Quotes & Sayings About Work Spaces

Where people know their work and do it, life has few blank spaces for boredom and they are seldom to be pitied. Where people have not yet found their work, they may be more pitied than those that beg their bread. When a man knows his work and will not do it, pity him more than one who is to be hanged tomorrow. — George MacDonald

When the time came for me to work with larger spaces, I conceived them as gardens, not as sites with objects but as relationships to a whole. — Isamu Noguchi

Third places are those needed spaces, neither home nor work, where we are known by our names and valued for being whatever we decide to be -- the clown, the intellectual, the quiet person. Being part of a family is a wonderful thing, and I'm all for team-building at work, but having a place where you don't have to be anything to anyone makes a pleasant breather. — Wendy Welch

Alternative spaces, independent media, satellite, these all provide some tools by which we can work more independently and deal more directly with communities we hope to reach. Distribution is key, and finding alternative ways to do that with new media is critical. — Chuck D

The spaces between stars are where the work of the universe is done. — Ivan Doig

The formalities necessary to obtain a work were quite complicated; the borrower's form had to contain the book's title, format, publication date, edition number, and the author's name- in other words, unless one was already informed, one could not become so. At the bottom, spaces were left to indicate the borrower's age, address, profession, and purpose of research. Michel obeyed these regulations and handed his properly filled-out form to the librarian sleeping at his desk; following his example, the pages were snoring loudly on chairs set around the wall; their functions had become a sinecure as complete as those of the ushers at the Comedie-Francaise. The librarian, waking with a start, stared at the bold young man; he read the form and appeared to be stupefied at the request; after much deliberation, to Michel's alarm, he sent the latter to a subordinate official working near his own window, but at a separate little desk... — Jules Verne

Every work is completely different. Sometimes the music is first, sometimes it's parallel, and sometimes the music is after. There's no rule. Music goes differently to your emotions. With music you can create different spaces and feelings easier than you can with the visual - maybe not easier, but in a way, it's more seductive. — Pipilotti Rist

TRY: During the day, see if you can detect the bloom of the present moment in every moment, the ordinary ones, the "in-between" ones, even the hard ones. Work at allowing more things to unfold in your life without forcing them to happen and without rejecting the ones that don't fit your idea of what "should" be happening. See if you can sense the "spaces" through which you might move with no effort in the spirit of Chuang Tzu's cook. Notice how if you can make some time early in the day for being, with no agenda, it can change the quality of the rest of your day. By affirming first what is primary in your own being, see if you don't get a mindful jump on the whole day and wind up more capable of sensing, appreciating, and responding to the bloom of each moment. — Jon Kabat-Zinn

Despite the fact the studio looks out of five windows onto a picture perfect view of sky, hills and wide open spaces, I work with my blinds firmly drawn, daylight filtered through their white canvas, a painterly northern light falling through two big skylights above my table, and nothing visible outside to distract me. — Debi Gliori

Galleries began growing in both number and size in the late seventies, when artists who worked in lofts wanted to exhibit their work in spaces similar to the ones the art was made in. — Jerry Saltz

I won't eat in a restaurant with filthy bathrooms. This isn't a hard call. They let you see the bathrooms. If the restaurant can't be bothered to replace the puck in the urinal or keep the toilets and floors clean, then just imagine what their refrigeration and work spaces look like. — Anthony Bourdain

create interiors for modern living that are informed by a classic perspective with timeless appeal. In order to design spaces that work for who — Sarah Richardson

They never asked, "Were you able to work today?" Maybe they had, twenty or thirty years earlier, but they'd gradually learned not to. There are empty spaces that must be respected - those often long periods when a person can't see the pictures or find the words and needs to be left alone.
When Mari came in, Jonna was on a ladder building shelves in her front hall. Mari knew that when Jonna started putting up shelves she was approaching a period of work. Of course the hall would be far too narrow and cramped, but that was immaterial. The last time, it was shelves in the bedroom and the result had been a series of excellent woodcuts. She glanced into the bathroom as she passed, but Jonna had not yet put printing paper in to soak, not yet. Before Jonna could do her graphic work in peace, she always spent some time printing up sets of earlier, neglected works - a job that had been set aside so she could focus on new ideas. After all, a period of creative grace can be short. — Tove Jansson

I don't like literal spaces, I don't like literal anything. I still like some kind of guess work but some pieces work and they just pop. — Jason Shawn Alexander

I'm not interested in living in a fantasy world ... All my work is still meant to evoke real architectural spaces. But what interests me is what the world would be like if we were free of conventional limits. Maybe I can show what could happen if we lived by a different set of rules. — Lebbeus Woods

It's great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these spaces were designed for sprawling installations, large paintings, and the Relational Aesthetics work of the past fifteen years. — Jerry Saltz

Up until 1950 most families' discretionary income did not cover much more than an occasional meal away from home; a beer or two after work; a weekly trip to the movies, amusement park, or beach; and perhaps a yearly vacation, usually spent at the home of relatives. Few households had washing machines and dryers. Refrigerators had only tiny spaces for freezing ice and had to be defrosted at least once a week. Few houses had separate bedrooms for all the children. — Stephanie Coontz

Trying to write is very much like trying to put a Chinese puzzle together. We have a pattern in mind which we wish to work out in words; but the words will not fit the spaces, or, if they do, they will not match the design. — Helen Keller

I think the Internet really sussed things into perspective. Because twelve years ago, I could spend my days on writing and running my band and touring and making posters and practicing with my band and working on my vocals, but I didn't spend a large pie chart of my time sifting through criticism as well, and nowadays I do, and all female artists do, because to be able to promote your work, you need to live in those spaces. — Amanda Palmer

We are always in the space in-between ... all the spaces where you are not actually at home. You haven't arrived yet ... This is where our mind is the most open. We are alert, we are sensitive, and destiny can happen. We do not have any barriers and we are vulnerable. Vulnerability is important. It means we are completely alive and this is an extremely important space. This is for me the space from which my work generates. — Marina Abramovic

The theoretical frameworks we bring to our praxis and our own experiences as scholars of color coalesce with a fundamental assumption in ACL, that identity is central to our praxis as leaders, and that our work as scholars advocating for increased diversity of leadership in spaces of higher learning is very much informed by our own identities. — Lorri Santamaria

I make spaces that apprehend light for our perception, and in some ways gather it, or seem to hold it ... my work is more about your seeing than it is about my seeing, although it is a product of my seeing. — James Turrell

Life on the blue part of the globe for eight years had suited me - the wild open spaces, the bliss of buoyancy, the volatile, soul-powered wind. Sailing had struck a nerve both primal and poetic. On and near the ocean life made sense, It made every sense work. — Kaci Cronkhite

With the rise of new technologies, media, and other cultural apparatuses as powerful forms of public pedagogy, students need to understand and address how these pedagogical cultural apparatuses work to diffuse learning from any vestige of critical thought. This is a form of public pedagogy that needs to be addressed both for how it deforms and for how it can create important new spaces for emancipatory forms of pedagogy. — Henry Giroux

I've come to understand the cumulative dialogue of my work as a kind of cartography of wisdom about our emerging world. This book is a map in words to important territory we all are on now together. It's a collection of pointers that treat the margins as seriously as the noisy center. For change has always happened in the margins, across human history, and it's happening there now. Seismic shifts in common life, as in geophysical reality, begin in spaces and cracks. — Krista Tippett

What interests us in operations of striation and smoothing are precisely the passages or combinations: how the forces at work within space continually striate it, and how in the course of its striation it develops other forces and emits new smooth spaces. — Gilles Deleuze

But there are no safe spaces. 'Home' can be unsafe and dangerous because it bears the likelihood of intimacy and thus thinner boundaries. Staying 'home' and not venturing out from our group comes from woundedness, and stagnates our growth. To bridge means loosening our borders, not closing off to others. Bridging is the work of opening the gate to the stranger, within and without. — Gloria E. Anzaldua

I believe that it's an author's job to cast his imagination into the far spaces. Your life should - and I think it's inescapable that it will - inform your work. I'm all for using anything that can make your art better, but your intuition should be an equal partner. — Brent Weeks

Every brilliant experiment, like every great work of art, starts with an act of imagination. Unfortunately, our current culture subscribes to a very narrow definition of truth. If something can't be quantified and calculated, then it can't be true. Because this strict scientific approach has explained so much, we assume that it can explain everything. But every method, even the experimental method, has limits. Take the human mind. Scientists describe our brain in terms of its physical details; they say we are nothing but a loom of electrical cells and synaptic spaces. What science forgets is that this isn't how we experience the world. (We feel like the ghost, not like the machine.) It is ironic but true: the one reality science cannot reduce is the only reality we will ever know. This is why we need art. By expressing our actual experience, the artist reminds us that our science is incomplete, that no map of matter will ever explain the immateriality of our consciousness. — Jonah Lehrer

Actual artists, and despite their reputation for chaos, most artists keep their supplies and work spaces scrupulously tidy. It's the personal lives that get messy. Dusk, — Susan Juby

At the end of the 1960s, I was part of the downtown theatrical movement in New York that was making work in alleyways, garages, gyms, churches, non-traditional spaces. The idea was to get away from the illusion of the conventional theatre. But then I thought, what's wrong with illusion? — Robert Wilson

some of the best ideas I've had in my life and in my work, they often occurred in the spaces "in between" my commitments. They materialized when I least expected, during a moment of downtime, and typically when I was doing something in no way related to the project. — Todd Henry

All the natural movements of the soul are controlled by laws analogous to those of physical gravity. Grace is the only exception. Grace fills empty spaces, but it can only enter where there is a void to receive it, and it is grace itself which makes this void. The imagination is continually at work filling up all the fissures through which grace might pass. — Simone Weil

We visit the Launch Control building, where on one wall of the seventies-style lobby are hung the mission patches of every human spaceflight that has ever been launched from here, 149 to date. Beneath each mission patch is a small plaque showing the launch and landing dates. Two of them - Challenger's STS-51L and Columbia's STS-107 - are missing landing dates, because both of these missions ended in disasters that destroyed the orbiters and killed their crews. The blank spaces on the wall where those landing dates should have been are discolored from the touch of people's hands. This would be unremarkable if this place were a tourist attraction, or regularly open to the public. But with the rare exception of Family Days, this building is open only to people who work here. In other words, it's launch controllers, managers, and engineers who have been touching these empty spaces with their hands, on their way to and from doing their jobs. After — Margaret Lazarus Dean

I've always been a very restless person. I work hard, spend too much time looking after my son, I dance like a mad thing, I learned calligraphy. I go to courses on selling, I read one book after another. But that's all a way of avoiding those moments when nothing is happening, because those blank spaces give me a feeling of absolute emptiness, in which not a single crumb of love exists. — Paulo Coelho

Good writing arises out of obsession. With obsession there is emotional depth and a certain weight and gravity to the language and story. Without obsession I would be empty, and, literally, I wonder if I would even have any substance. The body is like a cathedral, and the cathedral needs music and prayer filling its grand spaces. Obsession turning over and over within the body creates music, prayer, substance that, although providing the depth, weight, and gravity I first evoked, also allows for lyricism, lightness, and flight up into the various arches and ellipses of the cathedral. Obsession is filled with slowness - and so obsession in my writing, for good or bad, doesn't come about because of an immediate intellectual idea or problem, nor a quick flash of inspiration. There's this slow energy at work, and I begin to become a part of that when I'm very close to silence. — Fred Arroyo

I like my surroundings to be pretty spare and severe. It helps me to concentrate on my work. All I ever do here is go from my studio to my bedroom. Everything else is extraneous. I never entertain, because to me, New York is about meeting people in public spaces, absorbing a little bit of their energy. — Ross Bleckner

And then I have a secret. Did you know what will happen if you eliminate the empty spaces from the universe, eliminate the empty spaces in all the atoms? The universe will become as big as my fist.
Similarly, we have a lot of empty spaces in our lives. I call them interstices. Say you are coming over to my place. You are in an elevator and while you are coming up, I am waiting for you. This is an interstice, an empty space. I work in empty spaces. While waiting for your elevator to come up from the first to the third floor, I have already written an article! — Umberto Eco

I don't really believe anything I say. Because the nature of my work concerns the spaces between the words, rather than the words themselves. — Ram Dass

When feminists create "safe spaces" for adult women...I seriously question why any woman would identify as a feminist. Feminists literally treat adult women like three year olds. How does this empower you to make smart choices about your life? How does this embolden you to go after what you want?....If feminists followed the dictionary, they wouldn't fear #WomenAgainstFeminism and work so desperately to exclude them from the conversation about gender and equality. They would engage in debate and offer evidence....But they don't. They file false reports, claim abuse and harassment where none took place and ultimately, expose the heart of fascist, intolerant, hateful darkness at the core of feminism. — Janet Bloomfield

She wonders sometimes if it's a sort of flaw or lack in her - the inability to lose herself in someone else ... she's never quite understood how people could trade in quiet spaces and solitary gardens and courtyards, thoughtful walks and the delicious rhythms of work, for the fearful tumult of falling in love. — Diana Abu-Jaber

A good book is never exhausted. It goes on whispering to you from the wall. Books perfume and give weight to a room. A bookcase is as good as a view, as the sight of a city or a river. There are dawns and sunsets in books - storms, fogs, zephyrs.
I read about a family whose apartment consists of a series of spaces so strictly planned that they are obliged to give away their books as soon as they've read them. I think they have misunderstood the way books work.
Reading a book is only the first step in the relationship. After you've finished it, the book enters on its real career. It stand there as a badge, a blackmailer, a monument, a scar. It's both a flaw in the room, like a crack in the plaster, and a decoration. The contents of someone's bookcase are part of his history, like an ancestral portrait.
- in "About books; recoiling, rereading, retelling", The New York Times, February 22, 1987 — Anatole Broyard

Physical and psychological spaces of an organization work in tandem to define the effectiveness of the people within it — Tim Brown

To quiet the land. When there has been unspecific trauma on the land and residents feel the impact, it is possible to do a constellation to identify the trauma and ask blessing of the land To inform land use: reforestation, development of both the land and communities that interface with the land To inform architectural design: Identify locations for green spaces and test environmentally sound building materials To inform energy choices: passive solar, hydro, wind, alternative building practices To support real estate transactions- Why won't a place sell, supporting potential buyers to be able to look at properties in a systemic way To support environmentally based community action agencies Work with pets- both for veterinary practice and to — Francesca Boring

Work hard to foster high levels of trust across the organization by stifling political battles, encouraging high-status people to admit and learn from mistakes, and not blaming or punishing those who come forward for help after good-effort failures. Create opportunities and spaces for people across disciplines and functions to interact informally and frequently. And use meetings or training sessions to teach people throughout the organization how to seek, find, give, and receive help effectively. — Anonymous

I suppose, in some sense, wills are like maps: they are the imprint we leave, the places our affections have been entrenched; the work we have done; the money we have burrowed away; the furrows and the paths that lead back to spaces we have gone, and marked, and loved. — Lauren Oliver

beginners when it came to inner landscapes of beauty that would anchor and nourish them on the inside, beyond work, in the intimate spaces that in the end define us all. — Krista Tippett

A case could be made that even the shift into R&D on information technologies and medicine was not so much a reorientation towards market-driven consumer imperatives, but part of an all-out effort to follow the technological humbling of the Soviet Union with total victory in the global class war: not only the imposition of absolute U.S. military dominance overseas, but the utter rout of social movements back home. The technologies that emerged were in almost every case the kind that proved most conducive to surveillance, work discipline, and social control. Computers have opened up certain spaces of freedom, as we're constantly reminded, but instead of leading to the workless utopia Abbie Hoffman or Guy Debord imagined, they have been employed in such a way as to produce the opposite effect. — David Graeber

Esmerine go out briefly to relieve herself, then return and pull off her shift again, her breasts silvery raindrops spilling down her ribs in the moonlight, over Bahram's hands as he warmed them, in that somnolent world of second-watch sex that was one of the beautiful spaces of daily life, the salvation of sleep, the body's dream, so much warmer and more loving than any other part of the day that it was sometimes hard in the mornings to believe it had really happened, that he and Esmerine, so severe in dress and manner, Esmerine who ran the women at their work as hard as Khalid had at his most tryrannical, and who never spoke to Bahram or looked at him except in the most businesslike way, as was only fitting and proper, had in fact been transported together with him to whole other worlds of rapture, in the depths of the night in their bed. As he watched her work in the afternoons, Bahram thought: love changed everything. — Kim Stanley Robinson