Now I Can Move On Quotes & Sayings

I've been back in New York a year and a half now. Before that I was on the West Coast for five years. There's no comparison between the two. You hear things in New York you don't hear anywhere else. Unless these guys go out. Quite a few make it out to the Coast. Of course, you can't stay in New York for ever. You have to move. — Ben Webster

God, it's like reality's completely shifted on me. I used to think I was standing on such solid ground. If I wanted something badly enough, I just worked like hell for it. Now I can't decide what to do, which move to make. All the things I counted on aren't there for me anymore. — Tess Gerritsen

Yes I have smoked crack cocaine. But no - do I? am I an addict? - No. Yes, I've made mistakes. All I can do now is apologize and move on. — Rob Ford

Why are you still standing here?"
His uncle leaned back, peering out into the hallway. "I need you to come to town with me," he muttered.
"You're not on my schedule."
His uncle scowled. "I'm not what now?"
"I wrote out a schedule. You're not on it."
"Uh-huh. Can you fit me on the schedule?"
Bo grabbed the notepad off his night table and looked it over. "Well, let's see, maybe I could move-"
Grigori snatched the pad from him and tore it up, throwing the tiny pieces at Bo's head.
Bo stared at him. You don't think I made a copy? — Shelly Laurenston

I'll be hurting elsewhere in a moment if I don't get you into bed right now." He chuckled as he laid her on the mattress. One hand clutching his robe, she tugged him downward.
"Then touch me, Nicholas. Make me burn like you did a few moments ago. I want you touching me, sucking on me...I want you to fuck me until neither one of us can move."
"Christ Jesus," he rasped at the lust echoing through her words. — Monica Burns

She's fulfilled her obligation, assuaged her conscience by finding me in the hallway and giving me the chance to freak out, and I've played my role too, by remaining calm, pretending to be okay, and therefore giving her permission to cross me off her things-to-do list. Now she can move on, and I can too.
Once you understand how adults are controlled by the system, manipulating them is elementary. — Matthew Quick

I think we have a good foundation which Mr. Lee Kuan Yew laid down, but you have to move forward. Now the question is what can Mr. Lee Hsien Loong and his team, and all our younger ministers can do now to build on the foundation which Mr. Lee Kuan Yew has built. — Tony Tan

I see hope creeping in, destabilizing old power structures. I feel it in the ground under my feet. I hear it in the stories of the people of God living right now. We're whispering to each other, eyes alight, "Aslan is on the move." Can't you feel that? The kingdom is breathing among us already. — Sarah Bessey

Come now, you can move faster than that! Everyone says you were a spitfire on the cliffs this morning." I let him spin me at that. "They do?" "They're saying that you and Sean Kendrick were burning up the cliffs." Tommy spins me again and grins at me. "And when I say you and Sean Kendrick, i mean you and Sean Kendrick. And by burning, I mean burning." I jerk to a stop and spin him instead. I pretend he's talking about racing. 'You worried? — Maggie Stiefvater

And as angry as I am with what you have put me through, I am so very glad that we are now at this moment. This moment means I can move on to bigger and better things without you constantly weighing on my shoulders.
I will never again turn a corner in New York terrified that I will run into you and even more terrified that I won't. I can go into any coffee shop I want. I can hope for love again. — K.A. Linde

Well, besides being entertained, I'd like to move them emotionally. I mean I really want to uplift them. I want to look down at the audience, and this is personal experiences now I'm going to tell you. It's like you look down at the audience and see people smiling, crying, hugging each other. I want them on their way home to feel empowered like they can do anything. — Yanni

Do you think I absorbed all the impact? That when Mom left, it hit my side of the car? Fuck that, Wren. She left you, too."

"But it didn't break me. Nothing can break me unless I let it."

"Do you think Dad let it? Do you think he chose to fall apart when she left?"

"Yes!" Wren was shouting now. "And I think he keeps choosing. I think you both do. You'd rather be broken than move on. — Rainbow Rowell

You're crazy," pronounced Becks.
"And you're carrying eight guns," I replied. "Now that we've covered what everybody knows, can we move on? — Mira Grant

pointed to glass panes high on the wall. "How do we get up there?" said Jenny. "And once we're out, how do we get out of here?" Cora thought a minute. "There's a barn out back with horses. We'll take them. Can you ride?" "Yes, I can ride, but what if they catch us? And which way do we go?" "They won't even know we're gone until much later. By then we'll be in town. Galena is only a few miles away. We went through it on the way here, remember? We'll go straight to the sheriff there and tell him what happened. Now help me move some tables and chairs." They assembled a rickety pile that gave them access to the high window, which was loose enough — Jordan St. John

The first question we must address deals with optimism, the possibility of achieving our goal. Are we in a position where we can actually hope to effect change? Assuming we become convinced that there are reasons for optimism, we move to the next question. Are we cetain that we want change? The stories about EHMs, jackals, and suffering around the globe strike raw nerves, but now we demand absolute proof that our grievances justify the efforts change will demand. Third: Is there a unifying principle that will validate our efforts? We look to ascertain that we are not merely seeking to impose our moral, religious, or philosophical values on others but instead are intent on creating something of true and lasting universal benefit. And finally: What can we each do? You and I personally need to evaluate our talents and passions. What are our individual options and desires? How do they fit into the bigger picture? — John Perkins

Sjogren's is something you live with your whole life. The good news for me is now I know what's happening after spending years not knowing ... I feel like I can get better and move on. — Venus Williams

Of course I put a chain on him - he's recovering fast and he's quite muscular." He frowned on a thought. "You shouldn't be visiting him now that he can move about - he might grab you." She gave him an incredulous look. He grimaced. "I can find a suitable place for him, perhaps a room with a barred door - " "You mean a cage." "We've already discussed this: I'll not let a madman near you. — Elizabeth Hoyt

It's too late. It was too late by the time I arrived in London to turn your notebook into a dove; there were too many people already involved. Anything either of us does has an effect on everyone here, on every patron who walks through those gates. Hundreds if not thousands of people. All flies in a spiderweb that was spun when I was six years old and now I can barely move for fear of losing someone else. — Erin Morgenstern

Lend stood up, shouldering his duffel bag, as I walked back into the living room. "Where do you think you're going?" I snatched his coat away and held it. He just got here. There was no way I was letting him go anywhere else.
"I happen to have very important things to do."
"What on earth is more important than watching Easton Heights??"
"Christmas shopping for you?"
I dropped the coat into his arms and opened the door. "Take your time."
"Glad to know I'll be missed."
"Have fun!" I leaned up and kissed him hard, then shoved him out and sat back on the couch with a sloppy smile on my face. "Best boyfriend ever."
"Shut. Up. Now." Arianna didn't move, eyes fixed on the television. A firm knock sounded on the door. "And tell Lend he can just walk in already!"
"Did you forget something?" I said as I opened the door, surprised to see a short black woman in a suit. And not Lend pretending to be one, either. — Kiersten White

She waved, laughing, waiting for him to go zooming past her. Instead he slowed, then came to a stop right in front of her.
"What are you doing?" she demanded, as he put his foot on the asphalt. She pointed to the finish line, a scant hundred yards away. "Go."
People around them started screaming. Josh ignored them all.
He pulled off his glasses. "How you doing?"
"Josh! This isn't funny. Move." She glanced over his shoulder, knowing the other racers would appear at any second. "Just finish. You can win. Then we'll talk."
"We can talk now."
She shrieked. "No! I said I was wrong. I said I loved you. What more do you want?"
"You," he said. "For always."
"Yes, yes. You can have that. Now go. Cross the finish line. It's right there. Can't see it? Hurry."
"You'll marry me?"
The man next to her turned. "For God's sake, lady. Marry him already. — Susan Mallery

I did sit down with Jared Polis (D-CO), and we had a good discussion about having the LGBT [Equality] Caucus pool some money and perhaps hire a staffer like some of the other caucuses do. That way we could hopefully be even more proactive on issues like ENDA, student non-discrimination and some of the other bills that are out thereit's just a matter of now figuring out - having seven of us total - how can we best move those forward either through legislation and working with the president to issue orders. — Mark Pocan

Lights and darks. And suddenly i was here, where everything seems strange. And I don't know why. Like the Fox and the Crow, I don't know the whole story yet. But that's a good reason to go on, don't you think?"
"Go where?" said the Scarecrow.
"Go forward," said the girl. "See something. Learn something. Figure it out. We won't ever get the whole thing, I bet, but we'll get something. And then we'll have something to tell when we're old about what happened to us when we were young."
"Now?" said the Scarecrow. "Can you tell it now?"
"After," said the girl. "We have to have the BEFORE first, and that's life"
"And what's life?" said the scarecrow.
"Moving," said the girl. "Moving on. Shall we move on? Will you come with me? — Bruce Coville

If you like, you can all think of it as my gift to you. I never had much else to give. You can get on and play your own lives as you like, while I just keep moving. This story of it all can be another gift. I've made an arrangement with Adam. When I've finished, which is almost now, I'm going to put the bundle of papers in the garden of the Old Fort, before I move on. Adam's going to get them and take them to his father. And if you read it and don't believe it's real, so much the better. It will make another safeguard against Them.
But you wouldn't believe how lonely you get. — Diana Wynne Jones

I can honestly say - not proudly, but honestly - before I had a child, I would see things on TV or hear the news, feel sad for the people and move forward with my day. Now I see everything through a mother's eyes. — Marissa Jaret Winokur

I know now what was happening to me, what was overwhelming me, what was about to consume and almost destroy me. Didier had even given me a name for it - assassin grief, he'd once called it: the kind of grief that lies in wait and attacks you from ambush, with no warning and no mercy. I know now that assassin grief can hide for years and then strike suddenly on the happiest day, without discernible reason or exegesis. But on that day, ... almost a year after Khader's death, I couldn't understand the dark and trembling mood that was moving in me, swelling to the sorrow I'd too long denied. I couldn't understand it, so i tried to fight it as a man fights pain or despair. But you can't bite down on assassin grief and will it away. The enemy stalks you, step for step, and knows your every move before you make it. The enemy is your own grieving heart and, when it strikes, it can't miss. — Gregory David Roberts

As for free will, there is such a narrow crack of it for man to move in, crushed as he is from birth by environment, heredity, time and event and local convention. If I had been born of Italian parents in one of the caves in the hills I would be a prostitute at the age of 12 or so because I had to live (why?) and that was the only way open. If I was born into a wealthy New York family with pseudo-cultural leanings, I would have had my coming-out party along with the rest of them, and be equipped with fur coats, social contacts, and a blase pout. How do I know? I don't; I can only guess. I wouldn't be I. But I am I now; and so many other millions are so irretrievably their own special variety of "I" that I can hardly bear to think of it. I: how firm a letter; how reassuring the three strokes: one vertical, proud and assertive, and then the two short horizontal lines in quick, smug succession. The pen scratches on the paper ... I ... I ... I ... I ... I ... I. — Sylvia Plath

If you did, it would be in such a grave, quiet manner, I should mistake it for sense. Do you never laugh, Miss Eyre? Don't trouble yourself to answer - I see you laugh rarely; but you can laugh very merrily: believe me, you are not naturally austere, any more than I am naturally vicious. The Lowood constraint still clings to you somewhat; controlling your features, muffling your voice, and restricting your limbs; and you fear in the presence of a man and a brother - or father, or master, or what you will - to smile too gaily, speak too freely, or move too quickly: but, in time, I think you will learn to be natural with me, as I find it impossible to be conventional with you; and then your looks and movements will have more vivacity and variety than they dare offer now. I see at intervals the glance of a curious sort of bird through the close-set bars of a cage: a vivid, restless, resolute captive is there; were it but free, it would soar cloud-high. You are still bent on going? — Charlotte Bronte

I hid this one in the hopes that you would find it long after I'm gone. I hope you find this months from now, when I'm still out there, on the road, away from you. I can't imagine what the time apart has done to us. I'm hoping we're closer.
I'm hoping we're more in love than ever. I'm hoping that when I come back, you'll move in with me. In all honesty, I'm hoping that when I come back you'll agree to marry me someday. Because that's what I want, what I dream about.
You, mine, for the rest of my life. I hope you feel the same ... because I don't know what I would do without you. I love you so much. But, if for some reason we're not closer, if something has gotten between us, please, I'm begging you ... don't give up on me. Stay. Stay with me. Work it out with me. Just don't leave me ... please.
I love you, always, Kellan — S.C. Stephens

I appreciate the decision made by Gov. Brewer to veto this legislation. I hope that we can now move on from this controversy and assure the American people that everyone is welcome to live, work and enjoy our beautiful State of Arizona. — John McCain

Men don't want to be brothers - they may someday, but they don't now. My belief in the brotherhood of man died the day I arrived in London last week, when I observed the people standing in a Tube train resolutely refuse to move up and make room for those who entered. You won't turn people into angels by appealing to their better natures just yet awhile - but by judicious force you can coerce them into behaving more or less decently to one another to go on with. I will still believe in the brotherhood of man, but it's not coming yet awhile. Say another ten thousand years or so. It's no good being impatient. Evolution is a slow process. — Agatha Christie

Amanda bit her lip. "You're not ... trying to be funny or something, are you?"
"I'm not trying to be anything!" I said.
"All right, kids," the photographer called. "On the count of three. One, two-" She broke off, straightening up from the camera with a frown. "Excuse me. You in the turquoise? I need you to face forward."
I rotated my body as best I could.
"All the way, please."
I turned so that my shoulders werre even with everybody else's, only now my head faced Gail instead of the lens.
Gail pressed her lips together. "Stop it!" she said.
"Winnie?" Mr. Hutchinson said. He walked to the end of our row. "What's going on?"
"I can't," I whispered.
"Can't what?"
"Can't move my neck, it's stuck." Tears burned in my eyes, and I blinked hard to keep them back.
"Mr. Hutchinson, she's faking," Gail said. "She's trying to be funny and she's ruining everything. — Lauren Myracle

I used to be so intensely preoccupied by unhappiness ... now there are times where you might get down, but you can move on much faster now. — Kristin Scott Thomas

I will never return home to Elham. I can't. To see her would crush me. I need to let her go now. And I need to move on. I've come to realise that she was right. We were two completely different people, and we didn't belong together. But I will never hold any regrets of what we had. It will always be a time of my life that was perfect. Goodbye sweet Nell. — LeeAnn Whitaker

Move on to the Qs: Quiet and Quirky. Take some quiet time for more review and reflection. This will help you feel your way around all the "I can't because's" that come to mind as you think about focusing on what you truly wish to be and do. The process will help you move on to renewal. And the quirky? That's the core that's truly you, the idiosyncratic self, a force that now — Mark Evan Chimsky

Well, I'll take these pages and move on. Things are happening elsewhere. Things are always happening. It seems wherever I go there is drama. People are like lice - they get under your skin and bury themselves there. You scratch and scratch until the blood comes, but you can't get permanently deloused. Everywhere I go people are making a mess of their lives. Everyone has his private tragedy. It's in the blood now - misfortune, ennui, grief, suicide. The atmosphere is saturated with disaster, frustration, futility. Scratch and scratch, until there's no skin left. However, the effect upon me is exhilarating. Instead of being discouraged or depressed, I enjoy it. I am crying for more and more disasters, for bigger calamities, grander failures. I want the whole world to be out of whack, I want every one to scratch himself to death. — Henry Miller

She put a hand on his hip and turned him to her. "But things could go wrong, so i want to tell you something while it's just the two of us, Eddie. I want to tell you how much I love you." She spoke simply, with no drama.
I know you do," he said, "but I'll be damned if I know why."
Because you made me feel whole," she said. "When I was younger, I used to vacillate between thinking love was this great and glorious mystery and thinking it was just something a bunch of Hollywood move producers made up to sell more tickets in the Depression, when Dish Night kind of played out."
Eddie laughed.
Now I think that all of us are born with a hole in our hearts, and we go around looking for the person who can fill it. You ... Eddie, you fill me up. — Stephen King

I know," she said, "rejection's not easy. But you reject words, whole pages, long impossible stories, and it feels good once it's done. It's no different rejecting pictures, a picture's right to hang on a wall. And most of these have hung here too long; you don't even see them any more. The best stuff you have, you don't see any more. And they kill each other because they're badly hung. Look, here's a thing of mine and here's your drawing, and they clash. We need distance, it's essential. And different periods need distance to set them apart - unless you're just cramming them together for the shock effect! You simply have to feel it ... There should be an element of surprise when people's eyes move across a wall covered with pictures. We don't want to make it too easy for them. Let them catch their breath and look again because they can't help it. Make them think, make them mad, even ... Now we'll give our colleagues here better light. Why did you leave so much space right here? — Tove Jansson

His face. Fenton was never one to like a slow day. The look was enough to tell Barnaby that something big had just come down. "Hutch?" "Hmmm?" Fenton went on, breathlessly. "The Broadbent place was robbed. I got one of the sons on the phone now." Hutch Barnaby didn't move a muscle. "Robbed of what?" "Everything." Fenton's black eyes glittered with relish. Barnaby sipped his coffee, sipped again, and then lowered his chair to the floor with a small clunk. Damn. As Barnaby and Fenton drove out the Old Santa Fe Trail, Fenton talked about the robbery. The collection, he'd heard, was worth half a billion. If the truth were anything close to that, Fenton said, it would be front-page-New-York-Times. He, Fenton, on the front page of the Times. Can you imagine — Douglas Preston

Now that I'm ready to move on, I can't. I can't lose my job. I can't be with you, but I can't be without you. God Sidney tonight was one of the best and worst moments of my life. You said you loved me. You love me ... " he smiles sadly and shakes his head. "I love you, too. You brought me back to life. You gave me back my smile. You're everything to me, but I can't do this to you - — H.M. Ward

I was leaning over him when he died. My hands on his chest. My palms felt his last breath move inside him. His chest rose and fell and then kept falling, like it could carry us both straight down through the earth.
I didn't stop pushing, but I knew. Right then. I was breathing hard myself. My lungs probably took int he last air Tariq ever exhaled. It can't possibly be in me anymore, but it feels like it is. Like it's weighing heavy on my chest with every breath I take, even now. — Kekla Magoon

I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I'm like, "Well, that's over and done with, and I can't control the outcome, so move on." I just remember that it's entertainment I am making. — Julia Stiles

Kacie, look at me. You can do this, trust me." "I can't." I meant that literally. I couldn't will my feet to move even if I wanted them to. "Look in my eyes. Yes, you can. You said you trusted me, now come on. Jump in puddles with me. — Beth Ehemann

Kristian, if you don't love me now, no one ever will. This is it; you are the only person that knows I'm here. If you move on, there is no one else." She sounds defeated.
"I know," I say softly. And that's exactly why I won't, I can't, move on. — Dannielle Wicks

I'm having a permanent out-of-body experience. When it's finally done, I lie flat on my back. Glare up at the greenish, star-pricked night sky. I try not to think about what I must look like, black and bony out here on the bank of this pond. My body is all sharp angles - nothing to hold it together but armored joints and a knobby curved spine. I'm a holy fucking terror, I imagine. A walking weapon. After a while, I dig my elbow joints into the mud and sit up. My body can really move now, no longer hauling rotted bone and flesh but streamlined with these thin limbs made of light titanium. I feel like an obsidian skeleton out here. A devil dancing in the dark. I feel free. — Daniel H. Wilson

I'm sitting her thinking, -God, I swear I will take a vow of silence and move to a monastery and worship you for all my days if you just this once provide me with an invisibility cloak, come on, come on, please please invisibility cloak now now now-. It's very possible that Jane is thinking the same thing, I have no idea, because she's not talking either, and I can't look at her on account of how I'm blinded by embarrassment. — John Green

The American revolution, the terms are these: not that I drive you out or that you drive me out, but that we come together and embrace and learn to live together. That is the only way that we can have achieved the American revolution.
Now, if we can face this, it involves facing a great many things. It demands that white people face the fact that I, for example, or any black person they will ever meet or have ever met - I am not an exotic rarity. I am not a stranger. I am none of those things. On the contrary, for all you know, for all you know, I might be your uncle, your brother, your cousin, among other things. One of the things that has happened here - and the pathology of the Deep South proves it; so does the pathology of the North, which dictates to them that they move out and I move in - among other things which have to be excavated here is the fact that this long history is also the history of a love affair. — James Baldwin

Lev,' said Ruby, 'when I was younger, I always told people the things I thought they wanted to hear. But I don't do that anymore. It's a cruel thing to do. So I can't say now that you will be free of it ( grief) and move on, because I just don't know the answer. — Rose Tremain

I've been mayor so I believe there is something else for me. I don't know what that is yet, but I definitely have a testimony now brother! As far as talking to young couples, talking to brothers who are strong, they have it going on, they know exactly what they want to do, how they want to do it but they don't have any God in their life. They don't really move by a spirit. They are not really connected to the community. There is a testimony in here somewhere that I think I can share but I don't know. — Kwame Kilpatrick

But ... you're not passing out, you're just sleeping? There's a difference."
I yawn again. "Just sleep. Maybe I just need a nap."
He nods into my hair. "You did look tired today after school."
"You can put me on the couch now."
He doesn't move, just keeps rocking me. Staying alert is a slippery slope right now.
"Galen?"
"Hmm?"
"You can put me down now."
"I'm not ready yet." He tightens his hold.
"You don't have to hold-"
"Emma? Can you hear me?"
"Uh, yes. I can hear fine. I just can't see-"
"That's a relief. Because for a minute there, I thought maybe you didn't hear me when I said I'm not ready yet."
"Jackass."
He chuckles into my hair. "Go to sleep."
It's the last thing I remember. — Anna Banks

Either we can be victimized and become victims, or we can be victimized and rise above it. Often it is easier to play the victim than take off our masks and ask for help. We get comfortable with our victim status. It becomes our identity and is hard to give up. The Israelites often played the victim card, and I love what God finally tells them, "You have circled this mountain long enough. Now turn north" (Deuteronomy 2:3 [NASB]). Turn north! It's time to move on! Self-pity, fear, pride, and negativity paralyze us. Taking off our masks takes courage, but if we don't do it, we will remain in our victim status and end up stunted.6 — Lysa TerKeurst

Well everybody's got a story to tell
And everybody's got a wound to be healed
I want to believe there's beauty here
So, I guess you're tired of holding on
I can't let go, I can't move on
I want to believe there's meaning here

How many times have you heard me cry out
"God please take this"?
How many times have you given me strength to
Just keep breathing?
Oh I need you
God, I need you now.

Standing on a road I didn't plan
Wondering how I got to where I am
I'm trying to hear that still small voice
I'm trying to hear above the noise

Though I walk, though I walk through the shadows
And I, I am so afraid
Please stay, please stay right beside me
With every single step I take

How many times have you heard me cry out?
And how many times have you given me strength?

I need you now
I need you now — Plumb

You want me to make it better for you. Just the way you feel full and satisfied now, you're going to let me satiate you in the bedroom. Any way I want. Splayed out for me in chains on the bed, unable to move while my tongue finds all the places that drive you crazy."

"I won't let that happen," she breathed.

"You already have. You've let me lick you. I swear I can still taste you--sweet. Addictive." He smiled. "I can already hear you moaning. Letting go. Submitting to me."

~Trance — Sydney Croft

Do you remember how this life of yours longed in childhood to belong to the grown-ups? I can see that it now longs to move on from them and is drawn to those who are greater yet. That is why it does not cease to be difficult, but also why it will not cease to grow. — Rainer Maria Rilke

We've done a lot of films now about the IRA, we can move on from all that. I loved '71 because I think it showed a very honest trail and what it was actually like. It wasn't one-sided. I really respect ['71 director] Yann [Demange] for what he did. But we have done a lot of those things. — Saoirse Ronan

The late Curt Cobain captured the attitude of today's culture with the line, "Here we are; now entertain us." I believe that, unfortunately, many Christians have made Cobain's line the refrain of their friendships.
In my opinion, our cultural obsession with entertainment is really just an expression of selfishness. The focus in entertainment is not producing something useful for the benefit of others but consuming something for the pleasure of self. And a friendship based on this self-serving, pleasure-seeking mind-set can easily slip into a similarly self-serving romantic relationship that meets the needs of the moment.
But when we shift our relationship orientation from entertainment to service, our friendships move from a focus on ourselves to a focus on the people we can serve. And here's the punch line: In service we find true friendship. In service we can know our friends in a deeper way than ever before. — Joshua Harris

Mel? Mel, I love you. Mel, come back . Mel, Mel, Mel."
It's Jared's voice, trying to call me back the way Wanda called back the Healer's host, the way she taught Kyle to call to Jodi.
I can answer him. I can speak now. I can feel my tongue in my mouth, ready to move into whatever shape I ask it to. I can feel the air in my lungs, ready to push out the words. If I want this.
"Mel, I love you, I love you."
This is Wanda's gift to me, paid for with her silver blood. Jared and I, put back together again as if she'd never lived. As if she hadn't saved us both.
If I accept this gift, I profit from her death. I kill her again. I take her sacrifice and make it murder.
"Mel, please? Open your eyes."
I feel his hand on my face, cradling my cheek. I feel his lips burn against my forehead, but I don't want them, not at this price.
Or do I? — Stephenie Meyer

Welcome back, Ben," Erica said. I started in surprise before realizing the voice was coming from inside my head. Alexander had slipped a two-way radio into my ear. There were lots of people out and about. The enemy had taken my cell phone, but I put my hand to my ear and pretended to be talking on one anyhow. No one gave me a second glance. Virtually everyone else was on a cell phone themselves. "Can you hear me?" I asked. "Loud and clear," Erica replied. "Where are you?" "Still on campus, looking into things. But I need you to tail someone for me." "Chip?" "No. I think he's clean." "What? But - " "I'll explain later. Right now I need you to go after Tina. She's the mole . . . and she's on the move. — Stuart Gibbs

God, I understand whale anatomy. Can we move on now, Herman? — John Green

Right now I feel guilty to be alive. Why? Because I'm wasting it. I've been given this life and all I do is mope it away.
What's worse is, I am totally aware of how ridiculous I am. It would be a lot easier if I believed I was the center of the universe, because then I wouldn't know any better NOT to make a big deal out of everything. I know how small my problems are, yet that doesn't stop me from obsessing about them.
I have to stop doing this.
How do other people get happy? I look at people laughing and smiling and enjoying themselves and try to get inside their heads. How do Bridget, Manda, and Sara do it? Or Pepe? Or EVERYONE but me?
Why does everything I see bother me? Why can't I just get over these daily wrongdoings? Why can't I just move on and make the best of what I've got?
I wish I knew. — Megan McCafferty

You hear stories like that all your life and think: cool, a ghost bus. But now we have to look at this stuff analytically ... a ghost bus?! The "ghost" of a motor vehicle? A public conveyance, presumably, which didn't head towards the light, move on to join the choir invisible in ... bus heaven, the great terminus in the sky, where all good buses go when they ... I don't know, break down, but instead is doomed to ... drive eternally the streets of Earth! How can there be a ghost bus?! — Paul Cornell

I'm going to die with Alexander's hand on my face, Tatiana thought. That is not a bad way to die. I cannot move. I can't get up. Just can't. She closed her eyes and felt herself drifting. Through the haze in front of her she heard Alexander's voice. Tatiana, I love you. Do you hear me? I love you like I've never loved anyone in my whole life. Now, get up. For me, Tatia. For me, please get up and go take care of your sister. Go on. And I'll take care of you. — Paullina Simons

You remember how he used to be girl on either arm? You really don't see that guy too much anymore. Why do you think that is? He's waiting for you. I know you're dealing with stuff but you cannot ask him to wait forever! Unless of course, you're okay with him pulling away."
"What if it doesn't work out? What if it ends up like you and Javier?"
"Well at least we gave it a shot. And so it didn't work out, so what? Now, we can move on give or take the occasional booty call."
"I just don't wanna lose what we have, you know?"
"Girl please! What exactly do you have, really?"
"A friendship."
"No. What you and I have is a friendship. What you and castle have is a holding pattern. How long can you circle before the fuel runs out? — Richard Castle

I like to think of the word love as a door. If you only look at the door, all you get is an idea about what love is; but if you are willing to move closer to the door, to open it, and to walk on through, you get to have an experience of what love is. To be intimate with love, you have to move beyond words, leave behind self-concepts, empty your mind of learned ideas, stop being so religious, and let yourself dissolve into love. Now we are really getting somewhere. Now, at last, we can stop trying to define love, and we can let — Robert Holden

Lauren returned her phone to her ear. "Jenny!" she snapped, "I don't have time right now. I need your help. I can't move Nick by myself and I can't leave him on the ground. He'll catch a cold - "
"A cold?" Jennifer interrupted. "You can't leave him on the ground because he'll catch a cold? How 'bout you can't leave him on the ground because he's Nick Blackthorne? — Lexxie Couper

The lesson to draw from this, of course, is that when you move from one country to another you have to accept that there are some things that are better and some things that are worse, and there is nothing you can do about it. That may not be the profoundest of insights to take away from a morning's outing , but I did get a free doughnut as well, so on balance I guess I'm happy.
Now if you will excuse me I have to drive to Vermont and collect some mail from a Mr. Bubba. — Bill Bryson

If I had to control what I was speaking, it would be a chore. Right now I just feel I've got my shoes off, everybody comes in, I talk. If I was an actor it could be a problem, but right now I just talk all the crap, I can badmouth anybody I want, I can say what I want and move on. — Tarsem Singh

Women must find their own answer. That's the important thing. I'm no longer interested in books about women written by men. Even if I could believe in their objectivity, I just can't find their opinions relevant. Now I will only believe what a woman has to say about women, because even if it's not entirely true, it's her struggle and she's on the way to the answer.
Many of you seek masculine approval. Even though you have inside you your way of talking and writing, you have mountains of it inside you, and even though it is enough to begin expressing yourselves so long as it is with your vocabulary, your abstractions, and your own conceptualization, I think you are still afraid of the master: men. Of their judgment. As long as you have this fear, you will not progress. I think the future belongs to women. Men have been completely dethroned. Their rhetoric is stale, used up. We must move on the rhetoric of women, one that is anchored in the organism, in the body. — Marguerite Duras

Stu stops munching, looks up at me from under his shaggy hair.
"So, can you read?" He slides a section toward me.
I cock my head toward the paper. The letters are small, blurry drawings. The alphabet might as well be Chinese or Arabic. Strange that I can't read or speak, though I still have language inside my head. Words are a consolation, but not a tool.
"Guess not. You want me to read stuff out loud to you?"
I would, but not right now. If I wanted to show interest in the newspaper I could cross the table and rub against his shoulder. Instead I gaze at him over the bowl of milk.
"It's so weird," he says in a hesitant voice. "You don't look like a cat. When you stare at me, you look like Eliza."
That's the nicest thing he could have said. With a happy lightness to my step I move between the bowls, over his napkin ring and spoon, until I stand on the edge of the table and nip at his prickly chin. This is my way of saying: Hi, there. I like you. — Simone Martel

A large part of the reason I want to be so mysterious is so that I can move on and do something serious at some point in my career X years from now. It might be very difficult otherwise, because I'm ... wild — Paul Reubens

Wearing my scarlet dress and high heels, I walk down the street a proud woman. A woman flawed, but still, a woman who takes chances, a woman who has loved and been loved. To go out on a limb (or twenty -or forty or sixty, for that matter) is what life is about. It's about trying until you get it right. I'm okay with where I'm at right now. I still don't have a job, a loft, a husband, or kids - but I have me. My grandpa is right. I can maybe maybe myself to death or make peace with the past, with any mistakes I might have made, remember the good times and move forward. — Karyn Bosnak

I can understand the teachers saying it's a gun at my head, but they've got the same gun at the parents' head at the moment. The parent goes up to the teacher and says, well, I'm not satisfied with what you're doing, and the teacher can say, well tough. You can't take him away, you can't move him, you can't do what you like, so go away and stop bothering me. That can be the attitude of some teachers today, and often is. But now that the positions are being reversed [with vouchers] and the roles are changed, I can only say tough on the teachers. Let them pull their socks up and give us a better deal and let us participate more. — Milton Friedman

I pause, examining her eyes, and then move forward with caution. "So if I kissed you right now, I wouldn't be taking advantage of you?"
"No, but I might be taking advantage of you. Your breath smells about as bad as the bottle." She fans her nose with a smile.
"Trust me. You can take advantage of me and I won't mind, even when I sober up." I press my lips to hers, feeling my heart thump in my chest as her breath catches.
It grows silent as we lie with our foreheads touching and our breaths mingling. I place my hand on her hip, shutting my eyes, feeling the intensity of the moment like an open wound. — Jessica Sorensen

Jace set what he was holding down on the windowsill and reached out to her. She came to lean against him, and his hand slid up under her t-shirt and rested caressingly, possessively, on the small of her back. He bent to kiss her, gently at first, but the gentleness went quickly and soon she was pressed up against the glass of the window, his hands at the hem of her shirt - his shirt
"Jace." She moved a little bit away. "I'm pretty sure people down there in the street can see us."
"We could ... " He gestured toward the bed. "Move ... over there."
She grinned. "You said that like it took you a while to come up with the idea."
When he spoke, his voice was muffled against her neck. "What can I say, you make my thought processes slow down. Now I know what it's like to be a normal person."
"How ... is it?" The things he was doing with his hands under the t-shirt were distracting.
"Terrible. I'm already way behind on my quota of witty comments for the day. — Cassandra Clare

People who believe more must not be hard on those who believe less. Why? Because faith ultimately is not a virtue; it's a gift. If you want to believe but can't, stop looking inside; go to Jesus and say, "Help me believe." Go to him and say, "So you're the one who gives faith! I've been trying to work it out by reasoning and thinking and meditating and going to church in hopes that a sermon will move me - I've been trying to get faith by myself. Now I see that you're the source of faith. Please give it to me." If you do that, you'll find that Jesus has been seeking you - he's the author of faith, the provider of faith, and the object of faith. — Timothy Keller

Stop thinking," he said.
I have to think," said val. "You said I was supposed to concentrate."
Thinking makes you slow. You need to move as I move. Right now, you're merely following my lead."
How can I know where you're going to go before you've gone there? That's stupid."
It's no different from knowing where an opponent might move. How do you know where a ball is likely to go on the lacrosse field?"
The only things you know about lacrosse are the things I told you," Val said.
I might say the same about you and sword fighting." He stopped. "There. You did it. You were so busy snapping at me that you didn't notice you were doing it."
Val frowned, too annoyed to be pleased, but too pleased to say anything more. — Holly Black

I stare at his chest. I can't seem to make my eyes move away. When I seen him without his shirt before, back at Hopetown, all I noticed was the scars. But now all I can see is how lean an strong he is. With wide shoulders an arms roped with muscle. He ain't got no hair on his chest, not like Pa an Lugh. My fingers itch to touch it. Find out if his skin feels as smooth as it looks. — Moira Young

She jumped. "You walk like a cat!"
"I am a cat, sweetheart." He wanted to tease her again, so he let a low growl rumble up from his chest. "See?"
Streaks of vibrant color stained her cheeks once more. But she didn't back down. "Are you planning to move?"
"No." He drew in a deep breath, fighting the urge to nuzzle at her throat. "You smell good. Can I taste you?" It was a half-serious question. "Just a little?"
"Mr. Quinn!" She took a step around him and headed off.
But he'd already caught the tart bite of arousal in her scent. Satisfied, he followed, on his best behavior now. It wouldn't do to scare Annie away. Not when he planned to keep her. — Nalini Singh

What can I do but stand with my mouth open, no sound emerging? My lips move and I wave my arms making gestures from the other side of the glass, which I can't penetrate.
... people can speak out of anything, though the struggle takes years. The problem is, whatever I say about the present feels false-nothing contains it all, or catches the depth of things, or their terrible one-dimensionality.
What am I living on? Someone said the other day, "that old irrepressible-impossible- hope." And I thought no, this doesn't feel like hope. But maybe that's what hope is, no shining thing but a kind of sustenance, plain as bread, the ordinary thing that feeds us. How could we confuse this optimism, when it has nothing to do with expecting things to get better?
Hope has to do with continuing, that's all ... I can imagine now, where I couldn't before, this long erosion of faith, this steady drawing from one's strength, until what's left is tenuous, transparent. — Mark Doty

Don't worry, Ian. I totally protected your anonymity. I told her you were my brother."
"Great," he pouted."Now she's going to ask me about you. And I told you
I'm friendly and pleasant and then I move on."
"You can do that. She'll find you perfectly understandable."
"Oh? And why's that?"
"Well, she wondered about you. Said you ask for some heavy reading sometimes, but that you didn't make much conversation."
"Oh, really?"
"Yes," Marcie explained. "I said you were brilliant, but not a very social animal. I said she shouldn't expect a lot of chitchat from you, but you were perfectly nice and there was no reason to be shy around you
you're safer than you look."
"Is that so? And how did you convince her of that?"
"Easy. I said you were an idiot savant
brilliant in literature and many other things, but socially you weren't on your game."
"Oh, Jesus Christ!"
-Ian and Marcie — Robyn Carr

For kids stuck in small towns everywhere who feel like you'll never escape, I hear you. We are all connected. We're all in this together. You are not alone.
No matter what happens, never *ever* give up.
Happiness is not limited. There's enough for everyone. You can start right now, today, to move toward a happier life. Your life is shaped by your choices. Make ones that will help you get where you want to go.
Find your place to belong. It may not be a physical place. At least, not yet. Maybe your place is somewhere you let your imagination take you. Maybe it's your vision of the way your ideal life will be.
Eventually, you'll find a real place that feels like home. Your whole world will open up in ways you kept believing were possible. And you'll be so happy you held on long enough to make it there.
So let's do this thing. Let's own what makes up unique. Let's refuse to allow haters to stop us from moving forward. Let's turn our dreams into reality.
Starting now. — Susane Colasanti

Aw, boss." The redcap who was spit on smiled at me and licked his fangs. "Can't we chew on the princess, just a little?"
One-Eyed Jack slapped the offending faery upside the head without looking at him. "Idiot," he snapped. "I have no desire to pick your frozen guts off the pavement. Now move, you stupid lot. Before I lose my temper. — Julie Kagawa

In the parking lot of a Safeway on Oahu," he says. And he's telling the truth;
in the background she can hear the shopping carts performing their clashy, anal
copulations.
"I'm kind of busy now, Whitey -- but what can I do for you?"
"It's Y.T., " she says, "and you can help bust me out of The Clink." She gives
him the details.
"How long ago did he put you there?"
"Ten minutes."
"Okay, the three-ring binder for Clink franchises states that the manager is
supposed to check on the detainee half an hour after admission."
"How do you know this stuff?" she says accusingly.
"Use your imagination. As soon as the manager pulls his halfhour check, wait
for another five minutes, and then make your move. I'll try to give you a hand.
Okay?"
"Got it. — Neal Stephenson

What. Are. You. Doing. Here?" Day snapped each word this time.

"You're not the only one that can track your lover," God said smugly while holding up his phone with the application still open.

Day's mouth fell open and the shade of red he turned was priceless. He decided to get rid of their excess company and take Day back with him. God looked at Day's date and put on his best run-for-your-life face and spat menacingly. "Leave. Now."

"No," Day spoke before his date could move. "You don't have to go anywhere, Mick."

God looked back to Day and spoke in a harsh growl without moving his eyes from his partner's. "Mick, I say leave now. He says to stay. Whatever will you do?"

Mick turned and ran so fast his image turned into a blur.
"That takes care of that," God said.

Day pushed God out of his space and turned to walk away without another word. — A.E. Via

Our spiritual traditions have carried virtues across time. They are tools for the art of living. They are pieces of intelligence about human behavior that neuroscience is now exploring with new words and images: what we practice, we become. What's true of playing the piano or throwing a ball also holds for our capacity to move through the world mindlessly and destructively or generously and gracefully. I've come to think of virtues and rituals as spiritual technologies for being our best selves in flesh and blood, time and space. There are superstar virtues that come most readily to mind and can be the work of a day or a lifetime - love, compassion, forgiveness. And there are gentle shifts of mind and habit that make those possible, working patiently through the raw materials of our lives. — Krista Tippett

You can say the Jesus Prayer from now till doomsday, but if you don't realize that the only thing that counts in the religious life is detachment, I don't see how you ever move an inch. Detachment, buddy, and only detachment. Desirelessness. 'Cessations from all hankerings.' It's this business of desiring, if you want to know the goddam truth, that makes an actor in the first place. Why're you making me tell you things you already know? Somewhere along the line - in one damn incarnation or another, if you like - you not only had a hankering to be an actor or an actress but to be a good one. You're stuck with it now. You can't just walk out on the results of your own hankerings. Cause and effect, buddy, cause and effect. The only thing you can do now, the only religious thing you can do, is act. Act for God, if you want to - be God's actress, if you want to. What could be prettier? — J.D. Salinger

I have always had a weakness for footnotes. For me a clever or a wicked footnote has redeemed many a text. And I see that I am now using a long footnote to open a serious subject - shifting in a quick move to Paris, to a penthouse in the Hotel Crillon. Early June. Breakfast time. The host is my good friend Professor Ravelstein, Abe Ravelstein. My wife and I, also staying at the Crillon, have a room below, on the sixth floor. She is still asleep. The entire floor below ours (this is not absolutely relevant but somehow I can't avoid mentioning it) is occupied just now by Michael Jackson and his entourage. He performs nightly in some vast Parisian auditorium. Very soon his French fans will arrive and a crowd of faces will be turned upward, shouting in unison, 'Miekell Jack-sown'. A police barrier holds the fans back. Inside, from the sixth floor, when you look down the marble stairwell you see Michael's bodyguards. One of them is doing the crossword puzzle in the 'Paris Herald'. — Saul Bellow

Up until 1986, the top marginal rate, the top statutory rate was 50 percent. Now it's 35 percent. And all the pressure is on to lower that even further. And this just doesn't make a great deal of sense. When people say, 'Oh, we can't raise taxes on the rich. They'll go on strike, they'll move to another country.' But within recent memory, it hasn't been that long ago that we had rates that were substantially higher. And these people did just fine. I just think that there's a disconnect between the facts of what taxes do and the sort of mythology of what they do. — Bruce Bartlett

I hope I never smell the smell of apples again!" said Fili. "My tub was full of ut. To smell apples everlastingly when you can scarcely move and are cold and sick with hunger is maddening. I could eat anything in the wide world now for hours on end - but not an apple! — J.R.R. Tolkien