Quotes & Sayings About No More Drama

I can imagine no man who will look with more horror on the End than a conscientious revolutionary who has, in a sense sincerely, been justifying cruelties and injustices inflicted on millions of his contemporaries by the benefits which he hopes to confer on future generations: generations who, as one terrible moment now reveals to him, were never going to exist. Then he will see the massacres, the faked trials, the deportations, to be all ineffaceably real, an essential part, his part, in the drama that has just ended: while the future Utopia had never been anything but a fantasy. — C.S. Lewis

There is no inherent awakening power in cultural forms that have become dissociated from the wisdom and practicality that gave birth to them. They turn into illusions themselves and become part of the drama of religious culture. Although they can make us happy temporarily, they can't free us from suffering, so at some point, they become a source of disappointment and discouragement. Eventually, these forms may inspire nothing more than resistance to their authority. — Dzogchen Ponlop Rinpoche

BOTTOM
There are things in this comedy of Pyramus and Thisby that will never please. First, Pyramus must draw a sword to kill himself; which the ladies
cannot abide. How answer you that?

SNOUT
By'r lakin, a parlous fear.

STARVELING
I believe we must leave the killing out, when all is done.

BOTTOM
Not a whit: I have a device to make all well.
Write me a prologue; and let the prologue seem to
say, we will do no harm with our swords, and that
Pyramus is not killed indeed; and, for the more
better assurance, tell them that I, Pyramus, am not
Pyramus, but Bottom the weaver: this will put them
out of fear.

QUINCE
Well, we will have such a prologue; and it shall be
written in eight and six.

BOTTOM
No, make it two more; let it be written in eight and eight. — William Shakespeare

What the music offers in a good opera is something that comes from a region that precedes the concrete concept of drama and, strictly speaking, stands outside the world of drama. Opera does not permit men to appear in nakedly logical acts, for the music dissolves feelings and thoughts into melodies and rhythms, harmonies and counterpoints, which in themselves have no conceptual meaning. Thus in opera objective situations may very well become entirely subjective expressions. Because of its paradoxical nature opera is capable of paradoxical effects; it can express purely sensuously the most profound abstractions, and the musical drama, exerting a mass effect far more than does the spoken drama, is much more primitive as drama than the spoken theatre; it must render conflict and character in immediate symbols. — Paul Henry Lang

No more than two opinions or ideas on any one issue should be out there, the General said. Look at the voting system. Same concept. We had multiple parties and candidates and look at the mess we had. Here you choose the left hand or the right and that's more than enough. Two choices and look at all the drama with every presidential election. Even two choices may be one too many. One choice is enough, and no choice may be even better. Less — Viet Thanh Nguyen

I'm overweight, despise change, and rarely, if ever, initiate anything. Unlike my friends, I've had no drama in my life which might qualify as box office material. If a little more drama came my way, however, I would probably need to purchase some courage in order to withstand it. Oh well, if a bit of change equals a bit of drama, I'm willing to risk it. — J.C. Patrick

The more it changes, the more it's the same thing. But overall, things have changed. I say changed and not "changed for the better" because I am no fool. Fate is a total drama queen. The second you say things are better than they were, she'll come stumbling toward you on her six-inch heels, nasty-ass wig crooked and on sideways. You'll wonder exactly how she got all that makeup slathered onto her face. One nicotine-caked fake fingernail will point at you, and she will make sure that things are anything but better from there on out. So no, thank you. Things are different but not better and, in fact, could get much much worse, so fuck off, Fate! Is she gone? Whew. Things had changed at school and not in a bad way(crosses fingers and hope that doesn't count as pissing Fate off). — John Goode

Look at Ron and Hermione. Obstacles everywhere. But did Hermione give up on Ron when he was dating Lavender Brown? Did Ron give up on Hermione when he was knocking about with that Bulgarian Quidditch bloke? Did they let the pressure of tracking down the final few Horcruxes tear them apart? No. All the drama they went through made it all the more poignant when they finally got together. — Tom Ellen

No more of this llama drama! — Anna Dewdney

bisexual. I don't need Ethan to pull a Byron," I said, amused, adjusting my shoes. "I kind of like him faithful and into girls, specifically me." Aubrey and I had been friends first, paired together in a bio lab as freshmen, and through her, I had met Ethan. It had started out between us as a quiet friendship but had grown into something more as I realized that he was solid. Loyal. Hashtag No Drama. Unlike some people who had — Erin McCarthy

And now, what does it all matter? It matters more than anything else in the world. The whole dance, or drama, or pattern of this three-Personal life is to be played out in each one of us: or (putting it the other way round) each one of us has got to enter that pattern, take his place in that dance. There is no other way to the happiness for which we were made. — C.S. Lewis

And now, what about a Watson? Are we to have a Watson? We are. Death to an author who keeps his unravelling for the last chapter, making all the other chapters but prologue to a five-minute drama. This is no way to write a story. Let us know from chapter to chapter what the detective is thinking. For this he must watsonize or soliloquize; the one is merely a dialogue form of the other, and, by that, more readable. A Watson, then, but not of necessity a fool of a Watson. A little slow, let him be, as so many of us are, but friendly, human, likeable ... — A.A. Milne

I've heard that lawyers' children, on seeing their parents in court in the
heat of argument, get the wrong idea: they think opposing counsel to be the personal enemies of their parents, they suffer agonies, and are surprised to see them often go out arm-in-arm with their tormenters during the first recess. This was not true of Jem and me. We acquired no traumas from watching our father win or lose. I'm sorry that I can't provide any drama in this respect; if I did, it would not be true. We could tell, however, when debate became more acrimonious than professional, but this was from watching lawyers other than our father. I never heard Atticus raise his voice in my life, except to a deaf witness. — Harper Lee

At some point you have to set aside snobbery and what you think is culture and recognize that any random episode of Friends is probably better, more uplifting for the human spirit, than ninety-nine percent of the poetry or drama or fiction or history every published. Think of that. Of course yes, Tolstoy and of course yes Keats and blah blah and yes indeed of course yes. But we're living in an age that has a tremendous richness of invention. And some of the most inventive people get no recognition at all. They get tons of money but not recognition as artists. Which is probably much healthier for them and better for their art. — Nicholson Baker

What emotion had filled the breast of Christ when he ordered away the man who was to betray him for thirty pieces of silver. Was it anger? or resentment? Or did these words arise from his love? If it was anger, then at this instant Christ excluded from salvation this man alone of all the men in the world; and then our Lord allowed one man to fall into eternal damnation. But it could not be so. Christ wanted to save even Judas. If not, he would have never made him one of his disciples. And yet why did Christ not stop him when he began to slip from the path of righteousness? This was a problem I had not understood even as a seminarian......If it is not blasphemous to say so, I have the feeling that Judas was no more than the unfortunate puppet for the glory of that drama which was the life and death of Christ. — Shusaku Endo

Ever since ROME, OPEN CITY, I have maintained a conscious, determined endeavor to try to understand the world in which I live, in a spirit of humility and respect for the facts and for history. What as the meaning of ROME, OPEN CITY? We were emerging from the tragedy of the war. We had all taken part in it, for we were all its victims. I sought only to picture the essence of things. I had absolutely no interest in telling a romanticized tale along the usual lives of film drama. The actual facts were each more dramatic than any screen cliche. — Roberto Rossellini

Cyril had staked out his claim and refused to move. "Move over!" I said, freeing one hand from holding the cat to push. "Dogs are supposed to sleep at the foot of the bed." Cyril had never heard of this rule. He jammed his body up against my back and began to snore. I tugged at the rugs, trying to get enough to cover me, and turned on my side, the cat cradled in my arms. Princess Arjumand paid no attention to the regulations of animals on the bed either. She promptly wriggled free and walked round the bed, treading on Cyril, who responded with a faint "oof," and kneading her claws in my leg. Cyril shoved and shoved again until he had the entire bed and all the covers, and Princess Arjumand draped herself across my neck with her full weight on my Adam's apple. Cyril shoved some more. An hour into this little drama it began to rain in earnest, and everyone moved in under the covers and began jockeying for position again. — Connie Willis

In a play, certainly, the subject is of more importance than in any other work of art. Infelicity, triviality, vagueness of subject, may be outweighed in a poem, a novel, or a picture, by charm of manner, by ingenuity of execution; but in a drama the subject is of the essence of the work-it is the work. If it is feeble, the work can have no force; if it is shapeless, the work must be amorphous. — Henry James

A sharp pain in her chest became more intoxicating with each breath she took. There it was. The reason she had forced herself to keep her distance from love. Why she had given up on trusting someone not to hurt her. Because a broken heart, no matter how figurative, was an unbearable pain to endure. And sometimes, no matter how much you want to be with someone, there's never a guarantee that they want you back. — Courtney Giardina

Such is the privilege of survival: to be allowed to fashion the means that fit our ends, to cobble together a narrative that reveals (as by the divine light of illumination) the predestined arc of our days. This is no small gift. With it we can neutralize all but the greatest losses, reduce even the greatest bastards to nothing more than bit actors in the drama of our lives, put on this earth for the sole purpose of forwarding our cause. Blessed are those who can believe their own stories. — Mark Slouka

Beirut is the Elizabeth Taylor of cities: insane, beautiful, falling apart, aging, and forever drama laden.She'll also marry any infatuated suitor who promises to make her life more comfortable, no matter how inappropriate he is. (p.88) — Rabih Alameddine

His cell-phone rang. Dominic fumbled for it on the nightstand next to the couch, the dim lights not helping his endeavour. He had piercing, generic, banal fluorescent lights on his face all the time at work and at University, it was so bad it made him loathe even natural sunlight. Lucky this apartment's living room light had a dimmer. He flipped open his phone and said hello. 'Hey Dom, how you doin'?' a voice boomed. It was Ben. They proceeded to talk about the upcoming exams, which were deceptively close as it was week 10 at the moment. Yes, they would be alright. Yes, they would meet up afterwards. No, he hadn't studied more than Ben had. As he clapped the phone closed after the genial conversation reached its natural nadir, he had forgotten most of what had been said — T.P. Grish

Twenty-five minutes ago, I was blissfully invisible. No laughing. No evil grins. No drama. And now? It couldn't be more dramatic. I've got a stepsister masquerading as Cinderella, the chauvinistic villagers think I'm the ugly stepsister, and the boy coming to my side is more likely to snag a prince than I am. — Kelsey Macke

In all my movies, there's always a kind of heartfelt element, to be able to do a drama and to be able to spend more time in the emotional stuff with no pressure to get back to the funny that's very liberating for me. — Shawn Levy

Every light has a point where it is brightest and a point toward which it wanders to lose itself completely. It must be intercepted to fulfill its mission; it cannot function in a void. Light can go straight, penetrate and turn back, be reflected and deflected, gathered and spread, bent as by a soap bubble, made to sparkle and be blocked. Where it is no more is blackness, and where it begins is the core of its brightness. The journey of rays from that central core to the outposts of blackness is the adventure and drama of light. — Josef Von Sternberg

I went to college to study drama where I discovered I had no talent and after a period of dropping out majored in cultural anthropology which of course meant more masks and dancing ... I studied what interested me and so I had to become a writer because my education had left me unsuited for a decent well-paying job. — Elizabeth Hand

I don't want you to go." Waves rocked against the pier. The sun was too bright. Weathered boards creaked beneath Arin's feet.
"Only because you enjoy a good bully. Someone to make you behave as you ought."
"No, Roshar."
"You know well enough what to do now. You'll be fine."
"That's not why."
"Why you'll miss me? I admit that the impending absence of my keen wit would make anyone sad."
"Not exactly."
"Now I'm getting sad, just thinking about how it would feel to be parted from my sweet self. Lucky me: I will always have my own company."
"What you said at the banquet was true."
"Everything I say is true."
"That I love you."
Roshar's face went still. "I said that?"
"You know that you did."
"That was more for the drama of the moment."
"Liar."
"I am, aren't I?" Roshar said slowly. "I really am. Arin." His voice roughened. "You'll see me again."
"Soon," Arin told him, and embraced him. — Marie Rutkoski

I have no doubt that what we started has become a plague. Because - and that's a million years ago but we got caught up in the drama more than we caught up in going after the facts. — Mike Wallace

She put a hand on his hip and turned him to her. "But things could go wrong, so i want to tell you something while it's just the two of us, Eddie. I want to tell you how much I love you." She spoke simply, with no drama.
I know you do," he said, "but I'll be damned if I know why."
Because you made me feel whole," she said. "When I was younger, I used to vacillate between thinking love was this great and glorious mystery and thinking it was just something a bunch of Hollywood move producers made up to sell more tickets in the Depression, when Dish Night kind of played out."
Eddie laughed.
Now I think that all of us are born with a hole in our hearts, and we go around looking for the person who can fill it. You ... Eddie, you fill me up. — Stephen King

And as her voice carried in the darkness, he wasn't sure where the borders between her story and his dream were. But he saw no more nightmares; he dreamed of a noble Sky Ghost and his little daughter, which he taught everything she needed to become a better warrior than he was. — Alexandra Engellmann

Well, I'll take these pages and move on. Things are happening elsewhere. Things are always happening. It seems wherever I go there is drama. People are like lice - they get under your skin and bury themselves there. You scratch and scratch until the blood comes, but you can't get permanently deloused. Everywhere I go people are making a mess of their lives. Everyone has his private tragedy. It's in the blood now - misfortune, ennui, grief, suicide. The atmosphere is saturated with disaster, frustration, futility. Scratch and scratch, until there's no skin left. However, the effect upon me is exhilarating. Instead of being discouraged or depressed, I enjoy it. I am crying for more and more disasters, for bigger calamities, grander failures. I want the whole world to be out of whack, I want every one to scratch himself to death. — Henry Miller

Her life was no more than a ghostly pageant of exhausted endurance, no more real than a television drama. Death, who now stood by her side, was as familiar to her as a family member, missing for a long time but now returned. — Han Kang

No room in my world for drama, and the last thing I needed was more death. This beautiful woman would bring me both. — Lisa Kessler

She often felt like she had been cast in a supporting
role with the film that was Louise. And there was more melodrama to be found there than a full-scale Merchant-Ivory period production. Tonight, she was certain, would be no exception. — Kerri Thomson

Her tears fell abundantly
but her grief was so truly artless, that no dignity could have made it more respectable in Emma's eyes
and she listened to her and tried to console her with all her heart and understanding
really for the time convinced that Harriet was the superior creature of the two
and that to resemble her would be more for her own welfare and happiness than all that genius or intelligence could do.
It was rather too late in the day to set about being simple-minded and ignorant; but she left her with every previous resolution confirmed of being humble and discreet, and repressing imagination all the rest of her life. — Jane Austen

After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement. — Jules De Goncourt

I don't want no drama in my life, even though we have a little bit, but no more letting people control you. That's drama, because then you become something that you're not. — Mary J. Blige

I believe there should be no more drama, but it's everywhere you go. It's just about how you get out. You've gotta bob and weave because it's everywhere. How do I keep the drama low? It's about using your head. — Mary J. Blige

You're unpredictable and dangerous and protect those you love fiercely. You should be proud. To me you're more than a knight in some stupid shiny armour. You're the monster who no one can tame but the woman he loves. - Tess Snow — Pepper Winters

Freshly sprung from my monogamous LTR, I had no idea how vulnerable I would be to the onslaught of chemicals your brain releases when you're attracted to someone. These chemicals are responsible for every single people-in-love-are-crazy-fools song, movie plot, and Shakespearean drama ever written. They stimulate the same area of the brain that lights up when you snort a fat rail of cocaine. This state of mind, limerence, is a biological relative of obsessive-compulsive disorder. If you are an addict, or perhaps have the sort of low-dopamine, low-serotonin brain soup best served with a side of SSRIs, you are perhaps more sensitive to the mind-altering power of limerence. And if you are a romantic, you are perhaps more likely to label this heady, overwhelming sensation love. Being a low-serotonin addict with romantic tendencies, I had to experience many crashed-and-burned affairs to understand that for me, love really was a drug. — Michelle Tea

I once heard a woman laugh at that most tragic moment in all drama, the off-stage shot in "The Wild Duck," and I afterward had her killed, so there will be no more of that out of her. — Robert Benchley

I'll live as a courtesan, not as a woman. I'll embrace any man that comes my way. It's not hard giving your body and not your heart. And I'll take revenge. To all those rich nobles, I'll get revenge for all the pain I received. No ... even more. Then I'll get revenge on you, Head Mistress. Breaking my love and making me a courtesan, will not be a good thing for you. — Hwang Jini

I don't have a poetry section in the bookshop.
(Don't have but should have, I have begun to think. The poetry, like everything else, is scattered thematically in a generally successful attempt to encourage punters to walk the circle, reading shelves which, if more conventionally arranged, they might feel happy to skip. But poetry - unlike fiction, biography, drama, history - continues to be generically in demand. It's not a question, as I used to assume, of no one reading poetry; more a matter of people who read poetry liking little else. They need a Section.) — Claudia Fitzherbert

No matter how old I get, the race remains one of life's most rewarding experiences. My times become slower and slower, but the experience of the race is unchanged: each race a drama, each race a challenge, each race stretching me in one way or another, and each race telling me more about myself and others. — George A. Sheehan

A family wanting no more than to live without challenge or drama could easily find a quiet street, and "peace," provided they were fortunate enough to live in a comparatively sheltered and favoured geographical area, and provided they were able to make the mental adjustment to relegate war - and its consequences - into something that happened elsewhere and did not affect them; or something that had happened to them, but between such and such dates, and then taken itself off. — Doris Lessing

Babe, best wool men ever pulled was lettin' women think we think with our dicks. We pay a fuckuva lot of attention. We know your shit maybe more than you do because we live it right along with you and some of you try to make us eat it. It's just that some of us choose not to get sucked in the drama and instead focus on getting laid regularly."
I felt my eyes get big right before I wrapped my arms around him and started giggling, but I managed to push through my giggles, "Honey, not sure you should share the brotherhood's secrets."
"You talk, no woman will listen. They prefer to think a man's brain is in his dick. Gives 'em something to bitch about. — Kristen Ashley

I recount as this journey begins where I rest to gather the tale from this
same old house resting on the hill, leaving me a view of a carnival once seen from just across the tracks. My pallet is dry now. The colors I see no more. The rain has washed away many of the signs that once stood for a prosper
home and family. My grave is waiting. The dreams once filled my head with
images of world unison, hope and companionship for all. The saga spoken
through my canvas drew darker as the years went on to the bitter cold nights.
All that comes to me now are glimpses of faces that graced my soul. — Kris Courtney

She wanted there to be more blood and screeching. She wanted each death to detonate before her like a little black firework. She wanted it to matter. There was bellowing all around her, but the killing itself was soft and quiet and matter of fact. Life to death, life to death, with no more drama than turning over a counterpane. — Frances Hardinge

The defense of the Western Canon is in no way a defense of the West or a nationalist enterprise ... The greatest enemies of aesthetic and cognitive standards are purported defenders who blather to us about moral and political values in literature. We do not live by the ethics of the Iliad, or by the politics of Plato. Those who teach interpretation have more in common with the Sophists than with Socrates. What can we expect Shakespeare to do for our semiruined society, since the function of Shakespearean drama has so little to do with civic virtue or social justice? — Harold Bloom

I lie awake in bed until way past midnight, fervently hoping Ky is going make an appearance at any moment to explain his behavior. But as the clock chimes two, I have no choice but to face facts.
He isn't coming.
And it feels ominous.
Like the winds are changing, and destiny is altering.
His absence is more than telling.
It has a finality to it that scares me half to death. — Siobhan Davis

There is no narrative without structure, or plot. In a great story this structure seems like fate, like an inescapable judgment descending on its still unaware heroes, a great metaphysical causality, that crowds out all room for choice. Fate arises not as a limitation on our freedom, but as a manifestation of our freedom, testimony that choice is consequent. The exercise of your freedom cannot prevent the exercise of my own freedom, but it can determine the context in which I am to act freely. You cannot make choices for me, but you can largely determine what my choices will be about. Great stories explore the drama of this deeper touching of one free person by another. They are therefore genuinely sexual dramas astounding us once more with the magic of origins. — James P. Carse

Those sloppy priests that go around without their cassocks!" he would agonize. "Better that they go without their cassocks since they're just chasing after prostitutes anyway!" And he'd agonize more. It was true. There were womanizing priests. And liquor flowed faster than communion wine among them. Pastoral plans? They all went up in smoke. There was no interest. There was no effort. And the bishop? Bishop Machado didn't give orders and he didn't give advice. What he gave were loans at outrageous interest rates. Everybody knew those stories, and Father Romero knew them best because he saw all the drama from the inside. — Maria Lopez Vigil

I couldn't make it on the swimming team in high school. In fact, I got thrown off the swimming team and was forced to audition for the school play because they had at the audition about 35 girls show up and no boys, so my swimming coach suggested that I might be able to do the drama department more good than I was doing the swimming team. — Ron Perlman

This whole time, I'm staring at Ky - the one person I thought I had by my side. The one person who truly understands me, who has the power to make everything okay just by his mere presence.
But I've lost him too.
He's been cruelly taken from me just as I felt he was finally mine.
I have no one.
And I've never felt more alone or more jaded with this life. — Siobhan Davis

When the nature of mind is introduced by a master, it is just too simple for us to believe. Our ordinary mind tells us this cannot be, there must be something more to it than this. It must surely be more "glorious", with light blazing in space around us, angels with flowing golden hair swooping down to meet us, and a deep Wizard of Oz voice announcing, "Now you have been introduced to the nature of your mind." There is no such drama. — Sogyal Rinpoche

The drama of AIDS threatens not just some nations or societies, but the whole of humanity. It knows no frontiers of geography, race, age or social condition(calling) for a supreme effort of international cooperation on the part of government, the world medical and scientific community and all those who exercise influence in developing a sense of more responsibility in society. — Pope John Paul II

BOLLOXIMIAN:
My pleasures for new cunts I will uphold,
And have reserves of kindness for the old.
I grant in absence dildo may be used
With milk of goats, when once our seed's infused.
My prick no more to bald cunt shall resort
Merkins rub off, and often spoil the sport.
POCKENELLO:
Let merkin, sir, be banished from the court.
PENE:
'Tis like a dead hedge when the land is poor. — John Wilmot

Making assumptions and then taking them personally is the beginning of hell in this world. Almost all of our conflicts are based on this, and it's easy to understand why. Assumptions are nothing more than lies that we are telling ourselves. This creates a big drama for nothing, because we don't really know if something is true or not. Making assumptions is just looking for drama when there's no drama happening. And if drama is happening in someone else's story, so what? It's not your story; it's someone else's story. — Miguel Ruiz

Catherine Land liked the beginnings of things. The pure white possibility of the empty room, the first kiss, the first swipe at larceny. And endings, she liked endings, too. The drama of the smashing glass, the dead bird, the tearful goodbye, the last awful word which could never be unsaid or unremembered.
It was the middles that gave her pause. This, for all its forward momentum, this was a middle. The beginnings were sweet, the endings usually bitter, but the middles were only the tightrope you walked between the one and the other. No more than that. — Robert Goolrick

But even I know that love doesn't steer by logic, nor is power distributed evenly. Lovers arrive at their first kisses with scars as wells as longings. They're not always looking for advantage. Some need shelter, others press only for the hyperreality of ecstasy, for which they'll tell outrageous lies or make irrational sacrifice. But they rarely ask themselves what they need or want. Memories are poor for past failures. Childhoods shine through adult skin, helpfully or not. So do the laws of inheritance that bind a personality. The lovers don't know there's no free will. I haven't heard enough radio drama to know more than that, though pop songs have taught me that they don't feel in December what they felt in May, and that to have a womb may be incomprehensible to those who don't and that the reverse is also true. — Ian McEwan