Hand Signal Quotes & Sayings
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Top Hand Signal Quotes

On the one hand we need the image of "the text" in order to focus on anything at all; on the other hand we use the metaphor of "reading" to signal that our apprehension of a text will always be partial, that we never quite reach the "text itself," a realization that has led certain critics to question the very existence of such an object. — Espen J. Aarseth

If this were a musical, this would signal the start of a dance number. Angry girls sexy danse in unison around the bull pen. Men stride up and grab a partner to a choreographed tango."
Nolan held his hand out.
"Give me your man card. You have never sounded more like a girl than right now. — Erin McCarthy

You take Boris's hand as he bounds along on his long legs, your signal that he has to either slow down or pull you along. He tucks both your hand and his hand into the pocket of his jacket. You look up at his face out of the corner of your eye. In the cold, you watch him breathe perfect plumes of white that match the sheepskin lining of his jacket. You think how happy you would be if Boris thought you were half as beautiful as you think he is at this moment. You walk this way for a few minutes. — Katherine Heiny

What's the reach on these ear buds?" Zane asked. He refused to slow down, and for once Nick was glad for the man's stubbornness.
"You got to be in a mile range of the hand unit," Digger answered. "If Ty's got his unit on him, we should be able to hear him and he should be able to hear us."
"So we can't hear him, that means he dropped his radio?" Owen asked.
"Or his ear bud. Or he went into the drink. Or he's underground. Or he's behind lots of concrete. Or somewhere the signal's getting jacked."
"Digger!"
"What? They ain't military grade. Damn. — Abigail Roux

I took a breath. Pictured the bed waiting for me upstairs. Then retreated to the lobby
bar alone and ordered an ice-cold gin martini, a small signal to myself that my work was
done. I held the glass, its inverted construction an insult to gravity and the order of things.
Just like our Movement, from the outside the balance of power seems all wrong. But hold a
martini glass in your hand and you know instinctively that it is just right. — Stuart Connelly

Okay, raise your hand if you've ever (1) dropped food or ice cream or a drink in front of (or on) someone; (2) realized you had a big stain on your clothes and it has apparently been there all day and people must have seen it but no one said anything (extra points if it's related to a female cyclic event); (3) realized after an important dinner with someone that you had a big crumb on your lip and that's what they kept trying to subtly signal you about but you didn't pick up on it; (4) mispronounced an obvious word in front of a bunch of people. I could go on. The point is, those kinds of things happen to everyone. I bet you're still upset or embarrassed about it, right? Well, you can freaking get over your lame-ass, sissy-pants, drama-queen self. When — Cate Tiernan

When you reach round a dark corner to switch on a light, be careful. Slenderman will often run his finger over the back of your hand. This is the first signal of his interest in you. — Jack Goldstein

The trouble with England, he thinks, is that it's so poor in gesture. We shall have to develop a hand signal for 'Back off, our prince is fucking this man's daughter.' He is surprised that the Italians have not done it. Though perhaps they have, and he just never caught on. — Hilary Mantel

If a giraffe starts eating an African acacia, the tree releases a chemical into the air that signals that a threat is at hand. As the chemical drifts through the air and reaches other trees, they "smell" it and are warned of the danger. Even before the giraffe reaches them, they begin producing toxic chemicals. Insect pests are dealt with slightly differently. The saliva of leaf-eating insects can be "tasted" by the leaf being eaten. In response, the tree sends out a chemical signal that attracts predators that feed on that particular leaf-eating insect. Life in the slow lane is clearly not always dull. But — Peter Wohlleben

What the hel - "
"Finally! I can talk!" Janco said.
Ari turned. Janco held the Sandseed's scimitar in his hand. The man lay on the ground, unconscious.
"Care to explain?" Ari asked.
"Didn't you see my signals?"
"Yeah. But they didn't make sense. Five into one and it's an intrusion."
"It's an illusion! Five of them are an illusion."
"That's not the signal for illusion. This is." Ari demonstrated the proper signal.
"That's what I did."
"No, you didn't. You did a weird twisty thing with your pinky."
"I had a scimitar at my throat. I'd like to see you try signaling under those conditions."
Ari opened his mouth to retort, but thought better of it. They could argue for weeks and not resolve a thing. He changed tactics. "You did very well. You knocked him unconscious and stopped his magic."
As expected, Janco preened. — Maria V. Snyder

He had opened the book at random several times, seeking a sortes Virgilianae, before he chose the sentences on which his code was to be based. 'You say: I am not free. But I have lifted my hand and let it fall.' It was as if in choosing that passage, he were transmitting a signal of defiance to both the services. The last word of the message, when it was decoded by Boris or another, would read 'goodbye. — Graham Greene

We shall have to develop a hand signal for "Back off, our prince is fucking this man's daughter." He is surprised the Italians have not done it. — Hilary Mantel

On the other hand, she never looked as -big- as she did at that moment.
"What?" Rose demanded, glaring up at him.
The warning signal flashed bright red in Kane's head. Telling a woman she was as big as a beach ball wouldn't win any points. How did one describe how she looked? A basketball? Volleyball? He studied her furious little face. Yeah. He was in big trouble no matter what he said. Description was out of the question. He needed diplomacy, something that flew out of the window when he was near her and she said the words like contractions. — Christine Feehan

Walk with me, hand in hand through the neon and styrofoam. Walk the razor blades and the broken hearts. Walk the fortune and the fortune hunted. Walk the chop suey bars and the tract of stars.
I know I am a fool, hoping dirt and glory are both a kind of luminous paint; the humiliations and exaltations that light us up. I see like a bug, everything too large, the pressure of infinity hammering at my head. But how else to live, vertical that I am, pressed down and pressing up simultaneously? I cannot assume you will understand me. It is just as likely that as I invent what I want to say, you will invent what you want to hear. Some story we must have. Stray words on crumpled paper. A weak signal into the outer space of each other.
The probability of separate worlds meeting is very small. The lure of it is immense. We send starships. We fall in love. — Jeanette Winterson

I was indignant. "She called me a dork. She just met me. How could she possibly make that call after only one dinner?" Mom eyed my outfit critically and then said, "You do realize you're wearing your Gryffindor jersey, right?" I opened my mouth to tell her it was a collectible straight off the Harry Potter official clothing line, but Mom cut across me. "And you know that when Daisy walked in, you had your right hand up, fingers splayed in that strange Star Trek signal." Yeah, — Cookie O'Gorman

I looked at her without a word. She held an edge of the beach towel in each hand, pressing the edges against her cheeks. White smoke was rising from the cigarette between her fingers. With no wind to disturb it, the smoke rose straight up, like a miniature smoke signal. She was apparently having trouble deciding whether to cry or to laugh. At least she looked that way to me. She wavered atop the narrow line that divided one possibility from the other, but in the end she fell to neither side. May Kasahara pulled her expression together, put the towel on the ground, and took a drag on her cigarette. The time was nearly five o'clock, but the heat showed no sign of abating. — Haruki Murakami

cornuto," a hand signal representing horns that is an ancient satanist symbol. — Nicky

A towel, [The Hitchhiker's Guide to the Galaxy] says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (such a mind-boggingly stupid animal, it assumes that if you can't see it, it can't see you); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough. — Douglas Adams

Love is a flicker. It's that hidden desire. It's the words you're afraid to say. It's stolen glances. It's the passive-aggressive hints. It's the mixed signal. It's the first brush against his hand. It's the first time you daydream about her. — Nessie Q.

Scott, deaf and enchanted in the gallery, and the whole row of pretty heads at his side saw the concerted rush on Lymond: his assailants downed him without malice and eighteen stones of Molly planted themselves on his chest. "A throw!" said Molly, and Lymond, half buried, gave a choked whoop of laughter and raised a defeated hand in signal to Tammas. — Dorothy Dunnett

Duran Duran blared from the car stereo. The woman, two silver bracelets on the hand she dangled out the window, cast a glance in my direction. I could have been a Denny's restaurant sign or a traffic signal, it would have been no different. She was your regular sort of beautiful young woman, I guess. In a TV drama, she'd be the female lead's best friend, the face that appears once in a cafe scene to say, What's the matter? You haven't been yourself lately. — Haruki Murakami