I'd rather warm my hands on a sunlit ice floe than try to coax fire from the books they carve from glaciers. — Pat Conroy

The tragic fear and pity may be aroused by the Spectacle; but they may also be aroused by the very structure and incidents of the play - which is the better way and shows the better poet. The Plot in fact should be so framed that even without seeing the things take place, he who simply hears the account of them shall be filled with horror and pity at the incidents; which is just the effect that the mere recital of the story in Oedipus would have on one. To produce this same effect by means of the Spectacle is less artistic, and requires extraneous aid. — Aristotle.

Writing down your anger seems like it won't be of any use but this technique is of great use if done the correct way. One should always keep in mind that neither do we intend to write a letter full of hate nor do we want to write to remember who has behaved how with you so that you could plot for a revenge. — Jack Farewell

Overall, I was generally "delighted" with the book's story -- writing, theme, plot, etc. Seriously, though, I really did revel in it. After all, "what is a book for if not for our enjoyment? — Chris Mentillo

You wanna be the next Tolkien? Don't read big, tolkien-esque fantasies. TOLKIEN didn't read big, tolkien-esque fantasies. He read books on finnish philology. You go and read outside your comfort zone, go and learn stuff. And then the most important thing, once you get any level of quality
get to the point where you wanna write, and you can write
is tell YOUR story. Don't tell a story anyone else can tell. Because you always start out with other people's voices ... There will always be people who are better or smarter than you. There are people who are better writers than me, who plot better than I do, but there is no one who can tell a Neil Gaiman story like I can. — Neil Gaiman

Anyway, you don't know what's going to happen. I'm only just thickening the plot.
I'd say it was pretty thick already.
Thick plots are my specialty. If you want a thinner kind, look elsewhere. — Margaret Atwood

Characters make their own plot. The dimensions of the characters determine the action of the novel. — Harper Lee

He must shape simultaneously (in an expanding creative moment) his characters, plot, and setting, each inextricably connected to the others; he must make his whole world in a single, coherent gesture, as a potter makes a pot ... — John Gardner

I eat broccoli. I think about the plot. I pace in circles for hours, counter-clockwise, listening to music. I try to think of one detail in the scene I'm about to write that I'm really excited about writing. Until I can come up with that one detail, I pace. — Matthew Tobin Anderson

Remember ...
Keystrokes are hammer taps. Get words on paper. Don't worry about connections, character or plot. Work for an hour. Promise yourself an hour. Do nothing else but move your fingers. Make coarse shapes. Follow any emotion that pops up but never impose emotion, never fake it, and don't make up your mind or your heart ahead of time. Understand you don't know what you're doing. That's why you're here. Rough it out. Anything goes. You can decide later what any piece of text looks like, what it might mean. Don't stop. Don't question. Don't quit. Don't stop to read what you wrote. Move your fingers. You mind will have no other option but to keep up. Remember that writer's block is merely the cold marble waiting for the chisel to heat up. — Bob Thurber

I had a plot connection that nobody understood for this fourth character, and decided, Oh, nobody gets it, that's all. I'll write another draft to make her make sense. It took me awhile to learn that these three people were the core of this play, which seems so obvious now. — Richard Greenberg

When you're writing a whodunit, the dead body is the most important character. It's the pivot point around which the plot spins. — Adrianne Lee

She said, "Your approach is wrong. You're writing an essay rather than creating a literary figure. What a literary character does in ten minutes might be a reflection of ten years' experience. You can't be limited to the plot of a novel - you've got to imagine her entire life, and what actually gets put into words is just the tip of the iceberg." So — Liu Cixin

In Hidden Writing, a main plot is constructed to camouflage other plots (which can register themselves as plot holes) by overlapping them with the surface (superficially dynamic plot) or the grounded theme. In terms of such a writing, the main plot is the map or the concentration blueprint of plot holes (the other plots). — Reza Negarestani

Plot is tremendously important to me: I can't stand books where nothing happens, and I can't imagine ever writing a novel without at least one murder. — Ned Beauman

I'm always amazed at friends who say they try to read at night in bed but always end up falling asleep. I have the opposite problem. If a book is good I can't go to sleep, and stay up way past my bedtime, hooked on the writing. Is anything better than waking up after a late-night read and diving right back into the plot before you even get out of bed to brush your teeth? — John Waters

When the plot is discovered no one suspects him and he remains close to Rosas for a while, then decides to flee, even though his life is not really in danger; he takes refuge in the house of his cousin Amparo Escalada. He lives hidden in the cellar of her house for some six months. The woman will have a son by him, a child Ossorio will never know. In 1842 he crosses to Montevideo. The exiles are fearful; they think he is a double agent. Isolated and disillusioned with politics, he goes to Brazil, where he settles in Rio Grande do Sul, lives with a black woman slave, and devotes himself to writing poetry and contracting syphilis. — Ricardo Piglia

We maintain, therefore, that the first essential, the life and soul, so to speak, of Tragedy is the Plot; and that the Characters come second - compare the parallel in painting, where the most beautiful colours laid on without order will not give one the same pleasure as a simple black-and-white sketch of a portrait. — Aristotle.