When They Block You Quotes & Sayings

Sometimes I would make left turns all the way around a block, and when I returned to the original intersection, I would feel disappointed to find all the drivers were new. It wasn't like a square dance, where you miraculously end up with your original partner, laughing and feeling giddily relieved to find him after dancing with everyone else in the world. Instead, they swung around and kept on going, some people were at work by now, or halfway to the airport. In fact, driving might be the thing most opposite of dancing. — Miranda July

Not all babies are cute when they're born no matter how many new parents try to convince you otherwise. This is yet another lie the half-baked "theys" lead you to believe. Some babies are born looking like old men with wrinkled faces, age spots, and a receding hairline. When I was born, my father George took my hospital picture over to his friend Tim's house while my mom was still recuperating in the hospital. Tim took one look at my picture and said, "Oh sweet Jesus, George. You better hope she's smart." It was no different with my son, Gavin. He was funny looking. I was his mother, so I could say that. He had a huge head, no hair, and his ears stuck out so far I often wondered if they worked like the Whisper 2000, and he was able to pick up conversations from a block away. — Tara Sivec

More and more, I have come to realize how thoughts and concepts are all that block us from always being ... in the absolute ... When the view is there, thoughts are seen for what they truly are: fleeting and transparent, and only relative ... You do not cling to thoughts and emotions or reject them, but welcome them all within the vast embrace of Rigpa. — Sogyal Rinpoche

The virtual community? The word virtual does not mean "virtue." It means "not." When I go to the store and they say: The shirt that you brought in is virtually done. It means it is not done, in the same way that the virtual community is not a community. There is no commitment there. When you log off, you are not a member of it anymore. My flesh and blood community, the sense of knowing my neighbor, knowing the guy across the street, having dinner with the people down the block, getting along with each other and making compromises, that's a genuine community with a commitment. — Clifford Stoll

They walked back to the chopping block, Claire carrying the crab in her hands. Helen paused. "You know, I'd like to ask you something a friend asked me once, if you don't think it's too personal."
"What is it?"
"What do you do that makes you happy? Just you?"
Claire looked at Helen for a moment and thought, the crab resting on the block beneath her hands.
"I was just wondering," Helen continued. "No one ever asked me when I was your age, and I think it's a good thing to think about."
Claire nodded. Then she took the cleaver and cut the crab into ten pieces. — Erica Bauermeister

I remember hating New Kids on the Block from the sidelines because all of the girls loved them. They would just fawn over them. 'Oh my gosh, Joey I love you!' When I was younger, I really couldn't stand them. — Dule Hill

When you are a kid, playing with the other kids on your street, and everyone is fighting over who they are going to be, you have to call dibs early, as soon as you see one another, pretty much as soon as you step outside your house, even if you're halfway down the block. First dibs gets Hans Solo. Everyone knows that. You don't even have to say it. If you are first, you are Han Solo, period, end of story ... I was never totally sure why everyone wanted to be Han Solo. Maybe it was because he wasn't born into it, like Luke, with the birthright and the natural talent for the Force and the premade story. Solo had to make his own story. He was a freelance protagonist, a relatively ordinary guy who got to the major leagues by being quick with a gun and a joke. He was, basically, a hero because he was funny. — Charles Yu

When you're dealing with TV and with movies, people dont take it as serious as they do with music. If a rapper does a song about shooting people on the block, and goes into a restaurant or grocery store, people grab their purses because they're afraid the person is violent. With TV and movies, people know it's okay, it's just a script. — Suge Knight

There are times when you almost tell the harmless old lady next door what you really think of her face - that it ought to be on a night-nurse in a house for the blind; when you'd like to ask the man you've been waiting ten minutes for if he isn't all overheated from racing the postman down the block; when you nearly say to the waiter that if they deducted a cent from the bill for every degree the soup was below tepid the hotel would owe you half a dollar; when - and this is the infallible earmark of true exasperation - a smile affects you as an oil-baron's undershirt affects a cow's husband.
But the moment passes. Scars may remain on your dog or your collar or your telephone receiver, but your soul has slid gently back into its place between the lower edge of your heart and the upper edge of your stomach, and all is at peace. — F Scott Fitzgerald

So I feared not just the violence of this world but the rules designed to protect you from it, the rules that would have you contort your body to address the block, and contort again to be taken seriously by colleagues, and contort again so as not to give the police a reason. All my life I'd heard people tell their black boys and black girls to "be twice as good," which is to say "accept half as much." These words would be spoken with a veneer of religious nobility, as though they evidenced some unspoken quality, some undetected courage, when in fact all they evidenced was the gun to our head and the hand in our pocket. This is how we lose our softness. This is how they steal our right to smile. — Ta-Nehisi Coates

forgiveness. It is not in denying the hopeless days that take place when others reject us or turn on us. It is not in minimizing the pain we experience at the hands of those who seem bent on ruining our lives. People turn on people. They betray one another. Crass unkindness, vicious plottings, horrible and intentional antagonisms are shown, and calling it a hopeless day hardly describes the extended season of struggle that many of us face at times. But there is a lesson at Calvary. Forgive everyone - anyone - whom you think has failed you, hurt you, offended you. If you think they've done anything to ruin your day, ruin your life, ruin your opportunities, ruin your dreams, or block your goals - forgive them. Forgiving others is the key to living in the liberty of the freeing forgiveness Jesus has given us, and it's the first step toward finding hope for a hopeless day, not to mention opening the door to new days unimagined. — Jack W. Hayford

The dead are silent, and objects, when they hold impressions, are quiet until you reach through them. But the touch of living is loud. Living people haven't been compiled, organized -which means they're a jumble of memory and thought and emotion, all tangled up and held at bay only by the silver band of my finger. The ring helps, but it can't block the noise, just the images — Victoria Schwab

Kissing scenes are never romantic or sexy, they're actually super technical, like, "Move your head, you're blocking her light," or, "Stop looking like an idiot when you kiss her." You do it again and again because of the camera angles and takes and whatnot. So by the end of it, it's not even kissing. All the anything is totally drained out of it. — Will Poulter

When McDonald's opened up in Moscow - I happened to be there when it opened and wandered in. And the Russians were queuing three times around the block to get in. And when they got to the head of the queue, they'd go, "I'll have a Big Mac please. Have you the cheese and the rolls? And do you have the meat and do you have the salad?" And everybody asks this because they are so used to things being awful that it took them a quarter of an hour to order a Big Mac. — John Gimlette

I think a lot of times when people have "creative blocks" and I know my share of friends do as well if they're at just some stuck point. They're not sure what to do with their lives or their writing or their photography or their filmmaking or whatever it is that they're doing. I think the best advice is you have to change your life up completely; to go on a trip, to go spend a year being of service. Be willing to take some major drastic action to get you out of your comfort zone and go inside, not outside. — Rainn Wilson

One of the things when you write, well the way I write, is that you are writing your scenario and there are different roads that become available that the characters could go down. Screenwriters will have a habit of putting road blocks up against some of those roads because basically they can't afford to have their characters go down there because they think they are writing a movie or trying to sell a script or something like that. I have never put that kind of imposition on my characters. Wherever they go I follow. — Quentin Tarantino

Quentin's [Tarantino] thing is "I don't want anybody to get up until they have to. So, because he really wants things to come organically. And he may have specific things like "No, this ... I want you to be here so that when he punches you, it falls. I want that action to happen here." But you feel like it does, all the blocking does come from an organic response to the material. — Jennifer Jason Leigh

What were they thinking when they scheduled this movie for December?" Troy said. "They weren't thinking of us, I can tell you. May," he said, shaking his head. "May is when you release a Star Wars movie. If this movie were a May movie, the line would already be around the block. — Rainbow Rowell

Most people, when they are looking for a spouse, are looking for a finished statue when they should be looking for a wonderful block of marble. Not so you can create the kind of person you want, but rather because you see what kind of person Jesus is making. — Kathy Keller

When a male vole repeatedly mates with a female, a hormone called vasopressin is released in his brain. The vasopressin binds to receptors in a part of the brain called the nucleus accumbens, and the binding mediates a pleasurable feeling that becomes associated with that female. This locks in the monogamy, which is known as pair-bonding. If you block this hormone, the pair-bonding goes away. Amazingly, when researchers crank up the levels of vasopressin with genetic techniques, they can shift polygamous species to monogamous behavior.38 — David Eagleman

When you play in the Premier League, say you're playing against a lower-end team, they set up to defend all the time, they set up to block you off. But when you play in the Champions League, all the other teams are used to winning every week, so it's more of an open game, it's more attacking, end-to-end. — Gareth Bale

Go to Zillicks down the block. It has three booths at the back. Go in the middle one and wait. When you lamp me turning the pages of the directory outside, shove your money in the return-coin slot and walk out. Take it easy. Don't let the druggist see you. Your stuff'll be there when you go back for it. If you're even a dime short don't show up, it won't do ya no good. Twelve o'clock tonight.'
'Twelve o'clock;' Fisher agreed. They separated. How many a seemingly casual street-corner conversation like that on the city's streets has just such an unguessed, sinister topic. Murder, theft, revenge, narcotics. While the crowd goes by around it unaware. ("I'm Dangerous Tonight") — Cornell Woolrich

You've got to block out all distractions when you train. Your focus has to be 100% into the rep. You've got to get into a zone. You know you're in the zone when guys in the gym look you in the eye and then quickly turn away 'cause they see the fire. You've got to be all business. — Mike Matarazzo

What they are is a small tablet about six inches square, which has a screen in it. As you walk it shows a scrolling digital map of the area you're in, telling you what each store you pass sells, who lives in what block, the whole works, updated by small beacons on every street corner. If you tap in a destination the screen shows you a red line to follow, and the tablet whispers at you to tell you when to make a turn. — Michael Marshall Smith

If you start thinking about who's going to read it [you're writing], or what grade will you get, or is it going to win that award, or are you going to get into this graduate program, you're blocking the light, and the light is that guidance and love we get when we open up our hearts and are guided by our higher selves, or God, or the Buddha Lupe [Buddha and the Virgin of Guadalupe fused together, as they are in the tattoo on Sandra's right arm], or whatever you believe in, or love. — Sandra Cisneros

I think it's really important, when you're redefining a character [ Spider-Man], for the audience to experience things that they haven't experienced, from the ground up. I wanted to build a character. I feel like point of view is a really crucial thing in the story, and that you need to build up the emotional building blocks, so that you can experience all the other emotions in a very specific way, rather than just experiencing it in an intellectual way. — Marc Webb

I'll admit that writing doesn't always come, but I'm totally against walking around looking at the sky when you're experiencing a block, waiting for inspiration to strike you. Tchaikovsky and Rimsky-Korsakov didn't like each other and agreed on very few things, but they were of one opinion on this: you had to write constantly. If you can't write a major work, write minor trifles. If you can't write at all, orchestrate something. — Dmitri Shostakovich

Don't you want it?"
"Want what?"
"The engagement ring."
"Oh, is that what's in the box? You threw my engagement ring at me?" Boy, this was such a big transgression I would have to write it in block letters on its own page, and show it to our children when they grew up as an example of how not to do something. — Linda Howard

My name is Lev," said Lev.
"My name is Lydia," said the woman. And they shook hands, Lev's hand holding the scrunched-up kerchief and Lydia's hand rough with salt and smelling of egg, and then Lev asked, "What are you planning to do in En gland?" and Lydia said, "I have some interviews in London for jobs as a translator."
"That sounds promising."
"I hope so. I was a teacher of English at School 237 in Yarbl, so my language is very colloquial."
Lev looked at Lydia. It wasn't difficult to imagine her standing in front of a class and writing words on a blackboard. He said, "I wonder why you're leaving our country when you had a good job at School 237 in Yarbl?"
"Well," said Lydia, "I became very tired of the view from my window. Every day, summer and winter, I looked out at the schoolyard and the high fence and the apartment block beyond, and I began to imagine I would die seeing these things, and I didn't want this. I expect you understand what I mean? — Rose Tremain

He also tried to block the doorway when she left him. My mother ducked under his arm, ran to her car, and drove away. I remember thinking that this was somehow romantic, as it pinpointed the actual memory of my mother's departure, something you don't see a lot of in television. Real people don't slam doors without opening them five minutes later because it's raining and they forgot their umbrella. They don't stop dead in their tracks because they realize they're in love with their best friend.They don't say, "I'm leaving you, Jack," and fade to a paper towel commercial. — Sloane Crosley

When I tell children that they are far too dependent on their gizmos, they do not deny it. But they really don't care. This is their real life - texting about trivial things; listening to numbing music on their private headphones. The machines block everything out - you create your own little trivial world. — Bill O'Reilly

It's an unfortunate word, 'depression', because the illness has nothing to do with feeling sad, sadness is on the human palette. Depression is a whole other beast. It's when your old personality has left town and been replaced by a block of cement with black tar oozing through your veins and mind. This is when you can't decide whether to get a manicure or jump off a cliff. It's all the same. When I was institutionalised I sat on a chair unable to move for three months, frozen in fear. To take a shower was inconceivable. What made it tolerable was while I was inside, I found my tribe - my people. They understood and unlike those who don't suffer, never get bored of you asking if it will ever go away? They can talk medication all hours, day and night; heaven to my ears. — Ruby Wax

It's a funny thing about bogs. You can fill them with rocks and sand and old logs and make a little fenced-in yard on top with a woodpile and chopping block - but bogs go right on behaving like bogs. Early in the spring they breathe ice and make their own mist, in remembrance of the time when they had black water and their own sedge blossoming untouched. — Tove Jansson

When generally people make race-based jokes to me - even if they're not technically racist, they're sort of based on me being Pakistani or whatever - on Twitter, you know, I block a lot of people who say something weird about my name or something. It does bug me generally, but it is all about context. — Kumail Nanjiani

White Hot Concentration is the unappreciated fruit of hard ligting, especially squats. When your in the squat rack, with a serious amount of weight overhead, your life literally depends on maintaining concentration. You learn to block out the swirling images in the mirror, the obnoxious chatter of the people next to you, the fat drop of sweat running down your nose. Once you've mastered this concentration in the weight room, duplicating it on the race course is relatively easy. Champions have only a few things in common. One weapon they all possess is White Hot Concentration. — Brad Alan Lewis

The real Tradition is this: the teacher never tells the disciple what he or she should do. They are merely travelling companions, sharing the same uncomfortable
feeling of 'estrangement' when confronted by ever-changing perceptions, broadening horizons, closing doors, rivers that sometimes seem to block their path and which, in fact, should never be crossed, but followed.
There is only one difference between teacher and disciple: the former is slightly less afraid than the latter. Then, when they sit down at a table or in front of a fire to talk, the more experienced person might say: 'Why don't you do that?' But he or she never says: 'Go there and you'll arrive where I did', because every path and every destination are unique to the individual. The true teacher gives the disciple the courage to throw his or her world off balance, even though the disciple is afraid of things already encountered and more afraid still of what might be around the next corner. — Paulo Coelho

I didn't get far when he was suddenly behind me. He looped his finger through my belt and practically
dragged me to the corner he'd been standing in.
"What the fu ... ."
"Stay still," he ordered. "I need you to block the wind."
I didn't have any snappy comebacks, so I simply stood there, amazed by his gruffness. Hadn't anyone ever taught him simple manners? When I looked at him, I thought that maybe they hadn't. I could easily imagine him as a little Mowgli type, being raised by animals in the jungle. — L. H. Cosway

The Yale professor Dan Kahan has done much research showing that our judgments about risks - Does gun control make us safer or put us in danger? - are driven less by a careful weighing of evidence than by our identities, which is why people's views on gun control often correlate with their views on climate change, even though the two issues have no logical connection to each other. Psycho-logic trumps logic. And when Kahan asks people who feel strongly that gun control increases risk, or diminishes it, to imagine conclusive evidence that shows they are wrong, and then asks if they would change their position if that evidence were handed to them, they typically say no. That belief block is holding up a lot of others. Take it out and you risk chaos, so many people refuse to even imagine it. — Philip E. Tetlock

My daughter was sixteen," she went on. Tears ran over the bridge of her nose and onto the block, but her voice remained strong and loud. "Sixteen, when you burned her. Her name was Kaleen, and she had eyes like thunderclouds. I still hear her voice in my dreams."
The king jerked his chin to the executioner, who stepped forward.
"My sister was thirty-six. Her name was Liessa, and she had two boys who were her joy."
The executioner raised his ax.
"My neighbor and his wife were seventy. Their names were Jon and Estrel. They were killed because they dared to try and protect my daughter when your men came for her."
Rena Goldsmith was still reciting her list of the dead when the ax fell. — Sarah J. Maas

There are mornings when it feels as if you rise up to the surface through a mud bath. With your feet stuck in a block of cement. When you know that you've expired in the night and have nothing to be happy about except the fact that at least you've already died so they can't transplant your lifeless organs. — Peter Hoeg