You Always Put Me Down Quotes & Sayings

I tried to build an igloo out of orange peel but it kept falling down and even when it stood up I didn't have an eskimo to put in it, so I had to invent a story about 'How Eskimo Got Eaten', which made me even more miserable. It's always the same with diversions; you get involved — Jeanette Winterson

Don't get me wrong. For the most part, being strong got me through a lot. And I'm thankful that short of people dying on me, nothing can make me break down.
There are times, however, when being strong feels a bit of a curse.
You see, when you're a very strong person, people always expect you to take care of yourself. People always expect you to put on a calm and collected exterior. You're not given much room to freak out and be human. — Nessie Q.

They looked at me like I was some kind of threat. [Mick] Jagger really tried to put me down, but there was no way some crude, lippy guy was going to do a number on me. I was always able to squelch him. I found out that, if you stand up to Mick, he crumbles. — Anita Pallenberg

The hardest thing in the world is being a critic of your own work. For me time has always been the best critic. If I can put something away and then come back, it's like taking a painting you're working on, turning it upside down, squinting at it, or walking away to get a new view. Time helps you know whether it's worth saving or whether it should be dumped. — Karla Kuskin

I noticed the different kids were always put down by other people and it would cause them to become almost violent with themselves. It's not really necessary; there's a way to find strength in yourself, and for me it was writing. That was sort of my release and my escape, so the term 'Knives and Pens' to me was like a choice. You can either create, or become violent, and maybe go down a dark road. — Andy Biersack

She was a widow, and he stripped himself naked while she went to fetch some of her husband's clothes. But before he could put them on, the police were hammering on the front door with their billy clubs. So the fugitive hid on top of a rafter. When the woman let in the police, though, his oversize testicles hung down in full view."
Trout paused again.
The police asked the woman where the guy was. The woman said she didn't know what guy they were talking about," said Trout. "One of the cops saw the testicles hanging down from a rafter and asked what they were. She said they were Chinese temple bells. He believed her. He said he 'd always wanted to hear Chinese temple bells. "He gave them a whack with his billy club, but there was no sound. So he hit them again, a lot harder, a whole lot harder. Do you know what the guy on the rafter shrieked?" Trout asked me. I said I didn't. "He shrieked, 'TING-A-LING, YOU SON OF A BITCH! — Kurt Vonnegut

When Lillian left work in the early evening the streets were slick and shiny with rain and the lamps flared yellow giving her the melancholy feeling that always came with the rain and the dark. She'd just struggled to push up her umbrella when the farmer from Saskatchewan came out of the shadows and tipped his hat again, very politely, and said could he escort her home? She put her small hand on his broad arm and held the umbrella over both their heads (he was very tall) and he walked her all the way back to her lodging-house where the landlady, Mrs Raicevic, looked after Edmund after school. By then, Lillian had learned the farmer's name and she said, 'Edmund, this is Mr Donner,' and Pete Donner squatted right down and said, 'Hello there, Edmund, you can call me Pete.' Although he never did, preferring to call him 'Pop' almost from the day his mother married him. — Kate Atkinson

So with a lot of difficulty, I picked up this huge snapping turtle and slowly carried it down the road to the river.
Just as I had slipped it into the water and was watching it swim away, my geology professor came up behind me. "You know," he said quietly, "that turtle has probably spent a month crawling up the dirt path to lay its eggs in the mud on the side of the road - you have just put it back in the river."
I felt terrible. I couldn't believe what I had done, but it was too late. It took me many more years to realize this parable had taught me the first rule of organizing.
Always ask the turtle. — Gloria Steinem

Miss Annie, is it wrong for me to believe it was Jesus who asked my forgiveness?" I asked her.
She frowned and shook her head, "Lord, what do they teach you at that school?" she said. Then she faced me head-on. "Did God humble himself by becoming a man?" she asked, every word spoken more loudly than the one before.
"Yes, ma'am," I said. I'd never used the word ma'am before, but it seemed an excellent time to start.
"Did he humble himself by dying on the cross to show us how much he loved us? she asked, waving her spatula at me.
My eyes widened and I nodded, yes.
Miss Annie's body relaxed, and she put her hand on her hip. "So why wouldn't Jesus humble himself and tell a boy he was sorry for letting him down if he knew it would heal his heart?" she asked.
"But if Jesus is perfect
"
Miss Annie ambled the five or six feet that separated us and took my hand. "Son," she said, rubbing my knuckles with her thumb, "love always stoops. — Ian Morgan Cron

But Alonso kept smiling that smile and nothing made any sense with that smile looking you in the face. 'Jim, don't tell me that, you know, brother-shit. I have been through it all. Take, you know, advice. There is only one thing and that is the kick, the Now. Nothing else counts. Get yours. Get it because, you know, no one cares and they will always put you down in the end, Jim, and the only word that counts is, you know, Now. Not that foolish brother and bopping jazz, Jim. Now. Because if it all don't go up in any, you know, twenty minutes; up, all gone; then they are going to put you down and keep you down. Now. — Sol Yurick

Jiminy," says the old woman. The mothballs gleam with excitement and she claps her hands. "A wolf!"
"Gram!" Siobhan glares across the room. She turns to me. "You'll have to excuse her. She's real old. Wasn't a lot integrating between the species back in her day."
I pad over and put out a paw. "Pleased to meet you, madam."
She blushes, the varicose veins in her cheeks swelling with blood. Instead of taking my paw to shake, however, she turns it over as if it's a piece of bruised fruit in a market. "Hmmm ... " She pores over my palm, nodding like a fortune-teller. Her spectacles slide comically down the bridge of her nose, and when she looks up at me, her face is full of mock astonishment. "Oh, my! What big teeth you have!" She giggles and kicks her slippered feet.
"Gram!!
The old elf claps her tiny hands. "I always wanted to say that! — Robert Paul Weston

You do understand that I must find a way to return to Olympus," I said. "This will probably involve many harrowing trials with a high chance of death. Can you turn down such glory?"
"Yeah, I'm pretty sure I can. Sorry."
I pursed my lips. It always disappointed me when mortals put themselves first and failed to see the big picture - the importance of putting me first - but I had to remind myself that this young man had helped me out on many previous occasions — Rick Riordan

Put a damn shirt on and cover up your eighteen pack or whatever you got going on under that skin, you are making me drool."
"Lea, stop saying crap like that to me and stop gawking, awkward."
Lea smiled down at me, "You, sir are a bit easy on the eye, so therefore I shall stare at you. If you feel at all uncomfortable, I could always knock you over the head with something until you're unconscious and take pictures. — Christine Zolendz

All right," I said, waving the cup away and dabbing moisture very carefully from my lips. "I'm fine." I breathed shallowly, feeling my heart begin to slow down. "Well. So. At least now I know why you've been coming back from the Cherokee villages in such a state of-- off--" I felt an unhinged giggle rising, and bent over, moaning as I stifled it. "Oh, Jesus H. Roosevelt Christ. And here I thought it was thoughts of me, driving you mad with lust."
He snorted then himself, though mildly. He put down the cup, rose, and turned back the coverlet. Then he looked at me, and his eyes were clear, unguarded.
"Claire," he said, quite gently, "it was you. It's always been you, and it always will be. Get into bed, and put the candle out. As soon as I've fastened the shutters, smoored the hearth, and barred the door, I'll come and keep ye warm. — Diana Gabaldon

He was tall in the bed and I could see the silver through his eyelids. His soul sat up. It met me. Those kinds of souls always do - the best ones. The ones who rise up and say, "I know who you are and I am ready. Not that I want to go, of course, but I will come." Those souls are always light because more of them have been put out. More of them have already found their way to other places. This one was sent out by the breath of an accordion, the odd taste of champagne in summer, and the art of promise-keeping. He lay in my arms and rested. There was an itchy lung for a last cigarette and an immense, magnetic pull toward the basement, for the girl who was his daughter and was writing a book down there that he hoped to read one day. — Markus Zusak

Hunted what?" Shea held her breath, afraid of what he might say.
"Beautiful women, little one, and I was the one who found you after all." His white teeth gleamed at her, a definite leer.
"Don't put me off like that." She had already taken advantage, sliding easily into his mind and picking out the pictures of danger and revulsion. Fear even. Not so much of their adversary, but of themselves turning into the very thing they sought to destroy.
Jacques, unprepared for her entrance into his mind, had been confident he could keep the grimmer side of their existence watered down for her. Shea had always been reluctant to enter his mind; it hadn't occurred to him that she would do so whenever she wanted.
His expression was so rueful that Shea burst out laughing. "Where I grew up, that's called being caught with your pants down."
He looked down at his body, glistening with the rain. His grin was self-mocking, his black eyes amused. "Literally. — Christine Feehan

That's sweet. Nice of you." Johnson put his hands in his pockets. Dove couldn't help but wonder if he was massaging a sore bag of testicles. Dove looked around, and Johnson shuffled his feet. It seemed neither knew what to say, but she hoped neither wanted to part ways either.
Johnson's default was always medical.
"How's your infection?"
Die. Die. Kill me.
"It's ... cleared up ... nicely." Dove twisted her hand into her hair. — Debra Anastasia

The last one's hard. Marriage is always a balancing act, and it's never a good idea for one partner to get too big a head, but I'm afraid that's what's going to happen here. People write a lot of things about Eric Dillon's talent, and most of it's true. But nobody writes about the important things. The fact that he's a wonderful father and the best husband a woman could have. That fact that he cares about other people so much that he sometimes scares me. That doesn't mean he's perfect, of course. It's hard living with a man who's prettier than all of your girlfriends put together. But if it weren't for Eric Dillon, I wouldn't be here tonight. He loved me when I wasn't lovable, and I guess when it comes right down to it, that's pretty much what family is all about. Thank you, sweetheart. — Susan Elizabeth Phillips

So I will just tell you I love you. I love you, Bram. I want everyone to see it, and I want you to know . . . you're a part of this place now. No matter where duty takes you, Spindle Cove will always be here for you. And so will I." He put both arms around her, pulling her flush against his chest. "You beautiful, brazen thing." Then he went silent, just holding her gaze for what seemed like eons. Nerves multiplied in her stomach with every passing second. She swallowed hard. "Don't you have anything else to say?"" 'Hallelujah' springs to mind. Beyond that . . ." He brushed a caress down her cheek. "Does this mean that if I proposed marriage to you right now, you might not make that twisty, unhappy face?" "Try me and see. — Tessa Dare

Only, this was the thing: you'd provided me with the possibility of getting away from myself and making myself at home in another world. You were like a messenger from that world. With you, I could give my real self a rest. You were part and parcel of that dissolving of reality - myself included - that I'd been working on for seven or eight years through writing. For me, you were the herald out in front who showed me how to put the menacing world on hold. In that world I was a refugee whose existence was not legitimate, whose future never went beyond the three months of a temporary visa. I had no desire to come back to earth. I'd found a refuge in a magical experience and I wasn't about to let it get dragged down into reality. As far back as I can remember, I'd always sought not to exist. You've had to work for years on end to get me to accept the fact that I do exist. And I really don't think your work is over yet. — Andre Gorz

(Grandma Alice always said being in the field should be treated like going to war: eat when you can, sleep when you can, never put your gun down, and never get drunker than the people around you. Grandma Alice was more than a little bit paranoid. Sadly for me, she was also more than a little bit right.) — Seanan McGuire

She perks up and smiles. "Are you asking me out on a real, live date?"
I nod my head.
"Well, you suck at it, you know. You always have. Sometimes girls like to be asked and not told."
She's trying to play hard to get, which is pointless. I've already got her ... but I play her game anyway. I kneel down on the floor in front of her and look into her eyes. "Lake, will you do me the honor of accompanying me on a date tomorrow night? "
She leans back into the couch and looks away. "I don't know, I'm sort of busy," she says. "I'll check my schedule and let you know." She tries to look put out, but a smile breaks out on her face. She leans forward and hugs me, but I lose my balance and we end up in the floor. I roll her onto her back and she stares up at me and laughs. "Fine. Pick me up at seven. — Colleen Hoover

'Writing' always means 'not writing' to me because I will do anything to put it off. I think this is mainly because writing anything down and then handing it over to a third party - especially in comedy - is such an exposing act that you naturally want to delay the process. — Catherine Tate

Pages were always supposed to be off-camera - we were supposed to be invisible. But I had a moment where I saw a kid who was ready to flip himself out of the balcony, so I ran down and grabbed him and put him back in his seat. I remember the stage manager taking me aside and saying, "Can you please never do that again? I know you were saving his life, but we have you in the shot." — Anne Sweeney

Sometimes I get so lost in the moment, I start running around my yard, flapping my arms like a seagull at the beach. A lot of times I'll even start to squawk. Usually right around the third or fourth squawk is when my neighbor starts screaming at me to pipe down. He's always like, "Quiet down, lady! And put on some pants!" And I'm always like, "YOU put on some pants, sir!" because in the heat of the moment I panic and I can't think of anything better to say. Of course, he's already wearing pants, so it doesn't pack quite the punch I want it to, but the bottom line is he's clearly not as connected to nature as I am. — Ellen DeGeneres

And then she said nothing else, for Henry put his arms around her and kissed her. Kissed her in such a way that she no longer felt plain, or conscious of her hair or the ink spot on her dress or anything but Henry, whom she had always loved. Tears welled up and spilled down her cheeks, and when he drew away, he touched her wet face wonderingly.
"Really," he said. "You love me, too, Lottie? — Cassandra Clare

You are always dragging me down,' said I to my Body. 'Dragging _you_ down!' replied my Body. 'Well I like that! Who taught me to like tobacco and alcohol? You, of course, with your idiotic adolescent idea of being "grown up". My palate loathed both at first: but you would have your way. Who put an end to all those angry and revengeful thoughts last night? Me, of course, by insisting on going to sleep. Who does his best to keep you from talking too much and eating too much by giving you dry throats and headaches and indigestion? Eh?' 'And what about sex?' said I. 'Yes, what about it?' retorted the Body. 'If you and your wretched imagination would leave me alone I'd give you no trouble. That's Soul all over; you give me orders and then blame me for carrying them out. — C.S. Lewis

Adaptation is always the same process for me, which is some version of throwing the book at the wall and seeing what pages fall out. It is trying to imagine, remember the story, read it, put it down, and then write sort of an outline without the book in front of you with some hope that what you like about it will be filtered and distilled out through your memory and then that will be similar to what other people like about it. — Akiva Goldsman

I should have seen it coming." The words don't surprise me, but they piss me off. I pull away and glare down at her. "Don't you fucking dare, Nell Hawthorne. Don't you dare put this on yourself. You should never have to see shit like this coming." She backs away, stunned and afraid by the intensity I know is radiating off me. "Colton, I just meant he's always shown - " "Stop. Just stop right there. Granted, you should've never gotten involved with a douchetard like him, but that's no excuse for what he did. — Jasinda Wilder

. I wanted to hug her, to hold her and tell her that I would have killed him if he ever hurt her. I wanted to shout at her and tell her I would protect her and help her and always be there for her. In that moment I think I fell in love for the first time. I walked over to her not really comprehending what I was feeling but reaching out to her with compassion. I sat down beside Rae and put my arm around her. She hugged me back and whispered, "Thank you."
She stood up and touched my cheek with her fingers and went inside her house. I sat there awhile until the porch-light went off and then walked home, my feet about an inch above the ground. — Doug Hiser

At the time I attended a private Catholic school called Maryville College. I was the champion of the Maryville sports day every single year and my mother won the mom's trophy every single year. Why? Because she was always chasing me to kick my ass and I was always running not to get my ass kicked. Nobody ran like me and my mom. She wasn't one of those "Come over here and get your hiding [beating]" type of moms. She delivered to you free of charge. She was a thrower too. Whatever was next to her was coming at you. If it was something breakable, I had to catch it and put it down. If it broke, that would be my fault too and the ass-kicking would be that much worse. If she threw a vase at me, I'd had to catch it, put it down and then run. In a split-second I'd have to think "Is it valuable? Yes. Is it breakable? Yes. Catch it, put it down. Now run!" We had a very Tom and Jerry relationship, me and my mom. She was the strict disciplinarian, I was naughty as shit. — Trevor Noah

Now, there's no way with servants, but to put them down, and keep them down. It was always natural to me, from a child. Eva is enough to spoil a whole house-full. What will she do when she comes to keep house herself, I'm sure I don't know. I hold to being kind to servants - I always am; but you must make 'em know their place. Eva never does; there's no getting into the child's head the first beginning of an idea what a servant's place is! You heard her offering to take care of me nights, to let Mammy sleep! That's just a specimen of the way the child would be doing all the time, if she was left to herself. — Harriet Beecher Stowe

Songs are my diaries; they always have been. You have to put your trust in everyone because putting down those real, personal details and thoughts that make a song authentic also opens you right up. I am constantly misunderstood; a lot of people just don't get me. — Taylor Swift

Andy once clipped a magazine article about how black dogs are always the last to be adopted at shelters and, therefore, more likely to be put down. Which is totally Dog Racism, if you ask me. — Stephanie Perkins

I was at a point in my life where I didn't have any hope, but it wasn't the end for me. I buckled down, put in the effort and hard work and was able to get myself out of that hole. You always have to have hope. — Jason Peter

To me, music and songwriting is ... part of the intriguing thing is the creative process; you know, the creative thought process. Relying on that ... there is some sort of inspiration there and you can't always put your finger on where it comes from. So, it's always been important for me to have my own thing and, even though I'm inspired by and influenced by many different musicians and styles of music, I was very determined early on to have my own thing. So when I sit down to write I don't necessarily have a particular narrative or message in mind. I'm interested in language and in words. — Page Hamilton

I went to school, and I remember that you had to do these tests to find out what set you're in - how clever you are. I put down "Kit Harington," and they looked at me like I was completely stupid, and they said, "No, you're Christopher Harington, I'm afraid." It was only then I learnt my actual name. That was kind of a bizarre existential crisis for an 11-year-old to have, but in the end I always stuck with Kit, because I felt that's who I was. I'm not really a "Chris." — Kit Harington

I have anyway always hoped to write a truly memorable book, the one that you go back to the beginning of and start rereading as soon as you get to the end, the one that you think of in subsequent years as the one that really pointed you in the way you wish to go. I still don't think I have done it. That's life. Halfway to the moon. But on what I have done, I would not really like to set an age-limit. I am always delighted when aunts and grandfathers write to me, saying their nephew/granddaughter has just introduced them to, say, Howl and they couldn't put him down. — Diana Wynne Jones

How does that put me in danger?" Nick asks. It's the first question he's asked the entire time. Devyn, however, has been Mr. Nonstop Wondering Question Guy.
"Because . . ." I don't know how to say it, struggle for the words. "Because you and I are a thing and you're a threat."
"You better believe I'm a threat," Nick growls. The entire car seems to shake with his energy. Little hairs on my arm lift and vibrate.
"He's going macho again," Dev says, totally nonchalantly, while he unlocks the door.
"He's always going macho," Is adds. "It must be the wolf thing."
"I am not going macho. I am always macho," Nick says, and for a moment the tension ratchets down, but then his face muscles become rigid again. — Carrie Jones

I'm a big fan of Justin Timberlake and Bruno Mars - that's my next level. You've got to dream. People have always tried to shoot me down for wanting to be a big worldwide star. But why not? You have to broaden your horizons and put yourself out there. — Olly Murs