C Sharp Single Quotes & Sayings

H&M makes it easy for a guy to look great every single day and create a personal style. Their men's collection always gives me a choice of how I want to dress, whether it be sharp in a suit and polo-neck, or more relaxed in jeans and a tweed jacket. — Joel Kinnaman

A harmonica is easy to carry. Take it out of your hip pocket, knock it against your palm to shake out the dirt and pocket fuzz and bits of tobacco. Now it's ready. You can do anything with a harmonica: thin reedy single tone, or chords or melody with rhythm chords. You can mold the music with curved hands, making it wail and cry like bagpipes, making it full and rounds like an organ, making it as sharp and bitter as the reed pipes of the hills. And you can play it and put it back in your pocket. It is always with you, always in your pocket. And as you play, you learn new tricks, to pinch the tone with your lips, and no one teaches you. You feel around - sometimes in the tent door after supper when the women are washing up. Your foot taps gently on the ground. Your foot taps gently on the ground. Your eyebrows rise and fall in rhythm. And if you lose it or break it, why, it's no great loss. You can buy another for a quarter. — John Steinbeck

Some individuals may perceive their losing fight with gravity as a sharp pain in their back, others as the unflattering contour of their body, others as constant fatigue, yet others as an unrelentingly threatening environment. Those over forty may call it old age. And yet all these signals may be pointing to a single problem so prominent in their own structure, as well as others, that it has been ignored: they are off balance, they are at war with gravity. — Ida Rolf

She was doing impressively well, he said. She was mentally sharp and physically strong. The danger for her was losing what she had. The single most serious threat she faced was not the lung nodule or the back pain. It was falling. Each year, about 350,000 Americans fall and break a hip. Of those, 40 percent end up in a nursing home, and 20 percent are never able to walk again. The three primary risk factors for falling are poor balance, taking more than four prescription medications, and muscle weakness. Elderly people without these risk factors have a 12 percent chance of falling in a year. Those with all three risk factors have almost a 100 percent chance. — Atul Gawande

Billy switched on a floor lamp. The light from the single source threw the baroque detailing of Montana's body into sharp relief. Billy was reminded of fantastic architecture in Dresden, before it was bombed. — Kurt Vonnegut

I forget myself sometimes, but then I look up, as I am looking up now, and I see in my mind's eye a sheild, strangely changed by a rich encrusting of jewel-like barnacles and cold-water coral, with an eight foot tooth sticking right out of the middle of it. I reach out and the edge of that tooth is still so bitingly sharp after all these years that just a gentle brush with the fingers might send a rain of blood down on these pages. And I bend my head, not too close, and I am sure I can hear, very faintly:
Once I set the sea alight
With a single fiery breath ...
Once I was so mighty that I thought
My name was Death ...
Sing out loud until you're eaten,
Song of melancholy blisss,
For the mighty and the middling
All shall come to THIS ...
The Supper is still singing. — Cressida Cowell

Grip's favorite painting didn't contain a single figure. 'Seven A.M.' showed distant trees on one side, and on the other a storefront that time had passed by. So still. Some kind of story could probably be told, but one refrained from asking questions. The light and shadows convinced the viewer to exist in the moment. Hopper had drawn sharp lines where the sun cast shadows on the white walls inside the window, while outside the ground gleamed like warm sand. The hands of an old wall clock suggested that the time was seven. Someone who should have been there was somewhere else. Yet nothing was missing. With the morning light streaming down on the ground and in through the window, time might as well have stopped - so the clock always stood at seven.
Just like that, a place where nothing ever changes. — Robert Karjel

Carnal apple, Woman filled, burning moon,
dark smell of seaweed, crush of mud and light,
what secret knowledge is clasped between your pillars?
What primal night does Man touch with his senses?
Ay, Love is a journey through waters and stars,
through suffocating air, sharp tempests of grain:
Love is a war of lightning,
and two bodies ruined by a single sweetness.
Kiss by kiss I cover your tiny infinity,
your margins, your rivers, your diminutive villages,
and a genital fire, transformed by delight,
slips through the narrow channels of blood
to precipitate a nocturnal carnation,
to be, and be nothing but light in the dark. — Pablo Neruda

I know as soon as we hit the sweet spot, an intangible instant when the music gains control of fluttering wings to take real flight - soaring, swooping, diving and rising in the small studio. No single one of us is in control. The wall of sound is its own thing - lifted, weight shared, by five pairs of hands. I shake hair from closed eyes just because I need to move. If I let the pressure build and build and keep it in my hands, in the guitar, I'll explode. We carve out places for the verses, the chorus repetitions, and the coda. We line the edges of sonic space with rhythm and melody and stand Scope's sharp samples at each corner. — Emma Trevayne

I'd also made the mistake of thinking love was a single identifiable emotion, something sharp like an arrowhead to the heart or some other romantic nonsense. It wasn't, not for most people. Love was an accumulation of things, of thoughts, feelings, desires and hopes. — Fabian Black

Mindfulness is Buddha's word for meditation. By mindfulness he means: you should always remain alert, watchful. You should always remain present. Not a single thing should be done in a sort of sleepy state of mind. You should not move like a somnambulist, you should move with a sharp consciousness. — Rajneesh

believing, Jody Hotchkiss (Onward!), David Grossman, Helen Heller, and the tireless Chandler Crawford. I am grateful and indebted to every single person at Riverhead Books. In particular, I want to thank Susan Petersen Kennedy and Geoffrey Kloske for their faith in this story. My heartfelt thanks also go to Marilyn Ducksworth, Mih-Ho Cha, Catharine Lynch, Craig D. Burke, Leslie Schwartz, Honi Werner, and Wendy Pearl. Special thanks to my sharp-eyed copy editor, Tony Davis, who misses nothing, and, lastly, to my talented editor, Sarah McGrath, for her patience, foresight, and guidance. Finally, thank you, Roya. — Khaled Hosseini

It rushes through me, like razor sharp poison, jagged edges catching my skin, tearing me apart on the inside. Everything. Every blissful moment. Every promise. Every kiss. Hug. Word. Touch. Breath. Every single second Ive spent with him, will be gone. I won't know it. — Jessica Sorensen

Today, while Mother was watching me work, she suddenly remarked, "They say that people who like summer flowers die in the summer. I wonder if it's true." I did not answer but went on watering the eggplants. It is already the beginning of summer. She continued softly, "I am very fond of hibiscus, but we haven't a single one in this garden."
"We have plenty of oleanders," I answered in an intentionally sharp tone.
"I don't like them. I like almost all summer flowers, but oleanders are too loud."
"I like roses best. But they bloom in all four seasons. I wonder if people who like roses best have to die four times over again."
We both laughed. — Osamu Dazai

He had forgotten the sharp taste of stone dust that hung around the broken village houses, the dead skinny donkeys' smell and the dead wretched goats' smell, the broken terraces' smell and smashed olive groves' smell, the sour stench of high explosive, the heavy odour of spilled olive oil, all melding into a single smell he came to associate with human beings in trouble. — Richard Flanagan

Analysis goes a step farther still, and assures us that those impressions of the individual mind to which, for each one of us, experience dwindles down, are in perpetual flight; that each of them is limited by time, and that as time is infinitely divisible, each of them is infinitely divisible also; all that is actual in it being a single moment, gone while we try to apprehend it, of which it may ever be more truly said that it has ceased to be than that it is.
To such a tremulous wisp constantly reforming itself on the stream, to a single sharp impression, with a sense in it, a relic more or less fleeting, of such moments gone by, what is real in our life fines itself down. — Walter Pater

What can you say about pain?
Words can trace only the shadow of the thing itself. The reality of hard, sharp physical pain is like nothing else, and it is beyond language. The world is too much with us, day and night, but when we hurt, when we really hurt, the world melts and fades and becomes a ghost, a dim memory, a silly unimportant thing. Whatever ideals, dreams, loves, fears, and thoughts we might have had become ultimately unimportant. We are alone with our pain, it is the only force in the cosmos, the only thing of substance, the only thing that matters, and if the pain is bad enough and lasts long enough, if it is the sort of agony that goes on and on, then all the things that are our humanity melt before it and the proud sophisticated computer that is the human brain becomes capable of but a single thought:
Make it stop, make it STOP! (from The Glass Flower) — George R R Martin

[ ... ] he played me the Fourth Prelude and Fugue (C-sharp minor). Now, I knew what to expect from Liszt at the pianoforte; but from Bach himself, much as I had studied him, I never expected what I learnt that day. For then I saw the difference between study and revelation; through his rendering of this single fugue Liszt revealed the whole of Bach to me, so that I now know of a surety where I am with him, can take his every bearing from this point, and conquer all perplexity and every doubt by power of strong faith. — Richard Wagner

Of all the major developments in the history of science, there may be no better example than that of the periodic system to argue against Thomas Kuhn's thesis that scientific progress occurs through a series of sharp revolutionary stages.20 Indeed, Kuhn's insistence on the centrality of revolutions in the development of science and his efforts to single out revolutionary contributors has probably unwittingly contributed to the retention of a Whiggish history of science, whereby only the heroes count while blind alleys and failed attempts are written out of the story.21 — Eric Scerri

Every great artist must begin by learning to draw with the single line, and my advice to young animators is to learn how to live with that razor-sharp instrument or art. An artist who comes to me with eight or ten good drawings of the human figure in simple lines has a good chance of being hired. But I will tell the artist who comes with a bunch of drawings of Bugs Bunny to go back and learn how to draw the human body. An artist who knows that can learn how to draw ANYTHING, including Bugs Bunny. — Chuck Jones

If there is anything certain in life, it is this. Time doesn't always heal. Not really. I know they say it does, but that is not true. What time does is to trick you into believing that you have healed, that the hurt of a great loss has lessened. But a single word, a note of a song, a fragrance, a knife point of dawn light across an empty room, any one of these things will take you back to that one moment you have never truly forgotten. These small things are the agents of memory. They are the sharp needle points piercing the living fabric of your life.

Life, my children, isn't linear where the heart is concerned. It is filled with invisible threads that reach out from your past and into your future. These threads connect every second we have lived and breathed. As your own lives move forward and as the decades pass, the more of these threads are cast. Your task is to weave them into a tapestry, one that tells the story of the time we shared. — Stephen Lee

So Mo began filling the silence with words. He lured them out of the pages as if they had only been waiting for his voice, words long and short, words sharp and soft, cooing, purring words. They danced through the room, painting stained glass pictures, tickling the skin. Even when Meggie nodded off she could still hear them, although Mo had closed the book long ago. Words that explained the world to her, its dark side and its light side, words that built a wall to keep out bad dreams. And not a single bad dream came over that wall for the rest of the night. — Cornelia Funke

And a single green soldier was plucked from the shoe box of reservists and replacements and tossed her way, through the air. She picked him up from the sand. The mold had shaped his features precisely, a strong jaw and a sharp nose, the little combat helmet and a sash of ammunition across his chest. Unlike — Alice McDermott

Throughout my life, I have seen narrow-shouldered men, without a single exception, committing innumerable stupid acts, brutalizing their fellows and perverting their souls by every means. They call the motive for their actions glory. On seeing these spectacles, I wanted to laugh with the others, but such a strange imitation was impossible, so I took a sharp-edged penknife and slit my flesh in the two places my lips joined. — Comte De Lautreamont

I want to say one last thing, and it's important. Though I am a generally happy person who feels comfortable in my skin, I do beat myself up because I am influenced by a societal pressure to be thin. All the time. I feel it the same way anybody who picks up a magazine and sees Keira Knightley's elegantly bony shoulder blades poking out of a backless dress does. I don't know if I've ever seen my shoulder blades once. Honestly, I'm dubious that any part of my body could be so sharp and firm as to be described as a "blade." I feel it when I wake up in the morning and try on every single pair of my jeans and everything looks bad and I just want to go back to sleep. But my secret is: even though I wish I could be thin, and that I could have the ease of lifestyle that I associate with being thin, I don't wish for it with all of my heart. Because my heart is reserved for way more important things. — Mindy Kaling

At my shows, I want to be totally sharp and focused on every single song, on every single thing that I do, and plus, I have to because I'm, like, caking someone and have to run back and mix the next song ... and I have so much fast, quick reflex timing. — Steve Aoki

I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact I want my pain to be inflicted on others. I want no one to escape. But even after admitting this
and I have, countless times, in just about every act I've committed
and coming face to face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing ... — Bret Easton Ellis

Loved. I hadn't even realized how desperetly I'd wanted love.How much we both needed to know that in a world of dark corners and sharp needles, there really is a place where kisses taste like apple pie and where stars spill like suger across the sky. A place where unknown roads no longer scare you because you have another hand to hold. A place where butterflies always flutter whenever you see each other, and a single touch tells you that you are not alone. A place where every kiss still feels like the first. In that place of us, Liv and Dean, love has its own poetry and language. Allure, quartrefoil, fleur-de-lis ... Professor. Beauty. — Nina Lane

Further, democratic negotiators, or foreign negotiation specialists accepted to assist in the negotiations, may in a single stroke provide the dictators with the domestic and international legitimacy that they had been previously denied because of their seizure of the state, human rights violations, and brutalities. Without that desperately needed legitimacy, the dictators cannot continue to rule indefinitely. — Gene Sharp

Whenever I heard that languid, beautiful melody, those days came back to me. It wasn't what I'd characterize as a happy part of my life, living as I was, a balled-up mass of unfulfilled desires. I was much younger, much hungrier, much more alone. But I was myself, pared down to the essentials. I could feel each single note of music, each line I read, seep down deep inside me. My nerves were sharp as a blade, my eyes shining with a piercing light. And every time I heard that music, I recalled my eyes then, glaring back at me from a mirror. — Haruki Murakami

I don't know how long I sat there without moving, thinking, or breathing. It probably wasn't as long as it felt, because the building where I sat had not crumbled into dust, and the sun had not turned cold and fallen from the sky. But it was still a very long time before a single jagged thought managed to penetrate the cold and empty vault between my ears, and when it finally did register I still couldn't do any more than take a large and sharp breath and let that thought echo around all alone. Closer — Jeff Lindsay

I don't know that you ever get over this kind of loss. The fact that Chris is gone is a sharp hurt I feel every single day. It's really hard. Some days are better than others, but it's going to be hard every day for the rest of my life. — Jon Krakauer