Quotes & Sayings About Motifs

The way Fatboy Slim layers motifs is the same as 18th-century baroque counterpoint. You have an idea, then you have an answer to the idea in another voice, then you have a counter idea accompanying the original idea, and you build up your texture like that. I'm really into Kruder and Dorfmeister at the moment, and they do the same thing. — Charles Hazlewood

I have brought many artifacts back with me from the steppe. My favourite is a 90-year-old Kazakh saddle decorated with silverwork in traditional motifs. It symbolises the deep relationship between man and horse on the Eurasian Steppe. — Tim Cope

I don't think you necessarily identify and believe in the motifs of the character, but you have to want to play it and want to commit to the lines. — Clive Owen

The natural world is built upon common motifs and patterns. Recognizing patterns in nature creates a map for locating yourself in change, and anticipation what is yet to come. — Sharon Weil

Just as our ancient ancestors drew animals on cave walls and carved animals from wood and bone, we decorate our homes with animal prints and motifs, give our children stuffed animals to clutch, cartoon animals to watch, animal stories to read. — Diane Ackerman

Here on the edge of the river, the motifs are very plentiful, the same subject seen from a different angle gives a subject for study of the highest interest and so varied that I think I could be occupied for months without changing my place, simply bending a little more to the right or left. — Paul Cezanne

I believe that eyes are very important motifs. That's something that can discern the peace and love. — Yayoi Kusama

Parents are supposed to pass down physical traits to their children, but it's my belief that all sorts of other things get passed down, too: motifs, scenarios, even fates. — Jeffrey Eugenides

The collective unconscious appears to consist of mythological motifs or primordial images, for which reason the myths of all nations are its real exponents. In fact the whole of mythology could be taken as a sort of projection of the collective unconscious. We can see this most clearly if we look at the heavenly constellations, whose originally chaotic forms are organized through the projection of images. This explains the influence of the stars as asserted by astrologers. These influences are nothing but unconscious instrospective perceptions of the collective unconscious. — Carl Jung

There is no roles. No one is keeping any roles. The drummer is also answering everybody and everything. So it is a constant conversation and communication between musicians on an extremely high level with extremely valuable material, motifs, and melodies. — Miroslav Vitous

The end of Egypt's isolation turned what had been only occasional and incidental contact with the rest of the Near East into a constant and significant exchange of goods and ideas. The new cosmopolitanism introduced new forms and motifs and a growing naturalism to art. Egypt had always been receptive to immigrants, who had easily been assimilated into its culture; now even the pharaohs could marry foreigners. In addition, the increase of commerce and the emergence of a cosmopolitan urban population
at Thebes and other cities
marked the first real urbanization in Egyptian society. — Norman F. Cantor

It goes without saying that these effects do not suffice to annul the necessity for a "change of terrain." It also goes without saying that the choice between these two forms of deconstruction cannot be simple and unique. A new writing must weave and interlace these two motifs of deconstruction. Which amounts to saying that one must speak several languages and produce several texts at once. I would like to point out especially that the style of the first deconstruction is mostly that of the Heideggerian questions, and the other is mostly the one which dominates France today. I am purposely speaking in terms of a dominant style: because there are also breaks and changes of terrain in texts of the Heideggerian type; because the "change of terrain" is far from upsetting the entire French landscape to which I am referring; because what we need, perhaps, as Nietzsche said, is a change of "style"; and if there is style, Nietzsche reminded us, it must be plural. — Jacques Derrida

The themes of metamorphosis (transformation-particularly
human transformation-and identity (particularly human identity) are drawn from the treasury of pre-class world folklore. The folkloric image of man is intimately bound up with transformation and identity. This combination may be seen with particular clarity in the popular folktale )skazkaj. The folktale image of man-throughout the extraordinary variety of folkloric narratives-always orders itself around the motifs of transformation and identity (no matter how varied in its turn the concrete expression of these motifs might be). — Mikhail Bakhtin

The truth is often terrifying, which I think is one of the motifs of Larry and Andrew's cinema. The cost of knowledge is an important theme. In the second and third films, they explore the consequences of Neo's choice to know the truth. It's a beautiful, beautiful story. — Keanu Reeves

The way the knowledge of the spectator is drawn upon in constructing the scene, through the stylized performance, ritual motifs and auditory address that arise from a host of Indian aesthetic and performance traditions. — Anonymous

One of the principal motifs of Nietzsche's work is that Kant had not carried out a true critique because he was not able to pose the problem of critique in terms of values. — Gilles Deleuze

I know that to paint the sea really well, you need to look at it every hour of every day in the same place so that you can understand its way in that particular spot; and that is why I am working on the same motifs over and over again, four or six times even. — Claude Monet

An image system is a strategy of motifs, a category of imagery embedded in the film that repeats in sight and sound from beginning to end with persistence and great variation, but with equally great subtlety, as a subliminal communication to increase the depth and complexity of aesthetic emotion. — Robert McKee

Echo is very important to me. I love the repetition of motifs, or the slight alteration of what's been said before. This is part of how one creates a mood, a psychological caul, in fact, around the reader. — Teju Cole

Most [Shetland patterns] are fairly small and simple, as textile patterns go. Almost all are symmetrical, with eight smaller parts. As a result, most are geometric rather than representational. ...
One last feature, less easy to define but easy enough to recognise ... is the liking for little motifs and for a pattern to be 'finished'. — Sheila McGregor

But ever since, more than a year before, discovering to him many of the riches of his own soul, the love of music had, for a time at least, been born in him, Swann had regarded musical motifs as actual ideas, of another world, of another order, ideas veiled in shadow, unknown, impenetrable to the human mind, but none the less perfectly distinct from one another, unequal among themselves in value and significance. — Marcel Proust

The poetic act consists of suddenly seeing that an idea splits up into a number of equal motifs and of grouping them; they rhyme. — Stephane Mallarme

Today's Islamic fundamentalism is also a cover for political motifs. We should not overlook the political motifs we encounter in forms of religious fanaticism. — Jurgen Habermas

The possibility seems to be that what we call styles, or what we call motifs, are actually categories in the unconscious. — Terence McKenna

We've tried to use some visual motifs [in Beauty and the Beast]. As far as the cinematography and the lensing and all that, we are presenting a different view into that world. It's a little sleeker, but we're keeping the gothic feel underneath it. — Brian Wayne Peterson

When we work with history, to a very great degree we are all guessing. But by using motifs of time and history in a fantasy setting, we are acknowledging that this educated guesswork, invention, fantasy underlie our treatment of the past and its peoples - and we are not claiming a right to do with them as we will. — Guy Gavriel Kay

In general, the main themes emerge early for each book, even before the storyline and characters, as I research the time and place I want to draw upon. Having said that, every single book so far has offered me surprises en route, and these include motifs that come forward as I am writing. — Guy Gavriel Kay

While people are fairly young and the musical composition of their lives is still in its opening bars, they can go about writing it together and sharing motifs (the way Tomas and Sabina exchanged the motif of the bowler hat), but if they meet when they are older, like Franz and Sabina, their musical compositions are more or less complete, and every motif, every object, every word means something different to each of them. — Milan Kundera

There are days when I think there really is some huge great tapestry of a plan out there and we're all woven into it - this fabulous, complex pattern of life and death, full of recurring motifs and waves of color, and we're each one tiny thread in the weave. — Jane Johnson

[Nietzsche's] definition of cruelty informs Artaud's own, declaring that all art embodies and intensifies the underlying brutalities of life to recreate the thrill of experience ... Although Artaud did not formally cite Nietzsche, [their writing] contains a familiar persuasive authority, a similar exuberant phraseology, and motifs in extremis ... — Antonin Artaud

I shot many scenes of Hamburg, albums full of postcard motifs, and I discarded almost all of them. I ride my bike through Hamburg every day. I go shopping here, I go to the doctor - and yet I no longer have the eye for telling stories about this damn city, even though I love it. — Fatih Akin

This is about objects, not motifs. The photo is only a substitute for an object; it is unsuitable as a picture in its customary sense. — Bernd Becher

Directors who have inspired me include Billy Wilder, Federico Fellini, lngmar Bergman, John Ford, Orson Welles, Werner Herzog, Stanley Kubrick, Alfred Hitchcock, Francis Ford Coppola and Ernst Lubitsch. In art school, I studied painters like Edward Hopper, who used urban motifs, Franz Kafka is my favorite novelist. My approach to film stems from my art background, as I go beyond the story to the sub-conscious mood created by sound and images. — David Lynch

Even one's own home is a kind of anthology of advertisers, manufacturers, motifs and presentation techniques. There's nothing 'natural' about one's home these days. The furnishings, the fabrics, the furniture, the appliances, the TV, and all the electronic equipment - we're living inside commercials. — J.G. Ballard

If you find yourself imitating another writer, that doesn't have to be a bad thing, especially if you are a young or a new writer. However, you should be conscious of exactly how you are imitating him - word choice, sentence structure, motifs? - and think about why you're doing it. — Poppy Z. Brite

As I read more and more fairy tales as an adult, I found massive collusion between their 'subjects' and those in my fiction: childhood, nature, sexuality, transformation. I realized that it wasn't by accident that I was drawn to their narrative structure and motifs. — Kate Bernheimer

I'm not thinking much about overall themes or preoccupations or anything like that. Instead I'm just trusting that, if I'm working hard, various notions and riffs and motifs and so on are very naturally suffusing the stories and the resulting book. — George Saunders

During the first and primitive stages of the history of our species there was a general centrifugal movement of peoples into distance, to all sides, with the various populations becoming increasingly separated, each developing its own applications and associated interpretations of the shared universal motifs; whereas, since we are all now being brought together again in this mighty present period of world transport and communication, those differences are fading. The old differences separating one system from another now are becoming less and less important, less and less easy to define. And what, on the contrary, is becoming more and more important is that we should learn to see through all the differences to the common themes that have been there all the while, that came into being with the first emergence of ancestral man from the animal levels of existence, and are with us still. — Joseph Campbell

One of the metaphors of the book is the carpet. Not just the flying carpet, but the carpet as a woven surface in which many repetitions and motifs recur and mirror one another. This is very much reflected within the stories: they have borders within borders, repeated motifs which change. They have their feet in oral conventions, and for the mnemonics, the storyteller needs to have a structure in order to remember the stories. — Marina Warner

The literary fairy tale became an acceptable social symbolic form through which conventionalized motifs, characters, and plots were selected, composed, arranged, and rearranged to comment on the civilizing process and to keep alive the possibility of miraculous change and a sense of wonderment. — Jack D. Zipes

A search for justification and the impossibility of justification are recurrent motifs in the philosophy of Sartre. His philosophy is one of the incarnations of problematism and of the ambiguity of contemporary thought (for Man does seem, to the contemporary mind, to be ambiguous). — Jean-Paul Sartre

On one hand you have a string quartet, which is not a symphony. On the other hand is you have me sampling them and making it sound like there is many more people playing, so the whole notion of, kind of, sampling applied to classical music is very intriguing to me because composers throughout history have borrowed motifs and quotes from one another. — DJ Spooky

It's true the punk fashion itself was iconographic: rips and dirt, safety pins, zips, slogans, and hairstyles. These motifs were so iconic in themselves - motifs of rebellion. — Vivienne Westwood

In religions which have lost their creative spark, the gods eventually become no more than poetic motifs or ornaments for decorating human solitude and walls. — Nikos Kazantzakis

I wanted to do is kind of invoke that and then dive into that kind of repetition as a DJ thing because DJing you hear beats, like "boom, boom, boom, bap, bap." You know hip hop, house, techno. So how do you translate between those electronic motifs and the motifs of the landscape itself? That is what I wanted to go for. — DJ Spooky

Then you have this other phenomena of the paranormal romance. It's all the benefits of being a vampire without the sacrifices. By the gods, Meyer's vampires walk around sparkling in the daylight and some are vegetarians. But this phenomenon is also tied to a lot of our communal fears. Fear of aging. Fear of fading youth. Fear of loneliness. But whereas the classic motifs are more concerned with confronting and overcoming our fears, the fears of the paranormal romance genre become twisted fantasies of denial. The idea of staying young, attractive and powerful for eternity feeds into the modern self-absorbed ethos. — Julie Ann Dawson

Obsession with self is the motif of our time. — Charles Krauthammer

I'm trained as an architect; writing is like architecture. In buildings, there are design motifs that occur again and again, that repeat
patterns, curves. These motifs help us feel comfortable in a physical space. And the same works in writing, I've found. For me, the way words, punctuation and paragraphs fall on the page is important as well
the graphic design of the language. That was why the words and thoughts of Estha and Rahel, the twins, were so playful on the page ... I was being creative with their design. Words were broken apart, and then sometimes fused together. "Later" became "Lay. Ter." "An owl" became "A Nowl." "Sour metal smell" became "sourmetal smell."
Repetition I love, and used because it made me feel safe. Repeated words and phrases have a rocking feeling, like a lullaby. They help take away the shock of the plot
death, lives destroyed or the horror of the settings
a crazy, chaotic, emotional house, the sinister movie theater. — Arundhati Roy

Just as a classical dancer repeats the same movements again and again, in order to achieve a greater perfection of line and balance, so Degas repeats the same motifs - it was one of the things that gave him so much sympathy with dancers. — Kenneth Clark

The 'squaring of the circle' is one of the many archetypal motifs which form the basic patterns of our dreams and fantasies. But it is distinguished by the fact that it is one of the most important of them from the functional point of view. Indeed, it could even be called the archetype of wholeness. — Carl Jung

In literature, questions of fact or truth are subordinated to the primary literary aims of producing a structure of words for its own sake, and the sign-values of symbols are subordinated to their importance as a structure of interconnected motifs. — Northrop Frye

By 1970, the first stirrings of the revolt against Modernist orthodoxy in architecture had been felt, although it would be several years more until Postmodernism was widely accepted and made classical motifs permissible in high-style building design for the first time in decades. — Martin Filler

No dish in history has as many variations, colors, motifs, tastes, textures and subtleties as a dish of pasta. — Marc Vetri

I won't be one of the hundreds telling you that being alive flows like a story you write consciously, deliberately, full of linear narrative, foreshadowing, repetition, motifs. The emotional beats come down where they should, last as long as they should, end where they should, and that should come from somewhere real and natural, not from the tyranny of the theatre, the utter hegemony of fiction. — Catherynne M Valente

Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have "really happened,"or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths. — Northrop Frye

The 'total overpaintings' developed ... through incessant reworking. The original motif peeped through the edges. Gradually it vanished completely. — Arnulf Rainer