Haneke Quotes & Sayings

There are those who see film and take it seriously as an artistic medium, and others who go to have a good time, to simply be entertained. I have to be careful , because it sounds like I am condemning, or criticizing what people are doing. I have nothing against that, in the same way that some people like rock music or to go dancing, and other people like to go to a Beethoven concert. It's just that I'm more interested in the one than the other. — Michael Haneke

Every director is different and they all have different styles. I've worked with directors who were very specific and they gave a lot of direction. The one thing about Michael [Haneke]that I think is interesting is that he really has a reason for everything he's asking you. If you challenge it, he is open for discussion but he has a clear idea of what he wants with reasons why. — Michael Pitt

Awards are important for all directors because they improve your working conditions. You're only as good as your last film, so if you get prizes or large audiences, then you get more money for your next film. — Michael Haneke

My mother as a young girl went out with a young SS officer and she didn't really know what was going on - she just liked the uniform. When he told her about the things that he did, she was disgusted and broke up with him. — Michael Haneke

To be perfectly honest, I think that as I'm growing older, I'm just growing more impatient. I'll be very happy if at some point people say, 'Michael's grown wiser and softer in his old age.' But we'll have to wait and see what my next project is. — Michael Haneke

When I was writing the script, I knew didn't want to make a sports movie. I was very clear that I wanted to make a sibling rivalry story. So when I was writing the script, the football was getting in the way of the drama. One day, I saw Michael Haneke's Funny Games, which is probably the most violent film I've ever seen - but the violence is off camera. When I finished watching the film, I said, 'Hey, that's what I have to do.' Haneke gave me this solution. — Carlos Cuaron

A feature film is twenty-four lies per second. — Michael Haneke

In all of my work I'm trying to create a dialogue, in which I want to provoke the recipients, stimulate them to use their own imaginations. I don't just say things recipients want to hear, flatter their egos or comfort them by agreeing with them. I have to provoke them, to take them as seriously as I take myself. — Michael Haneke

Writers and filmakers, that is, people who describe the world, suffer from an occupational disease. They never experience moments in life quite spontaneously. You always look at yourself from the outside. Even as a child I always observed myself and the world. I believe that everyone who chooses this path in any way, who chooses to be a describer of life, suffers from this condition. It's like a mental obsession. It can be a great pity too. It robs you of a certain joy in spontaneity. — Michael Haneke

Well, the first thing I had to do was to read a lot. First of all, about education ... and looking at education from the Middle Ages right through to the 20th Century. The second major area was country life in the 19th Century, which I don't know much about these days. — Michael Haneke

Films that are entertainments give simple answers but I think that's ultimately more cynical, as it denies the viewer room to think. If there are more answers at the end, then surely it is a richer experience. — Michael Haneke

I'm interested in seeing films that confront me with new things, with films that make me question myself, with films that help me to reflect on subjects that I hadn't thought about before, films that help me progress and advance. — Michael Haneke

Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations. — Michael Haneke

When making a film, I'm never concerned about whether the theme is new or whether it's been done before in cinema or not. I'm led to make films if there's a theme that interests me or I experience something in my own life that confronts me with something that I want to deal with. — Michael Haneke

I like to write for actors I know and with whom I've worked before. You can write to their strengths and weaknesses and write roles that are better suited to them. — Michael Haneke

Pornography, it seems to me, is no different from war films or propaganda films in that it tries to make the visceral, horrific, or transgressive elements of life consumable — Michael Haneke

On the set I make jokes I can't get too involved, or it turns into sentimental soup. I try to keep it light. — Michael Haneke

It's harder to write a story with just two people in a room than with 50 characters. — Michael Haneke

Because in the feudal system of that period at least 80% of people lived in villages, so it's very simple to get a cross-section of society in a single village. You get the microcosm of the social macrocosm. — Michael Haneke

You become a film critic because you're interested in film. I don't know whether knowing so much about cinema leads you to make better films, but it certainly can't hurt. — Michael Haneke

To me, it's far more efficient to mobilize the imagination. It's far more efficient to hear a creaking step, for example, than to see the face of a monster, which usually looks ridiculous, and where you know that the blood is ketchup. — Michael Haneke

It's more enjoyable to shoot in a studio on a single location with two actors ... if they are good. — Michael Haneke

People have been educated to expect answers, even before the questions come along. It's the TV principle. You offer three possible answers before the questions come to relax and calm the audience. — Michael Haneke

It could be Fascist, religious or political - it's always the same model that operates in these circumstances, and it's that which is the actuality of this film. Therefore, it's not specifically an explanation of German Fascism because that would be an impossible thing to do in any case. — Michael Haneke

'Funny Games' was conceived as a provocation. My other films are different. If people feel my other films are, or respond to them as provocation, then that's quite different. 'Funny Games' is the only one of mine where my intention was to provoke the audience. — Michael Haneke

To decide to film a movie again shot by shot, you must be masochistic to a certain degree because it is a much greater challenge. — Michael Haneke

I think that what's important as a director is to give your actors the feeling that they're protected, the feeling of confidence, the feeling that if they make mistakes, then as a director, you'll know how to help them. If you're able to convey that, then the actors will give you wonderful performances. As well as the author, you have to write scenes that give the actors the opportunity to show what they're capable of. — Michael Haneke

Drama lives on conflict. If you're trying to deal with social issues seriously, there's no way of avoiding violence, which is so present in society. — Michael Haneke

It's much harder to write a script that involves two people in a single location than 20 people in 30 different locations. — Michael Haneke

It's the duty of art to ask questions, not to provide answers. And if you want a clearer answer, I'll have to pass. — Michael Haneke

Personally, I can't stand violence. In any standard American mainstream movie, there's 20 times more violence than in any one of my films, so I don't know why those directors aren't asked why they're such specialists for violence. — Michael Haneke

Even the most elitist director or author who claims that he doesn't care if his works are seen or not, then I have to think that he's either a liar or a hypocrite. — Michael Haneke

There is just as much evil in all of us as there is good. We're all continuously guilty, even if we're not doing it intentionally to be evil. Here we are sitting in luxury hotels, living it up on the the backs of others in the third world. We all have a guilty conscience, but we do very little about it. — Michael Haneke

I learned my business in the theater and in television, particularly working with the actors. You can learn much more in the theater than directing a movie, because then you have no time when you are shooting a movie to really work with the actors. You have to learn this craft somewhere else. — Michael Haneke

You'll see more violence in any television crime series than you will in my films ... Art is there to have a stimulating effect, if it earns its name. You have to be honest, that's the only thing. — Michael Haneke

Of course there are many films about the period of Fascism itself but I don't know of any about that period beforehand. But it wasn't that specific fact that they weren't there that got me to think about this in the first place. It's not what led to the basic idea for the film, although it became apparent when I began to think about it. — Michael Haneke

Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is. — Michael Haneke

A strict form such as mine cannot be achieved through improvisation. — Michael Haneke

In my film "Benny's Video," I depicted violence but I failed to say all that I had to say, so I wanted to continue the dialog and that's why I did "Funny Games." The irony is that after I shot "Funny Games," but it hadn't been released at all anywhere. — Michael Haneke

Film is 24 lies per second at the service of truth, or at the service of the attempt to find the truth. — Michael Haneke

Film is simply the most complex way you can express yourself — Michael Haneke

It's difficult because you can't generalise about these things. But in essence, you deal with children as simply as you deal with actors - you have to show a certain sort of respect. You deal with them lovingly and protect them, but if you protect them enough then they're open to engage with what you want to do with them. — Michael Haneke

Of course, we avoid death. To know something is inevitable is one thing. To accept, to truly feel it ... that's different. — Michael Haneke

The difficulty, then, is when you create a church, an institution, and you create a dogma. When you create an ideology, that's the danger. Communism, too, is a beautiful idea, but millions of people died when communism became an ideology. — Michael Haneke

You can use your means in a good and bad way. In German-speaking art, we had such a bad experience with the Third Reich, when stories and images were used to tell lies. After the war, literature was careful not to do the same, which is why writers began to reflect on the stories they told and to make readers part of their texts. I do the same. — Michael Haneke

Of course I am a child of European culture. There are a number of great directors from which I learned, but there is nobody in particular I got inspired from. — Michael Haneke

My films are intended as polemical statements against the American 'barrel down' cinema and its dis-empowerment of the spectator. They are an appeal for a cinema of insistent questions instead of false (because too quick) answers, for clarifying distance in place of violating closeness, for provocation and dialogue instead of consumption and consensus. — Michael Haneke

Like every filmmaker, I make my films to reach the widest audience possible. — Michael Haneke

I never use soundtrack; it is always part of the story. — Michael Haneke

What we're doing for another person is more important than what we're feeling for them. — Michael Haneke

I think that religion is an integral part of human needs, but the question also is how you understand religion. — Michael Haneke

If I'm reading a book that doesn't leave me with questions, moving questions, that I feel confronted with, then for me it's a waste of time. I don't want to read a book that simply confirms what I already know. — Michael Haneke

I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you. — Michael Haneke

There are really two types of laughter on the part of the spectator. There is the laughter of recognition - which means seeing things you're familiar with and laughing at yourself. But there's also hysterical laughter - a way of dealing with the things we see that upset us. — Michael Haneke

When my first film 'The Seventh Continent' was presented here 12 years ago, non-Austrian spectators would come up to me and say, 'Is Austria that terrible?', whereas for me it wasn't about Austria but about highly industrialised cultures everywhere. — Michael Haneke

Usually, when making a film, the surprises are negative surprises. You don't get what you wanted or what you hoped for. The only nice surprises are those that are offered to you by actors when they offer you these gifts, when they are better and give you more than what you had originally conceived. That doesn't happen every day on set, but if it happens a couple of times in the course of making a film, you can consider yourself very lucky. — Michael Haneke

If you do an original film and you want to cut a scene out you do it. But when you do a shot by shot remake you don't have that option and every scene has to work again. — Michael Haneke

If you go with the principle, you should go with the principle. If I really saw the subject very differently than ten years ago, I would have done a different movie. — Michael Haneke

I never suffered from the absence of a father. On the contrary, as a child I was more inclined to see men as a disturbing factor. It made things difficult for me when I started working as a director. — Michael Haneke

Classicism becomes avant-garde when everyone else is doing their utmost to develop new stylistic forms. I think it's healthy to return to classical forms. — Michael Haneke

It's a disease of critics that once they've labeled someone, it's very hard to change their perspective. It's laziness. — Michael Haneke

I consider all my films experiments. — Michael Haneke

Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real. — Isabelle Huppert

I'm lucky enough to be able to make films and so I don't need a psychiatrist. I can sort out my fears and all those things with my work. That's an enormous privilege. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something. — Michael Haneke

When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable. — Michael Haneke

I try to get closer to reality, to get close to the contradictions. The cinema world can be a real world rather than a dream world. — Michael Haneke

[on his satisfaction as an artist] In terms of cinema and filmmaking, there are certainly the unexpected gifts that the actors bestow on you. Film is always a question of compromises with respect to what you originally intended. — Michael Haneke

My father and I had a good relationship, it was very relaxed. He had a lot of humour. He looked a little bit like me, although he had no beard. He had the appearance of a very elegant British-looking man. — Michael Haneke

I consider all my films an experiment, at least in my mind. — Michael Haneke

An artist is someone who should raise questions rather than give answers. I have no message. — Michael Haneke

What I like are films that take me seriously, that don't treat me as more stupid than I am. — Michael Haneke

Still, there's that faint glimmer of hope we feel when we sense, in other people, the same kind of attentiveness to life that we take comfort in. Why else would anyone watch Haneke films or read Sebald? The material is grim, but it's redeemed by the quality of the attention. — Teju Cole

It is boring to have all the answers. Only political people have answers. — Michael Haneke

I want my movies to be audience experiences. As much as I like Michael Haneke, I'm not going to make a Haneke film. That's just not in my DNA. — Jason Reitman

I'm not someone who enjoys long talks, long rehearsals. I'm very technical: I tell my actors, you come in, you sit down, you pick up a coffee, you look here, you say the line. We try it with the cameras rolling, and if it doesn't work, we adjust it until it does. It's very simple. — Michael Haneke

If a director says he doesn't care how many people see his films at all, I simply don't believe him. Otherwise why would he bother to make the film? The only explanation would be that it would be an act of masturbation. I think that every creator is looking for a receptor. He's looking for an audience. There are two parts of the equation: a creator and, necessarily, the receiver of the work. It's the same thing for a painter who wants his paintings to be seen. — Michael Haneke

Never say no. It always depends on what's possible. I don't care so much where it is; it's what I want to do that matters. — Michael Haneke

For me, it's always difficult when a historical film claims to depict or represent a reality that none of us can know, that is always different. It's always the case. We never know what happened then. — Michael Haneke

It's impossible to consider living without ideals. However, when ideas lead to ideology, that's a very dangerous thing. Ideology then leads to creating the image of an enemy, and it leads to the murder and massacre that we've seen since the beginning of time. — Michael Haneke

At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him. — Michael Haneke

It's a fact that people who are in a weakened position, whether physically or mentally, have this perception of the outer world as threatening. Everything that is unexpected or unknown is seen as a potential danger. — Michael Haneke

As a private person, professionally I am invisible. — Michael Haneke

In German. I'm more sensitized to the details, to the emotions. In English, I wouldn't detect as much nuance. — Michael Haneke

Unfortunately, you're helpless when people interpret your work wrongly. There are simply people who can't or won't understand or accept what you're trying to do. When you take the risk of expressing yourself in public, you have to open yourself to that possibility. — Michael Haneke

You cannot hurt animals, so what do I do? I kill the dog first. Then I do it with the boy. You're not supposed to break the illusion of this being a film, so I make the actor talk to the audience. Provocation is the principle of the whole film [ Funny Games]. It is very ironic. — Michael Haneke

I make my films because I'm affected by a situation, by something that makes me want to reflect on it, that lends itself to an artistic reflection. I always aim to look directly at what I'm dealing with. I think it's a task of dramatic art to confront us with things that in the entertainment industry are usually swept under the rug. — Michael Haneke

The trouble is that when you read criticisms about the other films that I've made you get the impression that they're all about themes, or problems, or ideas. But those are actually things that develop out of characters, out of images and out of other things. These more abstract things develop while working on the material, and out of it. It's not a theoretical exercise from the outset. — Michael Haneke

Because I'm the author of my screenplays I know what I'm looking for. It's true that I can be stubborn in demanding that I get what I want, but it's also a question of working with patience and love. — Michael Haneke

It's unbearable when someone changes around you. Just imagine that your life partner changes, then it is difficult to cope with. Or your mother. Or your father. They were strong and now they're like a baby - it's not so funny. — Michael Haneke

[on why he considers Marlon Brando and Jean-Louis Trintignant to be his favorite actors] They don't externalize or project everything. They keep a mystery within themselves, and that I think is the sign of a truly great actor, to be able to maintain that. — Michael Haneke

And I don't believe that children are innocent. In fact, no one seriously believes that. Just go to a playground and watch the kids playing in the sandbox! The romantic notion of the sweet child is simply the parents projecting their own wishes. — Michael Haneke

The dumber people are, the more they feel the need for a broad set of shoulders they can lay their head against. — Michael Haneke

'The White Ribbon' had to be in German because of the subject matter, that was clear. But in the case of 'Amour,' it could have taken place in any country. — Michael Haneke

The smaller and younger kids are, the more patient you have to be. But if they're gifted, then it's a wonderful present that you're given by having a child like that in your film ... more so than in the case of actors because, for example, if you ask them to play a lion, they don't then play a lion, they actually are a lion. So, a gifted child is something very special. On the other hand, if a child has no gifts in that way it's absolutely hopeless and there's nothing you can do! — Michael Haneke

[on what interests him as a moviegoer] I'm interested in seeing films that confront me with new things, with films that make me question myself, with films that help me to reflect on subjects that I hadn't thought about before, films that help me progress and advance. Those are the kinds of films that interest me. For me, personally, I think watching a movie that simply confirms my feelings is a waste of time. That applies not only to movies, but also to books and every form of art. — Michael Haneke

If I tell the audience what they should think, then I am robbing them of their own imagination and their own capacity of deciding what's important to them. — Michael Haneke

I don't really ask myself too much where the ideas come from. When things touch you or anger you, you are moved to want to examine them, to reflect on them. But yes, I guess you could say ['Amour'] is a memento mori, though it would never occur to me to use that term, since it might sound a little bit sentimental. — Michael Haneke

I do think that our perception of reality is fragmentary, and in 20th-century literature, it's totally normal to not describe reality as something whole and completely transportable and explicable. That's been accepted in novels. But genre films always pretend that reality is transportable, which means that it is explicable. — Michael Haneke

The film [the white Ribbon] does try to use German Fascism as an example, but not specifically Fascism ... the results of German Fascism. It shows how people are prepared or indoctrinated for an ideology ... people who are already in a state of repression who have been humiliated by society and who clasp at a straw that's offered to them. And how that's then developed into a form of indoctrination. — Michael Haneke

Film is the manipulative medium par excellence. When you think back on the history of film and the 20th century, you see the propaganda that's been made. So there are moral demands on the director to treat the spectators as seriously as he or she takes himself and not to see them merely as victims that can be manipulated to whatever ends they have. — Michael Haneke