Martin Gayford Quotes & Sayings

Only after seeing the winter, do you comprehend the richness of summer. This was a big theme, and one I could confidently do: the infinite variety of nature. — Martin Gayford

I think I'm greedy, but I'm not greedy for money - because that can be a burden - I'm greedy for an exciting life. I want it to be exciting all the time, and I get it, actually. On the other hand, I can find excitement, I admit, in raindrops falling on a puddle and a lot of people wouldn't. I intend to have it exciting until the day I fall over. — Martin Gayford

Would Turner have slept through such terrific drama? Absolutely not! Anyone in my business who slept through that would be a fool. I don't keep office hours. — Martin Gayford

In London, too, there's always someone dropping in, but not here - it's too awkward a place to get to. I like people to come and stay. I'm not anti-social; I'm just unsocial. — Martin Gayford

Most people feel that the world looks like the photograph. I've always assumed that the photograph is nearly right, but that little bit by which it misses makes it miss by a mile. This is what I grope at. — Martin Gayford

Drawing makes you see things clearer, and clearer, and clearer still. The image is passing through you in a physiological way, into your brain, into your memory - where it stays - it's transmitted by your hands. — Martin Gayford

After I'd drawn the grasses, I started seeing them. Whereas if you'd just photographed them, you wouldn't be looking as intently as you do when you are drawing, so it wouldn't affect you that much. — Martin Gayford

Eight years ago, I wouldn't have painted this subject I'm starting now: a clearing filled with grasses. It would have seemed too much of a jumble. I had to keep looking and drawing, and looking. Now, because of all that time I spent drawing these grasses, I know what I'm looking for. — Martin Gayford

When you are drawing, you are always one or two marks ahead. You're always thinking, 'After what I'm doing here I'll go there, and there.' It's like chess or something. In drawing I've always thought economy of means was a great quality - not always in painting, but always in drawing. — Martin Gayford

Time is his luxury, and he is prepared to spend any amount that is necessary to get a picture right, which is another paradox, since by nature LF is packed with nervous energy and still apt, for example, to dive into traffic and sprint down the road in pursuit of a taxi. 'All my patience', he notes, 'has gone into my work, leaving none for my life. — Martin Gayford