Writing By Hemingway Quotes & Sayings

I've seen a lot of patriots and they all died just like anybody else if it hurt bad enough and once they were dead their patriotism was only good for legends; it was bad for their prose and made them write bad poetry. If you are going to be a great patriot i.e. loyal to any existing order of government (not one who wishes to destroy the existing for something better) you want to be killed early if your life and works won't stink. — Ernest Hemingway,

All you have to do is write one true sentence. Write the truest sentence that you know. — Ernest Hemingway,

Writing is a hard business, but nothing makes you feel better — Ernest Hemingway,

People have invoked the ghost of Hemingway quite a few times in writing about the book. I could get into sticky territory here if I let myself go on about this subject. The more I hear it, the more it rankles, frankly. — Ron Currie Jr.

Good writing is true writing. If a man is making a story up it will be true in proportion to the amount of knowledge of life that he has and how conscientious he is; so that when he makes something up it is as it would truly be. — Ernest Hemingway,

Anyone who says he wants to be a writer and isn't writing, doesn't. — Ernest Hemingway,

You have to digest life. You have to chew it up and love it all through. — Paula McLain

What difference does it make if you live in a picturesque little outhouse surrounded by 300 feeble minded goats and your faithful dog? The question is: Can you write? — Ernest Hemingway,

The parody is the last refuge of the frustrated writer. Parodies are what you write when you are associate editor of the Harvard Lampoon. The greater the work of literature, the easier the parody. The step up from writing parodies is writing on the wall above the urinal. — Ernest Hemingway,

... Writing is something that you can never do as well as it can be done. It is a perpetual challenge and it is more difficult than anything else that I have ever done - so I do it. And it makes me happy when I do it well. — Ernest Hemingway,

Let's say that he should go out and hang himself because he finds that writing well is impossibly difficult. Then he should be cut down without mercy and forced by his own self to write as well as he can for the rest of his life. At least he will have the story of the hanging to commence with. — Ernest Hemingway,

All the critics who could not make their reputations by discovering you are hoping to make them by predicting hopefully your approaching impotence, failure and general drying up of natural juices. Not a one will wish you luck or hope that you will keep on writing unless you have political affiliations in which case these will rally around and speak of you and Homer, Balzac, Zola and Link Steffens. — Ernest Hemingway,

Having books published is very destructive to writing. It is even worse than making love too much. Because when you make love too much at least you get a damned clarte that is like no other light. A very clear and hollow light. — Ernest Hemingway,

Do you suffer when you write? I don't at all. Suffer like a bastard when don't write, or just before, and feel empty and fucked out afterwards. But never feel as good as while writing. — Ernest Hemingway,

I knew how severe I had been and how bad things had been. The one who is doing his work and getting satisfaction from it is not the one who poverty bothers. — Ernest Hemingway,

Writing and travel broaden your ass if not your mind and I like to write standing up. — Ernest Hemingway,

It is all very well for you to write simply and the simpler the better. But do not start to think so damned simply. Know how complicated it is and then state it simply. — Ernest Hemingway,

The only kind of writing is rewriting. — Ernest Hemingway,

In writing there are many secrets too. Nothing is ever lost no matter how it seems at the time and what is left out will always show and make the strength of what is left in. — Ernest Hemingway,

Hemingway, damn his soul, makes everything he writes terrifically exciting (and incidentally makes all us second-raters seem positively adolescent) by the seemingly simple expedient of the iceberg principle - three-fourths of the substance under the surface. He comes closer that way to retaining the magic of the original, unexpressed idea or emotion, which is always more stirring than any words. But just try and do it! — Marjorie Kinnan Rawlings

This too to remember. If a man writes clearly enough any one can see if he fakes. If he mystifies to avoid a straight statement, which is very different from breaking so-called rules of syntax or grammar to make an efffect which can be obtained in no other way, the writer takes a longer time to be known as a fake and other writers who are afflicted by the same necessity will praise him in their own defense. True mysticism should not be confused with incompetence in writing which seeks to mystify where there is no mystery but is really only the necessity to fake to cover lack of knowledge or the inability to state clearly. Mysticism implies a mystery and there are many mysteries; but incompetence is not one of them; nor is overwritten journalism made literature by the injection of a false epic qulaity. Remember this too: all bad writers are in love with the epic. — Ernest Hemingway,

I consider it a shame that most contemporary American writing seems informed more by Hemingway, the hero of adolescent boys of all ages and genders, than by the sui generis genius of letters, Faulkner. A phalanx of books about boredom in the Midwest is lauded (where the Midwest lies is a source of constant puzzlement to me, somewhere near Iowa, I presume), as are books about unexplored angst in New Jersey or couples unable to communicate in Connecticut. It was Camus who asserted that American novelists are the only ones who think they need not be intellectuals. — Rabih Alameddine

Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary — Pat Conroy

At night, never go to bed without knowing what you'll write tomorrow. — Ernest Hemingway,

The only writing that was any good was what you made up, what you imagined. That made everything come true. Everything good he had ever written he'd made up. None of it had ever happened. Other things had happened. Better things, maybe. That was what the family couldn't understand. They thought it was all experience. Nick in the stories was never himself. He made him up. Of course he had never seen an Indian woman having a baby. That was what made it good. Nobody knew that. — Ernest Hemingway,

I've seen you, beauty, and you belong to me now, whoever you are waiting for and if I never see you again, I thought. You belong to me and all Paris belongs to me and I belong to this notebook and this pencil. Then I went back to writing and I entered far into the story and was lost in it. I was writing it now and it was not writing itself and I did not look up nor know anything about the time nor think where I was nor order any more rum St. James. I was tired of rum St. James without thinking about it. Then the story was finished and I was very tired. I read the last paragraph and then I looked up and looked for the girl and she had gone. I hope she's gone with a good man, I thought. But I felt sad. — Ernest Hemingway,

I've been wondering about Dostoyevsky. How can a man write so badly, so unbelievably badly, and make you feel so deeply? — Ernest Hemingway,

Are you planning to go into writing as a career?'
'Yes, yes, that's what this is all about for me. I'm planning to write another short story this weekend. Have you read Hemingway by the way?'
'Oh yes. Part of growing up.'
'A bit like that, yes. Straight to the point. Simple and clear. With weight behind it. — Karl Ove Knausgard

As one of the first editors at 'Outside' magazine in 1975, it was my contention that most American writing going back to James Fennimore Cooper and then through Twain up to Hemingway had been outdoor writing. At that time, adventure writing meant stuff like 'Saga' or 'Argosy.' 'Death Race with the Jungle Leper Army!' That kind of thing. — Tim Cahill

I write description in longhand because that's hardest for me and you're closer to the paper when you work by hand, but I use the typewriter for dialogue because people speak like a typewriter works. — Ernest Hemingway,

Anybody can write, but not everybody invents new forms of writing. Gertrude Stein invented a new form of writing and her imitators are just 'talents.' Hemingway later invented his own form also. The criterion for judging talent or genius is ephemeral, speaking rationally in this world of graphs, but one gets the feeling definitely when a writer of genius amazes him by strokes of force never seen before and yet hauntingly familiar. — Jack Kerouac

Dostoevsky was made by being sent to Siberia. Writers are forged in injustice as a sword is forged. — Ernest Hemingway,

Though there is one part of writing that is solid and you do it no harm by talking about it, the other is fragile, and if you talk about it, the structure cracks and you have nothing. — Ernest Hemingway,

If a writer stops observing he is finished. Experience is communicated by small details intimately observed. — Ernest Hemingway,

If he wrote it, he could get rid of it. He had gotten rid of many things by writing them. — Ernest Hemingway,

It has been suggested that Tiptree is female, a theory that I find absurd, for there is to me something ineluctably masculine about Tiptree's writing. I don't think the novels of Jane Austen could have been written by a man nor the stories of Ernest Hemingway by a woman, and in the same way I believe the author of the James Tiptree stories is male. — Robert Silverberg

Everything that a painter did or that a writer wrote was a part of his training and preparation for what he was to do. — Ernest Hemingway,

To whatever extent the Hell's Angels may or may be latent sadomasochists or repressed homosexuals is to me
after nearly a year in the constant company of outlaw motorcyclists
almost entirely irrelevant. There are literary critics who insist that Ernest Hemingway was a tortured queer and that Mark Twain was haunted to the end of his days by a penchant for interracial buggery. It is a good way to stir up a tempest in the academic quarterlies, but it won't change a word of what either man wrote, nor alter the impact of their work on the world they were writing about. Perhaps Manolete was a hoof fetishist, or suffered from terrible hemorrhoids as a result of long nights in Spanish horn parlors ... but he was a great matador, and it is hard to see how any amount of Freudian theorizing can have the slightest effect on the reality of the thing he did best. — Hunter S. Thompson

But, you say, there is very little conversation in this book. Why isn't there more dialoge? What we want in a book by this citizen is people talking; that is all he knows how to do and now he doesn't do it. The fellow is no philosopher, no savant, an incompetent zoologist, he drinks too much and cannot punctuate readily and now he has stopped writing dialogue. Some one ought to put a stop to him. He is bull crazy. — Ernest Hemingway,

By the time I got to high school, I had learned to be more cautious about revealing my dreams. I was reading - and therefore writing - adventure stories. This was before I'd read Isak Dinesen and Mikhail Bulgakov, before Ernest Hemingway and T. Coraghessan Boyle, before I'd read something and really felt it, when writing was still just a compulsion, and my teen-age brain was only bordering on sentience. I filled pages of white space with swashbuckling, rapier-wielding, sidekick-sacrificing, dragon-baiting romance.
(from 'High-School Confidential' in the The New Yorker.) — Tea Obreht

I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior FBI-men, discards from Freud and Jung and a sort of Columnist peep-hole and missing laundry list school ... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering. — Ernest Hemingway,

If a man liked his friends' painting or writing, I thought it was probably like those people who like their families, and it was not polite to criticize them. Sometimes you can go quite a long time before you criticize families, your own or those by marriage, but it is easier with bad painters because they do not do terrible things and make intimate harm as families can do. With bad painters all you need to do is not look at them. — Ernest Hemingway,

After writing a page, Hemingway would let it float to the ground. He never crumpled pages - he believed that if you crumpled them, you'd be insane in a year. — Clive Owen

It is why I bother with you," he said. "I think you write absolutely truly and that is very rare. So I would like you to know some things. — Ernest Hemingway,

Since I had started to break down all my writing and get rid of all facility and try to make instead of describe, writing had been wonderful to do. — Ernest Hemingway,

Bad writing is better than never writing. Bad writing can be improved, but if you never write, you'll never improve. — Caroline Hemingway

Don't let yourself slip and get any perfect characters ... keep them people, people, people, and don't let them get to be symbols. — Ernest Hemingway,

Let those who want to save the world if you can get to see it clear and as a whole. Then any part you make will represent the whole if it's made truly. The thing to do is work and learn to make it. — Ernest Hemingway,

There is seven-eights of it under water for every part that shows. Anything you know you can eliminate and it only strengthens your iceberg. It is the part that doesn't show. If a writer omits something because he does not know it then there is a hole in the story.
(Interview with Paris Review, 1958) — Ernest Hemingway,

In truly good writing no matter how many times you read it you do not know how it is done. That is beacause there is a mystery in all great writing and that mystery does not dis-sect out. It continues and it is always valid. Each time you re-read you see or learn something new. — Ernest Hemingway,

When I returned to camp, they walked behind me on the trail, and we spoke not a word about getting skunked today, but rather talked about the days we returned with a stringer full of fish, and how we filleted them and the left the guts out for bears and eagles, and how those fish tasted fresh when we fried them over a fire. — Daniel J. Rice

If I had waited long enough I probably never would have written anything at all since there is a tendency when you really begin to learn something about a thing not to want to write about it but rather to keep on learning about it always and at no time, unless you are very egotistical, which, of course, accounts for many books, will you be able to say: now I know all about this and will write about it. — Ernest Hemingway,

You need the devotion to your work that a priest of God has for his. — Ernest Hemingway,

You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. — Ernest Hemingway,

After writing a story I was always empty and both sad and happy, as though I had made love, and I was sure this was a very good story although I would not know truly how good until I read it over the next day. — Ernest Hemingway,

The writer must write what he has to say, not speak it. — Ernest Hemingway,

There is nothing to writing. All you do is sit down at a typewriter and bleed. — Ernest Hemingway,

He [Hemingway] used a stand-up work place he had fashioned out of the top of of a bookcase near his bed. His portable typewriter was snugged in there and papers were spread along the top of the bookcase on either side of it. He used a reading board for longhand writing. — A. E. Hotchner

There's this whole post-modern, nuevo beatnik, retro-bohemian thing going on, you know what I mean? You walk into some coffee shops, and it feels like you're an ex-patriot in Paris in the 20s. You're like, 'Hey, isn't that a young Ernest Hemingway over there? Yeah, I think it is! Hey, let's go have a look and see what he's writing ... It's a Gap application.' — Marc Maron

I would say just start writing. You've got to write every day. Copy someone that you like if you think that perhaps could become your sound, too. I did that with Hemingway, and I thought I was writing just like Hemingway. Then all of a sudden it occurred to me - he didn't have a sense of humor. I don't know anything he's written that's funny. — Elmore Leonard

To invent out of knowledge means to produce inventions that are true. Every man should have a built-in automatic crap detector operating inside him. It also should have a manual drill and a crank handle in case the machine breaks down. If you're going to write, you have to find out what's bad for you. Part of that you learn fast, and then you learn what's good for you. — Ernest Hemingway,

It was in that room too that I learned not to think about anything that I was writing from the time I stopped writing until I started again the next day. That way my subconscious would be working on it and at the same time I would be listening to other people and noticing everything, I hoped; learning, I hoped; and I would read so that I would not think about my work and make myself impotent to do it. Going down the stairs when you had worked well, and that needed luck as well as discipline, was a wonderful feeling and I was free then to walk anywhere in Paris. — Ernest Hemingway,

I like simple writing. I'd rather read Hemingway than Burroughs. — Yannis Philippakis

Hemingway, whenever he was stuck in his writing, would tell himself to write one true thing. A true sentence. Then, he would write another. And another. It — Kamal Ravikant

The story was writing itself and I was having a hard time keeping up with it. — Ernest Hemingway,

I love to write. But it has never gotten any easier to do and you can't expect it to if you keep trying for something better than you can do. — Ernest Hemingway,

Huddled in her mink in the Kansas City airport, she had a vision of women writing about sex as openly as male writers, but quite, quite differently. Some women would treat sex much as men did,as conquest, as adventure
in a way as McCarthy had. Other women would treat female sexuality far less romantically then men who did not consider themselves romantics, like Hemingway, were wont to. The earth would not move, no, there would be more biology and less theatrics. Women had less ego involvement in sex than men did, but far more at stake economically. — Marge Piercy

Write as well as you can and finish what you start. — Ernest Hemingway,

Once writing has become your major vice and greatest pleasure, only death can stop it. — Ernest Hemingway,

The fun of talk is to explore, but much of it and all that is irresponsible should not be written. Once written you have to stand by it. You may have said it to see whether you believed it or not. — Ernest Hemingway,