Narrative Love Quotes & Sayings

If one loves stories, then one would naturally love the story of the story. Or the story behind the story, pick your preposition. It does seem to me to be a kind of animal impulse almost, a mammalian curiosity. For a reader to wonder about the autobiography in a fiction may be completely unavoidable and in fact may speak to the success of a particular narrative, though it may also speak to its failure. — Lorrie Moore

I've had frustrated storytelling juices that have been lying dormant for a long time, and I guess the documentary was a way of me telling a story that I felt most qualified to tell. And I loved it, and I'd love to do something else someday, probably more narrative-based. But I'm in no rush. — Eric Bana

You, too, were supposed to be a one-night stand. A quick fix. A conquest. A ten-line poem in my grand anthology of lovers.
But you altered the narrative, you marked your territory on my timeline o that as I look back, I find I can neatly divide my more recent past into two unequal halves: before you and after. — Rosalyn D'Mello

The kind of love that God has for us, I think, is of an infinite longing for union, and the kind of love that God wants us to have for him, I think, is of this also endless longing. Now in eros we lose ourselves. I think erotic love transforms us, but it does so only momentarily. It has to be embedded in something much longer, a much bigger narrative called marriage or durable relationship or something like that. — Kevin Hart

Perhaps if we could popularise through the techniques of branding and consumerism, a different idea, a different narrative, perhaps the world can change. After all it changes constantly and incessantly, it's just the perceptions that we have are governed by people with self-interest and are not inalignment with the health and safety of us as individuals or as a planet. — Russell Brand

I love narrative and sometimes I feel frustrated with stand-up. — Rachel Zucker

So much of life, it seems to me, is the framing and naming of things. I had been so busy creating a future of love that I never identified the life I was living as the life of love, because up until then I had never felt entitled enough or free enough or, honestly, brave enough to embrace my own narrative. Ironically, I had gone ahead and created the life I secretly must have wanted, but it had to be covert and off the record. Chemo was burning away the wrapper and suddenly I was in my version of life. Thus began the ecstasy - the joy, the pure joy of a spiritual pirate who finds the secret treasure. — Eve Ensler

I'm engaged in food on so many levels, and I love that. So my work, my craft, is around food, and writing is one aspect of it; communicating a narrative, cooking online is one aspect of it; solving the food chasm that we have in Harlem and finding a farmers market is another one, and all of them are equally exciting for me. — Marcus Samuelsson

Novels institutionalize the ruse of eros. It becomes a narrative texture of sustained incongruence, emotional and cognitive. It permits the reader to stand in triangular relation to the characters in the story and reach into the text after the objects of their desire, sharing their longing but also detached from it, seeing their view of reality but also its mistakenness. It is almost like being in love. — Anne Carson

As Narrative (Novel, Passion), love is a story which is accomplished, in the sacred sense of the word: it is a program which must be completed. For me, on the contrary, this story has already taken place; for what is event is exclusively the delight of which I have been the object and whose aftereffects I repeat (and fail to achieve). Enamoration is a drama, if we restore to this word the archaic meaning Nietzsche gives it: "Ancient drama envisioned great declamatory scenes, which excluded action (action took place before or behind the stage)." Amorous seduction (a pure hypnotic moment) takes place before discourse and behind the proscenium of consciousness: the amorous "event" is of a hieratic order: it is my own local legend, my little sacred history that I declaim to myself, and this declamation of a fait accompli (frozen, embalmed, removed from any praxis) is the lover's discourse. — Roland Barthes

A need to tell and hear stories is essential to the species Homo sapiens-second in necessity apparently after nourishment and before love and shelter. Millions survive without love or home, almost none in silence; the opposite of silence leads quickly to narrative, and the sound of story is the dominant sound of our lives, from the small accounts of our day's events to the vast incommunicable constructs of psychopaths. — Reynolds Price

Survive long enough and you get to a far point in life where nothing else of particular interest is going to happen. After that, if you don't watch out, you can spend all your time tallying your losses and gains in endless narrative. All you love has fled or been taken away. Everything fallen from you except the possibility of jolting and unforewarned memory springing out of the dark, rushing over you with the velocity of heartbreak. May walking down the hall humming an old song - "The Girl I Left Behind Me" - or the mere fragrance of clove in spiced tea can set you weeping and howling when all you've been for weeks on end is numb. — Charles Frazier

As readers, as people, we might not have the capacity to change the justice system. But as Dylan says in the book, we can change one person's perspective at a time. We can notice. We can speak up. We can teach this generation, my generation, that the way sexual assault is viewed and treated in this country is not okay, so that when it is our turn to step into the shoes of political office and criminal justice, we can continue changing the narrative from a place of power.
And more than anything, we can support. And we can empower. We can love.
We can be better. — Cora Carmack

I read a lot growing up. It was kind of my comfort, you know; I loved it. I love story. I love narrative. I was academic. I wasn't particularly athletic. I didn't make the drill team. I didn't go out for sports. — Julianne Moore

At one point in the 'Onyx Court' series, I think during 'In Ashes Lie', I suggested that Lune might come to love someone else eventually. Which was me pushing back against the narrative trope that people only get one True Love in their entire lives - an idea I think is kind of pernicious - but in retrospect, I wish I hadn't done it there. — Marie Brennan

It's all about the sensuality of movement, every movement you make. That's why I love doing action movies. It's all about movement, dance - even if you're hitting someone in the face. You've got to sell it all with great passion. There's a narrative to the body. It's exactly the same as dance. — DeObia Oparei

This tough-love, winner-take-all narrative dominating policymaking is far too limited a way to think about how a complex, modern, diverse economy like ours expands and thrives. The strongest periods of economic growth in the 20th century were also times when incomes rose across the board. — John Podesta

In 1990 I did a story with Helena Christensen about a woman who lives in a trailer in the middle of the desert and finds a little crushed UFO with a martian who has survived the crash. She takes him home, and they fall in love. Later he has to meet with his fellow martians who have arrived to rescue him. It's a sad ending. This was my first truly narrative story and apparently the first narrative story in fashion photography. — Peter Lindbergh

The Princess Bride
S. Morgenstern's
Classic Tale of True Love
and High Adventure
You had to admire a guy who called his own new book a classic before it was published and anyone had a chance to read it. — William Goldman

Of course one's sense of identification with the nation is inflected by all kinds of particulars, including one's class, race, gender, and sexual identification. ... But [regarding] national character ... , aside from references to a national aesthetic - literary, musical, and choreographic, there are two poles I reference: minimalist and maximalist. I love them both - the cryptic poems of Emily Dickinson folded up in tiny packets and hidden away in a box, the sparse, understated choreographies of Merce; but also the "trashy, profane and obscene" poems of Whitman and Ginsberg, [and] Martha Graham's expressionism. I am, myself, a minimalist. But I love distortion guitar and the wild exhibitionism of so many American artists. Also, these divisions are false. Emily Dickinson, in fact, can be as trashy and obscene as the best of them! Anyway, Dickinson and Whitman are at the heart of this narrative. They are the Dancing Queen and the Guitar Hero. — Barbara Browning

I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you're recreating the experience of life, not just relaying a 'this happened, then that happened' kind of narrative. The specific details and layers of depth that make the world of the story - and what the character is experiencing in that world - as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer. — Lara Campbell McGehee

The very act of story-telling, of arranging memory and invention according to the structure of the narrative, is by definition holy. We tell stories because we can't help it. We tell stories because we love to entertain and hope to edify. We tell stories because they fill the silence death imposes. We tell stories because they save us. — James Carroll

What I like about narrative in general is when there is some incongruity between the form and content. Let's say, mixing up the gothic with a coming-of-age narrative. Telling a love story that's also a monster story. Mixing up superhero tropes with your monster tropes. I like category confusion. — Kelly Link

They shared much with Bloomsbury, including love of beauty, companionship, and conversation, but they differed from their older London counterpart in their religious ardor, their social conservatism, and their embrace of fantasy, myth, and (mostly) conventional literary techniques instead of those dazzling experiments with time, character, narrative, and language that mark the modernist aesthetic. — Philip Zaleski

You know, we love stories and we love narrative; we love to get lost in an author's world. — Jeff Bezos

Narrative and metaphysics alike become flimsy and frivolous if they venture too far from the home base of all humanism - the single, simple human life that we all more or less lead, with its crude elementals of nurture and appetite, love and competition, the sunshine of well-being and the inevitable night of death. We each live this tale. Fiction has no reason to be embarrassed about telling the same story again and again, since we all, with infinite variations, experience the same story. — John Updike

I love the freedom that the narrative form provides. — Sidney Sheldon

Oh yeah, I grew up with comics. You know, I always like to describe myself as a 'narrative junkie.' I love novels, I love comics, movies, TV. If it's a good story, I'm hooked. — David Liss

And yet the idea is hard to accept, it's so hard to succeed in making something happen, even what's been decided on and planned out, not even the will of a god seems forceful enough to manage it, if our own will is made in its semblance. It may be, rather, that nothing is ever unmixed and the thirst for totality is never quenched, perhaps because it is a false yearning. Nothing is whole or of a single piece, everything is fractured and evenomed, veins of peace run through the body of war and hatred insinuates itself into love and compassion, there is truce amid the quagmire of bullets and a bullet amid the revelries, nothing can bear to be unique or prevail or be dominant and everything needs fissures and cracks, needs it negation at the same time as its existence. And nothing is known with certainty and everything is told figuratively. — Javier Marias

But mostly what we think of as the 'meaning' of life concerns the style of the private autobiography we each write and which records how we 'see' ourselves. Whether this autobiography reads as a narrative of progress in which difficulties are transcended, or is chaotic, is the test of whether one's life seems to be meaningful or not. Meaning is something we find, or fail to find, as we follow through this project. We can see how love figures here: love is a major theme, but how we see our experience of love depends upon our general thinking. If, for example, we work with extremely high expectations of love we impose a tragic style upon our self-perceptions: for our experience of love will always be seen under an aspect of failure - failure focused upon ourselves or others. Hence the more subtle our thinking about love, the more intelligently we discriminate ideals from reality, the more interesting our autobiography becomes. — John Armstrong

The passion for the story is the wind in your narrative sails. Begin at the heart. We must hear the heartbeat of the story. Love your characters into existence. — Patricia Lee Gauch

I want (the story) to be about good and evil and true love, and it should also be funny. No talking animals. Not too much fooling around with the narrative structure. The ending should be happy but still realistic, believable, you know, and there shouldn't be a moral although we should be able to think back later and have some sort of revelation. No 'and suddenly they woke up and discovered that it was all a dream.' Got that? — Kelly Link

We all love narratives where we're the captain of our boat, and Americans love them more than anybody else. — Anne-Marie Slaughter

The best narrative is one of infinite love. A spiritual affair
one not of the material world. Intermingled, with no beginning nor end
it will always stand the test of time. — Terry A. O'Neal

The young today cannot follow narrative but they are alert to drama. They cannot bear description but they love landscape and action. — Marshall McLuhan

Some years ago, I read an article about two people in the arts (alas, I can't remember who they were) who'd been married for many, many years. Asked for the secret of their long partnership, they said: "We fell straight into conversation when we met, and we haven't come to the end of that conversation yet."
I can't think of a better model for marriage than that. Or of a narrative more romantic ... — Terri Windling

We black Southerners, through life, love, and labor, are the generators and architects of American music, narrative, language, capital, and morality. That belongs to us. Take away all those stolen West African girls and boys forced to find an oral culture to express, resist, and signify in the South, and we have no rich American idiom. — Kiese Laymon

All of that art-for-art's-sake stuff is BS," she declares. "What are these people talking about? Are you really telling me that Shakespeare and Aeschylus weren't writing about kings? All good art is political! There is none that isn't. And the ones that try hard not to be political are political by saying, 'We love the status quo.' We've just dirtied the word 'politics,' made it sound like it's unpatriotic or something." Morrison laughs derisively. "That all started in the period of state art, when you had the communists and fascists running around doing this poster stuff, and the reaction was 'No, no, no; there's only aesthetics.' My point is that is has to be both: beautiful and political at the same time. I'm not interested in art that is not in the world. And it's not just the narrative, it's not just the story; it's the language and the structure and what's going on behind it. Anybody can make up a story. — Toni Morrison

You know, it's people's lives, so as you get a little older, your own life narrative, I guess, invades a little more. It's not like we're traveling in separate buses to each show. It's a labor of love, so we just do it because we like it. Maybe someone's gonna move, or not want to go on a tour for some reason - that could happen, I guess. — Stephen Malkmus

This is a story of art without markets, drama without a script, narrative without progress. The queer art of failure turns on the impossible, the improbable, the unlikely, and the unremarkable. It quietly loses, and in losing it imagines other goals for life, for love, for art, and for being. — J. Jack Halberstam

There are worries that seem to me sustained by the love of worry. For example, that people are reading from screens, or listening to recorded books. Why scold the impulse to enjoy language and narrative in whatever form it takes? — Marilynne Robinson

Rachel Resnick's story of love lost and love sought cracks open the timeworn addiction narrative to release something raw, probing, brave, and redemptive. The courage it took to write this story is challenged only by the courage it must have taken to live it. I sit in awe of such unflinching honesty. LOVE JUNKIE is memoir at its very best. — Hope Edelman

Okay, first of all, I would have shaped the stories such that they culminated climactically, but I would not have allowed that climax to be the sole focus of the book. I'd concentrate more on the full process of the act of love - figuratively speaking, of course - and less on the orgasm itself. With less of an ejaculatory, post-coital let down, as well... Ideally, then, I would leave the reader turned on with a few unresolved strands that might lead to further climax upon intense reflection of the experience. More negative space. What is not said placed on a level of equal importance with what is said. The suggestive... And perhaps some form of narrative cuddling afterward. — Dustin Long

The genre of narrative business books that I love so much - the ones that have a you-are-there quality - was invented, or so it is said, in 1982 by David McClintick, who wrote 'Indecent Exposure,' a rollicking good read about a Hollywood scandal and the ultimate boardroom power struggle at Columbia Pictures. — Andrew Ross Sorkin

If my life was pulled into the pages of a book, there would be coffee stains and wrinkles along the lines of that narrative. Because all I can wish is that the book of my life would be well read and well loved. Living within words and the sound of writing. — F.K. Preston

I always write too long in the beginning, then it is a matter of going through it over and over again on subsequent drafts, looking for anything that slows down the narrative. It can be hard, cutting out parts I love, but I try to make the book as tight as possible so that the reader doesn't get bored. — Chevy Stevens

A good mixtape didn't just gather together a bunch of love songs, but instead created an emotional narrative specific to your affection. The stories in most of my favorite collections are collected more like songs on a mixtape than, say, collected like spare change. By which I mean they are in conversation with each other and work to become larger than their parts. — Anthony Marra

Here's what I love about painting. It's not about words or voice or tone or point of view or narrative arc (perish the thought); it's about the way certain branches stick straight out from the trunks of certain trees; it's about the clouds that you can barely see as well as the ones that pile on top of each other; it's about the swoop of telephone wires and the shapes and colors of shadows. A real painter recently told me that all artists want to draw telephone wires. — Abigail Thomas

Very young children love and demand stories, and can understand complex matters presented as stories, when their powers of comprehending general concepts, paradigms, are almost nonexistent. — Oliver Sacks

As anyone who has experienced it will know, war is many contradictory things. There is brutality and heroism, comedy and tragedy, friendship, hate, love and boredom. War is absurd yet fundamental, despicable yet beguiling, unfair yet with its own strange logic. Rarely are people 'back home' exposed to these contradictions - society tends only to highlight those qualities it needs, to construct its own particular narrative. — Tim Hetherington

I'm handed a bunch of existing data. My job is to put that in the best narrative form. That is a puzzle I love to solve. — Hilary Liftin

Tone is an interesting question because part of the inspiration of looking to song is that Geisel himself - when you think about his animated version of The Grinch - embraced the idea of using songs in unconventional ways, as part of conveying a narrative. The use of music, in this film, is very unconventional, which I love. — Christopher Meledandri

The biggest challenge in the research process is to let go, to stop, to say enough, and then to reduce all of that beloved labor down to a few succinct paragraphs that shape the background to your narrative. I love research - that's all the fun, especially in the field. To write, however, is to suffer, and my pieces usually come in thousands of words over the assigned length. That's a serious flaw in my writing process - shaping and disciplining the footlockers of material one has so happily gathered. — Bob Shacochis

But love doesn't control, and I suppose that's why it's the ultimate risk. In the end, we have to hope the person we're giving our heart to won't break it, and be willing to forgive them when they do, even as they will forgive us. Real love stories don't have dictators, they have participants. Love is an ever-changing, complicated, choose-your-own adventure narrative that offers the world but guarantees nothing. — Donald Miller

Good writers may "tell" about almost anything in fiction except the characters' feelings. One may tell the reader that the character went to a private school (one need not show a scene at the private school if the scene has no importance for the rest of the narrative), or one may tell the reader that the character hates spaghetti; but with rare exceptions the characters' feelings must be demonstrated: fear, love, excitement, doubt, embarrassment, despair become real only when they take the form of events - action (or gesture), dialogue, or physical reaction to setting. Detail is the lifeblood of fiction. — John Gardner

I realized that if I was going to assume the responsibility of writing about my home, I needed narrative ruthlessness. I couldn't dull the edges and fall in love with my characters and spare them. Life does not spare us. — Jesmyn Ward

My sister Emily first declined. The details of her illness are deep-branded in my memory, but to dwell on them, either in thought or narrative, is not in my power. Never in all her life had she lingered over any task that lay before her, and she did not linger now. She sank rapidly. She made haste to leave us. Yet, while physically she perished, mentally, she grew stronger than we had yet known her. Day by day, when I saw with what a front she met suffering, I looked on her with anguish of wonder and love. I have seen nothing like it; but, indeed, I have never seen her parallel in anything. Stronger than a man, simpler than a child, her nature stood alone. The awful point was, that, while full of ruth for others, on herself she had no pity; the spirit inexorable to the flesh; from the trembling hand, the unnerved limbs, the faded eyes, the same service exacted as they had rendered in health. To stand by and witness this, and not dare to remonstrate, was pain no words can render. — Charlotte Bronte

If we possess narrative sympathy - enabling us to see the world from other's point of view - we cannot kill. If we do not, we cannot love. — Richard Kearney

When it comes to the nitty-gritty, what ties these threads of biblical narrative together into a revelation of God's love is that God has commanded us to refrain from grumbling about the dailiness of life. Instead we are meant to accept it as a reality that humbles us even as it gives cause for praise. The rhythm of sunrise and sunset marks a passage of time that marks each day rich with the possibility of salvation. — Kathleen Norris

In a battle of wills, of the gods of old. For each his revenge, will he forfeit his soul. On the chess board of blood, will their narrative play. aged, innocent lives, revenge claims her way. Out of hate will come love, and love will come hate. For immortal and man, have entwined their damned fate. — L.A. Starkey

And who wouldn't wish that? Certainly everyone here- dressed up as aliens, and wizards, and zombies, and superheroes- wants desperately to be inside a story, to be part of something more logical and meaningful than real life seems to be. Because even worlds with dragons and time machines seem to be more ordered than our own. When you live for stories, when you spend so much of your time immersed in careful constructs of three and five acts, it sometimes feels like you're just stumbling through the rest of life, trying to divine meaningful narrative threads from the chaos. Which, as I learned the hard way this weekend, can be painfully fruitless. Fiction is there when real life fails you. But it's not a substitute. — Sarvenaz Tash

My reflections amount to a love story that is mostly made up, from memories that are mostly false, between people who were mainly not there. The things for which she was not there have her in them now more deeply because of her absence, and her effect on my way of seeing them. Anytime I note her absence from a thing, she arrives at once, as if summoned, entrenching herself more deeply than she exists in my memories of times when she was there, so that time, the sequence of what really happened, seems to curve around her. — Olivia Sudjic

A myth is 'a narrative involving supernatural or fancied persons embodying popular ideas or social phenomena.' Women love telling stories ... the girl-group is a gigantic narrative full of morality tales locked up like charms in a crystallized sound. — Lucy O'Brien

Chekhov directors and Chekhov actors love working on his plays because there seems to be no end to what you can find out about the micro-narrative when you're investigating a text. — Tom Stoppard

It's so often that I read for the bouncy, sunny girl men fall in love with who will solve all the romantic problems in the narrative. I don't choose to work that way. — Sarah Gadon

Readers don't want to read about somebody else having powerful emotions ... Readers want to become somebody else for a few hours, to live an exciting life, to find true love, to face down unimaginable terrors, to solve impossible puzzles, to feel a lightning jolt of adrenaline. — Randy Ingermanson

He wonders if this is a lack within himself. Is there a part of the brain from which love comes that in his case has drastically malfunctioned? The world is awash in love - on the radio, in movies, in the pages of novels. Romantic love is the common cultural narrative, yet he seems immune to it. Thus, though he has yet to taste the pain that comes with love, he has experienced pain of a different, related sort: the fear of facing a life without it. — Justin Cronin

McEwan's Atonement ... truly dazzles, proving to be as much about the art and morality of writing as it is about the past ... . The middle section of Atonement, the two vividly realized set pieces of Robbie's trek to the Channel and Briony's experiences with the wounded evacuees of Dunkirk, would alone have made an outstanding novel ... . There is wonderful writing throughout as McEwan weaves his many themes - the accidents of contingency, the sins of absent fathers, class oppression - into his narrative, and in a magical love scene. — Noah Richler

Credomancy may seek to exploit the human desire for a tidy narrative where an unblemished romantic hero vanquishes all obstacles, but such ideals have very little to with reality. Reality requites pragmatism and compromise. Men fail. Women fail. There are no heroes, only human beings who somehow find the strength to behave heroically, no matter how many times they have been unable to do so in the past. If you understand that, Miss Edwards - if you truly and deeply understand that, then you will understand the most powerful thing anyone with a heart can understand."
"And what's that?" Emily said softly.
"That love is not enough. But it's a start. — M.K. Hobson

Sangeeta Bandyopadhyay is a stylistically daring writer in love with surrealism, credited with being 'the woman who reintroduced hardcore sexuality to Bengali literature'. But though the (male) establishment used this label of erotica to dismiss her work, the sex scenes have exactly the same transgressive function as her use of chronology and narrative voice. — Deborah Smith

There's always a moment when you start to fall out of love, whether it's with a person or an idea or a cause, even if it's one you only narrate to yourself years after the event: a tiny thing, a wrong word, a false note, which means that things can never be quite the same again. — Douglas Adams

There isn't any particular relationship between all the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at once. — Kurt Vonnegut

Vanity ! vanity ! and vanity everywhere, even on the brink of the grave, and among men ready to die for the highest convictions. Vanity ! It must be that it is a characteristic trait, and a peculiar malady of our century. Why was nothing ever heard among the men of former days, of this passion, any more than of the small-pox or the cholera ? Why did Homer and Shakspeare talk of love, of glory, of suffering, while the literature of our age is nothing but an endless narrative of snobs and vanity ? — Leo Tolstoy

Feminist narrative theory notes that for most of literary history there's been an imbalance between men's and women's stories. Male characters go out into a world of infinite possibilities. Female characters either get married or die. This makes enlightened female readers such as ourselves pissed off. But however much we deconstruct the narrative, however vigilantly we plow and apply the theory and read with our skeptical, over-educated eyes, still some lessons are hard to fully internalize, and the dream of happily-ever-after love, in real life and in literature, dies hardest of all. — Laurie Frankel

Sometimes a homeland becomes a tale. We love the story because it is about our homeland and we love our homeland even more because of the story. — Refaat Alareer

I love it when real science finds a home in a fictional setting, where you take some real core idea of science and weave it through a fictional narrative in order to bring it to life, the way stories can. That's my favorite thing. — Brian Greene

My books are love stories at core, really. But I am interested in manifestations of love beyond the traditional romantic notion. In fact, I seem not particularly inclined to write romantic love as a narrative motive or as an easy source of happiness for my characters. — Khaled Hosseini

Through creativity, we are seamlessly connected and sustained as we pull
back the veil, revealing beneath our differences and distinctive characteristics,
human expression and the human experience are universal. It is the greatness
of this experience that connects us together by infinite invisible threads strewn
across the globe. This is my responsibility, passion and desire as an artist - my
soul purpose. — Brian Bowers

A person's disposition should serve as a narrative of their lives not the pigmentation of their skin. — Henry Johnson Jr

I do love Shirley Jackson, but I don't deserve to be named in connection with her. I remember reading 'The Haunting of Hill House' and having goosebumps for hours. The way she builds narrative pressure in that book is just amazing. I think you could reread it a few times and actually go out of your mind. — Helen Oyeyemi

Women talk about love. From girlhood on, we learn that conversations about love are a gendered narrative, a female subject ... Femaleness in patriarchal culture marks us from the very beginning as unworthy or not as worthy, and it should come as no surprise that we learn to worry most as girls, as women, about whether we are worthy of love. — Bell Hooks

You can't love someone without imaginative sympathy, without beginning to see the world from another point of view. You can't be a good lover, a good artist or a good politician without this capacity (you can get away with it, but that's not what I mean). Show me the tyrants who have been great lovers. — Julian Barnes

The meaning of the story is found in every detail, as well as in the broad narrative. The pain and tears of all the years were met together on Calvary. The sorrow of heaven joined with the anguish of earth; the forgiving love stored up in God's future was poured out into the present; the voices that echo in a million human hearts, crying for justice, longing for spirituality, eager for relationship, yearning for beauty, drew themselves together into a final scream of desolation. — N. T. Wright

Short fiction is the medium I love the most, because it requires that I bring everything I've learned about poetry - the concision, the ability to say something as vividly as possible - but also the ability to create a narrative that, though lacking a novel's length, satisfies the reader. — Ron Rash

Because I love narrative but am more lyrically inclined, I've learned that if I freight titles with narrative information (the who, what, when, where, why of the poem), I can get to my main interest, which is the language, and where it wants to take me. If I can establish the poem's occasion in the title, then so much the better for my freedom to associate. — Anna Journey

I am the daughter of Mr. Neo-realism: I should gravitate towards narrative simply told, character, the truth. And I do love those movies. — Isabella Rossellini

Randomness I love. And I still love just a holler right in the middle of an ongoing narrative. Pain or joy, ecstasy. — Barry Hannah

It's an irritating reality that many places and events defy description. Angkor Wat and Machu Picchu, for instance, seem to demand silence, like a love affair you can never talk about. For a while after,you fumble for words, trying vainly to assemble a private narrative, an explanation, a comfortable way to frame where you've been and whats happened. In the end, you're just happy you were there- with your eyes open- and lived to see it. — Anthony Bourdain

In the story of my life, that's where you cracked the spine of the book. The mark is there, forever tattooed on my narrative and I couldn't be happier. — Cara Lynn Shultz