Quotes & Sayings About Death Of A Young Woman

The leaves did not stir on the trees, cicadas twanged, and the monotonous muffled sound of the sea that rose from below spoke of the peace, the eternal sleep awaiting us. So it rumbled below when there was no Yalta, no Oreanda here; so it rumbles now, and it will rumble as indifferently and as hollowly when we are no more. And in this constancy, in this complete indifference to the life and death of each of us, there lies, perhaps a pledge of our eternal salvation, of the unceasing advance of life upon earth, of unceasing movement towards perfection. Sitting beside a young woman who in the dawn seemed so lovely, Gurov, soothed and spellbound by these magical surroundings - the sea, the mountains, the clouds, the wide sky - thought how everything is really beautiful in this world when one reflects: everything except what we think or do ourselves when we forget the higher aims of life and our own human dignity. — Anton Chekhov

There was a basket at her feet. She reached into it and lifted out the head of a young woman, a marquise. She wore Bourbon white to her death, but wears the tricolor now - white cheeks, blue lips, red dripping from her neck. Long live the revolution. — Jennifer Donnelly

I begin my life. I live again. I meet a young girl called Valeria. She smiles easily. She laughs tender sounds that pull at my heart. I'm too young to be profound but she makes me feel so safe. So cherished. I am thirty years old. I bump into a woman I knew when she was a girl. Valeria looks annoyed to see me. She lives in the future. Where the world is turning. I live within the past. Where the people are trapped and screaming and alone. I live within the past when Valeria and I were in love. She's waiting for the cab to come, her foot tapping against the sidewalk. Her eyes glancing at her watch every few minutes. I'm eager to reunite our lives through some kind of friendship. I'm so eager to know her again, as she was when she was a child. But Valeria lives within the future. I live within the past. Have the two ever gotten along? Have they ever even met? — F.K. Preston

The fact that we did not give the demonstrators in Iran our moral support when a young woman named Neda bled to death in the streets of Iran will go down as one of the great mistakes of the 21st Century. — John McCain

I thought then that we would all die in the darkness and solitude. I thought that an executioner would come for us silently one night. I thought I might wake briefly with the weight of a pillow on my face. I thought that I would never see sunshine again. I was a young woman then, and I thought that sorrow as deep as mine could only lead to death. I was grieving for my father and frightened by the absence of my brothers, and I thought that soon I would die too. I — Philippa Gregory

On that golden summer day, the young woman had just finished her morning run. She had sprinted the last half mile, then stopped abruptly to catch her breath. She was bent at the waist, hands on her knees, eyes on the ground, her mind a world away, perhaps in Barcelona or Tuscany or Rome, exulting in the enchanting sights she would soon see, the splendid life she would have.

It was then that the train hit her.

Unaware, unthinking, oblivious to everything but the beguiling visions in her head, she had ended her run on the railroad tracks that wound through the center of her small Oregon town, one moment in the fullest expectancy of her glorious youth, adrenaline and endorphins coursing through her body, sugarplum visions dancing in her head, the next moment gone, the transition instantaneous, irrevocable, complete.

If I'd had to die young, hers is the death I would have chosen. — Lionel Fisher

When ladies as young, and good, and beautiful as you are," replied the girl steadily, "give away your hearts, love will carry you all lengths
even such as you, who have home, friends, other admireres, everything to fill them. When such as I, who have no certain roof but the coffin-lid, and no friend in sickness or death but the hospital nurse, set our rotten hearts on any man, and let him fill the place that has been a blank through all our wretched lives, who can hope to cure us? Pity us, lady
pity us for having only one feeling of the woman left, and for having that turned, by a heavy judgment, from a comfort and a pride, into a new means of violence and suffering. — Charles Dickens

As a child
I put my finger in the fire
to become
a saint.

As a teenager
every day I would knock my head against the wall.

As a young girl
I went out through a window of a garret
to the roof
in order to jump.

As a woman
I had lice all over my body.
They cracked when I was ironing my sweater.

I waited sixty minutes
to be executed.
I was hungry for six years.

Then I bore a child,
they were carving me
without putting me to sleep.

Then a thunderbolt killed me
three times and I had to rise from the dead three times
without anyone's help.

Now I am resting
after three resurrections. — Anna Swir

Or again, take your red banner. You think it's a flag, isn't that what you think? Well, it isn't a flag. It's the purple kerchief of the death woman, she uses it for luring. And why for luring? She waves it and she nods and winks and lures young men to come and be killed, then she sends famine and plague. That's what it is. And you went and believed her. You thought it was a flag. You thought it was: Come to me, all ye poor and proletarians of the world. — Boris Pasternak

I was too fresh from childhood. Subconsciously, my deepest brain still a cupboard of fairy tales, I suppose I believed that if pretty woman was no longer pretty she had done something to deserve it. I had a young girl's belief that this kind of negative aging would never come to me. Death would come to me - I knew this from reading British poetry. But the drying, hunching, blanching, hobbling, fading, fattening, thinning, slowing? I would just not let that happen to moi. — Lorrie Moore

I am not a snowflake. I am not a sweet, infantilising symbol of fragility and life. I am a strong, fierce, flawed adult woman. I plan to remain that way, in life and in death. — Stella Young

Although I am a woman and young, I have more than enough courage to suffer this death and a thousand more. — Policarpa Salavarrieta

Everyone knows that part of the spirit descends to the afterworld, while part of it remains with the family, but we have a special belief about the spirit of a young woman who has died before her marriage that goes contrary to this. She comes back to prey upon other unmarried girls
not to scare them but to take them to the afterworld with her so she might have company. — Lisa See

Waxillium had seen some odd things in his life. He'd visited koloss camps in the Roughs, even been invited to join their numbers. He'd met and spoken with God himself and had received a personal gift from Death. That did not prepare him for the sight of a pretty young woman's chest turning nearly transparent, one of the breasts splitting and offering up the hilt of a small handgun. — Brandon Sanderson

We are the people of Misr," the old woman rasped. "Since our Sunni ancestors fled from Nilotic al-Ourouba, we have known flight and death. The young go on that our people shall not die. — Frank Herbert

YOUNG WOMAN:
Time is altered, the years to came are altered
You know where you will find me
I, fear, I, death
I, the memory beyond reach
I, the recollection of the tenderness of your hands
I, the sadness of our broken life
I will defeat "it's not my concern" with my anguish — Griselda Gambaro

While Celia was gone he walked up and down remembering what he had originally felt about Dorothea's engagement, and feeling a revival of his disgust at Mr. Brooke's indifference. If Cadwallader-- if every one else had regarded the affair as he, Sir James, had done, the marriage might have been hindered. It was wicked to let a young girl blindly decide her fate in that way, without any effort to save her. Sir James had long ceased to have any regrets on his own account: his heart was satisfied with his engagement to Celia. But he had a chivalrous nature (was not the disinterested service of woman among the ideal glories of old chivalry?): his disregarded love had not turned to bitterness; its death had made sweet odors-- floating memories that clung with a consecrating effect to Dorothea. He could remain her brotherly friend, interpreting her actions with generous trustfulness. — George Eliot

There was a pretty young woman I used to see pegging out sheets and I worried that she would grow old there and that no one would know how beautiful she was. And maybe she would die without ever having really lived. — Sebastian Faulks

And Grace calls out, 'You are not just a disillusioned old man who may die soon, a middle-aged woman stuck in a job and desperately wanting to get out, a young person feeling the fire in the belly begin to grow cold. You may be insecure, inadequate, mistaken or potbellied. Death, panic, depression, and disillusionment may be near you. But you are not just that. You are accepted.' Never confuse your perception of yourself with the mystery that you really are accepted. — Brennan Manning

For a long time, she sat and saw.
She had seen her brother die with one eye open, on still in a dream. She had said goodbye to her mother and imagined her lonely wait for a train back home to oblivion. A woman of wire had laid herself down, her scream traveling the street, till it fell sideways like a rolling coin starved of momentum. A young man was hung by a rope made of Stalingrad snow. She had watched a bomber pilot die in a metal case. She had seen a Jewish man who had twice given her the most beautiful pages of her life marched to a concentration camp. And at the center of all of it, she saw the Fuhrer shouting his words and passing them around.
Those images were the world, and it stewed in her as she sat with the lovely books and their manicured titles. It brewed in her as she eyed the pages full to the brims of their bellies with paragraphs and words. — Markus Zusak

What chatty Madam Shpolyanski mentioned had conjured up Mira's image with unusual force. This was disturbing. Only in the detachment of an incurable complaint, in the sanity of near death, could one cope with this for a moment. In order to exist rationally, Pnin had taught himself ... never to remember Mira Belochkin - not because ... the evocation of a youthful love affair, banal and brief, threatened his peace of mind ... but because, if one were quite sincere with oneself, no conscience, and hence no consciousness, could be expected to subsist in a world where such things as Mira's death were possible. One had to forget - because one could not live with the thought that this graceful, fragile, tender young woman with those eyes, that smile, those gardens and snows in the background, had been brought in a cattle car and killed by an injection of phenol into the heart, into the gentle heart one had heard beating under one's lips in the dusk of the past. — Vladimir Nabokov

But when I realized it was actually going to be this portrait of the artist, birth to death, I had to then discover who Margaret as a young woman would be. I had to find the different voices for her throughout her life. I had a lot of fun discovering that. I had a lot of fun writing the childhood sections. By imagining her childhood, I was able to come up with this voice that matures as she gets older. — Danielle Dutton

In Afghanistan a woman's longing for love is taboo. It is forbidden by the tribes' notion of honor and by the mullahs. Young people have no right to meet, to love, or to choose. Love has little to do with romance; on the contrary, love can be interpreted as committing a serious crime, punishable by death. — Asne Seierstad

I'd much rather fall to my death than admit my weakness to you."
"The captain of the Royal Guard wants to impress a lowly handmaiden?"
"A clumsy young man wants to impress a beautiful young woman. — Renee Ahdieh

- a young woman in desperate financial straits, with no visible relations and no nest egg or trust fund or fallback. People would shake their heads - a shame but what could you do, and at least she had something of marketable value, namely her young ass, and therefore she wouldn't starve to death, and nobody had to feel guilty. — Margaret Atwood

WAR CHILD is the true story of Magdalena (Leni) Janic whose name appears on The Welcome Wall at Sydney's Darling Harbour. The story spans 100 years starting in pre WWII Nazi Germany and ends in the suburbs of Adelaide. It's a window into what life was like for a young illegitimate German girl growing up in poverty, coping with ostracism, bullying, abuse and dispossession as society was falling down around her and she becomes a refugee. But it's also a story of a woman's unconditional love for her family, the sacrifices she made and secrets she kept to protect them. Her ultimate secret was only revealed in a bizarre twist after her death and much to her daughter's (and author) surprise involved her. A memorable tear-jerker! A sad cruel story told with so much love. — Annette Janic

In other spheres of Victorian Society the appeal of a young woman dressed in black from head to toe was acknowledged. In Victorian popular culture, widows had two manifestations: the battleaxe and the man-eater, preying upon husbands and bachelors alike. Even today, an attractive, dark-haired person dressed in all black has vampiric connotations, as the novelist Alison Lurie has noted, 'so archetypally terrifying and thrilling, that any black-haired, pale-complexioned man or woman who appears clad in all black formal clothes projects a destructive eroticism, sometimes without concious intention. — Catharine Arnold