Wish You Were Here Film Quotes & Sayings
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Top Wish You Were Here Film Quotes
I remember once when I was young, and I was coming back from some place, a movie or something.
I was on the subway and there was a girl sitting across from me and she was wearing this dress that was bottoned queer up right to here, she was the most beautiful thing I've ever seen.
And I was shy then, so when she would look at me I would look away, then afterwards when I would look back she would look away.
Then I got to where I was gonna get off, and got off, the doors closed, and as the train was pulling away she looked right at me and gave me the most incredible smile. It was awful, I wanted to tear the doors open.
And I went back every night, same time, for two weeks, but she never showed up.
That was 30 years ago and I don't think that theres a day that goes by that I don't think about her, I don't want that to happen again.
Just one dance ?. — Jack Engelhard
I live in New York, but I am always delighted to come to Europe because I am European and grew up here until I was 20. I am not only Italian, I am partly Swedish. When my parents divorced, I was three years old and went to live in Paris ... when I am offered a film in Europe, I come with great enthusiasm! — Isabella Rossellini
I have been very fortunate, working a lot in TV, and have been able to dip into the film world a little bit here and there. — Jamie-Lynn Sigler
All of a sudden, those few pages of script that he had shown me with the weird images I could visualize all of that in my brain, and I knew that there was this mad little genius at work here and I really wanted to do the film. — Jack Nance
I've always felt that I've made films, period. I wanted to leave the "ghetto." And here I am, I'm out. — Michel Ocelot
The thought went through my mind that we should film ourselves in our sexual act, and project our frenzied copulation permanently onto the walls of the tea-room, as a lesson to wake up the boring people who drank tea here, and to show them what life was really all about. — Fiona Thrust
What NYU tried to teach had no relation whatsoever with the reality of what making a film is like. You cannot teach someone aesthetics. What you can do is say, "If you were in this situation and this is the kind of story you wanted to tell, here are a couple of ways you could try to make things work." But they didn't really do that. I did my three years there, and I have said at times that besides my childhood, going to NYU was the single most destructive experience of my life. It took me eight years to recover.
~Tom Dicillo — Nicholas Jarecki
I still ask myself why did you watched the film Paranormal Activity the all parts or the film "The VIsit" 2015. Both were home made and not big deal even stupid, you even watch football + you play one game over and over and over, you play stupid games + you watch stupid stuff and after all you still ask yourself why you are stupid. The answer is somewhere here, search it! — Deyth Banger
You'll never see my favourite film on any screen in the world," I replied with a smile. "Not even here in the Cinema Paradis — Nicolas Barreau
'Brookline' was a very small film and it was only here for a very short time and I wasn't able to catch it. — Bun B.
So I just came out here to Los Angeles with a bunch of buddies I had gone to film school with. You know, for better or worse, we just tried to slug it out here. — Danny McBride
The other thing is that when people mention computers - and I'm pretty much the same - they find it hard to comprehend that there's a performance there. They look at it as something that's just been made by a computer but in a way the difference is that when you make a normal film - and I'm simplifying it here - you put on the make-up and you put the scenery in before you start shooting, but with this you still perform in the same way but then you put the make-up on after, along with the costumes and scenery. — Ray Winstone
As much as I'm enjoying stuff out here in Hollywood, I will always think of myself as a comic-book writer who does film and television, not a film and TV writer who occasionally does comics. — Brian K. Vaughan
From the beginning [of the film The Darkest Hour], [aliens] it's a metaphor for the foreigners and from the beginning of the movie, American boys feel themselves like aliens here or they feel like Russians are aliens. There's misunderstanding or miscommunication. Then when the real aliens appear, together they have to fight to survive. — Timur Bekmambetov
I think the thing about film is, as it gets proved by a lot of young filmmakers now, that the medium will just go on reinventing itself, and so you just hope to be a part of that and not a part of some kind of endless regurgitation or 'Here I am doing what you know I do' kind of thing. — Alan Rickman
I think, honestly, the film industry is eating up comics characters at such a fast pace, and spewing them out as so much unspeakable, stench-y, crap. I mean, I think people are going to get pretty sick of the comics product of superhero, per se. Super-heroism seems to be so visceral for these times. Nobody needs a big clunky guy to throw cars about. You know, we've got drunks in town here that can do that. We don't need that kind of superhero. What we need is a super-sage. We need a genuine group of wise people. We need to become wise. That's the job of tomorrow; becoming wise, and integrated, and understanding. — Melinda Gebbie
So I was in America and I thought I'll stick around while I'm here and just see what happens. The next film I did was High Art, so I guess it started with a sort of vague idea but really just a fantasy. — Radha Mitchell
Generally Canadian films are smaller. I think the market here is a tenth of the size of the States. So there's less resources to put into the films. — Kristen Hager
Julia doesn't like James Gillen, but that's not the point, not out here. In the Court, back in the Court any eye you catch could be Love peal-of-bells-firework-burst Love, all among the sweet spray of the music and the rainbowing prisms of the lights, this could be the one huge mystery every book and film and song is sizzling with; could be your one-and-only shoulder to lean your head on, fingers woven with yours and lips gentle on your hair and Our Song pouring out of every speaker. This could be the one heart that will open to your touch and offer up its never-spoken secrets, that has spaces perfectly shaped to hold all of yours. — Tana French
If this were simply a story about the past, it would be appropriate to write, at the conclusion of Acts 28 as at the conclusion of a film, "The End." But since the story is unfinished, it is more appropriate to conclude it with, "RSVP," like an invitation that awaits a response. This is what Luke demands from us: not satisfied curiosity about the past, but a response here and now. RSVP! — Justo L. Gonzalez
I think intellectualism can be a barrier to reading. The point of a book - song, film, whatever - is to FEEL it. That's why we're here, no? — Matt Haig
I've always thought that the President could do so much here to help change images. If the President would go into a public bathroom in the Capitol, and have the TV cameras film him cleaning the toilets and saying 'Why not? Somebody's got to do it!' then that would do so much for the morale of the people who do the wonderful job of keeping the toilets clean. I mean, it is a wonderful thing that they're doing. — Andy Warhol
Here is a children's film made for the world we should live in, rather than the one we occupy. A film with no villains. No fight scenes. No evil adults. No fighting between the two kids. No scary monsters. No darkness before the dawn. A world that is benign. A world where if you meet a strange towering creature in the forest, you curl up on its tummy and have a nap. — Roger Ebert
I think, as the writer, you're always going to mourn something [left out of a film]. But you also just want to know there's a good reason for it being left out. On the whole, you want to give something to somebody creative. The worst thing you can do is say, "Here, be creative, but do it like I want you to do it." I was always very mindful of that. — Markus Zusak
Too often, you see film makers from other countries who have made interesting, original films, and then they come here and get homogenized into being hack Hollywood directors. I don't want to fall into that. — Peter Jackson
I think everything should have an end, an end of the brutal stuff happening home. ENd for the song, end of the film, end of the evil... This how it must go and it will go, if you think that evil has gone it's still here. If you believe in god, that's means that you believe this evil. — Deyth Banger
Most immigrants agree that at some point, we become permanent foreigners, belonging neither here nor there. Many tomes have been written trying to describe this feeling of floating between worlds but never fully landing. Artists, using every known medium from words to film to Popsicle sticks, have attempted to encapsulate the struggle of trying to hang on to the solid ground of our mother culture and realizing that we are merely in a pond balancing on a lily pad with a big kid about to belly-flop right in. If and when we fall into this pond, will we be singularly American or will we hyphenate? Can we hold on to anything or does our past just end up at the bottom of the pond, waiting to be discovered by future generations? — Firoozeh Dumas
One of the very, very exciting things I have found here in L.A. is that no one talks to you about being Scottish. Whereas, if you are in London and you are trying to put films together and be a film-maker, there is a kind of unspoken sense that, if you are Scottish, you have something to overcome or else you cannot really do that project. — Peter Capaldi
I could sing and play as well. I've got some brothers; one of them is the drummer in the band. They're good musicians. I play for fun. They play properly. Music in general, I grew up in a house of musicians. Everybody's life has a soundtrack, I'm sitting here talking to you but there are horns beeping outside. I know I'm in New York. That's an element in the film as well. How strong that sense can be. — Jonathan Rhys Meyers
Well, I guess what's caught on film is caught on film, and it would be hard for me to stand here and say that it wasn't, you know me. — Teri Hatcher
