Quotes & Sayings About Work Reviews

I believe the best reviews are any of those wherein readers share their true opinion, no matter how many stars they rate my work. When I receive responses from appreciative people thanking for useful and amusing reading, it feels like my wings stretch up and blood carries the highest happiness circulating in my veins. I think many writers will understand what I mean by that. — Sahara Sanders

I work really hard at these books, and when colleagues write nasty reviews of them, I take it very personally. — Richard Ford

I believe that music is about making quality things, making quality art, and no matter who you decide to work with, you and that person have to come up with something special, come up with something that is excellent material, so whoever hears it and reviews it will like it. — Common

It may be that Tolstoy and Virginia Woolf were sitting around fretting about their Amazon reviews or their pre-pub whatever, but I kind of doubt it. I don't think that's how the work probably got made. — Garth Risk Hallberg

The 'New York Times' reviews of my work have been evenly divided - favourable and unfavourable. — Zubin Mehta

Sometimes a place to work, or a place to relax--even if only for an hour--is all you need. That, and good friends. Without those things, the city will break you into a million tiny pieces. But what in the world could be harder to find? — Aaron Cometbus

Shorter work - personal essays and book reviews - allow me to take a break from working on a book, which is good for the book and for its author. — Kathryn Harrison

I never read reviews at all. I'm proud of the work I did. — Nicole Kidman

When a writer's whole being is poured into a piece of work, there is never enough. The feeling of finally getting to the end of a piece of work, of making it as good as you can at that moment, is more of a relief than anything else, and then you wait for reviews. — Dani Shapiro

The critic's aim should be to interpret the work they are writing about and help readers appreciate it, by defining and analysing those qualities that make it precious and by indicating the angle of visions from which its beauties are visible. But many critics do not realize their function. They aim not to appreciate, but to judge; they seek first to draw lines about literature and then bully readers into accepting these laws. — David Cecil

If you read reviews of concerts, the word 'creative' comes up all the time. However, performers playing music usually aren't creative. Critics might say they are, but they're just playing another persons work. They didn't create it. — Ned Rorem

I think, in general, it's better not to respond to reviews of your work. — Nell Freudenberger

Foch never for a moment thought about the easy ways of bringing his name before the public and the political world, or even about acquiring a reputation for military insight among the chiefs of the French army. He never posed as a central figure at public functions; he was never interviewed by the press; he made no use of the professional reviews to bring his name before military readers. Ile never published a line until his chiefs suggested the publication of his lectures at the Staff College. From the day when he received his first commission he was a hard-working student of war, patiently preparing himself to do his duty when the opportunity came, and meanwhile content to put all his energies into the work assigned to him. Success in the career of arms is not always associated with high personal character or with this modest pursuit of duty for its own sake. — Andrew Hilliard Atteridge

Book reviews have never helped me. Most of them erred in their interpretations and their work has been a waste of time. — Manuel Puig

I am really very grateful for this Award. It is one of the first given to a woman, and to two women at that. When I first started getting work published, I used to have wistful thoughts at the way all important awards were given to men. Women, I used to think, could be as innovative, imaginative and productive as possible - and women were the ones mostly at work in the field of fantasy for children and young adults - but only let a man enter the field, and people instantly regarded what he had to say and what he did as more Important. He got respectful reviews as well as awards, even if what he was doing - which it often was - was imitating the women. But you have changed all that.
Thank you for being so enlightened.
Women, large-minded, formidable women, have played an almost exclusive part in helping my career. I have hardly ever dealt with a man - at least, when it came to publishing: — Diana Wynne Jones

For a while, Criticism travels side by side with the Work, then Criticism vanishes and it's the Readers who keep pace. The journey may be long or short. Then the Readers die one by one and the Work continues on alone, although a new Criticism and new Readers gradually fall into step with it along its path. Then Criticism dies again and the Readers die again and the Work passes over a trail of bones on its journey toward solitude. To come near the work, to sail in her wake, is a sign of certain death, but new Criticism and new Readers approach her tirelessly and relentlessly and are devoured by time and speed. Finally the Work journeys irremediably alone in the Great Vastness. And one day the Work dies, as all things must die and come to an end: the Sun and the Earth and the Solar System and the Galaxy and the farthest reaches of man's memory. Everything that begins as comedy ends in tragedy. — Roberto Bolano

Most everything influences my work. Working in a used bookstore. Going for walks in the woods and peering at mushrooms. Writing reviews. Coming from frumpy, grumpy, faded-at-the-knees Winnipeg. — Ariel Gordon

I'd love to work on something that gets some type of critical respect. This business is sometimes so brutal - you work on something for months and really feel like the project is good and you're doing the best work you can, and then it just gets hammered by critics. It's such a bummer sometimes, because everything seems to build up to the release and a couple of bad reviews can make it seem like it was all a waste, which you know it wasn't. — Jeff Cardoni

JB's friends were poets and performance artists and academics and modern dancers and philosophers
he had, Malcolm once observed, befriended everyone at their college who was least likely to make money
and their lives were grants and residencies and fellowships and awards. Success, among JB's Hood Hall assortment, wasn't defined by your box-office numbers (as it was for his agent and manager) or your costars or your reviews (as it was by his grad-school classmates): it was defined simply and only by how good your work was, and whether you were proud of it. — Hanya Yanagihara

I know that an author must be brave enough to chop away clinging tentacles of good taste for the sake of a great work. But this is no great work, you see. — Dorothy Parker

The work is at such a high level and is so well executed, it really is a matter of taste ... [Source: Project Runway - but consider, applied to the theme of book reviews, it seems apropos!] — Tim Gunn

I never read my reviews ... not even the good ones. Barbra Streisand once told me, if just one person in the audience doesn't applaud, it bothers her. I'm the same way. I'd be devastated to read that someone didn't like my work. — Pat Conroy

Remember, we all make our work available in a commercial transaction, the terms of which we, ourselves, dictate. If we give it away for free, that's our decision, and there is no refuge in the lame defense, "what do you want for nothing?" The buyer does not waive his right to express his opinion."
[Thick Skin and Bad Reviews, Blog post, June 26, 2013] — Pete Morin

I am Orafoura, but you can call me Jarod Kintz. I'm fairly proud to proclaim that Dora J. Arod has me on her short list of "World's worst writers." The list couldn't get any shorter, because I'm the only name on it. I should tell her to stop calling it a list, and change the title to "World's worst writer." If you're wondering why I rate all my work one star, it's because the rating system doesn't have a zero star option, or better yet, go into negative numbers. — Orafoura

I've always felt as if writing a novel is like giving birth. After the process is over, I am emotionally exhausted. But then the work's not done. I have to then raise the book to adulthood, through marketing and giveaways and pandhandling for reviews (its college education). And even while I'm nurturing it into something that is well adjusted and lovable, I've got other "kids" that need equal attention. It truly is work. My hat is off to real parents everywhere, who raise human children and novel ones at the same time. You are amazing. — Ash Gray

With the advent of this kind of TMZ culture, it sadly seems to have infiltrated the vanguard of film commentary. I see these reviews sometimes where I think, well, you have a right to say whatever you want about my work, and I will listen whether it's good or bad and see if there's something that I might work with, but personal issues don't have a place in film commentary. — Nicolas Cage

I am good in the fact that most of my reviews have been very positive really. I get pretty good reviews. There have been some that aren't - critical. I think they are extremely - the people that wrote them really don't understand what they are looking at quite frankly or have a very preconceived notion of what conceptual art should be or where I am at or the fact that I may change what I have done from what I did 20 years ago. But there is always some reason that they just sort of get it wrong. And so it certainly doesn't affect my work. — Robert Barry

Probably writers should forget what it was like to write the last novel, and the one before that, and the one before that, or we should all be plumbers. It must be good to be a plumber. Everyone is happy to see you, and no one reviews your work. — Susan Fromberg Schaeffer

It doesn't bother me. Sure, everybody wants approval, but I came from the theatre and I've always treasured a remark from there which goes: 'For every six people who love you, there will be half a dozen who loathe you.' The quality of an author's work is not usually determined until after his death. Even Dickens got some pretty bad reviews. — Robert Ludlum

It's important to see how people see your work and how they feel about it. I know a lot of directors who are like, 'I never read reviews,' and I'm like, 'Yeah I can tell.' — Xavier Dolan

Hard to remember these days that there was a time you had to wait for the ink and paper reviews to see your work excoriated. With the invention of the internet, any subliterate cretin can be Michiko Kakutani. — Robert Galbraith

If you want to write a negative review, don't tickle me gently with your aesthetic displeasure about my work. Unleash the goddamn Kraken.
[on Twitter, July 17, 2012] — Scott Lynch

Every article and review and book that I have ever published has constituted an appeal to the person or persons to whom I should have talked before I dared to write it. I never launch any little essay without the hope - and the fear, because the encounter may also be embarrassing - that I shall draw a letter that begins, 'Dear Mr. Hitchens, it seems that you are unaware that ... ' It is in this sense that authorship is collaborative with 'the reader.' And there's no help for it: you only find out what you ought to have known by pretending to know at least some of it already.
It doesn't matter how obscure or arcane or esoteric your place of publication may be: some sweet law ensures that the person who should be scrutinizing your work eventually does do so. — Christopher Hitchens

In our marriage it was our practice not to share anything that was upsetting, depressing, demoralizing, tedious - unless it was unavoidable. Because so much in a writer's life can be distressing - negative reviews, rejections by magazines, difficulties with editors, publishers, book designers - disappointment with one's own work, on a daily/hourly basis! - it seemed to me a very good idea to shield Ray from this side of my life as much as I could. For what is the purpose of sharing your misery with another person, except to make that person miserable, too? — Joyce Carol Oates

In the controversy that followed the prince's remarks, his most staunch defender was professor John Taylor, a scholar whose work I had last noticed when he gave good reviews to the psychokinetic (or whatever) capacities of the Israeli conjuror and fraud Uri Geller. The heir to the throne seems to possess the ability to surround himself - perhaps by some mysterious ultramagnetic force? - with every moon-faced spoon-bender, shrub-flatterer, and water-diviner within range. — Christopher Hitchens

All things considered, I've learned more from talking to painters than talking to writers. Not that painters are smarter than writers, such is seldom the case, but in conversation writers are inclined to waste an inordinate amount of time either bragging or bellyaching about reviews and royalties, complaining about their publishers, or dissing other authors. Painters, being equally insecure, can likewise come across as boring and bitchy
it's tough being creative in a materialistic society
but since they labor not in vineyards of verbiage but upon ice floes of visual images, they tend to function with fewer inhibitions than the wordsmiths when it comes to vocally exploring and expressing ideas. Since no one judges their speech, comparing it to their written work, they don't feel so acutely the weight of language. — Tom Robbins

Your greatest creation is your creative life. It's all in your hands. Rejection can't take it away; reviews can't take it away. The life you create for yourself as an artist, may be the only thing that's really yours. Create a life you can center yourself in calmly as you wait for your work to grow. — Sara Zarr

For obvious reasons, the relationship between novelists, the reviewing establishment and critics in general is chronically, and often acutely, edgy. A kind of low-intensity warfare prevails, with outbreaks of savagery. It is partly an ownership issue. Who, other than its creator, is to say what a work of fiction means or is worth? It can take years to write a novel and only a few hours for a critic, or a reviewer rushing for a tight deadline, to trash it. — John Sutherland

I don't read reviews, and it's not because I don't think I can learn something, I'm sure I could learn a lot. I just that I feel very passionately about the work and especially when you're doing theater, you really only need one director and when you read reviews, you feel like you have twelve, because you respond to them, naturally. — Andrea Riseborough

Having your book edited is like watching your cat being operated on. It's uncomfortable and someone is probably going to get hurt. Most likely the cat. But in the end, things work out for the best and your cat is better it. And then your cat gets released in hardcover, and you have to read all of his reviews. — Jenny Lawson

I have always been pushed by the negative. The apparent failure of a play sends me back to my typewriter that very night, before the reviews are out. I am more compelled to get back to work than if I had a success. — Tennessee Williams

If you read reviews that you think by their very nature are not respectful of the actresses involved or not appreciating the work as it should be, I think you should write to reviewers or comment and say, "Are you kidding me?" — Romola Garai

My books have all been very deeply felt. You don't spend eight years of your life working on a trendy knockoff. In that sense I've been serious. But I don't do lots of things that other serious writers do. I don't write book reviews. I don't sit on panels about the state of the novel. I don't go to writer conferences. I don't teach writing seminars. I don't hang out at Yaddo or MacDowell. I'm not concerned with my reputation as a writer and where I stand relative to other writers. I'm not competitive or professionally ambitious. I don't think about my work and my career in an overarching or systematic way. I don't think about myself, as I think most writers do, as progressing toward some ideal of greatness. There's no grand plan. All I know is that I write the books I want to write. All that other stuff is meaningless to me. — Bret Easton Ellis

If you want to be a poet, there is no greater mistake you could make than to publish whatever work you have as soon as you can. Why? Well because your debut is the only shot you have. It should be made of dynamite. There is nothing worse - believe me - than to have an oeuvre with a mediocre debut, and likely you wont get that far at all, and you will wait for reviews that wont come, just a horrible idea really. I don't need tell this to the rare and extreme talents - they are like a force of nature - but i am talking to the rest of you. People who love their youth don't make it easy on them - making it easy for them is a way to destroy them, But the representatives of my generation have no clue,or idea about Bildung at all, which is why I am at odds with most of them. — Martijn Benders

Listen to your critics. Because if you go through life denying what they say, you'll never be a good writer. The only way to improve, is to listen to those who tell you what you need to work on — Adam Snowflake

Books are portals for the imagination, whether one is reading or writing, and unless one is keeping a private journal, writing something that no one is likely to read is like trying to have a conversation when you're all alone. Readers extend and enhance the writer's created work, and they deepen the colors of it with their own imagination and life experiences. In a sense, there's a revision every time one's words are read by someone else, just as surely as there is whenever the writer edits. Nothing is finished or completely dead until both sides quit and it's no longer a part of anyone's thoughts. So it seems almost natural that a lifelong avid reader occasionally wants to construct a mindscape from scratch after wandering happily in those constructed by others. If writing is a collaborative communication between author and reader, then surely there's a time and a place other than writing reviews for readers to 'speak' in the human literary conversation. — P.J. O'Brien

There's always a crisis somewhere, and you get the satisfaction of solving the problem. And then, there's always the mystery of whether a program will work or not, and waiting for the reviews or seeing what the audience figures are. — Rebecca Eaton

[When asked if he had ever learned anything about his work from film criticism]
No. To see a film once and write a review is an absurdity. Yet very few critics ever see a film twice or write about films from a leisurely, thoughtful perspective. The reviews that distinguish most critics, unfortunately, are those slambang pans which are easy to write and fun to write and absolutely useless. There's not much in a critic showing off how clever he is at writing silly, supercilious gags about something he hates. — Stanley Kubrick

To Jacob the act of critiquing art was essentially imprecise. That's why he didn't read reviews on anything he liked, be it a book, a movie, or a record. He believed that any work an artist puts forth which contains the truth as he or she sees it is worthy of consideration, and any commentary of the work beyond that is nothing more than pure individual opinion and should not be considered relevant to the work itself. — Tiffanie DeBartolo

During the course of any normal day, I usually pay more attention to assembling a grocery list than I do to reading movie reviews, although there are a more than a few film critics who bring huge insight to their work. — Mike Barnicle