Quotes & Sayings About Me With Images

I spent my childhood and youth on the outskirts of the Alps, in a region that was largely spared the immediate effects of the so-called hostilities. At the end of the war I was just one year old, so I can hardly have any impressions of that period of destruction based on personal experience. Yet to this day, when I see photographs or documentary films dating from the war I feel as if I were its child, so to speak, as if those horrors I did not experience cast a shadow over me ... I see pictures merging before my mind's eye - paths through the fields, river meadows, and mountain pastures mingling with images of destruction - and oddly enough, it is the latter, not the now entirely unreal idylls of my early childhood, that make me feel rather as if I were coming home ... — W.G. Sebald

I did not bring a television set out here with me, and I regret it sometimes when the evenings get long, but my idea was that living alone you can soon get stuck to those flickering images and to the chair you will sit on far into the night, and then time merely passes as you let others do the moving. — Per Petterson

Few things in nature can compare to the long, mournful wail of a loon echoing across water and through the forest. It's an evocative sound that will stick with you for the rest of your life and make you nostalgic for things that never even happened to you. Eerie, yet beautiful, the sound will conjure up images of solitude near mountain lakes and ponds, shrouded in fog during the early morning or late dusk, surrounded by the silhouettes of pine trees. It's a sound that relaxes and submerges you into the tranquility of nature. I don't think there is another sound in the world that reminds me of the wilderness more so than the wail of a loon. — Kyle Rohrig

Actors always want to know how I come up with interesting and creative takes on characters, characters that aren't like me as I appear in daily life and that aren't like each other. It's simple: I let the lines and images connect with my imagination. I don't worry about consistency; I let myself respond moment by moment, piecemeal, to the character's dialogue and actions. Then I let my responses take me wherever they go, making mistakes and discarding them until choices start repeating themselves on their own no matter how arbitrary they seem at first. Then I know I'm on to something. But I don't try to put the character together. I leave it in pieces. The script and story put the character together so my moment by moment performance seems like a creative take on the whole character. — Harold Guskin

However, on one occasion, several years ago, I was idiot enough to take a dose of LSD. (I did it to please a woman.) I had what is known as a 'bad trip'. It was a very bad trip. I shall not attempt to describe what I experienced on that dreadful and rather shameful occasion. (I will only add: it concerned entrails.) In fact it would be extremely hard, even impossible, to put it properly into words. It was something morally, spiritually horrible, as if one's stinking inside had emerged and become the universe: a surging emanation of dark half-formed spiritual evil, something never ever to be escaped from. 'Undetachable,' I remember, was a word which somehow 'came along' with the impression of it. In fact the visual images involved were dreadfully clear and, as it were, authoritative ones and they are rising up in front of me at this moment, and I will not write about them. Of course i never took LSD again. — Iris Murdoch

I think there simply comes a point at which you're beating your head against the wall with revision, when you're making something different but not better. For me, revision usually has more to do with making the language prettier, finding clearer images, using more active verbs. — Mary J. Miller

Letter to Myself, in Remission, from Myself, Terminal"

You'll come to hate your own poems,
read them as pretty wisps of colorful thinking,
all those images just a splash of colored oil
sloshed over a pool gone rancid. Admit it.
Atheists always scared you. And no wonder.
Those nights you switched on the fan so no one
could hear you scream into your pillow, weeping
and biting your own hands like a motherless
monkey,banded to a body that despised you,
a suit of coals with a jammed-shut zipper.
Instead of the truth, you took refuge in stories
and souls, wore the word survivor like a pink nimbus.
All the while, my dear, I waited, knowing
you'd catch up to me one day. I'm holding the black-
backed mirror to your face. Look into it. — Anya Krugovoy Silver

You know," he said, "this design begins to appeal to me after all. Sea slugs aren't the least bit arousing, but logarithms . . . I've always thought that word sounded splendidly naughty." He let it roll off his tongue with ribald inflection. "Logarithm." He gave an exaggerated shiver. "Ooh. Yes and thank you and may I have some more."

"Lots of mathematical terms sound that way. I think it's because they were all coined by men. 'Hypotenuse' is downright lewd."

" 'Quadrilateral' brings rather carnal images to mind."

She was silent for a long time. Then one of her dark eyebrows arched. "Not so many as 'rhombus.' "

Good Lord. That word was wicked. Her pronunciation of it did rather wicked things to him. He had to admire the way she didn't shrink from a challenge, but came back with a new and surprising retort. One day, she'd make some fortunate man a very creative lover. — Tessa Dare

There is no way I'm going out in public like this!
It seemed while I was being tormented at the salon, Bones had been out shopping. I didn't ask where he got the money from, images of old folks with their necks bleeding and their wallets missing dancing in my head. There were boots, earrings, push-up bras, skirts, and something he swore to me were dresses but only looked like pieces of dresses. — Jeaniene Frost

There are metaphors more real than the people who walk in the street. There are images tucked away in books that live more vividly than many men and women. There are phrases from literary works that have a positively human personality. There are passages from my own writing that chill me with fright, so distinctly do I feel them as people, so sharply outlined do they appear against the walls of my room, at night, in shadows ... I've written sentences whose sound, read out loud or silently (impossible to hide their sound), can only be of something that acquired absolute exteriority and a full-fledged soul. — Fernando Pessoa

His contagious conviction that our love was unique and desperate infected me with an anxious sickness; soon we would learn to treat one another with the circumspect tenderness of comrades who are amputees, for we were surrounded by the most moving images of evanesecence, fireworks, morning glories, the old, children. But the most moving of these images were the intagible relfections of ourselves we saw in one another's eyes, reflections of nothing but appearances, in a city dedicated to seeming, and, try as we might to possess the essence of each other's otherness, we would inevitably fail. — Angela Carter

I do dream about art, and images come to me in dreams. I am definitely hoping to be in touch with my subconscious. I expect a call any minute. — Julian Schnabel

All of a sudden, those few pages of script that he had shown me with the weird images I could visualize all of that in my brain, and I knew that there was this mad little genius at work here and I really wanted to do the film. — Jack Nance

That was the worst period of all: it is my profession to imagine, to think in images: fifty times through the day, and immediately I woke during the night, a curtain would rise and the play would begin: always the same play, Sarah making love, Sarah with X, doing the same things that we had done together, Sarah kissing in her own particular way, arching herself in the act of sex and uttering that cry like pain, Sarah in abandonment. I would take pills at night to make me sleep quickly, but I never found any pills that would keep me asleep till daylight. — Graham Greene

Images, whether on paper or in the mind, are not important for themselves. Merely links. Take a parallel from an infinitely higher sphere. Tomorrow morning a priest will give me a little round, thin, cold, tasteless wafer. Is it a disadvantage - is it not in some ways an advantage - that it can't pretend the least resemblance to that with which it unites me? — C.S. Lewis

I hate it when you tell me shit like this after the plane has already taken off. Would it kill you to warn me ahead of time so I can tell you no freakn' way?" "And have you miss out on the adventure of a lifetime? Buddy, have you seen the images of the three girls we're supposed to rescue?" "Hot?" Joel queried, his blues eyes lighting with hope. "Very. And grateful. Don't forget very, very grateful when we rescue them from the wild men who took them." Lips — Eve Langlais

Seeing is itself touched with elegy. Reality seems to press its light into us, it is happening, but that's not the way things are. The eye can process only so many images per second, taking in sights the way a camera takes a series of stills. The reality we see is the sketchpad comics we made as kids, me and my brothers and sister. Draw a stickman taking a step on one page, and on the next draw that same figure, only his foot is slightly further ahead, and again on the next page, draw this figure, but with his foot on the ground. Flip through them quickly, and he appears to walk. That's the mechanics of the eye, too. We think we are seeing life as it happens, but pictures are missing. Moments disappear between the stills and make up our unwitnessed lives. To see is to miss things. Loss is always with us. — Ryan Knighton

My imagination, unbidden, possessed and guided me, gifting the successive images that arose in my mind with a vivdness far beyond the usual bounds of reverie ... — Mary Shelley

Like all who are impassioned, I take blissful delight in losing myself, in fully experiencing the thrill of surrender. And so I often write with no desire to think, in an externalized reverie, letting the words cuddle me like a baby in their arms. They form sentences with no meaning, flowing softly like water I can feel, a forgetful stream whose ripples mingle and undefine, becoming other, still other ripples, and still again other. Thus ideas and images, throbbing with expressiveness, pass through me in resounding processions of pale silks on which imagination shimmers like moonlight, dappled and indefinite. — Fernando Pessoa

To Solitude
O Solitude! if I must with thee dwell,
Let it not be among the jumbled heap
Of murky buildings; climb with me the steep,
Nature's observatory - whence the dell,
Its flowery slopes, its river's crystal swell,
May seem a span; let me thy vigils keep
'Mongst boughs pavillion'd, where the deer's swift leap
Startles the wild bee from the fox-glove bell.
But though I'll gladly trace these scenes with thee,
Yet the sweet converse of an innocent mind,
Whose words are images of thoughts refin'd,
Is my soul's pleasure; and it sure must be
Almost the highest bliss of human-kind,
When to thy haunts two kindred spirits flee. — John Keats

For decades afterwards, I punished myself with images of Sofia standing
naked in the snow, shivering, clutching a chunk of cement that a guard had told her was soap, in the worst winter Poland has ever known. But as I stared at the empty train tracks and thought of the stationmaster making the schoolyard slash across his throat, I had no idea what he was talking about. I could not have conjured up the kind of man who would be willing to design an oven that would be economically fueled by the fat of the men, women and children it was burning. I would not have believed that these same engineers would find other men willing to carry out their monstrous plans. I, too, would have dismissed it as propaganda, that one kind of human being could industriously collect and kill six million of another kind of human being. Somewhere along the line, there would have to be someone who said no.
Forgive me, Sofia. Forgive me, Isaiah. I did not know. — Helen Maryles Shankman

I decided the reason why Luccas rushed off was he was allergic to the food that they had brought out. Not paying compliments to the decorations, I poked at the squid with a fork making sure it was dead. Yuck, it reminded me of squid shaped spaghetti. My mind imagined it struggling to break free from my fork. Its legs flopped back and forth, to the sides almost as if it danced. Then to eat it while it squirmed after every bite; chomp, chomp, chomp. On the other hand, you could also eat it raw, but I suppose that was where the squirming comes in. Hmm ... Any who ... Before we get off topic, I finally ate it. Yes, even with the gross images in mind. — Millicent Ashby

I was thinking about how disjointedly time seemed to flow in Forks, passing in a blur at times, with single images standing out more clearly than others. And then, at other times, every second was significant, etched in my mind. I knew exactly what caused the difference, and it disturbed me. — Stephenie Meyer

It's said that in the beginning was the word, but for me the beginning is always an image. When I think about a conversation, it always starts with images. And what I love about photography is the inscription of a single moment: it's completely ephemeral. You take the photograph, and one second later, everything has changed. — Abbas Kiarostami

Moving into the hallway, I make the mistake of looking down. The floor seems to drop out from under me, with nothing solid to support me but my own reflection.
I take a step, watching the sole of my bare left foot meet its twin rising up on the flipside. I get the weirdest sensation that I won't fall as long as I have the reversed images of my own feet to walk on. — Graham McNamee

I'm impressed by the way some illustrators develop their images on computers, but it's too late for me to start, and I'm still in love with paper and paint and pencils. — Anthony Browne

suddenly, for no reason, I get into the shower and burst into tears. I can cry there because no one can hear my sobs or ask me the question I hate most: "Are you all right?" Yes, why shouldn't I be? Is there anything wrong with my life? No, nothing. Only the nights that fill me with dread. The days I can't get excited about. The happy images from the past and the things that could have been but weren't. The desire for adventure never fulfilled. — Paulo Coelho

It was a privilege to direct the music video for Adele's beautiful, heartbreaking song, 'Hello.' When I first heard it, all the images appeared clearly in my head - and her trust and generosity allowed me to work with abandon artistically and emotionally, like she always does. It made me extremely proud. — Xavier Dolan

I never find words right away. Poems for me always begin with images and rhythms, shapes, feelings, forms, dances in the back of my mind. — Gary Snyder

I always try to create equal power between the subject and the object, so as not to end up creating a relationship where the camera is here and the object out there. This is for me a very difficult and sensitive balance. When I produce a work, cut and frame images, I realize that spectators can identify with the images and almost forget that someone else actually made them. This would be the optimal situation. I don't know whether I succeed in doing so, but that's what I would like to have happen. — Pipilotti Rist

The large ensemble cast and the fact that it was being shot in New York, combined with a lot of strong positive images as far as African Americans are concerned, really turned me on to The Best Man. — Taye Diggs

[David Lean's] images stay with me forever. But what makes them memorable isn't necessarily their beauty. That's just good photography. It's the emotion behind those images that's meant the most to me over the years. It's the way David Lean can put feeling on film. The way he shows a whole landscape of the spirit. For me, that's the real geography of David Lean country. And that's why, in a David Lean movie, there's no such thing as an empty landscape. — Martin Scorsese

Griffin Hansbury, who was born female but underwent a sex change after graduating from college, has another well-informed view of the powers of testosterone. "The world just changes," he said. "The most overwhelming feeling was the incredible increase in libido and change in the way I perceived women." Before the hormone treatments, Hansbury said, an attractive woman in the street would provoke an internal narrative: "She's attractive. I'd like to meet her." But after the injections, no more narrative. Any attractive quality in a woman, "nice ankles or something," was enough to "flood my mind with aggressive pornographic images, just one after another ... Everything I looked at, everything I touched turned to sex." He concluded, "I felt like a monster a lot of the time. It made me understand men. It made me understand adolescent boys a lot. — Christopher Ryan

Under the warm light cast by the reading lamp, I was plunged into a new world of images and sensations peopled by characters who seemed as real to me as my surroundings. Page after page I let the spell of the story and its world take me over, until the breath of dawn touched my window and my tired eyes slid over the last page. I lay in the bluish half-light with the book on my chest and listened to the murmur of the sleeping city. My eyes began to close, but I resisted. I did not want to lose the story's spell or bid farewell to its characters just yet. — Carlos Ruiz Zafon

There was a song i heard when i was in los angeles by a local group. the song was called "los angeles" and the words and images were so harsh and bitter that the song would reverberate in my mind for days. the images, i later found out, were personal and no one i knew shared them. the images i had were of people being driven mad by living in the city. images of parents who were so hungry and unfulfilled that they ate their own children. images of people, teenagers my own age, looking up from the asphalt and being blinded by the sun. these images stayed with me even after i left the city. images so violent and malicious that they seemed to be my only point of reference for a long time afterwards. after i left. — Bret Easton Ellis

Cinema, for me, has always been something like music composed with photographic images. — Roger Ebert

It never ceases to amaze me how many Christians, in the North and the South, continue to refer to the former as the "developed" and the latter as the "developing" world. When we in the South use this term to describe ourselves, we are evaluating ourselves by a set of cultural values that are alien to our own cultures, let alone to a Christian world-view! All our normative images and yardsticks of "development" are ideologically loaded. Who dictates that mushrooming TV satellite dishes and skyscrapers are signs of "development"? Who, apart from the automobile industry and the advertising agencies, seriously believes that a country with six-lane highways and multi-story car-parks is more "developed" than one whose chief mode of transport is railways? Does the fact that there are more telephones in Manhattan, New York, than in the whole of sub-Saharan Africa, mean that human communication is more developed in the former than the latter? — Vinoth Ramachandra

More than conventional picture books, the notebook format allows me to leap from words to images, and this free-flowing back-and-forth inspires my best work. It reflects the way I think - sometimes visually, sometimes verbally - with the pictures not there just to illustrate the text but to replace it, to tell their own story. — Marissa Moss

I learned to read at the age of five, in Brother Justiniano's class at the De la Salle Academy in Cochabamba, Bolivia. It is the most important thing that has ever happened to me. Almost seventy years later I remember clearly how the magic of translating the words in books into images enriched my life, breaking the barriers of time and space and allowing me to travel with Captain Nemo twenty thousand leagues under the sea, fight with d'Artagnan, Athos, Portos, and Aramis against the intrigues threatening the Queen in the days of the secretive Richelieu, or stumble through the sewers of Paris, transformed into Jean Valjean carrying Marius's inert body on my back. — Mario Vargas-Llosa

In 1968 I frequently would sit in a photo booth and practice self mirror images which I then documented photographically. Curious types would always open the curtains and chase me away. Today I work with a photographer. — Arnulf Rainer

You're in love with your image of Linda. Mr. Green is in love with his image of Jesus. Both of your images have little to do with reality. Both of you are making yourselves miserable.'
'That's not fair, comparing me to him. You don't see me hammering nails in people.'
'You prefer to hammer them through your own hands. — Christopher Pike

It's not the subject of narration that interests me, but the structure. That's why I stay in touch with my old works, which I reread regularly. I don't hesitate to take up previously used images or even whole scenes. — Dumitru Tepeneag

Only about one per cent of my paintings show family members. Do they help me deal with problems? It's likely that these problems can only be depicted. But photographs, private ones and others, keep appearing that fascinate me so much that I want to paint them. And sometimes the real meaning these images have for me only becomes apparent later. — Gerhard Richter

Everything feels right with her. I can't explain it. The world just stops. Everything freezes. It's me. It's her. It's just us. Everything else, every molecule, including the oxygen we breathe, is only secondary to the chemistry we create. When we watch a movie it's more than images strung together in the form of mindless entertainment. It's an experience. An experience we share together from making the popcorn to watching the film to talking about it for days after. Chemistry. What more can I say? You either have it or you don't. — Marilyn Grey

Beautiful woman wrapped in chadors, with huge machine guns in their hands. Brilliant, shocking, amazingly contradictory images. They compelled me to deeply investigate these ideas. — Shirin Neshat

It is normal for me to wake and find myself writing in the dark ... or to be out of my tomb, caught in an unearthly world, alive with the images that haunt me. — Kim Elizabeth

Look at it!" George's voice shuddered with barely contained awe. "Look at it! Don't you want to experience it? Don't you want to be brave? You are not a gentle flower who spends its whole life in a greenhouse. You are a wildfire, Lark. A wildfire."
A sun burst on the images, its violent fury drowning the cosmos.
"Dare to take that step and I will show you wonders beyond your imagination. I will give you a chance to make a difference. Come with me." George offered his hand to her. "Live. Join me or not, but live, gods damn you, because I cannot stand the thought of you slowly aging here like some dusty fossil under glass. Take my hand and bring your sword. The universe is waiting. — Ilona Andrews

My body had never felt so small or so fragile. In one sense, it was a moment of ecstasy and I was comforted with soft, almost compassionate, encouragement.

"Delicate," she said. The word imprinted on me like the cold before it. I was weak and going numb, but I was delicate. This is what I had wanted. I wanted to lose weight and retain some ounce of delicacy to resemble that of the spider-figured women I had seen in all those flashing images. Suddenly, the lack of strength displayed by my body was counterbalanced with a surging lease of mental satisfaction and might. As I lay in bed, buried under all my layers of clothes and bed sheets, the warmth still could not reach me. It was too late for that now and I didn't care. I just wanted to sleep, basking in my success and enduring the cold until I could finally slip into a forgetful slumber. — Leanne Waters

My Eyes Are Open But I'm Hardly Looking In The Front ... Everything's Passing Me, Some Are Staring But My Eyes Are Blank, I'm Seeing But Not Seeing As My Mind Is Not Sending The Message To My Brains To Produce Images ... I'm Walking Alone Yet Full of People Around Me ... I'm Walking Forward ... There's No Feeling As I'm Numb ... Only Thing I Know, I Have To Finish My Ride Before My Time Expires ... So I'm Walking With Blank Emotion In My Eyes ...
(* Excerpt From My Novel "Eastern Promise") — Muhammad Imran Hasan

I recount as this journey begins where I rest to gather the tale from this
same old house resting on the hill, leaving me a view of a carnival once seen from just across the tracks. My pallet is dry now. The colors I see no more. The rain has washed away many of the signs that once stood for a prosper
home and family. My grave is waiting. The dreams once filled my head with
images of world unison, hope and companionship for all. The saga spoken
through my canvas drew darker as the years went on to the bitter cold nights.
All that comes to me now are glimpses of faces that graced my soul. — Kris Courtney

Images of him continued to plague me, unbidden and cruelly tantalising: the mesmerizing blue eyes that compelled me to share with him my most private fears; the feel of his thick, untidy hair as the sunlight split it into myriad shades of gold; the soft laugh that touched my soul; his aloof but unpretentious manner; his confident assurance that I could make my own choices. I shuddered at the thought of Steldor's attitude toward me, for he saw me as only a woman, relegated to supervising that household, planning and executing social events and raising the children. All he really wanted was my presence in his bed, which made me all the more unwilling to comply. Steldor's glance made me uncomfortable, his patronising laugh made me cringe, his condescension frequently led to my humiliation. In Narians arms, I had felt extraordinary happiness; in Steldor's I felt trapped. — Cayla Kluver

All of my early images were really visual experiments to me. They were attempts to answer unasked questions like, what happens if you put images of six men and six women together, or if we combined a monkey's image with a human, would the result approximate an image of early man? — Nancy Burson

But as I began to write this book, I realised that without the whole truth my life would have no power, no real meaning. With the help of my mother, the memories of our lives in North Korea and China cane back to me like scenes from a forgotten nightmare. Some of the images reappeared with a terrible clarity; others were hazy, or scrambled like a deck of cards spilled on the floor. The process of writing has been the process of remembering, and of trying to make sense out of those memories. — Yeonmi Park

The long-ago days - the days of Mother and Bone and the shed - have become fuzzy and have blended with images of Moon, of my travels, of other people and houses, of hiding places; a tangle of memories leading to Susan. I burrow into her side and listen to her heartbeat. With my eyes closed, I might be in the straw-filled wheelbarrow again, nestled against Mother, listening to the first heartbeat I knew. I open my eyes and tilt my head back to look at Susan's lined face. She smiles at me, and we sit pressed into each other, two old ladies. — Ann M. Martin

The second he slipped inside of me, all I'd doubted, questioned, or feared evaporated, leaving me with one single, definite truth
I'd fallen in love with him in an all-consuming blaze that would blind me if I wasn't careful. We fit together like poorly cut puzzle pieces, but when the edges joined and were positioned just right, our scattered images came together to create a solid, deliberate piece of art, completely crystal clear and in focus. I was a goner. — Rachael Wade

I think, then, there's the sort of, like, political dimension to lyrics. One of the problems that I've had with my output as a lyric writer is that I look back at it and there's some turn-of-phrases and some images and some kind of montage-y kinds of things I'm really proud of. But it kind of bums me out that people have told me again and again that they don't really understand what I'm trying to say. — J. Robbins

I sighed, sinking back, head filling with pleasant images; pictures Pietr floated to the surface. Kisses scorched along my face and neck. "Pietr ... "
There was a growl, and I felt fingers at the waistband of my jeans. The button opened and a hand traced along the top of my underpants.
"No," I said. The kissing resumed, harder. "Jessica." The word rumbled in someone's throat. Not Pietr's. To him, I was Jess.
"No," I insisted, trying to pry my eyes open. Something was wrong ... Not Pietr ... I pushed at the chest above me, my eyelids stinging as I willed them apart.
"Relax ... " a voice said, lips dragging along the cornerof my jaw, filling my head with honey, sticky and sweet ... — Shannon Delany

I carry a knife with me so I can cut images out of cardboard boxes. I'm always cutting cardboard. Especially every Thursday, which is recycling day. — Micah Lexier

If I love order, it's not the mark of a character subjected to an inner discipline, a repression of the instincts. In me the idea of an absolutely regular world, symmetrical and methodical, is associated with that first impulse and burgeoning of nature.
The rest of your images that associate passion with disorder, love with intemperate overflow - river fire whirlpool volcano - are for me memories of nothingness and listlessness and boredom. — Italo Calvino

As I uttered these inspiring words the idea came like a flash of lightning and in an instant the truth was revealed. I drew with a stick on the sand the diagram shown six years later in my address before the American Institute of Electrical Engineers, and my companion understood them perfectly. The images I saw were wonderfully sharp and clear and had the solidity of metal and stone, so much so that I told him, "See my motor here; watch me reverse it." I cannot begin to describe my emotions. Pygmalion seeing his statue come to life could not have been more deeply moved. A thousand secrets of nature which I might have stumbled upon accidentally, I would have given for that one which I had wrested from her against all odds and at the peril of my existence ... — Nikola Tesla

Harley told me that you guys were having a bit of trouble, but he seemed to think it was all his fault. So maybe I could bring him over and give him a chance to apologize? I know he loves you, Shawn. If there's anything I can do to get you guys back together, then I'll do it."
"He doesn't need to apologize," I burst out. "I'm the doofus in our relationship. I need to get on my knees and say I'm sorry by sucking him off until his brain comes out his dick. Not that I keep a strict count or anything, but I owe him about twenty-three."
There was a little pause in the conversation as we looked at each other, and I realized I had overshared. With my lover's father. I winced.
"TMI?" I asked tentatively.
He swallowed visibly. "Just a bit."
"Sorry."
"No. Don't sweat it. I'll just focus on the fact that my boy has a healthy sexual relationship and leave the other images behind." I couldn't be sure, but I think he was trying not to laugh. I get that a lot. — Renae Kaye

Ladies first." I couldn't wait for this game to be over so I could teach her how to break properly. Images of her body pressed against mine, bending over the table, caused my jeans to get tighter.
"Your funeral," she sang and my lips turned up at her flash of confidence. Echo twirled her pool cue like a warrior going into battle, never once taking her eyes off the cue ball. She leaned over the table. I focused on her tight ass. My siren ate me alive with every movement. As she took aim, she no longer resembled the fragile girl at school, but a sniper.
The quick and thunderous cracking of balls caught me off guard. The balls fell into the pockets in such rapid succession, I lost count. Echo rounded the table, once again twirling the cue, studying the remaining balls like a four-star general would a map.
Damn - the girl knew how to play. — Katie McGarry

I am one of those persons who, when sexually immersed, require serious silence, the hush of impeccable concentration. Perhaps it is due to my pubescent training as a Hershey Bar whore, and because I have consistently willed myself to accommodate unscintillating partners - whatever the reason, for me to reach an edge and fall over, all the mechanics must be assisted by the deepest fantasizing, an intoxicating mental cinema that does not welcome lovemaking chatter.
The truth is, I am rarely with the person I am with, so to say; and dependence upon an inner scenery, imagined and remembered erotic fragments, shadows irrelevant to the body above or beneath us - those images our minds accept inside sexual seizure but exclude once the beast has been routed, for, regardless of how tolerant we are, these cameos are intolerable to the meanspirited watchmen within us. — Truman Capote

My fingers draw up her back and tangle into her hair. "They'll never separate us."
"Never," she repeats.
Our lips crush together, our bodies pressed tight. An inferno of lips and hands and movements that continues to grow in heat. The blanket falls away as Rachel slides her legs so that she straddles me. On the verge of burning up completely, I groan and cling to her small frame. Her hands drift under my shirt, leaving a singeing trail.
We've become a wildfire. Almost unstoppable. I kiss her neck and the beautiful sounds escaping her mouth encourage me further. My hands skim under her shirt, up her back, linger for seconds near her bra, and I gently nip her ear when I feel lace.
Images pour into my mind of what she'd look like with her shirt off, then her jeans. My fist traps strands of her hair. "I want you, Rachel."
And because I do, I kiss her fully on the mouth - nothing left to the imagination. Every fantasy becomes a reality with that one embrace. — Katie McGarry

But I had no mind for these smooth things; instead, fear worked like yeast in my thoughts, and the fermentation brought to the surface, in great gobs of scum, the images of disaster; a loaded gun held carelessly at a stile, a horse rearing and rolling over, a shaded pool with a submerged stake, an elm bough falling suddenly on a still morning, a car at a blind corner; all the catalogue of threats to civilized life rose and haunted me; I even pictured a homicidal maniac mouthing in the shadows, swinging a length of lead pipe. — Evelyn Waugh

I've spent my life capturing beautiful images. And whether in wilderness or in the downtown of a giant city, I find connections, universal rhythms, patterns and beauty that I recognize as a part of me, a part of all of us that celebrates life. It's my great pleasure to share with you that energy which inspires me; this great visual beauty of our world. — Louis Schwartzberg

With Catty and Patrick's images in he side mirror waving from the steps of that house like Jethro and Ellie Mae, it occurred to me that something extraordinary had happened. I had effortlessly found a place of acceptance
a place where people had taken me for me, not for what I could give them
and I had left it. — Linda Leigh Hargrove

Above all, it's hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made. — Sam Abell

Marley, let's get one thing straight. I've seen you in a short skirt. I've seen your bare legs and have imagined them wrapped around me. I've felt the curves of your body with my hands and the way it responds to me. I've tasted the sweetness of your mouth. There is nothing you can do to erase those images from my mind. So understand this, you could wear a Middle-eastern Burka and it wouldn't help me right now. — M.K. Schiller

In my own life, I find myself doing some task - driving or playing golf - and having a conversation with my mother or father, who are both deceased. I don't know if that means I'm mentally ill, but I suspect lots of people do it. And when I hold that conversation, different images of my parents appear to me. — James Remar

Sometimes I closed my eyes hard to avoid thinking, but the eye of the mind refused to be closed and continued to plague me with images. — Ishmael Beah

As inexplicable as the accidents that set it off, our imagination is a crucial privilege. I've tried my whole life simply to accept the images that present themselves to me without trying to analyze them. I remember when we were shooting That Obscure Object of Desire in Seville and I suddenly found myself telling Fernando Rey, at the end of a scene, to pick up a big sack filled with tools lying on a bench, sling it over his shoulder, and walk away. The action was completely irrational, yet it seemed absolutely right to me. Still, I was worried about it, so I shot two versions of the scene: one with the sack, one without. But during the rushes the following day, the whole crew agreed that the scene was much better with the sack. Why? I can't explain it, and I don't enjoy rummaging around in the cliches of psychoanalysis. — Luis Bunuel

Images flicker through my mind of sitting here months ago with this achingly handsome man, wondering what in the hell he saw in me. And I get it now. He saw the pieces of me that could make a whole. Accepted the jagged edges that needed to be healed, because he too had the same thing. And here we sit again, in parts and pieces, needing to be put back together.
But this time we have each other to lean on, to look to for help. — K. Bromberg

devastate him. I don't want him to watch me die by degrees. I don't want that for his daughters, either. I know what it is like; some images, once seen, can never be forgotten. I want them to remember me as I am, not as I will be when the cancer has had its way. He leads me into the small living room and gets me settled on the couch. While I wait, he pours us some wine and then sits beside me. I am thinking of how it will feel when he leaves, and I am sure the same thought occupies his mind. With a sigh, he reaches into his briefcase — Kristin Hannah

Every word he wrote would be strong with that sweet purity and simplicity that was his gift alone, placing him higher than any living poet, secure on his pedestal apart from the world, like a great silent god above the little dwarfs of men tossed hither and thither in the stream of life. From the crystal clearness of his brain the images became words, and the words became magic, and the whole was transcendent of beauty, one thread touching another, alike in their perfection and their certitude of immortality. Thus it seemed to me he was not a living figure of flesh and blood, but a monument to the national pride of his country, his England, and now and then he would bow gravely from his pedestal and scatter to the people a small quantity of his thought, which they would grub for on their poor rough ground, then clasp to their hungry hearts as treasure. — Daphne Du Maurier

I realized all of the possibilities that could exist for me with my camera: all of the images that I could capture, all of the lives I could enter, all of the people I could meet and how much I could learn from them. — Mary Ellen Mark

The future rushes in and all we can do is take our memories and move forward with them. Memory keeps only what it wants. Images from memories are sprinkled throughout our lives, but that does not mean we must believe that our own or other people's memories are of things that really happened. When someone stubbornly insists that they saw something with their own eyes, I take it as a statement mixed with wishful thinking. As what they want to believe. Yet as imperfect as memories are, whenever I am faced with one, I cannot help getting lost in thought. Especially when that memory reminds me of what it felt like to be always out of place and always a step behind. Why was it so hard for me to open my eyes every morning, why was I so afraid to form a relationship with anyone, and why was I nevertheless able to break down my walls and find him? — Kyung-Sook Shin

... consider the meaning of these images. Every time you're working with them, ask yourself: what do they mean? And, even more important, what do they mean to me? The more specific and personal something is, the more its universality emerges. — Fiona Wood

I don't know if I've come of age, but I'm certainly older now. I feel shrunken, as if there's a tiny ancient Oliver Tate inside me operating the levers of a life-size Oliver-shaped shell. A shell on which a decrepit picture show replays the same handful of images. Every night I come to the same place and wait till the sky catches up with my mood. The pattern is set. This is, no doubt, the end. — Joe Dunthorne

For me, when you're casting known talent, you're not just casting their performances. You're casting the public's relationship with them, their public images to a degree. — Jen McGowan

My hands are flowing like sunlight. The shapes and colors are astounding. I don't understand these images that are empowering me. My brush touches the canvas like photons to the earth, and a new world develops, free from my control, yet intrinsically dependent upon me. I am sweating with elation. I have no idea what I am doing, or what it is my hands are trying to see. There is so much strength in this clarity I am overpowered by the independence of it. — Daniel J. Rice

On whom am I dependent? What are my main fears? Who was I meant to be at birth? What were my goals and how did they change? What were the forks of the road where I took the wrong direction and went the wrong way? What efforts did I make to correct the error and return to the right way? Who am I now, and who would I be if I had always made the right decisions and avoided crucial errors? Whom did I want to be long ago, now, and in the future? What is my image of myself? What is the image I wish others to have of me? Where are the discrepancies between the two images, both between themselves and with what I sense in my real self? Who will I be if I continue to live as I am living now? What are the conditions responsible for the development as it happened? What are the alternatives for further development open to me now? What must I do to realize the possibility I choose? — Erich Fromm

You should have been a jester instead of a knight. (Sin)
True, but jesters don't get to carry a sword. Personally, I like my sword. You know, the whole knight images really makes the ladies lust for me. Not that any have lusted for me recently, since I have only been in the company of married women, but one is ever hopeful ... Oh, wait, I'm in Scotland, where they hate us English. Damn, my chances with the women have just fallen to nil. Wasn't there a monastery a few leagues back? Mayhap I should go take my vows and just save myself the embarrassment of being sneered at. (Simon) — Kinley MacGregor

Scrying the wind is very difficult, Tris," Niko said gently. "It's like scrying the future. You're assailed with thousands of images - fragments, really. It drives many who try it insane." "You learned to scry the future," Tris pointed out. "And a number of people have informed me they think I am mad," Niko replied, his voice very dry. — Tamora Pierce

And sometimes those remembered images aren't even accurate; in revisiting some of the movies I discuss here, I've been surprised to realize that what I remember about a particular movie moment, the influential lesson that has stayed with me - how to kiss in the rain, what to say to my shell-shocked parents about their divorce, where in the linen closet to hide the liquor - sometimes doesn't actually exist in the film. It's a trick of memory, — Tara Ison

With Steven Meisel, I'd looked at his work from afar and always loved it, and when I started to work with him, I was blown away. He taught me so much about looking at women and looking at images. — Guido Palau

In the fall of 1988, I worshipped God in a Buddhist temple. As the smell of incense filled the air, I knelt before three images of the Buddha, feeling that the smoke could carry my prayers heavenward. It was for me a holy moment for I was certain that I was kneeling on holy ground ... I will not make any further attempt to convert the Buddhist, the Jew, the Hindu or the Moslem. I am content to learn from them and to walk with them side by side toward the God who lives, I believe, beyond the images that bind and blind us. — John Shelby Spong

As these images were going through my head, my breathing suddenly went still. I looked at Jamie, then up to the ceiling and around the room, doing my best to keep my composure, then back to Jamie again. She smiled at me and I smiled at her and all I could do was wonder how I'd ever fallen in love with a girl like Jamie Sullivan. — Nicholas Sparks

You should really go inside now," he said.

Her glazed, unfocused stare was starting to clear, and the cranky look he was used to being levelled at him started to take shape. "And if I don't?"

"You want to fuck me on your doorstep?" he asked, his voice low and gravelly. "Call me tomorrow when you're sober. I'll be right over."

She jutted her chin defiantly - clearly pissed at him for trying to be the responsible one. "I won't need you after I've spent all night with a couple of multi-speed toyfriends and a box of batteries."

Linc shoved his hands on his hips, pushing back unhelpful images of her naked and pleasuring herself with a hot pink cock. "Go inside," he growled.

Before he did something crazy like offering to watch. — Amy Andrews

I whispered this observation to Sadie as we stood beside the big screen with its marching images of Miz Mimi. She was crying, too, but had to step off the stage and into the wings as laughter first fought with and then overcame her tears. Safely back in the shadows, she looked at me reproachfully . . . and then gave me the finger. I decided I deserved it. I wondered if Miz Mimi would still think Sadie and I were getting along famously. — Stephen King

Admittedly, I do have several bones, whole war fields full of bones, in fact to pick with organised religion of whatever stripe. This should be seen as a critique of purely temporal agencies who have, to my mind, erected more obstacles between whatever notion of spirituality and Godhead one subscribes to than they have opened doors. To me, the difference between Godhead and the Church is the difference between Elvis and Colonel Parker ... although that conjures images of God dying on the toilet, which is not what I meant at all. — Alan Moore

The Defiler will not have you, Felicity. I have claimed you for myself."
The rumble of those words, soft and dark, sent shivers racing through her. Her imagination supplied all sorts of images of ways she could be claimed by him, and none of them had anything to do with evil.
Heat flooded her cheek, then wormed its way lower. It built in the pit of her belly until she couldn't bear it anymore. Her hand shifted from his shoulder to his cheek, and she lifted herself up on her toes.
"Show me," she whispered, just before she pressed her lips to his. — Christine Warren

I am living in many dimensions at once; the appearance of being trapped in time and space is an illusion: Today I will experience myself beyond limitations. I will set time aside to be present with myself in silence. As I breathe I will see my being spreading outward in all directions. As I settle into my own inner silence, any image that comes to mind will be asked to join my being. I will include anyone and anything that comes to mind, saying, "You and I are one at the level of being. Come, join me beyond the drama of space and time." In the same way I will experience love as a light that begins in my heart and spreads out as far as my awareness can reach; as images arise in my mind, I will send love and light in their direction. — Deepak Chopra

There's the story of a person who does this, does that, but it isn't I, I have nothing in common with him. He travels through countries I know no more about than if I had never been there. Sometimes, in my story, it happens that I pronounce these fine names you read in atlases, Aranjuez or Canterbury. New images are born in me, images such as people create from books who have never travelled. My words are dreams, that is all. — Jean-Paul Sartre

Before I knew the camera, I knew about images. It's all about trying to make light with a pencil or with a crayon. It really helped me in the beginning, because I understood how light and shadow were working on an image. — Malick Sidibe

I could not give up either of these worlds, neither the book I am holding nor the gleaming forest, though I have told you almost nothing of what is said here on these grim pages, from the sentences of which I've conjured images of a bleak site years ago. Here in this room, I suppose, is to be found the interior world of the book; but it opens upon a world beyond the windows, where no event has been collapsed into syntax, where the vocabulary, it seems, is infinite. The indispensable connection for me lies with the open space (of the open window ajar year round, never closed) that lets the breath of every winter storm, the ripping wind and its pelting rain, enter the room. — Barry Lopez

My being subsists only from a supreme point of view which is precisely incompatible with my point of view. The perspective in which I fade away for my eyes restores me as a complete image for the unreal eye to which I deny all images. A complete image with reference to a world devoid of image which imagines me in the absence of any imaginable figure. The being of a nonbeing of which I am the infinitely small negation which it instigates as its profound harmony. In the night shall I become the universe? — Maurice Blanchot

My favourite stuff is visual, and I always want to work with visual artwork. I think it depends on the person, but for me, photographs of an image of something interesting or inspiring is worth a lot more than words to me. I think every concept I've come up with and turned into films or that will be hopefully become a film comes from images first. — Neill Blomkamp

Wretched Girl, you must stay here with me! Here amidst these lonely Tombs, these images of Death, these rotting loathsome corrupted bodies! Here shall you stay, and witness my sufferings; witness, what it is to die in the horrors of despondency, and breathe the last groan in blasphemy and curses! — Matthew Gregory Lewis

Love at first sight is a hypnosis: I am fascinated by an image: at first shaken, electrified, stunned, "paralysed" as Menon was by Socrates, the model of loved objects, of captivating images, or again converted by an apparition, nothing distinguishing the path of enamoration from the Road to Damascus; subsequently ensnared, held fast, immobilised, nose stuck to the image (the mirror). In that moment when the other's image comes to ravish me for the first time, I am nothing more than the Jesuit Athanasius Kirchner's wonderful Hen: feet tied, the hen went to sleep with her eyes fixed on the chalk line, which was traced not far from her beak; when she was untied, she remained motionless, fascinated, "submitting to her vanquisher," as the Jesuit says (1646); yet, to waken her from her enchantment, to break off the violence of her Image-repertoire (vehemens animalis imaginatio), it was enough to tap her on the wing; she shook herself and began pecking in the dust again. — Roland Barthes