Mike Royer Quotes & Sayings

I learned early Jack Kirby favorite movies were the Warner Brothers from the '30s. When you look at Jack Kirby's comic books, or at least when I do, I can make an instant connection. When he said he loved those movies it was like, "Of course." — Mike Royer

There are still people who don't like my work and that's okay with me. — Mike Royer

When I was at Disney and was a character art manager and handing out artwork that had to be inked we had a thing where if there was any lettering on it I'd hear, "I don't letter," and I said, "Look at it. It's drawing. Ink the drawing." I just learned from Mike Aarons how each letter was just part of the drawing. — Mike Royer

I did a dozen superhero pinups. I signed them "Kirby/Royer" because it was Kirby's drawing. I didn't think I was committing some sort of sin. — Mike Royer

People ask me who my favorite inker is and I tell them my favorite inker was Joe Sinnott ... but I was the best. Now I don't mean that as any kind of egotistical thing. It's just that I did what Jack wanted. — Mike Royer

I chose Bagdasarian Productions when I heard from some colleagues at work who were buying story boards at the time back in the early '90. I met the man once when I came in with the first half of the story board and the only thing he said when looking at the first half of the board was, "It's so nice to see someone using their imagination." — Mike Royer

There are different rules for comic books now. You've got prima donna's that are dealing with the direct sales market, so if they say it's going to be late, then that's what you tell the dealers and it's late. — Mike Royer

I learned that, "Mike, you get your first job on your ability and every job after that on your dependability." — Mike Royer

I did get a nice compliment from Ramona Fradon a few years ago.She was talking about the one and only Plastic Man comic that I inked for her for DC and she said it was the only time that she'd ever had anyone ink her. Everyone else put in their own personality and changed it. In fact, bless her heart, she said if she were still doing Brenda Starr, she'd have me ink it. — Mike Royer

In most companies, the corporate mentality is if you're over 30, you're on the downhill side, and if you're over 40, you're brain dead. Or, if you're over 30 or 40 and you've been doing it for a while, you've got experience and you want to be paid for that experience. — Mike Royer

I like to think that I gave Jack Warner Brothers inking and Joe Sinnott gave him MGM inking. If you're not as in love with old movies as I am you might not make that connection, but I can see that connection. — Mike Royer

I started out wanting to be a straight adventure cartoonist, but in 1979 realized what my real bag was. — Mike Royer

When you talk about state of the art, that doesn't mean a damn thing. Think about it. State of the art. "This is the state of the art brush from Winsor-Newton." Yeah, but the state of the art sucks rubber donkey lungs. — Mike Royer

I assisted with Russ [Manning] for about eleven months and my day job for 5 days a week was credit manager and paint salesman for Sherwin-Williams. — Mike Royer

When you're paid $29 for something and 30 or 40 years later you're seeing it on eBay with pages going for $199 or more, it's like, "Dammit!" — Mike Royer

I remember on a Friday afternoon getting a phone call from Grant Simmons saying, "Mike," we got to be pretty good friends; "Mike, the Sheriff is closing us down on Monday. If you'd like to drive into the studio tomorrow morning, you can have anything you want." So rather than go in and take home piles and piles of cels of Spider-Man what did I take home? Two pages of original art that got sent out to the west coast. Now of course if I'd have taken all the rest of that stuff home I could probably have retired a lot earlier. — Mike Royer

I have my heroes. Some of whom are still alive, and unfortunately many that aren't. — Mike Royer

I still have a lot my Disney store art left and if I ever run out I'll just redraw it, because it will still be my original art and as a freelancer I own it. — Mike Royer

Every morning I'd have coffee with my wife and we would discuss ideas. Sixty percent of what I did for the stores was concepts. The other forty percent was correcting and cleaning up other concepts in house, or doing final art on my concepts. Most of my concepts were so finished they could turn them over to somebody else. — Mike Royer

I was with Roy Thomas on a panel and he turned to me and said, "You know, your name is on the cover a magazine every month." I said, "Really?" He pulled out a copy of "Destroyer," and said, "If you cover up the DEST you've got Royer on the cover every month." — Mike Royer

Sometimes I look at some of my old work and I don't like it. — Mike Royer

I used to get letters from guys in prison. Anymore now I don't even open them. They'd ask me to please sign a couple of cards for their children. Then I see them on eBay two weeks later. Or the people that write and say, "You is one of my favorite cartoonists. I would like a drawing, please." I guess they encourage inmates to write letters to celebrities. It's like a way to make money by selling autographs or something. Give me a break. — Mike Royer

It was just too hard from my standpoint to apply myself properly for the lessons from art school and also work 6 hours a day at the Ben Paris restaurant in downtown Seattle. There was just no time to have a life. — Mike Royer

If you ever go to talk to an editor you don't want to be able to turn down a job because you can't do what is necessary. — Mike Royer

I found that the majority of people who stopped at my table [ at the Comic Con] last didn't even know who Winnie the Pooh was, and the new feature was just opening in the theaters. — Mike Royer

I've been very lucky with the people I've met over the years. Way back in the early '70s I went to [Phil] Seuling's conventions for something like three years in a row from '70 to '72 and I remember at the '72 luncheon with the Academy of Comic Book Artists and talking with John Romita about the kind of brushes he used. Pros ask pros the same questions that fans do. "What kind of pens do you use? What kind of brushes do you use?" I was so amazed that the wonderful work John Romita was doing was accomplished with a Windsor-Newton series 7 Number 4. Not a 2 or a 3, but a 4. — Mike Royer

If I wanted to own some Jack Kirby original art unless it was something that Giacoia or Sinnott had inked I was too close to it. I didn't want to collect his pages inked by me. Of course 40 years later I'd LOVE to have some of that stuff. — Mike Royer

I sometimes look at the careers of other ... I guess I could call them contemporaries or maybe close artists; you know, the 4 or 5 guys who go to New York City and get a loft and work together and use each other as models and that sort of thing and wait for years and years to get married. Maybe I just wasn't that definite. — Mike Royer

My most vivid memories of those times weren't the actual nuts and bolts, but just pleasant times sitting with Jack [Kirby] in his studio, going over the pages and looking out the window at my kids playing in his swimming pool . — Mike Royer

I went to art school for about a year. I was born and raised in the Willamette Valley in Oregon into a middle-class family who didn't have the funds to say, "Here, kid. Here's your money for school." So I worked real hard during the summer and saved money and was able to go to school for a year and borrowed a little money which I paid back after that first year. — Mike Royer

I went into Hollywood and met Mike Aarons and went to Grantray-Lawrence Animation to work on the, by today's standards, extremely cheap and crude Marvel superheroes cartoons which basically consisted of taking stacks of the comic book art, taking parts of the art, pasting it down, extending it down into drawings and occasionally a new piece of art to bridge the comic book panels and limited animation and lip movement. — Mike Royer

I love pre-code movies. Some of my favorites are movies with Warren William and there is an MGM film called "Skyscraper Souls" which is the best Warner Brothers movie that MGM ever made. — Mike Royer

In fact, sometimes when I look at something my memory does work. I remember the panel where Alex Toth told me, "Mike, if you really don't understand all that, you don't need to put it on there." — Mike Royer

Why are other people profiting off that? I can see that if I have the page and sold it for $50 and 20 years later somebody's got it for $200, okay. That's business. But I had no say in that art being out there. It just really burns me. — Mike Royer

I'm finding that everything sells. I've been toying with the fact that I have this big giant glass jar with the metal screw lid on it that's full of ribbons and memorabilia from conventions and stuff. I've got buttons and I have all of my Walt Disney Mickey Mouse credit cards. I'm wondering in my old age if anyone would pay for a credit card with Mickey Mouse on it issued to me. I wonder if anyone would pay anything for that? — Mike Royer

I moonlighted during a two-week vacation, doing a month's worth of work in two weeks; it almost killed me, but I wanted to stretch my muscles and the letter from the producer says, "Your storyboarding is Eisensteinian," referring to the famous Russian filmmaker. — Mike Royer

During the Mavelmania days in the late '60's I got a phone call one evening and I answered it and this voice said, "Mike Royer? This is Jack Kirby. Word is you're a pretty good inker." That's how it started. — Mike Royer

Forty percent of my ideas came from my wife. — Mike Royer

It's not Comic Con any more. It's this huge marketplace for the motion picture and television industry. And the toy manufacturer's and the game people. One of the problems with International Comic Con is that tickets go on sale for the next year's event and the place is full of thousands and thousands of kids who have scraped together every dime to get admittance because they want to get all the freebies. — Mike Royer

I live in the past when it comes to movies, but my own career is a matter of remembering the nuts and bolts and things like eating chocolate cake and drinking milk with Jack [Kirby] in his kitchen, but that's all I remember. — Mike Royer

It was months later when I was sitting at the board in my studio and my wife would stick her head in and say, "What if you did Pooh and ... oh, we don't do that anymore." I do have my soapbox and will go to my grave being a Disney company man. — Mike Royer

I've met some real talents that were ... real talents and I've met some real talents that were incredible people.People like Al Williamson, Gray Morrow, to a certain extent Jim Steranko, who is an institution all to himself. What a talent. What a genius talent. — Mike Royer

I will say that I'm proud of my connection to DC comics because they are absolutely fabulous in sending reprint royalty checks. — Mike Royer

Being a naive 20-something I didn't think that I could just go to the screen cartoonist's union, that I was a member of, and scream bloody murder and they would have jumped all over this guy and said, "Oh, but yes he does get screen credit." — Mike Royer