Dead Images And Quotes & Sayings

The idea that one will die is more painful than dying, but less painful than the idea that another person is dead, that, becoming once more a still, plane surface after having engulfed a person, a reality extends, without even a ripple at the point of disappearance from which that person is excluded, in which there no longer exists any will, any knowledge, and from which it is as difficult to reascend to the idea that that person has lived as, from the still recent memory of his life, it is to think that he is comparable with the insubstantial images, the memories, left us by the characters in a novel we have been reading. — Marcel Proust

It is better to be a fool than to be dead. It is better to emit a scream in the shape of a theory than to be entirely insensible to the jars and incongruities of life and take everything as it comes in a forlorn stupidity. Some people swallow the universe like a pill; they travel on through the world, like smiling images pushed from behind. For God's sake give me the young man who has brains enough to make a fool of himself! — Robert Louis Stevenson

It's like when you read a book and you know that the words are important, but the images blossoming in your imagination are even more important because it's your mind that allows the words to come to life. — Jack Gantos

Our group pressed west on what was left of Highway 93, toward the pass leading to Las Vegas. Sand covered the road in loose drifts so deep the horses' hooves sank into them. The metal highway signs were bent low by the strong wind, and above us, billboards that once screamed ads for the casinos were now stripped of their promises of penny slots and large jackpots. The raw boards underneath were exposed, like showgirls without their makeup. Some signs had been blown over completely and lay half-buried under mounds of sand, like sleeping animals.
Cars dotted the highway, their paint scoured off and dead tumbleweeds caught underneath them. Their windows were fogged with death, and despite my effort not to look, my eyes were drawn to the blurred images of the still forms inside. I tried to concentrate on the dark road ahead of us instead. — Kirby Howell

I begin to realize that my memory is a great catacomb, and that below my actual standing-ground there is layer after layer of historical ashes.
Is the life of mind something like that of great trees of immemorial growth? Is the living layer of consciousness super-imposed upon hundreds of dead layers? Dead? No doubt this is too much to say, but still, when memory is slack the past becomes almost as though it had never been. To remember that we did know once is not a sign of possession but a sign of loss; it is like the number of an engraving which is no longer on its nail, the title of a volume no longer to be found on its shelf. My mind is the empty frame of a thousand vanished images. — Henri Frederic Amiel

We are afraid of the instincts. We are afraid of the intuition within us. We suppress the instincts, and we cut off our intuitional awareness from one another and from the world. The reason being some great shock to the procreative self. Now we know one another only as ideal or social or political entities, fleshless, bloodless and cold like Bernard Shaw's creatures. Intuitively we are dead to one another, we have all gone cold. But by intuition alone can man really be aware of man, or of the living, substantial world. By intuition alone can man love and know either woman or world, and by intuition alone can he bring forth images of the magic awareness which we call art. — D.H. Lawrence

I decided the reason why Luccas rushed off was he was allergic to the food that they had brought out. Not paying compliments to the decorations, I poked at the squid with a fork making sure it was dead. Yuck, it reminded me of squid shaped spaghetti. My mind imagined it struggling to break free from my fork. Its legs flopped back and forth, to the sides almost as if it danced. Then to eat it while it squirmed after every bite; chomp, chomp, chomp. On the other hand, you could also eat it raw, but I suppose that was where the squirming comes in. Hmm ... Any who ... Before we get off topic, I finally ate it. Yes, even with the gross images in mind. — Millicent Ashby

Trust me, Anita, if you get dead, especially if he blames himself in any way, he will be a force of destruction looking for a place to be aimed. And he's blamed himself for introducing you to Olaf here from the get-go. If Olaf did to you what he's done to some of his other victims, Edward would drown the world in blood to erase those images. — Laurell K. Hamilton

As a relentless gatherer of moments, I find that my favorite images, although grounded in the present, are like spirits shaped by memories. They whisper of fairy tales, poetry, and other lives, as each gesture connects with another and raises yet another from the dead. Shadows flicker on film to an inner melody as I navigate, camera at hand and at the speed of light, through unimaginable worlds - desperately trying to make sense of the joy and suffering before it all disappears. — Sylvia Plachy

Julian Street in his book, Abroad At Home: American Ramblings, Observations, and Adventures, painted a grim picture of Western Kansas as he traveled across the area in 1914. Street saw only a drab, treeless wasteland of brown and gray---"nothing, nothing, nothing"--images of incessant wind, violent cyclones, dust storms, and tragic desolation. As the train he was riding approached the small town of Monotony, which he felt was appropriately named, he listened sympathetically to the remarks of a fellow passenger: "God! How can they stand living out here? I'd rather be dead! — Daniel Fitzgerald

When we are out of alignment with Christ we forget that we are children of God with divine destinies. We think with shriveled minds and operate with shriveled spirits. We settle for less than God wants to give us. We take a job that feels wrong. We enter a relationship that doesn't' feel right. We get stressed and anxious when reality doesn't match the images we have of the way things are supposed to be. We see failure as dead-ends instead of turn-around roads. There is no ease, no anointing as we move from one uneasy choice to another. That's when it's time to stop, breathe, and trust that our Highest Power is willing and able to set us right again. No matter what that voice inside your head says, you can always, always start again. — Toni Sorenson

The land that the Unsea covers was once green and good, fertile and rich. Now it is dead and barren, crawling with abominations. The Darkling will push its boundaries north into Fjerda, south to the Shu Han. Those who do not bow to him will see their kingdoms turned to desolate wasteland and their people devoured by ravening volcra." I gaped at her in horror, shocked by the images she had conjured. The old woman had clearly lost her mind. "Baghra," I said gently, "I think you have some kind of fever." Or you've gone completely senile. "Finding the stag is a good thing. It means I can help the Darkling destroy the Fold." "No!" she cried, and it was almost a howl. "He never intended to destroy it. The Fold is his creation." I — Leigh Bardugo

Unlike the victims of the Jewish Holocaust, who were on the whole literate, comparatively wealthy, and positioned to record for history the horror that enveloped them, Cottenham and his peers had virtually no capacity to preserve their memories or document their destruction. The black population of the United States in 1900 was in the main destitute and illiterate. For the vast majority, no recordings, writings, images, or physical descriptions survive. There is no chronicle of girlfriends, hopes, or favorite songs of the dead in a Pratt Mines burial field. The entombed there are utterly mute, the fact of their existence as fragile as a scent in wind. — Douglas A. Blackmon

Books! The chosen depositories of the thoughts, the opinions, and the aspirations of mighty intellects; like wondrous mirrors that have caught and fixed bright images of souls that have passed away; like magic lyres, whose masters have bequeathed them to the world, and which yet, of themselves, ring with unforgotten music, while the hands that touched their chords have crumbled into dust. Books! they are the embodiments and manifestations of departed minds
the living organs through which those who are dead yet speak to us. — Edwin Hubbel Chapin

In Technologized Desire, the cultural pathologies that mark the panic ecstasy and terminal doom of the posthuman condition are powerfully rehearsed in the language of science fiction. Here, images of prosthetic subjects, zombies, cut-ups and armies of the medieval dead actually slip off the pages of literature to become the terminal hauntology of these technologized times. Technologized Desire is nothing less than a brilliant data screen of future memories. Read it well: it's a survival guide for bodies flatlined by the speed of accelerating technology. — Arthur Kroker

Everything that belongs to the past seems to have fallen into the sea; I have memories, but the images have lost their vividness, they seem dead and desultory, like time - bitten mummies stuck in a quagmire. — Henry Miller

The dead are silent, and objects, when they hold impressions, are quiet until you reach through them. But the touch of living is loud. Living people haven't been compiled, organized -which means they're a jumble of memory and thought and emotion, all tangled up and held at bay only by the silver band of my finger. The ring helps, but it can't block the noise, just the images — Victoria Schwab

It broke over him, a frothing, churning sea a images and sound, so vivid he had to close his eyes against it and hold his breath. Faces long dead; words spoken and heard; professions of love and regret and hate; episodes of intimacy as painful to recall as those characterised by violence. — Stephen Lloyd Jones

If we refuse our homage to statues and frigid images, the very counterpart of their dead originals, with which hawks, and mice, and spiders are so well acquainted, does it not merit praise instead of penalty [Christians were punished for not worshiping Roman gods] that we have rejected what we have come to see is error? We cannot surely be made out to injure those whom we are certain are nonentities. What does not exist is in its nonexistence secure from suffering. — Tertullian

I feel closer ties and more intimate bonds with certain characters in books, with certain images I've seen in engravings, than with many supposedly real people with the metaphysical absurdity known as 'flesh and blood'. In fact, 'flesh and blood' describes them very well: they resemble cuts of meat laid out on the butcher's marble slab, dead creatures bleeding as though still alive. — Fernando Pessoa

Only he whose bright lyre
has sounded in shadows
may, looking onward, restore
his infinite praise.
Only he who has eaten
poppies with the dead
will not lose ever again
the gentlest chord.
Though the image upon the pool
often grows dim:
Know and be still.
Inside the Double World
all voices become
eternally mild. — Rainer Maria Rilke

Don't we all have a certain number of images that stay around in our head, which we undoubtedly call memories and improperly so, and which we can never get rid of because they return in our sky with the regularity of a comet - torn away also from a world about which we know almost nothing? They return more frequently than comets do, in fact. It would be better, then, to speak of them as loyal satellites, a bit capricious and therefore even troublesome: they appear, disappear, suddenly come back to badger our memory at night when we cannot sleep. But, little as we may care to, as our hearts tell us to, we can also observe them at will, coldly, scrutinize their shadows, colors, and relief. Only, they are dead stars: from them we shall never grasp anything other than the certainty that we have already seen them, examined them, questioned them without really understanding the laws that the line of their mysterious orbits obeyed. — Marc Auge

The beauty myth of the present is more insidious than any mystique of femininity yet: A century ago, Nora slammed the door of the doll's house; a generation ago, women turned their backs on the consumer heaven of the isolated multiapplianced home; but where women are trapped today, there is no door to slam. The contemporary ravages of the beauty backlash are destroying women physically and depleting us psychologically. If we are to free ourselves from the dead weight that has once again been made out of femaleness, it is not ballots or lobbyists or placards that women will need first; it is a new way to see. — Naomi Wolf

As soon as we confront concrete marriages with other foreign images-such as well-being, happiness, a home for children-marriage appears to be senseless, withered, moribund, and kept alive largely by a great apparatus of psychologists and marriage counselors. Marriage is dead. Long live marriage! — Adolf Guggenbhuhl-Craig

We have strayed from the Immortal's ways And worship with a dull and senseless mind Idols, the workmanship of our own hands, And images and figures of dead men. — Justin Martyr

Bright were the memories of his childhood at these docks, to which he had been ever drawn by the allure of the stranger traders as they swung into their berths like weary and weathered heroes returned from some elemental war. In those days it was uncommon to see the galleys of the Freemen Privateers ease into the bay, sleek and riding low with booty. They hailed from such mysterious ports as Filman Orras, Fort By a Half, Dead Man's Story, and exile; names that rang of adventure in the ears of a lad who had never seen his home city from outside its walls.
The man slowed as he reached the foot of the stone pier. The years between him and that lad marched through his mind, a possession of martial images growing ever grimmer. If he searched out the many crossroads he had come to in the past, he saw their skies storm-warped, the lands ragged and wind-torn. The forces of age and experience worked on them now, and whatever choices he had made then seemed fated and almost desperate. — Steven Erikson

He thought, that all men, trickled away, changing constantly, until they finally dissolved, while the artist-created images remained unchangeably the same. He thought that the fear of death was perhaps the root of all art, perhaps also of all things of the mind. We fear death, we shudder at life's instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do. Perhaps the woman after whom the master shaped his beautiful Madonna is already wilted or dead, and soon he, too, will be dead; others will live in his house and eat at his table- but his work will still be standing hundreds of years from now, and longer. It will go on shimmering in the quiet cloister church, unchangingly beautiful, forever smiling with the same sad, flowering mouth. — Hermann Hesse

I've written more about my parents than any writer in the history of the world, and I still return to their mysterious effigies as I try to figure out what it all means - some kind of annunciation or maybe even a summing-up They still exert immense control over me even though they've been dead for so long. But I can conjure up their images without exerting a thimbleful of effort. — Pat Conroy

It was uncanny. You press a button and a man drops dead a hundred meters away. It seemed hollow and remote, falsifying everything. It was a trick of the lenses. The man is an accurate picture. Then he is upside down. Then he is right side up. You shoot at a series of images conveyed to you through a metal tube. The force of a death should be enormous but how can you know what kind of man you've killed or who was the braver and stronger if you have to peer through layers of glass that deliver the image but obscure the meaning of the act? War has a conscience or it's ordinary murder. — Don DeLillo

Oh, yes, let's bless the imagination. It gives us the myths we live by. Let's bless the visionary power of the human - the only animal that's got it - , bless the exact image of your father dead and mine dead, bless the images that stalk the corners of our sight and will not let go. — Philip Levine

For a hundred dead stories there still remain one or two living ones. I evoke these with caution, occasionally, not too often, for fear of wearing them out, I fish one out, again I see the scenery, the characters, the attitudes. I stop suddenly: there is a flaw, I have seen a word pierce through the web of sensations. I suppose that this word will soon take the place of several images I love. I must stop quickly and think of something else; I don't want to tire my memories. In vain; the next time I evoke them a good part will be congealed. — Jean-Paul Sartre

A sign of this is what happens (10) in our actions, for we delight in contemplating the most accurately made images of the very things that are painful for us to see, such as the forms of the most contemptible insects and of dead bodies. — Aristotle.

Great lovers lie in hell, the poet says. Even now, long afterwards, I cannot destroy the images. They remain within me like the yearnings of an addict. I need only hear certain words, see certain gestures, and my thoughts begin to tumble. I despise myself for thinking of her. Even if she were dead, I would feel the same. Her existence blackens my life. — James Salter

He shifts and my eyes shatter into thousands of pieces that ricochet around the room, capturing a million snapshots, a million moments in time. Flickering images faded with age, frozen thoughts hovering precariously in dead space, a whirlwind of memories that slice through my soul. — Tahereh Mafi

Offerings to propitiate the dead then were regarded as belonging to the class of funeral sacrifices, and these are idolatry. Idolatry, in fact, is a sort of homage to the departed, the one as well as the other is a service to dead men. Moreover, demons dwell in the images of the dead ... this sort of exhibition has passed from honors of the dead to honors of the living; I mean, to quaestorships [financial overseers]and magistractes, to priestly offices of different kinds. Yet, since idolatry still cleaves to the dignity's name, whatever is done in its name partakes of its impurity. — Tertullian

The lights were turned off and the film began to roll. It was eerie, thought Lucy, watching the images of Luther Read flicking across the screen. Maybe he was dead or maybe he was fighting for his life, but in the darkened room he was an enormous, living presence.
Then the film ended. The final image of Luther Read's smiling face had hardly faded when the announcement came.
"Luther Read, our Newspaperman of the Year, is dead."
That was incredible enough, but an even more shocking announcement followed.
"Remain in your seats, please, as the police will be collecting information from everyone. — Leslie Meier

This, too, was like seeing double. This was where my heartaches began.

In combat zones there is no structure, the form of things changes all the time. Safety, danger, control, panic, these and other labels constantly attach and detach themselves from places and people. When you emerge from such a space it stays with you, its otherness randomly imposes itself on the apparent stability of your peaceful home-town streets. What-if becomes the truth, you imagine buildings exploding in Gramercy Park, you see craters appear in the middle of Washington Square, and women carrying shopping bags drop dead on Delancey Street, bee-stung by sniper fire. You take pictures of your small patch of Manhattan and ghost images begin to appear in them, negative phantoms of the distant dead. Double exposure: like Kirlian photography, it becomes a new kind of truth. — Salman Rushdie

[The modern age] knows nothing about isolation and nothing about silence. In our quietest and loneliest hour the automatic ice-maker in the refrigerator will cluck and drop an ice cube, the automatic dishwasher will sigh through its changes, a plane will drone over, the nearest freeway will vibrate the air. Red and white lights will pass in the sky, lights will shine along highways and glance off windows. There is always a radio that can be turned to some all-night station, or a television set to turn artificial moonlight into the flickering images of the late show. We can put on a turntable whatever consolation we most respond to, Mozart or Copland or the Grateful Dead. — Wallace Stegner