Why Do You Think Quotes & Sayings

Look at you. You're young. You're scared. Why are you so scared? Stop being paralyzed. Stop swallowing your words. Stop caring what other people think. Wear what you want. Say what you want. Listen to the music you want to listen to. Play it loud as fuck and dance to it. Go out for a drive at midnight and forget you have work the next day. Stop waiting for Friday. Live now. Do it now. Take risks. This life is yours. — Anonymous

I opened my eyes as wide as I could. "Why, of course, Your Majesty. What was I thinking? I will go and do this right away, just please don't look at me." "Kate, get in the car." "Maybe you should growl dramatically. I don't think I'm intimidated enough. — Ilona Andrews

You're rather well read for a working-class girl, she said with her back to me.
Really? I've found that all my well-read friends are from the working class.
Oh my. Why do you think that is? The purity of poverty?
No. It's just that reading is the cheapest form of entertainment.
Sex is the cheapest form of entertainment.
Not in this house. — Amor Towles

Peculiar or not, it is my idea of pleasure. Why, why else do you lead this life you don't enjoy it? Don't talk of duty to me; you men always have some high-sounding excuse for indulging yourselves. You go gallivanting over the earth, climbing mountains, looking for the sources of the Nile; and expect women to sit dully at home embroidering. I embroider very badly. I think I would excavate rather well. — Elizabeth Peters

You don't have to be best friends as basketball players but I do believe in chemistry. I think it makes everything different if a team is really together and they're all on that same page. They might not like each other, per se, but if you're on the same page and the chemistry is there, you can play great basketball. You can go back to teams like Detroit, the Bad Boys. Those guys had great chemistry, that's why they won. — Dwight Howard

Well, acting itself is a form of rebellion, always. Getting up there in front of people, telling stories - you're kind of going against the grain to begin with, wanting to do that, don't you think? Why else would you do it? Except maybe as kind of a way to affirm your very existence. — John Cusack

Why did they go away, do you think? If there ever were such things."
"Who knows? Times change. Would you call this age a good one for unicorns?"
"No, but I wonder if any man before us ever thought his time a good time for unicorns. — Peter S. Beagle

The last time I had sex," I said, "was Halloween."
He nodded slowly. "That was my birthday."
I choked on my waffle. This was getting worse and worse. "No!"
"Why do you think they called me 'Poe'?" I had always guessed it was because he was morose and taciturn and creepy.
"Um ... because 'Hotstuff' was taken? — Diana Peterfreund

Westcliff sees an odd sort of logic in why you would finally be the one to win St. Vincent's heart. He says a girl like you would appeal to ... hmm, how did he put it? ... I can't remember the exact words, but it was something like ... you would appeal to St. Vincent's deepest, most secret fantasy."
Evie felt her cheeks flushing while a skirmish of pain and hope took place in the tired confines of her chest. She tried to respond sardonically. "I should think his fantasy is to consort with as many women as possible."
A grin crossed Lillian's lips. "Dear, that is not St. Vincent's fantasy, it's his reality. And you're probably the first sweet, decent girl he's ever had anything to do with."
"He spent quite a lot of time with you and Daisy in Hampshire," Evie countered.
That seemed to amuse Lillian further. "I'm not at all sweet, dear. And neither is my sister. Don't say you have been laboring under that misconception all this time? — Lisa Kleypas

Write the date and under that write about anything you like; it doesn't have to be about you. Write until you feel like stopping. Then stop. If you like, do this more than once. If you are already writing a journal, then one day this week make your entry about how and why you began your journal. Write about what were you were hoping to achieve in journalling and reflect on how well that has panned out. Think and write about the unexpected benefits and rewards you've got from it. — Ray Blake

When you grow up, you'll want to be happy. You don't give a thought to that now, which is why you are happy. The moment you think about it, the moment you want to be happy, you will cease to be happy. Forever. Possibly forever. Do you hear? Forever. The stronger your desire to be happy, the unhappier you will be. Happiness isn't something you can conquer. People will tell you that it is. Don't believe them. Happiness either is or isn't. — Jose Saramago

Mr. Bloemker moved closer. He smelled like a wet diaper. "What is it," he asked, looking over Lenore's shoulder.
"If it's what I think it is," said Lenore, "it's a sort of joke. A what do you call it. An antinomy."
"An antinomy?"
Lenore nodded. "Gramma really likes antinomies. I think this guy here," looking down at the drawing on the back of the label, "is the barber who shaves all and only those who do not shave themselves."
Mr. Bloemker looked at her. "A barber?"
"The big killer question," Lenore said to the sheet of paper, "is supposed to be whether the barber shaves himself. I think that's why his head's exploded, here."
"Beg pardon?"
"If he does, he doesn't, and if he doesn't, he does. — David Foster Wallace

Outsiders develop humor as a defense; why do you think most comedians are gay or Jewish? — Paul Lynde

Why would you believe such things?" he asks. "What good does it do you?" "The world we see with our eyes is not the whole truth. Dreams and visions are just as real as matter. What we can imagine or think exists as truly as anything we can touch or smell. Where do our thoughts come from, if not from God?" "They come from our experience," Sumner says, "from what we've heard and seen and read, and what's been told to us." Otto shakes his head. "If that were true, then no growth or advancement would be possible. The world would be stagnant and unmoving. We would be doomed — Ian McGuire

So why don't you tell him you're sorry?" Gaby suggested.
"Uh ... because he probably never wants to speak to me again?"
"How do you know? Do you have a fifth sense too?"
Scarlett sighed. "No. And I think that's sixth sense."
"No, I don't see dead people. It's different. — Lauren Conrad

Why is it so important to have fun? Because if you love your work (or your activism or your family time), then you'll want to do more of it. You'll think about it before you go to sleep and as soon as you wake up; your mind is always in gear. When you're that engaged, you'll run circles around other people even if they are more naturally talented. From what we've seen personally, the best predictor of success among young economists and journalists is whether they absolutely love what they do. If they approach their job like - well, a job - they aren't likely to thrive. But if they've somehow convinced themselves that running regressions or interviewing strangers is the funnest thing in the world, you know they have a shot. — Steven D. Levitt

Why should we, the brains of the military, have so much anxiety about our contribution to the war that we feel we have to ape Special Forces guys?
To Fitzgerald commandos were just glorified jocks - pitchers and quarterbacks from suburban high schools who traded baseballs for bullets. There's no doubt they had skills. They could slither right up to the enemy on their stomachs survive on worms for days and plunk a target with a piece of lead from a mile away. All very impressive. But they couldn't speak Arabic or juggle a million intelligence requirements and 703 follow-up questions from the community while sitting three feet away from some Islamic firebrand who has no reason to talk.
"Do you think those Special Forces guys are wracked with Interrogator envy?" Fitzgerald would say. "You think they're over there in their special sunglasses polishing their special weapons saying 'man if only I could do some hot-shit interrogations and write some hot-shit reports? — Chris Mackey

A 'why' is a dangerous thing ... It challenges old, comfortable ways, forces people to think about that they do instead of just mindlessly doing it. (Haplo)
...
I think the danger is not so much in asking the 'why' as in believing you have come up with the only answer. (Alfred) — Margaret Weis

Because ... most of us think that the point is something to do with work, or kids, or family, or whatever. But you don't have any of that. There's nothing between you and despair, and you don't seem a very desperate person.'
'Too stupid.'
'You're not stupid. So why don't you ever put your head in the oven?'
'I don't know. There's always a new Nirvana album to look forward to, or something happening in NYPD Blue to make you want to watch the next episode.'
'Exactly.'
'That's the point? NYPD Blue? Jesus.' It was worse than he thought.
'No, no. The point is you keep going. You want to. So all the things that make you want to are the point. I don't know if you even realize it, but on the quiet you don't think life's too bad. You love things. Telly. Music. Food. — Nick Hornby

Before they disappeared into the night, Bella said, 'Why do you think anyone wants to conquer someone else?'
I don't know.'
Really not?'
Maybe to discover that person's secret.'
And then what?'
Then it's been discovered.'
Or not.'
Well, then you have to conquer that person again.'
Again and again,' she said. 'Every day, every night. — Maxim Biller

I think the critical thing is the product or service that you're trying to raise money for. And probably the best description of that, people should say when they hear, "This is what I want to do. This is what I want to bring to the market." They should say, "Gee! That's a great idea" or "Gee! Why hasn't somebody else thought of that before? Well, that's an incredible idea!" In other words, the more a person is delighted, or astonished, or happy with your product, or service, or idea, the more happy they are to put up money for it. — Brian Tracy

I do love you." He said it suddenly, raising his head so his black eyes could meet her startled green ones. "I mean it, Shea. I do not just need you, I love you. I know everything about you, I have been in your head, shared your memories, shared your dreams and your ideas. I know you think I need you and that is why I am with you, but it is much more than that. I love you." He grinned unexpectedly, traced her lower lip with the tip of a finger. "What is more, I know you love me. You hide it from yourself, but I found it in a little corner, tucked away in your mind." Shea — Christine Feehan

But regardless of the direction you move, the central problem is still there: Why do it? What's the best reason for exploding the parameters of reality? With the possible exception of eating a dinosaur, I don't think there is one. — Chuck Klosterman

Instead of taking the 'I'm cool, I hope you adore me' path (with my music), I chose the path of how to connect. I think that's the reason a lot of people feel a deeper connection with our band than other bands, and I also feel that's why people polarize on us. If you don't get it, it seems preposterous; if you do get it, it's really heavy
it has a weight to it. — Billy Corgan

Why do you think so many actors are only half-developed people? It's very easy when you're a young actor to have these intense, explosive friendships for short periods of time, because you can control what's shown of you. Then you go on to your next job and reinvent yourself again. I think it's important to find something constant. — Damian Lewis

Bree stared down at Bernardo's still form. The monitor was the only sound in the room apart from his deep breathing. Alessandro had gone down to the cafeteria with Will and Gianni to grab something to eat before they left for home. Bree lied and told him that she wanted to check in with Tina and her mother Roxanna for a few minutes before they left. Even unconscious, the son of a bitch was formidable and Bree felt nervous around him. "Why don't you do everyone a favour and just die already?" Bree said. No response. Bree sneered and shook her head, turning to leave. "You could always smother me with a pillow," a groggy voice said behind her, making her heart nearly stop. Bree whirled around wide-eyed and met Bernardo's dark gaze. She forced herself to shrug and crossed her arms. "Do you think Alessandro would forgive you for murdering his father?" Bernardo asked. They both knew the answer to that. — E. Jamie

Do you know how crazy that made me? I'm trying to concentrate on my fucking fucking ball baseball game and all I can think about is why the hell the girl I'm in love with is ignoring me. I knewsomething was wrong when you never called. I tried to shake it off, but I couldn't. You can't do that tome. Don't you understand? You can't fucking do that to me when I'm trying to play ball! — J. Sterling

Jamie: Please don't pretend like you know me, ok?
Landon: But I do, I do. We've had all the same classes in the same school since kindergarten. Why you're Jamie Sullivan. You sit at lunch table 7. Which isn't exactly the reject table, but is definitely in self exile territory. You have exactly one sweater. You like to look at your feet when you walk. Oh, oh, and yeah, for fun, you like to tutor on weekends and hang out with the cool kids from "Stars and Planets." Now how does that sound?
Jamie: Thoroughly predictable, nothing I haven't heard before.
Landon: You don't care what people think about you?
Jamie: No. — Nicholas Sparks

And this time as the lashes come, try to think about the pain, instead of against it, because there is not one single aspect of life, past, present, or future, that does not tear your reason from you, to think on it. So think about the pain. This pain after all has its limits. You can chart its passage through your body. It has a beginning, middle, end. Imagine if it had a color. The first cut of the lash is what, red? Red, spreading into a brilliant yellow. And this one again, red, red, no yellow, and then white, white, white, white ... Why have you incarcerated yourself in this palazzo of torture chambers, why do you not leave this place? Because you are a monster and this is a school for monsters, and if you leave here, then you will be completely, completely alone! Alone with this!
Don't weep in front of these strangers. Swallow it down. Don't weep in front of these strangers! Cry to heaven, cry to heaven, cry to heaven. — Anne Rice

Wait," I cleared my throat. "He eats the cows?"
"What else would he do with them?" Morgan put his empty brownie plate with the rest of the trash.
"I thought he had the cows because of his wife."
"He does."
"Then how can he eat them?"
"What do you think they were going to do with the first cow?"
"I don't know, I just thought, well ... I don't know what I thought, but it sure wasn't grinding them up and making burgers. That just seems wrong."
"Why?"
"They remind him of his wife."
"And she ran a restaurant. C'mon, Grant, this is real life, not a Hallmark movie. Man's gotta eat. — Adrienne Wilder

This is a perfectly good picture. And if I didn't know you, I would be impressed and charmed. But I do know you."
He thought some more, wondering whether he dared say precisely what he felt, for he knew he could never explain exactly why the idea came to him. "It's the painting of a dutiful daughter," he said eventually, looking at her cautiously to see her reaction. "You want to please. You are always aware of what the person looking at this picture will think of it. Because of that you've missed something important. Does that make sense?"
She thought, then nodded. "All right," she said grudgingly and with just a touch of despair in her voice. "You win."
Julien grunted. "Have another go, then. I shall come back and come back until you figure it out."
"And you'll know?"
"You'll know. I will merely get the benefit of it. — Iain Pears

When we think of the masterpieces that nobody praised and nobody read, back there in the past, we feel an impatient superiority to the readers of the past. If we had been there, we can't help feeling, we'd have known that Moby-Dick was a good book - -why, how could anyone help knowing?
But suppose someone says to us, "Well, you're here now: what's our own Moby-Dick? What's the book that, a hundred years from now, everybody will look down on us for not having liked?" What do we say then? — Randall Jarrell

It's hard sometimes if you think a character should look a certain way and you're being pushed to do it differently. I've had fights over that. That's why it's so important that you work with good people. — Uma Thurman

I think I made a better boy than I do a man, I admitted ruefully to the wolf.
Why not wait until you've been at it a bit longer and then decide? he suggested. — Robin Hobb

Glamour is fueled by the dreams and imagination of mortals. Writers, artists, little boys pretending to be knights - the fey are drawn to them like moths to flame. Why do you think so many children have imaginary friends? — Julie Kagawa

You killed the teleporters." - Valkyrie
"I did." - Paddy
"You are Batu."
"I am ... Sorcerers would tell me their biggest secrets - do you know why? Because I'm a mere mortal. Because they're far too arrogant to think that a mortal could pose a threat to gods like them. — Derek Landy

I always want to keep things unwritten. I'm inspired by Bob Dylan, who's kept evolving and changing his sound. I think that's what you should do as an artist. Why be comfortable? — Lykke Li

My funeral," the Blue Man said. "Look at the mourners. Some did not even know me well, yet they came. Why? Did you ever wonder? Why people gather when others die? Why people feel they should?
"It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between being taken and being missed, lives are changed.
"You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.
"It is why we are drawn to babies ... " He turned to the mourners. "And to funerals. — Mitch Albom

They don't think much o'laughter, the rich,' Clarrie observed.
'Nor the powerful, for that matter. When did a teacher ever encourage her class to laugh?
When a maid giggles, chances are she'll get give the order of the boot.
And do you know why? Laughter puts folk down, that's why.
It makes the pompous look foolish and the proud trip and fall. — Katie Flynn

I've got nothing." Eve swiveled around to him. "Zip. You've got something. What?"
"Apparently, it's not coffee," he said with a glance at his empty mug.
"What am I, a domestic droid?"
"If so, why aren't you wearing your frilly white apron and little white cap, and nothing else?"
She sent him a pained look of sincere bafflement. "Why do men think that kind of getup is sexy?"
"Hmm, let me think. Mostly naked women wearing only symbols of servitude. No, I can't understand it myself."
"Perverts, your entire species. What have you got?"
"Besides a very clear picture of you in my head wearing a frilly white apron and little white cap?"
"Jesus, I'll get the damn coffee if you'll cut it out. — J.D. Robb

Well than try giving it some thought, why don't you? Apply that finely tutored mind of yours to all those bullshit hero-with-a-high-destiny legends you people are so fucking fond of telling one another. You really think, in a mudball slaughterhouse of a world like this, where war and privation harden whole populations to inhuman brutality and ignorance, where the ruling classes dedicate their sons to learning the science of killing men the way they consign their daughters to breeding till they crack
you really think the gods of a world like that have got no better thing to do with their time than take some random piece of lowborn trash and spend long years carving him into shape for a cat's-paw? — Richard K. Morgan

Alan: "I had terrible stage fright."
Sin: "I'm not familiar with the concept of 'stage fright.'"
A: "It's pretty awful. You end up having to picture the entire audience in their underwear. Phyllis was in that audience, you know."
S: "Why, Alan, I had no idea your tastes ran that way."
A: "Phyllis is a very nice lady. And I do not consider her so much aged as matured, like a fine wine. But I still think you owe me an archery lesson. — Sarah Rees Brennan

Much to my chagrin, I think that cinema has gone the wrong way in America because in many ways, I pioneered the use of video which eventually became digital video. Everyone can do it; it's Pop Art time: "Everything is art, why should you take it so seriously, after all it's kind of like a clambake." I don't buy that. — Rob Nilsson

You saw him as disapproving of you. I thought him disapproving of me. Funny, isn't it?"
Not only funny, but a strange relief. Why hadn't she seen it? Rhys felt like an impostor here, too. [ ... ]
Tilting her head to the twilight sky, she mused, "Do you know what I think? I have a feeling that dour look on Lord Corning's face had nothing to do with either of us. Perhaps he'd just tasted something unpleasant. — Tessa Dare

How did you know what's been killing me? Slowly, for years, driving me to hate people when I don't want to hate ... Have you felt it, too? Have you seen how your best friends love everything about you
except the things that count? And your most important is nothing to them, nothing, not even a sound they can recognize. You mean, you want to hear? You want to know what I do and why I do it, you want to know what I think? It's not boring to you? It's important? — Ayn Rand

She laughed softly. "Therapy isn't so much about what I think as you do."
"Then why do it at all?"
"Because we don't always know what it is we're thinking or feeling. When you have a guide, it's easier to figure things out. You'll often discover that you already know what to do. I can help you ask questions and go places you mihgt not have on your own."
"Well, you're good at the qujestion part." I noted dryly. — Richelle Mead

I sit on my bed and think about Nader McMillan and wonder what I'm going to do. Ignore him. Stand up to him. Avoid him. Be "tough." I think of the stuff Dad has said over the years. How he finally gave up suggesting things. Why are you asking me this? I never figured out what to do about my own bullies. How am I supposed to know what to do with yours? — A.S. King

Why is it you think you'll live forever and why do you want to, I'd like to know, when you deny yourselves so many of the basic pleasures in life? — Nora Roberts

Keep Your Pants On
Some people believe the myth that if you do NOT have sex by the third date the relationship is going nowhere. What a joke!!! Why would you have sex with a complete stranger? This person could be married, a psycho, or have an interesting disease that could be spread to you. Get to know the person for who they are, no matter how great their body is. Why risk having sex before discovering you really do not like them? Think before you get naked! — Pamela Cummins

Why didn't you guys dress up?" Lindsey asks.
"We did." Calliope cracks her first smile. "we're dressed as twins."
Lindsey grins back. "Hmm, I see it now. Fraternal or identical?"
"You'd be surprised how many people ask," Cricket says.
"What do you tell them?" Lindsey asks.
"That I have a penis."
Oh God. My cheeks burn as they all burst into laughter. Think about something else, Dolores. ANYTHING else. Cucumbers, Bananas, Zucchini. AHHHH! NO NO NO NO NO NO NO. I turn my face away from them as Calliope fakes a yakking sound. — Stephanie Perkins

Do you think I was wrong to let that pitch go by?"
"Yes. Absolutely."
"You're right."
"Then why did you---"
"Because I didn't know it was wrong until I did it. I had to learn, don't you see? I had to see what would happen when I let my hatred for coach go like that. I had to take control completely, just for once in my life, and see where it led me. — Barry Lyga

I know what you think of me, Miles. I know what you
have thought of me. But I have a heart. I do have a heart. I just cannot afford to use it. Don't you see? Why can't you see this? Whereas you
may play at all of this as much as you like. There will always be someone for you. And that is the difference. I cannot afford to use my heart. And you
you choose not to use yours.' - Cynthia Brightley to Miles Redmond — Julie Anne Long

Firefly: Now that you're Secretary of War, what kind of an army do you think we oughta have? Chicolini: Well, I tell you what I think. I think we should have a standing army. Firefly: Why should we have a standing army? Chicolini: Because then we save money on chairs. — Groucho Marx

Eventually we realize that not knowing what to do is just as real and just as useful as knowing what to do. Not knowing stops us from taking false directions. Not knowing what to do, we start to pay real attention. Just as people lost in the wilderness, on a cliff face or in a blizzard pay attention with a kind of acuity that they would not have if they thought they knew where they were. Why? Because for those who are really lost, their life depends on paying real attention. If you think you know where you are, you stop looking. — David Whyte

Why do ever think about to get married??
Do we dare, all life to get worried, to be curious, to be angry, to think for money like they are gold, to think about what next to buy, to cry and even and more to happen?
Marriage is like the gold, you find it or not, it depends from you but you once lost you can't find the same gold or the same wife, it's in about of luck to find the same. Imaginate that you have gold, but you don't have money, so you go to a pawnshop and what happens the gold becomes money, but reality you have two diffirent stuff. This doesn't mean that by doing that you get the same, why don't you go and give your wife for other person??? Will be the same like your wife will live in this person for which you have replaced her??
Of course, NOT! — Deyth Banger

Do I have to get diapers?" he asked.
"Why, did Kade shit himself?" she laughed.
Dylan huffed loudly. Eyebrows knitted together, "DO I NEED TO GET BOTTLES?"
Jen rolled her eyes and shook her head as if he were crazy, "Don't you think it's too early to start drinking? You just got up ... "
"IS THERE ANYTHING IN YOUR OVEN?"
"I'M NOT BAKING ANYTHING, YOU MORON! WHY ARE YOU YELLING AT ME?"
My God, you have surrounded me with idiots. — Christine Zolendz

Okay. Then ... I can talk. Ask me something."
"Okay." He laughs shakily in my ear. "Why is your heart racing Tris?"
I cringe and say, "Well, I ... I barely know you. I barely know you and I'm crammed up against you in a box, Four, what do you think?" ...
"Maybe you were cut out for Candor," he says, "because you're a terrible liar. — Veronica Roth

Mai grins at Mycroft. 'You know that's slightly ridiculous, don't you?'
He smiled. 'Why?'
'Because. . . because you're teenagers.' Mai's expression says it should be obvious. 'Mycroft, this isn't like figuring out who spray-painted some guy's car. This is murder.'
'The principles are the same' he insists.
'But you're both minors. And you have no access to police information, no experience, no forensics lab, no authority. . . '
'Mai, are you trying to bring me down or something?'
Gus, who usually only gets emotive about things like soccer, suddenly leans forward. 'I think you should do it.' He glances at me and Mycroft in turn. 'This homeless guy, it's not like his death is going to be a major priority, is it? The police won't bend over backwards to bring his killer to justice or anything. He was a derelict with no family. So you two are the only ones who even care. — Ellie Marney

Oh, Heidi! Heidi!" Marta exclaimed at last. "This is your garden. I know it even though you have not told me. Do you suppose in Heaven it is any more beautiful than this?"
"I sometimes think that Heaven is all around us, if we only have eyes to see it," Heidi said softly.
"And on the Alm too?" questioned Marta.
"Yes, and in Dorfli. Even in the chateau which seems so gloomy now. There must be a little Heaven there as well. And if not, Marta, why not make it so? — Charles Tritten

If your audience doesn't like something, you should think to yourself, "Well, why don't they like something? Is there something wrong here?" And, if they like something, you should think to yourself, "Why do they like it? What am I doing right here?," and deal with those issues. — David Shore

Jaenelle opened her mouth, closed it, and finally said timidly, "Do you think, when I'm grown up, I could wear an outfit like that?" Daemon bit his cheek. He didn't know whether to laugh or cry. Buying time, he looked down at himself. "Well," he said, giving it slow consideration, "the shirt would have to be altered somewhat to accommodate a female figure, but I don't see why not." Jaenelle beamed. "Daemon, it's a wonderful hat." It took him a moment to admit it to himself, but he was miffed. He stood in front of her, on display as it were, and the thing that fascinated her most was his hat. You do know how to bruise a man's ego, don't you, little one? he thought dryly as he said, "Would you like to try it on?" Jaenelle bounced to the mirror, brushing against him as she passed. — Anne Bishop

The chef turned back to the housekeeper. "Why is there doubt about the relations between Monsieur and Madame Rutledge?"
The sheets," she said succinctly.
Jake nearly choked on his pastry. "You have the housemaids spying on them?" he asked around a mouthful of custard and cream.
Not at all," the housekeeper said defensively. "It's only that we have vigilant maids who tell me everything. And even if they didn't, one hardly needs great powers of observation to see that they do not behave like a married couple."
The chef looked deeply concerned. "You think there's a problem with his carrot?"
Watercress, carrot - is everything food to you?" Jake demanded.
The chef shrugged. "Oui."
Well," Jake said testily, "there is a string of Rutledge's past mistresses who would undoubtedly testify there is nothing wrong with his carrot."
Alors, he is a virile man ... she is a beautiful woman ... why are they not making salad together? — Lisa Kleypas

Why don't you give up drinking?"
"Because I don't choose. It doesn't matter what a man does if he's ready to take the consequences. Well, I'm ready to take the consequences. You talk glibly of giving up drinking, but it's the only thing I've got left now. What do you think life would be to me without it? Can you understand the happiness I get out of my absinthe? I yearn for it; and when I drink it I savour every drop, and afterwards I feel my soul swimming in ineffable happiness. It disgusts you. You are a puritan and in your heart you despise sensual pleasures. Sensual pleasures are the most violent and the most exquisite. I am a man blessed with vivid senses, and I have indulged them with all my soul. I have to pay the penalty now, and I am ready to pay. — W. Somerset Maugham

You know why Foo Fighters have been a band for 20 years? Because I've never really told anybody what I think of them. The last thing you ever want to do is go to therapy with your band. — Dave Grohl

With mindfulness you can see the real owner of things. Do you think this is your world, your body? It is the world's world, the body's body. If you tell it, Don't get old, does the body listen? Does your stomach ask permission to get sick? We only rent this house; why not find out who really owns it? — Ajahn Chah

It's just that it's a good idea not to let him have your phone number unless you possess an industrial-grade answering machine." "What? Why's that?" "Well, he's one of those people who can only think when he's talking. When he has ideas, he has to talk them out to whoever will listen. Or, if the people themselves are not available, which is increasingly the case, their answering machines will do just as well. He just phones them up and talks at them. He has one secretary whose sole job is to collect tapes from people he might have phoned, transcribe them, sort them and give him the edited text the next day in a blue folder. — Douglas Adams

[Ana] "You're a sadist?"
"I'm a Dominant." His eyes are a scorching gray, intense.
"What does that mean?" I whisper.
"It means I want you to willingly surrender yourself to me, in all things."
I frown at him as I try to assimilate this idea.
"Why would I do that?"
"To please me," he whispers as he cocks his head to one side, and I see a ghost of a smile.
Please him! He wants me to please him! I think my mouth drops open. Please Christian Grey. And I realize, in that moment, that yes, that's exactly what I want to do. I want him to be damned delighted with me. It's a revelation. — E.L. James

You remember the fairy tales you were told when you were very small - 'once upon a time ... ' Why do you think they always began like that?"
"Because they weren't true," Simon said promptly.
Jane said, caught up in the unreality of the high remote place, "Because perhaps they were true once, but nobody could remember them. — Susan Cooper

What do you suppose 'Jack and the Beanstalk' is about?" she asked. Conner contemplated a moment and slyly grinned. "Bad beans can cause more than indigestion," he answered, laughing hysterically to himself. Alex pursed her lips to hide a smile. "What do you think the lesson of 'Little Red Riding Hood' is?" she asked him. "Do you think she should have just mailed her grandmother the gift basket?" "Now you're thinking!" he said. "Although, I've always felt sorry for Little Red Riding Hood. It's obvious her parents didn't like her very much." "Why do you say that?" Alex asked, wondering how he could have possibly construed that from the story. "Who sends their young daughter into a dark and wolf-occupied forest carrying freshly baked food and wearing a bright jacket?" Conner asked. "They were practically asking for a wolf to eat her! She must have annoyed the heck out of them!" Alex held back laughter with all her might but, to Conner's delight, she let a quiet chuckle slip. "I — Chris Colfer

Who do you want them to think you are? How do you think people see you? Or don't you let them near enough to see. You make up their minds for them. Do you think you succeed in convincing people that you are what you seem to be? You make people meet you on your own territory. You don't help them. You let them verbally hang themselves and then feel better about yourself, your power, your own sense of worth. You have the power to alienate them and if they allow it, you might even manage to make them feel awkward and foolish--foolish for letting you affect them at all. Do you want them to like you? Or are you one of those people who "don't care what people think." You're not living your life for them, so why should you give a fuck what people think? You make people come to you and, when they eventually do, you punish them with your smugness. Nothing ever out of character. — Carrie Fisher

Pulling her eyes away, she figured it was best to keep such questions to herself. "You could have just, you know, asked me out instead," she offered, though she wasn't sure why.
John let out a soft chuckle. "Very true. I guess I just ... I wanted to keep you safe."
"Safe? From what?" Evangeline suddenly felt heat rush her face. Was this man just paranoid or what? "Safe from this? Or from you?"
He looked up, placing his fork down on the plate. His stare was expressionless and she suddenly regretted her brazen accusation. "Both." His reply had been simple, direct, stern. "Those people who did this to me, they'll do worse to you if they think that we're involved ... if they think that their message wasn't clear enough. — Shawn Kirsten Maravel

Sentences are made wonderfully one at a time. Who makes them. Nobody can make them because nobody can what ever they do see.
All this makes sentences so clear I know how I like them.
What is a sentence mostly what is a sentence. With them a sentence is with us about us all about us we will be willing with what a sentence is. A sentence is that they cannot be carefully there is a doubt about it.
The great question is can you think a sentence. What is a sentence. He thought a sentence. Who calls him to come which he did.
... What is a sentence. A sentence is a duplicate. An exact duplicate is depreciated. Why is a duplicated sentence not depreciated. Because it is a witness. No witnesses are without value. — Gertrude Stein

You think that I am angry, but I am not. You think I do not know why you have done what you have done, but I do. You think you have put all your heart into that writing and that every one in England now understands you. What do they understand? Nothing. I understood you before you wrote a word. What you wrote, you wrote for me. For me alone. — Susanna Clarke

Happiness increases and decreases depending on the level of power one has. When you have more power, more control on your life, you feel more happy and self-confident, as your power decreases and the control of your life slips away, you get less and less happy and when you no longer have any power to rely on you reach depression and despair. This is the point where your power meter has hit 0. You now need to rely on the good favors of others to live. For those who believe in the power of god, it sustains them through this dark hour. For those who do not believe, they think they have reached the end and may take their lives. That's why all conflict in life is about power and many lose life in its pursuit. Power is life itself. — Bangambiki Habyarimana

Narratives have the same power, I think. Some readers of my novels ask me, "Why do you understand me?". That's a huge pleasure of mine because it means that readers and I can make our narratives relative. — Haruki Murakami

I think a lot of people are very good, but I don't think anybody could do my rhythm. I was thinking, "If you want my rhythm" - and when I was writing, I was writing them for myself - "why am I watching another actor doing what I should be doing?" It was just a really unpleasant experience. — Jake M. Johnson

Why then should I often be unhappy over what happens here? Shouldn't I always be glad, contented and happy, except when I think about her and her companions in distress? I am selfish and cowardly. Why do I always dream and think of the most terrible things- my fear makes me want to scream out loud sometimes. Because still, in spite of everything, I have not enough faith in God. He has given me so much- which I certainly do not deserve- and I still do so much that is wrong every day. If you think of your fellow creatures, then you only want to cry, you could really cry the whole day long. The only thing to do is to pray that God will perform a miracle and save some of them. And I hope that I am doing that enough! — Anne Frank

My father got a job at Bradford University in textiles. And he came for - I guess, you know, why do people immigrate? - like, for a better life to find, you know, a new world. And, you know, I think he always - he saw it as an opportunity. And so yeah so we came to this coal mining town in the north of England and that's where I grew up. — Aasif Mandvi

You matter as much as the things that matter to you. And I got so backwards trying to matter to him. All this time, there were real things to care about: real, good people who care about me, and this place. It's so easy to get stuck. You just get caught in being something, being special or cool or whatever, to the point where you don't even know why you need it; you just think you do. — John Green

Linus: What's wrong, Charlie Brown?
Charlie Brown: I just got terrible news. The teacher says we're going on a field trip to an art museum; and I have to get an A on my report or I'll fail the whole course. Why do we have to have all this pressure about grades, Linus?
Linus: Well, I think that the purpose of going to school is to get good grades so then you can go on to high school; and the purpose is to study hard so you can get good grades so you can go to college; and the purpose of going to college is so you can get good grades so you can go on to graduate school; and the purpose of that is to work hard and get good grades so we can get a job and be successful so that we can get married and have kids so we can send them to grammar school to get good grades so they can go to high school to get good grades so they can go to college and work hard ...
Charlie Brown: Good grief! — Charles M. Schulz

In my work, you get used to criticisms. Of course you do, because there are a lot of people trying to get you down, but I always cheer up immensely if one is particularly wounding because I think well, if they attack one personally, it means they have not a single political argument left. That is why my father always taught me: never worry about anyone who attacks you personally; it means their arguments carry no weight and they know it. — Margaret Thatcher

I don't hate you, Jace."
"I don't hate you, either."
She looked up at him, relieved. "I'm glad to hear that - "
"I wish I could hate you," he said. His voice was light, his mouth curved in an unconcerned half smile, his eyes sick with misery. "I want to hate you. I try to hate you. It would be so much easier if I did hate you. Sometimes I think I do hate you and then I see you and I - "
Her hands had grown numb with their grip on the blanket. "And you what?"
"What do you think?" Jace shook his head. "Why should I tell you everything
about how I feel when you never tell me anything? It's like banging my head on a
wall, except at least if I were banging my head on a wall, I'd be able to make myself stop."
Clary's lips were trembling so violently that she found it hard to speak. "Do you think it's easy for me?" she demanded. — Cassandra Clare

I'm always drawn towards the darker stuff, because I think it's just a lot more interesting. But it's also good fun doing the comedy, and I think that's why 'Misfits' has been great in that way, as you get a really good balance. I think it's best to try and do everything as an actor, really. — Iwan Rheon

I think you always need to be able to relate to your characters, but that doesn't necessarily mean ... you have to understand why they do what they do, but you don't actually have to be like that yourself. — Natalie Portman

When something works for you or another brand, ask yourself, 'Why?' Then don't copy it but think about what you can do that's unique to you and better. — Simon Mainwaring

If there is but one God, then why must blood be shed to prove whose God he is? Does the Father not belong to all of us as we belong to him? Do you think he'll call me a righteous man when I've killed one of his sons? — P.A. Minyard

You have only to lift your hand,' Thorkel Fostri said. And after a moment, 'What else were you born for?'
'Why not happiness, like other men? Thorfinn said.
'You have that,' said his foster-father. 'But if you try to trap it, it will change. Why do you resist? It is your right.'
'I resist because it is no use resisting,' Thorfinn said. 'Do you not think that is unfair? I shall be King because I was King; and I shall die because I did die; and did I remember them, I could even tell what are the three ways it might befall me. — Dorothy Dunnett

Why do you think so many men are gay?" Green — A.E. Via

Do you think he's unreasonable and challenging?" ...
"Yes girl," he rumbles. "But, like I said, only with you."
... "So, he doesn't behave like a madcap at work then?
"Nope."
I frown. "He's easygoing?"
"Yep,"
I sigh heavily, just so John knows that I want more than that. "Why?"
... "Girl, don't be too harsh on the crazy mother fucker. He's never cared before you. — Jodi Ellen Malpas

He sighed. "Why do you think you're a werewolf."
Jo took a deep breath. "I don't feel the cold. I can run very fast. I have acute senses. I heal quickly and for five days around a full moon, I'm desperate for sex and can never get enough." She looked straight at him. "What do you think?"
"Well, I have heard your horrible howl." He shuddered. Jo hit him. "Ouch. Okay, turn round," he said.
"Why?"
"I want to see if you've got a tail."
"Very funny."
Alek smirked. "Yeah, it is. Do you like to stick your head out of the car window when you're going fast? — Barbara Elsborg

You know, a lot of actors I think go into acting for therapy from whatever trauma has affected them as children. But for me, I think I sought out the drama. That's why I like doing what I do. — Michael Ealy

The theory of relativity and quantum mechanics argue that you can twist time and space, that something can appear out of nothing, and that a cat can be both alive and dead at the same time. This makes a mockery of our common sense, yet nobody seeks to protect innocent schoolchildren from these scandalous ideas. Why? The theory of relativity makes nobody angry, because it doesn't contradict any of our cherished beliefs. Most people don't care an iota whether space and time are absolute or relative. If you think it is possible to bend space and time, well, be my guest. Go ahead and bend them. What do I care? In contrast, Darwin has deprived us of our souls — Yuval Noah Harari

Why would affluence make him mad?"
"Maybe he's mad that this is as good as it gets. Your big house. His good school. I think it's very difficult for kids these days, in a way. The country's very prosperity has become a burden, a dead end. Everything works, doesn't it? At least if you're white and middle class. So it must often seem to young people that they're not needed. In a sense, it's as if there's nothing more to do. — Lionel Shriver

I want to know why you don't like me, Malloy. I like you, even if you do hit people."
He sighed. "I never said I didn't like you, Mrs. Brandt."
Reasonable again. She wanted to smack him. "And why don't you ever call me Sarah? You think I'm beautiful, but you never call me Sarah."
He muttered something she didn't understand.
"You do think I'm beautiful," she insisted. "You said so!"
"Yes, I do," he said grudgingly. "And I do like you, Sarah. Now let's talk about something else, because you're going to be very embarrassed if you remember any of this conversation tomorrow. — Victoria Thompson

Is there anything you want to do before we put our heads in plastic boxes for two days?'
I thought about this for a second, then held the side of her face and kissed her.
We both zipped up our suits just in time to see the reactor blow: a column of green radioactive fire, belching black smoke. Di squeezed my hand, our big boxy heads knocked clumsily together, and I tried to think of something romantic to say.
'Well, I guess that's why they all die of cancer. — Tom Francis

Well, let's all get maudlin, shall we? George, stop on the way and get us some red-hot pokers to put out our eyes. Oh, and while you're at it, I think we should see about adding salt for our wounds, too. (Solin)
Quite good, sir. Is there any particular place you'd care for me to stop? I've heard the market is a good place for pokers. That is, if you're agreeable to a short detour. (George)
What do you two think? Run-of-the-mill pokers, or a better quality. Oh hell, why not use rusty spoons. They'd hurt more. (Solin) — Sherrilyn Kenyon

You never know what's actually going on in a person's life. You don't know what happened to them before you met them ... and that's why they are the way they are. But I do think about it whenever I get in contact with my fans. I know this may be the only time they'll ever meet me. I try to take advantage of that moment and be kind and grateful. — Katy Perry

Mrs. Convoy leaned into the desk, flattening her knuckles on it like a linebacker bracing against the hard earth, and with eyeballs floating above her bifocals asked why I felt it necessary to sit in my own waiting room during peak hours. I told her, she said, "And how is the 'complete experience'?" I told her, she said, "And do you think the 'complete experience' might be enhanced by a dentist who tends to his patients in a timely manner?" I told her, she said, "We will not get a reputation for being a drill-and-bill shop just because you tend to patients in a timely manner. Jesus Mary and Joseph," she said. "Sometimes I think we all work for Toots the Clown. — Joshua Ferris

Keep your mouth shut around me," he says, his voice low, "or I will do this again, only next time, I'll shove it right through your esophagus."
"That's enough," Evelyn says. Edward drops the fork and releases Peter. Then he walks across the room and sits next to the person who called him "Eddie" a moment before.
"I don't know if you know this," Tobias says, "but Edward is a little unstable."
"I'm getting that," I say.
"That Drew guy, who helped Peter perform that butter-knife maneuver," Tobias says. "Apparently when he got kicked out of Dauntless, he tried to join the same group of factionless Edward was a part of. Notice that you haven't seen Drew anywhere."
"Did Edward kill him?" I say.
"Nearly," Tobias says. "Evidently that's why that other transfer--Myra, I think her name was?--left Edward. Too gentle to bear it. — Veronica Roth

That's what they want: two women. Fellas, I think that's a bit lofty. Because, come on, think about it - if you can't satisfy that one woman, why do you want to piss off another one? Why have two angry women in the bed with you at the same time? And think about it - you know how much you hate to talk after sex, imagine having two women just nagging you to death. — Wanda Sykes