Quotes & Sayings About Not Talking Back

If I keep looking at her long legs I'm gonna have an accident. "How's that sister of yours?" I ask, changing the subject.
"She's waiting to beat you again at checkers."
"Is that right? Well, tell her I was goin' easy on her. I was tryin' to impress you."
"By losing?"
I shrug. "It worked, didn't it?"
I notice her fidgeting with her dress as if she needs to fix it to impress me. Wanting to ease her anxiety, I slide my fingers down her arm before capturing her hand in mine.
"You tell Shelley I'll be back for a rematch," I say.
She turns to me, her blue eyes sparkling. "Really?"
"Absolutely."
During the drive, I try and make small talk. It doesn't work. I'm not a small talk kind of guy. It's a good thing Brittany seems content without talking. — Simone Elkeles

This is what I get very upset at ... ' Temple, who was driving suddenly faltered and wept. 'I've read that libraries are where immortality lies ... I don't want my thoughts to die with me ... I want to have done something ... I'm not interested in power, or piles of money. I want to leave something behind. I want to make a positive contribution - know that my life has meaning, Right now, I'm talking about things at the very core of my experience.' I was stunned. As I stepped out of the car to say goodbye, I said, 'I'm going to hug you. I hope you don't mind.' I hugged her - and (I think) she hugged me back. — Oliver Sacks

And when she thinks of that generation of silent men, the boys who lived through the Depression and grew up to become soldiers or not-soldiers in the war, she doesn't blame them for refusing to talk, for not wanting to go back into the past, but how curious it is, she thinks, how sublimely incoherent that her generation, which doesn't have much of anything to talk about yet, has produced men who never stop talking, men like Bing, for example, or men like Jake, who talks about himself at the slightest prompting, who has an opinion on every subject, who spews forth words from morning to night, but just because he talks, that doesn't mean she wants to listen to him, whereas with the silent men, the old men, the ones who are nearly gone now, she would give anything to hear what they have to say. — Paul Auster

But for me, if we're talking about romance, cassettes wipe the floor with MP3s. This has nothing to do with superstition, or nostalgia. MP3s buzz straight to your brain. That's part of what I love about them. But the rhythm of the mix tape is the rhythm of romance, the analog hum of a physical connection between two sloppy human bodies. The cassette is full of tape hiss and room tone; it's full of wasted space, unnecessary noise. Compared to the go-go-go rhythm of an MP3, mix tapes are hopelessly inefficient. You go back to a cassette the way a detective sits and pours drinks for the elderly motel clerk who tells stories about the old days
you know you might be somewhat bored, but there might be a clue in there somewhere. And if there isn't, what the hell? It's not a bad time. You know you will waste time. You plan on it. — Rob Sheffield

What do I say to a whale, Galen?" I hiss.
"Tell him to come closer."
"No way."
"Fine. Tell him to back up."
I nod. "Right. Okay." I lace my fingers together to keep from wringing my hands raw. Even more than terror, I feel the insanity of the situation. I'm about to ask a fish the size of my house to make a U-turn. Because Galen, the man-fish behind me, doesn't speak humpback. "Uh, can you please back away from me?" I say. I sound polite, like I'm asking him to buy some Girl Scout cookies.
I feel better in the few moments afterward because Goliath doesn't move. It proves Galen doesn't know what he's talking about. It proves this whale can't understand me, that I'm not some Snow White of the ocean. Except that, Goliath does start to turn away.
I look back at Galen. "That's just a coincidence."
Galen sighs. "You're right. He probably mistook us for a relative or something. Tell him to do something else, Emma. — Anna Banks

Have we become a cupcake league? We already have better helmets and gear. Wonder how the old school players feel about this. Not in the back of minds when talking about 18 game season so let's play football please ... Even guys using shoulders to hit are getting flagged for helmet-to-helmet. Defense is getting sloppy because guys are avoiding fines and will get worse if suspending comes into play. — Phillip Daniels

There were moments - not just today, moments every day since they'd met - when Eleanor made him self-conscious, when he saw people talking and he was sure they were talking about them. Raucous moments on the bus when he was sure that everyone was laughing at them. And in those moments, Park thought about pulling back from her.
Not breaking up with her. That phrase didn't even seem to apply here. Just ... easing away. Recovering the six inches between them. He'd roll the thought over in his head until the next time he saw her alone in the cafeteria.
Whenever he saw Eleanor, he couldn't think about pulling away. He couldn't think about anything at all. Except touching her. — Rainbow Rowell

In another corner Nathaniel murmured to Maura, "You must know, Miss O'Connell, I ... I loved you even before I saw you. It was your father's way of talking."
Maura shook her head. "You mustn't say that. It's not my dear da's words that should do the wooing," she said gently. "I'd rather be cared for ... for what I am myself."
Nathaniel nodded. "I'll not say more. But I will tell you what I think I'm going to do."
And what is that
I'm going to California to search for gold."
And do you think, Nathaniel Brewster, you'll find it?"
I do. But it won't be as fine as what's here," Nathaniel said with a shy smile. "Maura O'Connell ... will ... will you ... wait for me to come back?"
Maura was silent.
Will you?"
You're a fine young man, Mr. Brewster. I can only say I'll not forget you. — Avi

How dare you belittle me this way?'
'What the hell are you talking about?'
'I have never, not even once in my life, given my love to another man. And you throw it back in my face like a trifle.'
'You misunderstand me. It is because I value your love so highly that I do not accept it.'
'You don't accept it because you don't want to accept it. You're mired in misplaced guilt and self-pity. — Julia Quinn

Surprisingly I've never really stolen anything. One time when I was really young, I was walking down the street, found a GI Joe in the mud, and took it home and I was like, "I got a GI Joe!" And then my great grandmother was like, "You stole that." I said, "What are you talking about?" and she said, "That's not yours." I'm like, "But I found it!" She's like, "But it's not yours, and therefore you stole it." So I just went and put it right back in the mud where I found it. — Baron Vaughn

I intend to talk about race during this election in the South because the Republicans have been talking about it since 1968 in order to divide us. And I'm going to bring us together. Because you know what? You know what? White folks in the South who drive pickup trucks with Confederate flag decals in the back ought to be voting with us and not them, because their kids don't have health insurance either and their kids need better schools too. — Howard Dean

They've hit us and we've got to hit back hard, and I'm not just talking about the terrorists. — Ann Coulter

He was surprised at the way she answered. She had taken a long time to say that. She had nodded her head in a deep way too. Had she wished to affect him with some sort of premonition? He wondered unhappily. Or was it only that she would not help him, after all, by talking with him? For he was not strong enough to receive the impact of unfamiliar things without a little talk to break their fall. He had lived a month in which nothing had happened except in his head and his body - an almost inaudible life of heartbeats and dreams that came back, a life of fever and privacy, a delicate life which had left him weak to the point of - what? Of begging. The pulse in his palm leapt like a trout in a brook.

("Death of a Traveling Salesman") — Eudora Welty

All I can see when I look at him is a belt swinging toward Tobias, and the butt of a gun slamming into Caleb's jaw. I don't care that he hurt Caleb
I would have done it, too
but that he is simultaneously a man who knows how to hurt people and a man who parades around as the self-effacing leader of Abnegation, suddenly makes me so angry I can't see straight.
Especially because I chose him. I chose him over Tobias.
"Your brother is a traitor," says Marcus as we turn a corner. "He deserved worse. There's no need to look at me that way."
"Shut up!" I shout, shoving him hard into the wall. He is too surprised to push back. "I hate you, you know that! I hate you for what you did to him, and I am not talking about Caleb." I lean close to his face and whisper, "And while I may not shoot you myself, I will definitely not help you if someone tries to kill you, so you'd better hope to God we don't get into that situation. — Veronica Roth

Back in the '50s and '60s, most politicians were concerned about not talking about faith, partly because there were consequences you had to deal with - (for instance) Catholicism had been made an issue. — Barack Obama

Exactly, I repeated myself. I believe we do it all the time. We always take up certain elements again. How can it be avoided? An actor's voice always has the same timbre and, consequently, he repeats himself. It is the same for a singer, a painter ... There are always certain things that come back, for they are part of one's personality, of one's style. If these things didn't come into play, a personality would be so complex that it would become impossible to identify it.
It is not my intention to repeat myself, but in my work there should certainly be references to what I have done in the past. Say what you will, but The Trial is the best film I ever made ... I have never been so happy as when I made this film.
(talking about directing, The Trial (1962) - from Orson Welles: Interviews (book)) — Orson Welles

John and I have made this stuff our hobby, in the way that an especially attractive prisoner makes a hobby out of not getting raped. Jesus, that's a terrible analogy. I apologize. What I'm saying is that it's self-preservation. We didn't choose this, we just have talents that makes us the equivalent of that new guy in the cell block who has a slim, hairless body and kind of looks like a woman from behind, and has an incredibly realistic tattoo of boobs on his back. He may have no desire at all to ever even touch a penis, but it's going to happen, even if it's just in the process of frantically slapping them away. Jesus, am I still talking about this? [John - please delete the above paragraph before it goes off to the publisher]. — David Wong

Max rocked back on his heels, shoving his hands into his pockets, and said, 'So. Juliet Cavanaugh. I assume my parents have been talking your ear off for the last however many months, telling you how awesome I am, and filling your head full of stories of my impressive talents in the kitchen.'
'Um. Not so much,' Jules said, shooting a glance at Danny, who shook his head and went back to his prep work.
'No? I should take this opportunity to set the record straight, then.' Max heaved a deep sigh. 'It's all true.'
'What?'
'Everything they should've told you about me,' Max explained. 'And I don't know why they didn't, because it's all true. No exaggeration or family bias plays into it at all
I am the best chef in the entire world. — Louisa Edwards

Bind up thy words that they run not riot, and grow wanton, and gather up sins for themselves in too much talking. Let them be rather confined, and held back within their own banks. An overflowing river quickly gathers mud. — Saint Ambrose

I'm sure back in the Greek days or the Roman Empire days, when guys fought in arenas and were fighting lions, people were talking smack. Every era in history has someone talking smack. No way you can have talent and not proclaim your victory. — J. B. Smoove

So what? You act all mysterious to seem more interesting?"

"What's that supposed to mean?"

"You're always wandering off or running away," he said. "But you're a lot more
interesting when you're just being yourself you know. When you're actually here."

"I have no idea what you're talking about," Emma said coldly. "Where else would I be?"

"You know what I mean," he said, a rough edge to his voice. "It's like you're so busy trying not to act like your family that you've never even stopped to consider that it might not be such a bad thing."

"Well what about you?" she shot back, aware of the bitterness in her words.
"You complain about your dad not wanting you around, and then you complain when he wants you to stay home for school. You can't have it both wars."

"Well neither can you," he said. " You can't keep everyone at arms length and then expect them to be there for you when you need them. — Jennifer E. Smith

Shit," Paul says. "She paid for Matt's treatment." "What?" I'm still dumbfounded. "She went back home for you," he explains. He still has Matt on the phone, and he's talking to both of us at the same time. She did it all for me. "She did it for me," I say out loud. "You lucky fucker," Paul says, punching me in the arm. "She'll be back for the spring session at Juilliard." Warm happiness settles around me like a blanket fresh out of the dryer. Paul nods. "Matt will be home by then." We all hope Matt will be home by then. Matt has a chance to come home, and it's all because of Emily. I jump up, and Paul pulls me into a hug. "She'll be back?" I ask. I can't wrap my head around it all. "She's not gone for good?" "She just told the whole fucking world how much she loves you, you jackass." Paul punches me in the shoulder again. She's coming back. To Juilliard. To me. — Tammy Falkner

I love you, Godric St. John, and now I'm breaking my word. I will not leave you. You may either come with me to Laurelwood or I'll stay here with you in your musty old house in London and drive you mad with all my talking and relatives and ... and exotic sexual positions until you break down and love me back, for I'm warning you that I'm not giving up until you love me and we're a happy family with dozens of children. — Elizabeth Hoyt

The future of America may or may not bring forth a black President, a woman President, a Jewish President, but it most certainly always will have a suburban President. A President whose senses have been defined by the suburbs, where lakes and public baths mutate into back yards and freeways, where walking means driving, where talking means telephoning, where watching means TV, and where living means real, imitation life. — Arthur Kroker

I am not going to apologize for the idyllic childhood and the wonderful siblings and the Christian home I grew up in. I know how blessed I am and I am thankful, but I also know it's not that way for everyone. I was talking to a young woman recently who was going through her something and she said, "I don't have sisters to watch my back like you do. I didn't have the kind of mother you did." And I said to her what I've begun saying to people across the country, "Then why not let the legacy of love and support start with you? — Robin Roberts

Today is one of the days when Ma is Gone.
She won't wake up properly. She's here but not really. She stays in Bed with the pillows on her head.
Silly Penis is standing up, I squish him down.
I eat my hundred cereal and I stand on my chair to wash the bowl and Meltedy Spoon. It's very quiet when I switch off the water. I wonder did Old Nick come in the night. I don't think he did because the trash bag is still by Door, but maybe he did only he didn't take the trash? Maybe Ma's not just Gone. Maybe he squished her neck even harder and now she's -
I go up really close and listen till I hear breath. I'm just one inch away, my hair touches Ma's nose and she puts her hand up over her face so I step back.
I don't have a bath on my own, I just get dressed.
There's hours and hours, hundreds of them.
Ma gets up to pee but not talking, with her face all blank. I already put a glass of water beside Bed but she just gets back under Duvet. — Emma Donoghue

First of all, there is a difference between redemption and restoration. What you're talking about is restoration, putting things back as they were before. That is not what redemption is. Christ is the Redeemer because he paid the price for our sins, Joshua. In his sacrifice he took the pain of our sins upon him, he took the effects of our transgressions upon himself. — Gerald N. Lund

His feet started in her direction, his body following rather as a dog would its master, with no thought of deviating from the path chosen by her for him
iAm grabbed his arm and yanked him back. "Don't even fucking think about it."
Trez's first impulse was to rip himself free, even if he left his own limb behind in his brother's grip. "I don't know what you're talking about - "
"Do not make me grab your hard-on to prove my point," iAm hissed.
Numbly, Trez looked down at the front of himself. Well. What do you know. "I'm not going to ... " Fuck her came to mind, but God, he couldn't use the f-word around that female, even in the hypothetical. "You know, do anything."
"You actually expect me to believe that."
Trez's eyes flipped over to the doorway she'd disappeared through. Shit. Talk about having no credibility on the subject of abstinence — J.R. Ward

She stared at me curiously. Her voice dropped to a whisper. "Sometimes, when I walk along the corridor here, I fancy I hear her just behind me. That quick, light footstep. I could not mistake it anywhere. And in the minstrels' gallery above the hall. I've seen her leaning there, in the evenings in the old days, looking down at the hall below and calling to the dogs. I can fancy her there now from time to time. It's almost as though I catch the sound of her dress sweeping the stairs as she comes down to dinner." She paused. She went on looking at me, watching my eyes. "Do you think she can see us, talking to one another now?" she said slowly. "Do you think the dead come back and watch the living? — Daphne Du Maurier

I hear her pacing the house, mumbling, words I can barely make out and am frightened to hear. The words 'Carpe Diem' come from her lips like she's a broken, skipping record, and I clutch the pendant of my necklace tightly, fighting back tears. Because I know she's talking to him, appealing to an invisible man named John, the one who walked out on her when I was born. I know it's not my fault. Not my fault she's this way. Not my fault he left her. But fuck if I don't feel guilty anyway. — J.M. Darhower

Can we get back to how we're going to kill Nick? And what's this about a dead body? You'd better start talking quick, Ivy, 'cause I'm not going to play hide-and-seek with a dead guy in my trunk. I did that in college, and I'm not going to do it again." A smile quirked Ivy's mouth.
"Really?" she asked, and I flushed. — Kim Harrison

DEAR MISS MANNERS:
Should you tell your mother something if it is important when she is talking to company? I am six.
GENTLE READER:
Yes, you should (after saying "Excuse me"). Here are some of the things that are important to tell your mother, even though she is talking to company:
"Mommy, the kitchen is full of smoke."
"Daddy's calling from Tokyo."
"Kristen fell out of her crib and I can't put her back."
"There's a policeman at the door and he says he wants to talk to you."
"I was just reaching for my ball, and the goldfish bowl fell over."
Now, here are some things that are not important, so they can wait until your mother's company has gone home:
"Mommy, I'm tired of playing blocks. What do I do now?"
"The ice-cream truck is coming down the street."
"Can I give Kristen the rest of my applesauce?"
"I can't find my crayons."
"When are we going to have lunch? I'm hungry. — Judith Martin

This was to be my last trip. Sailing great distances was dangerous, and not very profitable in today's world. I walked down the worn wooden step to the captain's cabin, the creaking of the ship keeping time with my steps. Opening the door I found him bent over an old map.
"Where are we captain?" I asked, hoping it was close to home.
"See this spot, where it says "Here there be monsters"?" he said pointing to an image of a horrid beast.
"Certainly, but you and I both know such creatures don't exist!!"
The captain laughed, and looking up at me with an evil glint in his eye said, "Who's talking about sea monsters?". As he spoke the skin from one corner of his mouth fell loose, exposing a yellow reptilian skin beneath.
"What?" I yelled, and as I turned to run for the cabin door I heard screams and loud moans coming from the deck, and the crew quarters below.
I felt fetid breath on the back of my neck, "Aye matey, here there be monsters — Neil Leckman

Ermaline has entered the room noiselessly and is whispering to Nana. When she leaves, Nana and Papa start talking about friends of Mom's who are in the middle of a scandalous divorce. Mom and Dad keep glancing at Adam, and Nana keeps asking Mom and Dad questions, pulling their attention back to the conversation. I have seen this before. It's Nana's highly effective and very annoying way of not mentioning the elephant in the living room. But why does she have to think of Adam as an elephant? Why can't he just be their son?
~pgs 40-42; Hattie on adults — Ann M. Martin

A story is like a giant jigsaw puzzle, a jigsaw puzzle that would cover the whole floor of a room with its tiny pieces. Buts it's not that sort of puzzle that comes with a box. There is no lid with a picture on it so that you can see what the puzzle will look like when it's finished. And you have only some of the pieces. All you can do is keep looking and listening, sniffing about in all sorts of places, until you find the next piece. And then you'll be amazed where that next piece will take you. Suddenly your puzzle can have a whole new person in it, or it can go from being on a train to a hot air balloon, from city to country, from love to sadness to loneliness and back to love. Pieces can come to you at any time. When you're having a cup of tea or sitting on a bus or talking with a friend.it will be like a bell going off in your head. That's what comes next you'll think. And that's why it's serendipity. Serendipity is luck and chance and fate all tumbled into one. — Angelica Banks

Looking back, there is nothing wrong with that peace, love and equality that the hippies espoused. In many ways, we have regressed because they were into organic food, back to nature, make love not war, be good to all men, share and share alike - which is what many are talking about now. — Imelda Staunton

Well, good-bye for now," he said, rolling his neck as if we hadn't been talking about anything important at all. He bowed at the waist, those wings vanishing entirely, and had begun to fade into the nearest shadow when he went rigid.
His eyes locked on mine wide and wild, and his nostrils flared. Shock - pure shock flashed across his features at whatever he saw on my face, and he stumbled back a step. Actually stumbled.
"What is - " I began.
He disappeared - simply disappeared, not a shadow in sight - into the crisp air. — Sarah J. Maas

Thia pulled Darice away from Hauk. "Son, we need to talk about your inability to sense near-death experiences." "What are you talking about?" Thia glanced back to Hauk, who still hadn't moved. He hadn't even blinked. "Can you not see how pissed off he is?" "So?" Rolling her eyes, Thia sighed. "You're an idiot, Darice. I seriously hope you have no intention of entering any kind of military service." He lifted his chin defiantly. "Of course, I am. I'm Andarion. I'm going to be a fighter pilot like my parents." "No, punkin'." She patted him on the cheek. "With those well-honed survival instincts, you're going to be a bright stain on someone's blast shield." Darice — Sherrilyn Kenyon

When she was three, I sent her to day care for a couple
of hours every morning. After a few weeks, the teacher
called me and said that she was worried about Lucy. When it
was time for the children to have their milk, Lucy would always
hang back until all the other kids had taken a carton before
she'd take one for herself. The teacher didn't understand. Go
get your milk, she'd say to Lucy, but Lucy would always wait
around until there was just one carton left. It took a while for me
to figure it out. Lucy didn't know which carton was supposed to
be her milk. She thought all the other kids knew which ones
were theirs, and if she waited until there was only one carton in
the box, that one had to be hers. Do you see what I'm talking
about, Uncle Nat? She's a little weird - but intelligent weird, if
you know what I mean. Not like anyone else. If I hadn't used
the wordjust, you would have known where I was all along ... — Paul Auster

We had a policy of "no looking back". Once a decision was made, all members of our team were expected to stop talking about obstacles and instead focus intensely on solutions.

"Don't tell us all the reasons this might not work. Tell us all the ways it could work. — John Wood

Each person in the group said something except for me. My silence became noticed. About halfway through the meeting I started to think, I've got to talk. Today, I've got to talk. Fear racked me so bad that sweat ran down my sides. I thought, After the curly-haired woman stops talking I'll raise my hand. A man with a cocky smile told the curly woman that her story was nothing compared to his, he'd been passed out cold from heroin and God knows what, and I wanted to tell him to quit glorifying hinself. I was just about to say the words, a few faces turned toward me as if they could sense my imminent speech, when a man across the circle interrupted.
The opportunity passed; what I wanted to say wouldn't fit now. I tilted on the back two legs of the chair and waited for my desire to speak and be noticed and be part of the group to travel back through my nervous system. Up the synapses condemnation rushed: Why couldn't I spit something out like a normal person? — Daphne Scholinski

She turned to Roy with her gayest expression. He smiled back at her with what Phil called "his deep, black, velvety smile." Yet, she really did not see Roy at all. She was acutely conscious that Gilbert was standing under the palms just across the room talking to a girl who must be Christine Stuart — L.M. Montgomery

But this did not seem likely to happen. She went on and on, a long way, but wherever the road divided there were sure to be two finger-posts pointing the same way, one marked 'TO TWEEDLEDUM'S HOUSE' and the other 'TO THE HOUSE OF TWEEDLEDEE.' 'I do believe,' said Alice at last, 'that they live in the same house! I wonder I never thought of that before - But I can't stay there long. I'll just call and say "how d'you do?" and ask them the way out of the wood. If I could only get to the Eighth Square before it gets dark!' So she wandered on, talking to herself as she went, till, on turning a sharp corner, she came upon two fat little men, so suddenly that she could not help starting back, but in another moment she recovered herself, feeling sure that they must be. — Lewis Carroll

I say to my students that I can't teach them how to write a good song, but I can teach you how to write a better song. Talking about this idea of it being a process. By going back and not settling for something and find a way to step back from your songs-which is a very hard thing to do-but when you're stuck or you can't move forward, start doing some polishing. — Andy Wilkinson

Evan, Emma has a life problem." She shook her head and started to turn away. "I shouldn't be talking to you about this anyway." "Why not?" I challenged her. "Why can't I know? Don't I deserve at least that much? Tell me what happened to her, Sara!" Sara looked back over her shoulder, her sad eyes brimming with tears. "She's just ... broken." Her voice cracked. "And I'm not sure how to help her. — Rebecca Donovan

You know what is the problem with trust??
It really stops the conversation, because you take the things for granted,
Things value less to you because you know that, that thing is going to be there for you, no matter what,
You stop talking about love because you believe that you've got the saturation point in your relationship,
And you've got her completely,
And that is the problem. You don't own her,
Because sometimes love is not enough,
And bad is strong to iterate itself with you,
It is much stronger to come back. — Nishikant

What Hamlet suffers from is a lack of zombies. Let us say Rosencrantz and Guildenstern show up - Ho-HO! Now you've got something that stirs the, um, something that stirs things that are stirrable. BOOM! A pack of ravenous flesh-eaters breaks open their heads and sucks out their eyeballs. No need for iambic pentameter because they are grunting, groaning annihilators of humanity with no time for meter. You're not asleep in the back of English class anymore, are you? This is what I'm talking about. Zombies. Learn it, live it, love it. — Libba Bray

Come see my mommy, Becky!" Will said and Bree stopped in her tracks. "Oh hell no!" she exclaimed staring at 'Becky'. Rebecca, the bane of Bree's existence. The blonde woman smiled mockingly at Bree. "How ya doing?" "What?" Bree asked but the question was directed at her brother and not the skank in front of her. "So how was Paris?" Rebecca asked moving right past Bree to practically press her body against Alessandro. "Seriously, what?" Bree demanded, glaring at Brian. "Hey, Alessandro. Great to see you again." "Stop talking. Stop talking now before I ram your botoxed head through this table!" Bree hissed lunging at her. Brian grabbed her quickly and held her back. "Sorry. Bree's a little bit touchy about that whole Vegas thing I guess. But hey, looks like it all worked for the best, huh?" Rebecca winked at Alessandro — E. Jamie

You know, Ella, you're not the first woman who's ever been in this shower with me
"
"I'm shocked." I leaned back against him as he soaped my back.
"
but you're for damn sure the first one who's ever worried about wasting water."
"How much, would you say?"
"Ten gallons per minute, give or take."
"Oh my God. Hurry.We can't stay in here long. We'll throw the entire ecological system out of balance. — Lisa Kleypas

You promised I could be there the first time! What if you two run past something reflective?"
"Alice-," Edward protested.
"It will only take a second!"
And with that, Alice darted from the room.
Edward sighed.
"What is she talking about?"
But Alice was already back, carrying the huge, gilt-framed mirror from Rosalie's room, which was nearly twice as tall as she was, and several times as wide.
"Edward gave me grief for not getting you to a mirror before the wedding," Alice said, pulling my attention away from her frightening lover. "I'm not going to be chewed out again. — Stephenie Meyer

The way I paint is similar to rock in that you don't stand around and say, 'Gee, what are they talking about?' Rock is simple, blunt, colorful. Same with my paintings. You don't stand back and wonder what it is. That's Jim Morrison, that's a panda, that's a scene on the West Coast. It's not abstract. — Grace Slick

I called them up, "Ya, I have ten boxes; can you come pick them up?" "We need to know the weight and the girth." "Okay, good-bye." So I called back. "We need the weight and the girth." "Okay, I don't know what the weight is, and um, I don't know what girth means ... So now what's the procedure?" So this guy talks to me like I'm four years old. "Well do you have a bathroom scale?" "Uh, ya but if I put the box on the scale it's gonna cover up the NUMBERS!" What, do I take it off really quick? Ah, zero: I'm not fast enough. What's he talking about? So then he gives me his Mister Wizard Formula, "How about if you stand on the scale and weigh yourself and get off the scale. Pick up the box, get back on, weigh you and the box together, and subtract your own weight." I'm going, "Slow down. Hold on professor." I know this guys never tried this, because I tried it and you still can't see the NUMBERS! Then I had to hang up in the middle of his girth formula. — Brian Regan

Jack stares at me blankly. 'A what?' he asks.

I choke back the laugh. 'A boy. You know? A Y-chromosome holder? You don't seem to notice them as much as you do the X-carriers.'

'What are you talking about?' Jack asks, 'A boy? She's just a kid.'

I hesitate, wondering how Jack is only just doing the maths on this one now. 'She's seventeen. She's not a kid anymore.'

Jack looks like he's about to go all Incredible Hulk and burst out of his clothes before rampaging through the bar. He jumps off the stool. 'If any boy ever lays a finger on my sister, I'm going to kill him,' he says.

Again I stare at him in silence, thinking of all the girls Jack has laid fingers and much more of his anatomy on besides. Poor Lila. If she ever wants to have a shot at a normal life, as in one that doesn't require a vow of celibacy, she needs to stay in London. — Sarah Alderson

Honestly, Evie," I huffed, flopping back to the centre of my bed and glaring at the ceiling. "Why don't you whine some more instead of actually doing anything?"
"Talking to yourself is the first sign of madness," Arianna volunteered, leaning on the frame of my open door.
"Yeah, so's seeing things no one else can, but people seem to like that about me."
"Good point. Odds are, you've been crazy for years now. I'm probably nothing more than a figment of your imagination."
"If that were true, I'd imagine you as less of a slob."
She sighed. "Isn't it sad that you hate yourself so much you can't even dream up a pleasant roommate?"
"Not as sad as the fact that you admit how bad you suck as one."
Flashing a wicked grin, she narrowed her eyes. " I'd use the term 'suck' sparingly around me. Don't want to go planting ideas in my pretty, dead head."
I threw a pillow at her. — Kiersten White

They might be talking in perfect latin tongue and without warning begin to talk in perfect anglo tongue and keep it up like that, alternating between a thing that believes itself to be perfect and a thing that believes itself to be perfect, morphing back and forth between two beasts until out of carelessness or clear intent they suddenly stop switching tongues and start speaking that other one. In it brims nostalgia for the land they left or never knew when they use the words with which they name objects; while actions are alluded to with an anglo verb conjugated latin-style, pinning on a sonorous tail from back there. Using in one tongue the word for a thing in the other makes the attributes of both resound: if you say Give me fire when they say Give me a light, what is not to be learned about fire, light and the act of giving? It's not another way of saying things: these are new things — Yuri Herrera

I don't want to talk about it!"
"Fin!" he shouted back. "I'll do the talking. I love you, and by damn I'm not ashamed of it, and you may not have as much baggage as I do, but don't pretend you don't have some with all those losers you attached yourself to."
"Only two!"
"And only two for me, so we're even!"
"Not even close!" They were fifteen feet apart and she was still screaming. "My two were self-centered assholes! Yours were homicidal nutcases!"
"Kenley wasn't homicidal!"
"Close enough. And all I did after my breakups was watch Big Bang reruns and gain five pounds! That's not the same as doing penance for the rest of your life." — Susan Elizabeth Phillips

Al Qaeda is using our liberal justice system," he continued. I really don't know what liberal justice system he was talking about: the U.S. broke the world record for the number of people it has in prison. Its prison population is over two million, more than any other country in the world, and its rehabilitation programs are a complete failure. The United States is the "democratic" country with the most draconian punishment system; in fact, it is a good example of how draconian punishments do not help in stopping crimes. Europe is by far more just and humane, and the rehab programs there work, so the crime rate in Europe is decisively lower than the U.S. But the American proverb has it, "When the going gets rough, the rough get going." Violence naturally produces violence; the only loan you can make with a guarantee of payback is violence. It might take some time, but you will always get your loan back. — Mohamedou Ould Slahi

Bradford paused and his expression shadowed. He pulled her back and held her tight. Whispered, "Don't say it, okay? I know what's coming and I don't want to hear it. Not tonight. Tomorrow maybe, but not tonight."
He wasn't talking about Kate Breeden. They both knew that Munroe could only bear so much pain and loss before coming completely undone. She needed time away, time to heal, and she could only do that by returning to who she was: the lone operative, shut down and shut off.
Munroe set the glass on an end table, wrapped her arms around his neck, and kissed him. She truly loved him; always would. She smiled and fought back the sadness, glad in a way that she was spared from having to say good-bye, from uttering the words she never wanted to speak - although, in truth, there would never really be a good-bye, because if this was where home was, then like a homing pigeon she'd return, and Bradford had to know it, just as he also knew her reasons for leaving. — Taylor Stevens

The woman went on. She had not looked back. She went out of sight up the road: swollen, slow, deliberate, unhurried, and tireless as augmenting afternoon itself. She walked out of their talking too; perhaps out of their minds too. — William Faulkner

If it makes you feel any better, he's been all sad doll lately too."
"What are you talking about, Chels?"
Chelsea stopped walking and stared at Violet.
"Jay. I'm talking about Jay, Vi. I thought you might want to know that you're not the only one who's hurting. He's been moping around school, making it hard to even look at him. He's messed up ... bad." Just like the other night in Violet's bedroom, something close to ... sympathy crossed Chelsea's face.
Violet wasn't sure how to respond.
Fortunately sympathetic Chelsea didn't stick around for long. She seemed to get a grip on herself, and like a switch had been flipped, the awkward moment was over and her friend was back, Chelsea-style: "I swear, every time I see him, I'm halfway afraid he's gonna start crying like a girl or ask to borrow a tampon or something. Seriously, Violet, it's disgusting. Really. Only you can make it stop. Please make it stop. — Kimberly Derting

So when you're talking about lyrics in the context of music, it's not just about what the words mean, and what you were thinking about when you wrote it. It's not cognitive in that same way. It's almost like music turns words into touch, which is hard to describe, like the feeling of your shirt on your back. It's a pretty delicate thing to try to put into words. You just feel it. — Mirah

The sad irony here is that the FDA, which does not regulate fluoride in drinking water, does regulate toothpaste and on the back of a tube of fluoridated toothpaste ... it must state that "if your child swallows more than the recommended amount, contact a poison control center."
The amount that they're talking about, the recommended amount, which is a pea-sized amount, is equivalent to one glass of water.
The FDA is not putting a label on the tap saying don't drink more than one glass of water. If you do, contact a poison center ...
There is no question that fluoride - not an excessive amount - can cause serious harm. — Paul Connett

Issie?"
After a second her voice comes out small and tired. "I'm not here."
"Oh." I back up so I can stare at the bathroom door. No feet. "Then I should probably freak out because the toilet is talking back to me, huh? A little too many pain meds for Zara today. — Carrie Jones

There was no back home any more, not in the essential way, and that was part of Paris too. Why we couldn't stop drinking or talking or kissing the wrong people no matter what it ruined. Some of us had looked into the faces of the dead and tried not to remember anything in particular. Ernest was one of these. He often said he'd died in the war, just for a moment; that his soul had left his body like a silk handkerchief, slipping out and levitating over his chest. It had returned without being called back, and I often wondered if writing for him was a way of knowing his soul was there after all, back in its place. Of saying to himself, if not to anyone else, that he had seen what he'd seen and felt those terrible things and lived anyway. That he had died but wasn't dead any more. — Paula McLain

His hand slid from under his desk and slowly moved up my leg until his fingers grazed my inner thigh. He couldn't just pull something sexy and think that I'd forgive him that easily.I grabbed his hand and squeezed it tightly, turning my head ever so slightly toward his. "Stop it.We're not doing this here."
He pulled his hand out of my grip. "Geez, Red. No need to be so touchy.""You were the one being touchy," I whispered. "And now I
need to pay attention to our lecture.""Come on, Red. I thought we were good."One of the girls in front of us turned her head sharply. "Will you two either quit talking or take it
outside? Some of us are trying to listen," she hissed.
"Mind your own damn business," I pushed back.
She huffed and then turned around to face the front again.
"Ouch! Feisty and I like it," John said through a laugh. — Magan Vernon

"Joss"
"What?"
"What?" Dylan asked back.
"You just said my name."
"No I didn't"
"Sorry that was me."
I sat up, banging my head on the roof. "Who is that?"
"Hey, stay down here where the air is good, okay?" Dylan pulled me gently back down. "Hows your head?"
"Not good, I think."
"Um, okay, so you here me. Heather's right, you do think loud. I mean, I've never heard you before, but my Talent seems to be a lot more selective than her's. But now that she's got me turned in to you-"
"Who are you?"
"It's still me, Marshall. It's Dylan. I'm right here."
"My name's Joel."
"Joel?"
"Joss, what are you talking about?" He took my face in his hands. "Who's Joel?"
"The voice in my head, I guess."
"Jesus. — Susan Bischoff

I just ... ," Cath started again: "I realized that I'm not cut out for fiction-writing."
Professor Piper blinked and pulled her head back. "What are you talking about? You're exactly cut out for it. You're a Butterick pattern, Cath
this is what you were meant to do. — Rainbow Rowell

Maybe they were back to not talking. That's what she missed the most: talking. Serious, silly, bone-deep, flippant, all their words and thoughts like gifts to each other, the only gifts they, with their hobbled hearts, could give. — Julia Spencer-Fleming

If you're lucky, at the right time you come across music that is not only "great," or interesting, or "incredible," or fun, but actually sustaining. Though some elusive but tangible process, a piece of music cuts through all defenses and makes sense of every fear and desire you bring to it. As it does so, it exposes all you've held back, and then makes sense of that, too. Though someone else is doing the talking, the experience is like a confession. Your emotions shoot out to crazy extremes; you feel both ennobled and unworthy, saved and damned. You hear that this is what life is all about, that this is what it is for. Yet it is this recognition itself that makes you understand that life can never be this good, this whole. With a clarity life denies for its own good reasons, you see places to which you can never get. — Greil Marcus

If instead of arranging the atoms in some definite pattern, again and again repeated, on and on, or even forming little lumps of complexity like the odor of violets, we make an arrangement which is always different from place to place, with different kinds of atoms arranged in many ways, continually changing, not repeating, how much more marvelously is it possible that this thing might behave? Is it possible that that "thing" walking back and forth in front of you, talking to you, is a great glob of these atoms in a very complex arrangement, such that the sheer complexity of it staggers the imagination as to what it can do? When we say we are a pile of atoms, we do not mean we are merely a pile of atoms, because a pile of atoms which is not repeated from one to the other might well have the possibilities which you see before you in the mirror. — Richard Feynman

Minutes after Eve stepped into her office to coordinate her next move, Peabody rushed in.
"I've got the initial sweeper's report on the room the Lombards vacated - nothing," Peabody said hurriedly. "Canvassing cops found the bar - one block east, two south of the hotel. Door was unlocked. Zana's purse was inside on the floor. I have a team heading there now."
"You've been busy," Eve said. "How did you manage to fit in sex?"
"Sex? I don't know what you're talking about. I bet you want coffee." She darted to the AutoChef, then whirled back. "How do you know I had sex? Do you have sex radar?"
"Your shirt's not buttoned right, and you've got a fresh hickey on your neck."
"Damn it." Peabody slapped a hand to the side of her neck. "How bad is it? Why don't you have a mirror in here?"
"Because, let's see, could it be because it's an office? — J.D. Robb

I don't like my wrestling or entertainment in general to be too clean or predictable for me as a fan. When I say clean, I'm not talking about dirty jokes, middle fingers and stuff like that. I'm actually not even a big fan of that. A lot of people talk about the attitude era being so great but a lot of it was terrible crap, sex jokes and over-the-top terrible bad comedy. It was Jerry Springer-like. They made a joke about a woman's breasts. Hilarious, but where's the wrestling? I look back on a lot of stuff now, and I'm like where's the wrestling? It's just a lot of crappy jokes. — Dean Ambrose

New Rule: Bring back a little pubic hair. Not a lot, I'm not talking about reviving that 1973 look that said "I'm liberated" and "I'm smuggling a hedgehog."I just want a friendly, fuzzy calling card that's a middle ground between toddler smooth and "Dr. Livingston, I presume?" It's supposed to have some hair on it. It's a pussy, not Dr. Evil's cat. Call me old school, but there's a name for a guy who needs it hair-free: He's called a pedophile. — Bill Maher

You realize I had half my guard out searching for you?" Eddard Stark said when they were alone. "Septa Mordane is beside herself with fear. She's in the sept praying for your safe return. Arya, you know you are never to go beyond the castle gates without my leave."
"I didn't go out the gates," she blurted. "Well, I didn't mean to. I was down in the dungeons, only they turned into this tunnel. It was all dark, and I didn't have a torch or a candle to see by, so I had to follow. I couldn't go back the way I came on account of the monsters. Father, they were talking about killing you! Not the monsters, the two men. They didn't see me, I was being still as stone and quiet as a shadow, but I heard them. They said you had a book and a bastard and if one Hand could die, why not a second? Is that the book? Jon's the bastard, I bet. — George R R Martin

This is not exactly what I had in mind when I agreed to miss lunch," Alex said grumpily forty minutes later. He shifted uncomfortably and tried to see what I was doing.
I stared him back into submission. "Wait."
The art room is usually empty Thursday afternoons except for me. Ms. Evers leaves early to teach her UArts class and looks up.Of course, I am one of the few entrusted with the Secret Location of the Key.
A few feet away from where I sat perched on a stool,Alex was posed on the anchient chaise we use for figure drawing. It's a relic, probably from the Palladinetti years: chipped mahogany and dusty velvet, what little remaining stuffing pokes out from a century of holes. I was probably luxurious once. Now it's like sitting on a slightly smelly board. But I'd wanted to sketch Alex as I so often saw him, reclining with his head propped on one hand,listening or talking or coaxing me to put down the glass, already,Ella,and come here. — Melissa Jensen

Detainees were not allowed to talk to each other, but we enjoyed looking at each other. The punishment for talking was hanging the detainee by the hands with his feet barely touching the ground. I saw an Afghani detainee who passed out a couple of times while hanging from his hands. The medics "fixed" him and hung him back up. Other detainees were luckier: they were hung for a certain time and then released. Most of the detainees tried to talk while they were hanging, which made the guards double their punishment. There was a very old Afghani fellow who reportedly was arrested to turn over his son. The guy was mentally sick; he couldn't stop talking because he didn't know where he was, nor why. I don't think he understood his environment, but the guards kept dutifully hanging him. It was so pitiful. One day one of the guards threw him on his face, and he was crying like a baby. — Mohamedou Ould Slahi

She gulped her whiskey sour. The bar was hot tonight.
CJ circled back to check on them. "You ladies doing okay?"
"Define okay." Natalie's whiskey seemed to be talking. Because the whiskey was the only thing that could've put that husky, suggestive tone in her voice. Yep, that was all the whiskey.
He propped his elbows on the bar, which put his face level with hers, and fixed his undivided attention on her. There went her lady bits fanning themselves. With a few added whimpers. They remembered what his hands and body and lips felt like too.
"Content." His voice was low and raw, his gaze penetrating and unwavering. "Happy. Completely, one hundred percent satisfied."
Her mouth went dry while the rest of her went up in needy flames that made her want to scratch the all-but-gone rash he'd tended so well on Monday.
"Nope," Natalie squeaked. "Not okay then. — Jamie Farrell

Well, far be it for me to cause you to conjure mental images of shit without panties."
"Can we not talk about shit and panties in the same sentence?"
"You're the one that was talking about panties and lack thereof."
"Oh my God! I can barely remember that far back. Too many traumatic things have been said since then. — M. Leighton

Mistrust is the fuel for so much mental pain, so many mental disorders. I am not talking here about the suspicions we sometimes have of one another, the distant but lurking sense that perhaps our lover lies to us, our best friend whispers behind our back. I am talking about a belief that betrayal inundates the atoms of the universe, is so woven into the workings of the world that every step is treacherous, and that below the rich mud lies a mine. — Lauren Slater

Baby smuggling is a serious crime,' he said. 'There were thirty-six babies on that plane. We could charge you with thirty-six counts of kidnapping.'
That, at least, got Second to look back at Mr. Reardon.
'Does FBI mean Federal Bureau of Idiots?' he asked. 'If any of you were any good at analyzing footprints, you would know that I fell when I was trying to sneak into the airport grounds, not out.'
'And why would you do that?' Mr. Reardon asked, hunching forward over a notepad.
'It was a dare, all right?' Second snarled. 'I was with my friends and we were talking about what it would be like to stand on a runway when a plane was landing and ... we decided to try it out.'
'That's a crime too,' Mr. Reardon said.
Second shrugged. 'It ain't thirty-six counts of kidnapping,' he said. — Margaret Peterson Haddix

I don't mean to be arrogant and I really appreciate my fans but talking about what I am doing is not something I'm good at. I do what I do and that's it. I want to get back to my work and do more of it instead of talking about it. — Henry Rollins

Norman picked up a sketch, glanced at it, then put it back down on the table. "I saw Bea Williamson this morning," he said in a low voice. "Lurking about looking for cut glass."
"Oh, of course," Mira said with a sigh. "Did she have it with her?"
Norman nodded solemnly. "Yep. I swear, I think it's almost gotten ... bigger."
Mira shook her head. "Not possible."
"I'm serious," Norman said. "It's way big."
I kept waiting for someone to expand on this, but since neither of them seemed about to, I asked, "What are you talking about?"
They looked at each other.
Then, Mira took a breath. "Bea Williamson's baby," she said quietly, as if someone could hear us, "has the biggest head you have ever seen."
Norman nodded, seconding this.
"A baby?" I said.
"A big-headed baby," Mira corrected me. "You should see the cranium on this kid. It's mind-boggling. — Sarah Dessen

It worked! Holy shit, it worked! I just suited up and checked the lander. The high-gain antenna is angled directly at Earth! Pathfinder has no way of knowing where it is, so it has no way of knowing where Earth is. The only way for it to find out is getting a signal. They know I'm alive! I don't even know what to say. This was an insane plan and somehow it worked! I'm going to be talking to someone again. I spent three months as the loneliest man in history and it's finally over. Sure, I might not get rescued. But I won't be alone. The whole time I was recovering Pathfinder, I imagined what this moment would be like. I figured I'd jump up and down a bit, cheer, maybe flip off the ground (because this whole damn planet is my enemy), but that's not what happened. When I got back to the Hab and took off the EVA suit, I sat down in the dirt and cried. Bawled like a little kid for several minutes. I finally settled down to mild sniffling and then felt a deep calm. It was a good calm. — Andy Weir

What is it?" said Jeanne, when Diana was gone; "you look rather gloomy."
"Why, yes."
"What has happened?"
"Oh, mon Dieu! an accident."
"To you?"
"Not precisely to me, but to a person who was near me."
"Who was it?"
"The person I was walking with."
"M. de Monsoreau?"
"Alas! yes; poor dear man."
"What has happened to him?"
"I believe he is dead."
"Dead!" cried Jeanne, starting back in horror.
"Just so."
"He who was here just now talking ... "
"Yes, that is just the cause of his death - he talked too much. — Alexandre Dumas

You can't get away from dire health, but you may as well get some use out of it. It is not a question of making sense of suffering, because nothing does make sense of it. It is a question of not ... sinking into it. It is talking back to whatever hurts, whether that is physical or psychological, so that it doesn't submerge you. — Hilary Mantel

I remember the woman who marched up to the front of a church where I was doing a meeting, put her hands on her hips, and she said, "I want my money back." I said, "What are you talking about?" She said, "I've been doing this two weeks, and it doesn't work. I want my money back!" It was actually all that I could keep from doing to keep from laughing in her face, but she was serious. She actually was, like, giving almost to buy some kind of a new lifestyle that she wanted. Didn't understand a thing about commitment and dedication and discipline. Two weeks! How many of you know you're not going to throw a little money in the bucket and get your life that's been a mess for 50 years turned around in two weeks!?!? — Joyce Meyer

Ruxs moaned a slutty sound, his hips speeding up and Green eagerly matched him. "Soon I'm going to put that pretty cock in my mouth and suck you until you explode down my throat," he said, licking the shell of Ruxs' ear. "Chris," Ruxs hissed. "I'm not gonna last." Green could feel his own balls tightening. It'd been too long since he'd had something besides his toys and his hand to pleasure him. Ruxs' cock was hot and heavy against his. Pulsing greedily. "You like me talking to you like that?" Green squeezed his fist tighter, making sure to flick the cap of Ruxs' bulging head with every stroke. "Answer me." He bent down and bit Ruxs' nipple, making him jerk so hard he almost fell off of him. "Shit!" Ruxs yelled. Green slowed his movement and raised his head. "Well, look what I found." "You talk too damn much." Ruxs gripped his head and lowered him back to his nipple. Green — A.E. Via

I don't want to go through it all again. All that time without you, always waiting, my foolish optimism that someday it would be different-"
"Your optimism was justified! Look at me. Look at us! This is different. I know it is, Daniel. I saw us in Helston and Tibet and Tahiti. We were in love, sure, but it was nothing like what we have now."
They'd dropped back farther, out of earshot of the others. They were just Luce and Daniel, two lovers talking in the sky. "I'm still here," she said. "I'm here because you believed in us. You believed in me."
"I did-I do believe in you."
"I believe in you, too." She heard a smile enter her voice. "I always have."
They were not going to fail. — Lauren Kate

If you could be any character on The Next Generation, who would you be?"
"Easy," Solomon said. "Data. For sure."
"That makes sense," Clark said.
"You?"
"I always liked Wesley Crusher."
"What?" Solomon was appalled. "Nobody likes Wesley Crusher."
"Why not?" Lisa asked.
"Because he's a total Mary Sue," Solomon said. "He's too perfect."
"But he's always saving the day," Clark argued. "Like, always."
"Exactly. He's just a talking deus ex machina. Everybody on the ship treats him like a dumb kid, then he saves them at the last minute and, every single time, they go right back to treating him like a dumb kid again. Do I need to remind you that the starship Enterprise is full of genius scientists and engineers? Why's this kid who can't get into Starfleet Academy smarter than all of them?"
"Good point," Clark said. "He's still my choice, though. — John Corey Whaley

Fair or not, it always sucks when everyone wanders back from Sundance talking about how bad the movies were. — Donal Logue

You never answered," he said. "You got the hots for me, or not?" His dark eyes lit up with a smile.
Squaring her shoulders, Holiday started talking. "Della assumed I might have the hots for you. And you know what they say about assuming, right?"
"It makes an ass out of you and me," Della answered, and gave Kylie the elbow. "Get it. A.S.S.U.M.E."
Holiday cut her eyes to Della in visual reprimand, then started walking away. She got three steps and swung back around. "Are you coming?" she snapped at Burnett.
"You didn't ask me to," He answered.
"Well, I assumed you would know I needed to discuss what happened."
He arched one dark brow upward. "And what did you just about assuming? — C.C. Hunter

This is one of the most serious problems with seeker-sensitive churches. I was talking to a pastor at a seeker-friendly church not long ago about his idea that prospective Christians needed to "feel welcome" and "accepted" before anything else: no "threats," no "judgmental baggage." I asked, "If you had a person living in sin come to your church, would you confront him?" He furrowed his brow and shook his head disapprovingly. "Oh, no! We'd want him to feel loved and welcome." My eyes widened. "How long would it be before you would actually say something about that?" "Maybe a year and a half, two years," he said, smiling. "Because then he would really feel a part of things." That was shocking to me. Is there some virtue in leaving a man in his sin for the sake of feeling accepted? "Well, that's the difference between your church and our church," I said finally. "Openly practicing sinners come to our church, and they either get saved or they don't come back. — John F. MacArthur Jr.

I am not sure I can."
"Become sure," said the cat, his eyes flashing green in the firelight. "Once you leap on a boar's back, you can't sheath your claws. — Erin Bow

He ordered Ronan to put on some terrible music
Ronan was always too happy to oblige in this department
and then he abused the Camaro at every stoplight on the way out of town. "Put your back into it!" Gansey shouted breathlessly. He was talking to himself, of course, or to the gearbox. "Don't let it smell fear on you!" Blue wailed each time the engine revved up, but not unhappily. Noah played the drums on the back of Ronan's headrest. Adam, for his part, was not wild, but he did his best not to appear unwild, so as not to ruin it for the others. — Maggie Stiefvater

How much do you have in common with
this guy?"
"Not much. Basically we're polar opposites.
But do you want to know the main attraction,
the weird part? ... It's the talking."
"Talking about what?"
"About anything," I said earnestly. "We
get started and it's like sex, this back-andforth,
and we're both so there, do you know
what I mean? We rattle each other. And
some conversations seem to be happening on
a few different levels at once. But even when
we're disagreeing on something, there's a
weird kind of harmony in it. A connection. — Lisa Kleypas

But now came another old theme: self-blame. She was selfish, crabbed, drily ambitious. Pursuing her own ends, pretending to herself that her career was not in essence self-gratification, denying an existence to two or three warm and talented individuals. Had her children lived, it would have been shocking to think they might not have. And so here was her punishment, to face this disaster alone, without sensible grown-up children, concerned and phoning, downing tools and rallying round for urgent kitchen-table conferences, talking sense to their stupid father, bringing him back. But would she take him in? — Ian McEwan

We all laughed. It was more like that whole thing that I was talking about earlier. You go to training camp and after the season is over, you might not see the guys for six months until you go back to training camp. — Bubba Smith

All that did a big lot toward showing Youth that this big world is 'not half bad,' if adults will but watch, aid, and coach. And I will not stand anybody's snapping at a child! Particularly a tiny tot. If you think that you must snap, snap at a child so big as to snap back. I don't sanction 'talking back' to adults, but, ha, ha! — Ernest Vincent Wright

Last night, there was a moment before you got into bed. You stood, quite naked, bending forward a little - talking. It was only for an instant. I saw you - I loved you so - loved your body with such tenderness - Ah my dear - And I am not thinking now of 'passion.' No, of that other thing that makes me feel that every inch of you is so precious to me. Your soft shoulders - your creamy warm skin, your ears, cold like shells are cold - your long legs and your feet that I love to clasp with my feet - the feeling of your belly - & your thin young back - Just below that bone that sticks out at the back of your neck you have a little mole. It is partly because we are young that I feel this tenderness - I love your youth - I could not bear that it should be touched even by a cold wind if I were the Lord. — Katherine Mansfield

Honestly, I was just happy to get the work. I was chuffed to bits. I know David Furnish and Elton John a bit and I remember David talking very excitedly about it. This was going back four or five years even, when we were doing Little Britain at the Hammersmith Apollo. I'd lost my voice that night, but still did the show. I remember thinking: "God, they're going to think that's my voice and I'm not going to get in the film!" But it's just been a pleasure to be a part of. — Matt Lucas