Beautiful Structures Quotes & Sayings

We're more into sort of fluid structures that are simultaneously the most efficient, the most beautiful, and the most engineered. You know what I mean? We like the balance you can get in there. — Sean Booth

Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. — Bob Dylan

both the Egyptian [and] American pyramids, the outside of the structures was covered with a thick coating of smooth, shining cement." "The Aztecs, like the Egyptians, had progressed through all the three different modes of writing - the picture-writing, the symbolical, and the phonetic. They recorded all their laws, their tribute-rolls specifying the various imposts, their mythology, astronomical calendars, and rituals, their political annals and their chronology. They wrote on cotton-cloth, on skins prepared like parchment, on a composition of silk and gum, and on a species of paper, soft and beautiful, made from the aloe. Their books were about — Dennis Brooks

It was the kind of pure, undiffused light that can only come from a really hot blue sky, the kind that makes even a concrete highway painful to behold and turns every distant reflective surface into a little glint of flame. Do you know how sometimes on very fine days the sun will shine with a particular intensity that makes the most mundane objects in the landscape glow with an unusual radiance, so that buildings and structures you normally pass without a glance suddenly become arresting, even beautiful? Well, they seem to have that light in Australia nearly all the time. — Bill Bryson

It's time for us to join the line of your madmen all chained together.
Time to be totally free, and estranged.
Time to give up our souls, to set fire to structures and run out in the street.
Time to ferment.
How else can we leave the world-vat and go to the lip?
We must die to become true human beings.
We must turn completely upside down
like a comb in the top of a beautiful woman's hair.
Spread out your wings as a tree lifts in the orchard.
As seed scattered on the road,
as a stone melts to wax,
as a candle becomes the moth.
On a chessboard the king is blessed again with his queen.
With our faces so close to the love mirror, we must not breathe, but change to a cleared place where a building was and feel the treasure hiding inside us.
With no beginning or end,
we live in lovers as a story they know.
If you will be the key, we'll be tumblers in the lock. — Rumi

Can one think that because we are engineers, beauty does not preoccupy us or that we do not try to build beautiful, as well as solid and long lasting structures? Aren't the genuine functions of strength always in keeping with unwritten conditions of harmony? ... Besides, there is an attraction, a special charm in the colossal to which ordinary theories of art do not apply. — Gustave Eiffel

In engineering, as in other creative arts, we must learn to do analysis to support our efforts in synthesis. One cannot build a beautiful and functional bridge without a knowledge of steel and dirt, and a considerable mathematical technique for using this knowledge to compute the properties of structures. Similarly, one cannot build a beautiful computer system without a deep understanding of how to "previsualize" the process generated by the code one writes. — Gerald Jay Sussman

Our memories are like a city: we tear some structures down, and we use rubble of the old to raise up new ones. Some memories are bright glass, blindingly beautiful when they catch the sun, but then there are the darker days, when they reflect only the crumbling walls of their derelict neighbours. Some memories are buried under years of patient construction; their echoing halls may never again be seen or walked down, but still they are the foundations for everything that stands above them.

"Glas told me once that that's what people are, mostly: memories, the memories in their own heads, and the memories of them in other people's. And if memories are like a city, and we are our memories, then we are like cities too. I've always taken comfort in that. — Tom Pollock

I introduce the subject of fine structure with a mini-calendar of events. ...

Winter 1914-15. Sommerfeld computes relativistic orbits for hydrogen-like atoms. Pashcen, aware of these studies, carefully investigates fine structures, ....

January 6, 1916. Sommerfeld announces his fine structure formula, citing results to be published by Paschen in support of his answer.

February 1916. Einstein to Sommerfeld: "A revelation!"

March 1916. Bohr to Sommerfeld: "I do not believe ever to have read anything with more joy than your beautiful work."

September 1916. Paschen publishes his work, acknowledging Sommerfeld's "indefatigable efforts. — Abraham Pais

To a synthetic chemist, the complex molecules of nature are as beautiful as any of her other creations. The perception of that beauty depends on the understanding of chemical structures and their transformations, and, as with a treasured work of art, deepens as the subject is studied, perhaps even to a level approaching romance. — Elias James Corey

There is no such thing as beauty. If your culture says, 'This is a beautiful girl,' that's within the framework of your culture. If you're brought up in an island where people have pointed heads, that would be 'beautiful' in your terms. All these mythological structures is what gets us into trouble; the artificiality of our values that get us into trouble. — Jacque Fresco

Moller, in his Essay on Architecture, taught that the building which was fitted accurately to answer its end would turn out to be beautiful, though beauty had not been intended. I find the like unity in human structures rather virulent and pervasive. — Ralph Waldo Emerson

The scientist is a practical man and his are practical (i.e., practically attainable) aims. He does not seek the ultimate but the proximate. He does not speak of the last analysis but rather of the next approximation. His are not those beautiful structures so delicately designed that a single flaw may cause the collapse of the whole. The scientist builds slowly and with a gross but solid kind of masonry. If dissatisfied with any of his work, even if it be near the very foundations, he can replace that part without damage to the remainder. — Gilbert N. Lewis

There's more truth about a camp than a house. Planning laws need not worry the improvising builder because temporary structures are more beautiful anyway, and you don't need permission for them. There's more truth about a camp because that is the position we are in. The house represents what we ourselves would like to be on earth: permanent, rooted, here for eternity. But a camp represents the true reality of things: we're just passing through. — Roger Deakin

The wood wide web has been mapped, traced, monitored, and coaxed to reveal the beautiful structures and finely adapted languages of the forest network. We have learned that mother trees recognize and talk with their kin, shaping future generations. In addition, injured tress pass their legacies on to their neighbors, affecting gene regulation, defense chemistry, and resilience in the forest community. These discoveries have transformed our understanding of trees from competitive crusaders of the self to members of a connected, relating, communicating system. Ours is not the only lab making these discoveries-there is a burst of careful scientific research occurring worldwide that is uncovering all manner of ways that trees communicate with each other above and below ground. — Peter Wohlleben

The knowledge feels grotesque in my mind but I grasp it and hold it tight, etching it deep into my memory. Why am I doing this? Why do I want to know the names and functions of all the beautiful structures I've spent my years violating? Because I don't deserve to keep them anonymous. I want the pain of knowing them and by extension myself: who and what I really am. — Isaac Marion

Men look on knowledge which they learn
or might learn
from others as they do on the most beautiful structures which are not their own: in outward objects, they would rather behold their own hogsty than their neighbor's palace; and in mental ones, would prefer one grain of knowledge gained by their own observation to all the wisdom of a thousand Solomons. — Sarah Fielding

We are like ignorant shepherds living on a site where great civilizations once flourished. The shepherds play with the fragments that pop up to the surface, having no notion of the beautiful structures of which they were once a part. — Allan Bloom

What's fascinating about D.C., the exteriors are these elaborate structures, this gorgeous architecture and beautiful stonework, and then you go inside and it's crap-looking - apart from the White House, which is beautiful. — Tony Hale

Ruta Skadi was four hundred and sixteen years old, with all the pride and knowledge of an adult witch queen. She was wiser by far than any short-lived human, but she had not the slightest idea of how like a child she seemed beside these ancient beings. Nor did she know how far their awareness spread out beyond her like filamentary tentacles to the remotest corners of universes she had never dreamed of; nor that she saw them as human-formed only because her eyes expected to. If she were to perceive their true form, they would seem more like architecture than organism, like huge structures composed of intelligence and feeling.
But they expected nothing else: she was very young. — Philip Pullman

Beauty is what we have seen and what we are going to see in the future. It is the totality of physical, emotional and biological structures we have created within generations intentionally or unintentionally for our enjoyment and satisfaction. We consider ourselves beautiful, because we have seen it and imagine for thousands of years. If we had five feet, nine eyes and twenty fingers we still were beautiful. — M.F. Moonzajer