Quotes & Sayings About What Makes Good Writing

The medium of comics is not necessarily about "good drawing"--"It's just an accident when it makes a nice drawing," Spiegelman explained to a curator at the MoMA--but rather about what Spiegelman calls picture-writing and Satrapies calls narrative drawing: how one person constructs a narrative that moves forward in time through both words and images. — Hillary Chute

Do yourself and your family a favor: Decide right now that you will write a self-help book someday. I'm serious. A self-help book is a great way to capture what you think makes a good person, a good life and a good world. It's also a "forever document" that you can pass down to future generations. We need more people sharing positive messages and books with the world. Why not be one of those people? — Brendon Burchard

More than anything, I began to hate women writers. Frances Burney, Jane Austen, Elizabeth Browning, Mary Shelley, George Eliot, Virginia Woolf. Bronte, Bronte, and Bronte. I began to resent Emily, Anne, and Charlotte - my old friends - with a terrifying passion. They were not only talented; they were brave, a trait I admired more than anything but couldn't seem to possess. The world that raised these women hadn't allowed them to write, yet they had spun fiery novels in spite of all the odds. Meanwhile, I was failing with all the odds tipped in my favor. Here I was, living out Virginia Woolf's wildest feminist fantasy. I was in a room of my own. The world was no longer saying, "Write? What's the good of your writing?" but was instead saying "Write if you choose; it makes no difference to me. — Catherine Lowell

I think distance also helps me gain an certain critical perspective that's essential for good writing. It makes it possible to be more truthful in my writing, to speak some harsh truths. And being an immigrant in America, always having this outsider-rinsider thing going on, is such great training for being a writer. Because that's what writers are - outsiders wanting to get on the inside and insiders longing to burst out. — Thrity Umrigar

I always think, OK, this is good, but I'll do it better next time. "And so we beat on, boats against the current ... " It may not be the recipe for a life of contentment, but that imperfectability is what makes writing such an engaging endeavor, something you can do for the rest of your life and not get bored. — Debra Dean

Other writers definitely influence my writing. What encourages me and inspires me is when I read a good book. It makes me want to be a better writer. — Kimberly Willis Holt

But the quality of writing in the series [game of Thrones] is paramount. That's probably why all of us are involved in this and all of us are quite so loyal to it, because we don't have to expend a lot of energy trying to make a silk purse out of a pig's ear. The quality of the writing is really good, and that's what makes playing a character so enjoyable, whether he's heroic or villainous. — Charles Dance

Read poetry every day of your life. Poetry is good because it flexes muscles you don't use often enough. Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand.
And, above all, poetry is compacted metaphor or simile. Such metaphors, like Japanese paper flowers, may expand outward into gigantic shapes. Ideas lie everywhere through the poetry books, yet how rarely have I heard short story teachers recommending them for browsing.
What poetry? Any poetry that makes your hair stand up along your arms. Don't force yourself too hard. Take it easy. Over the years you may catch up to, move even with, and pass T. S. Eliot on your way to other pastures. You say you don't understand Dylan Thomas? Yes, but your ganglion does, and your secret wits, and all your unborn children. Read him, as you can read a horse with your eyes, set free and charging over an endless green meadow on a windy day. — Ray Bradbury

With non-fiction writing I feel like I'm confined and driven by what actually happened. That makes the "plot". So it's a process of getting all of my notes typed up, then scanning through the notes, trying to extract or find certain vignettes that seem like they might write well - that might have a potential for good energy, shape, etc. And then at some point I start stringing these together, keeping an eye on the word count. — George Saunders

When people say to me, 'Why are you so good at writing at women?' I say, 'Why isn't everybody?' Obviously there are differences between men and women - that's what makes it all fun. But we're all people. There's a lot of good writers who are very humanist, but still manage to kind of skip fifty-five per cent of the race. And I just don't get that. Not to be able to write an entire gender? To me, the question isn't how do you do it? It's how can you possibly avoid doing it? — Joss Whedon

I've been in a long and happy relationship for 22 years and it's never inspired me to write anything. It's too good - nothing to say. Problems, conflict, that's what makes for good stories. — Emma Donoghue

I think what makes good writing is intimacy - putting the reader inside the character's head. Many books are bad because they're merely guidebooks for sightseers. — Raymond Bolton

The most important thing is to read as much as you can, like I did. It will give you an understanding of what makes good writing and it will enlarge your vocabulary. — J.K. Rowling

I remember a man, a very lonely man, coming up to me at the end of a reading and looking into my face and saying, 'I feel as if I have looked down a corridor and seen into your soul.' And I looked at him and said, 'You haven't.' You know, Here's the good news and the bad news: you haven't! I made something, and you and I could look at it together, but it's not me; you don't live with me; you're not intimate with me. You're not the man I live with or my friend. You will never know me in that way. I'm making something, like Joseph Cornell makes his boxes and everyone looks into them, but it's the box you look into; it's not the man or the woman. It's alchemy of language and memory and imagination and time and music and sounds that gets made, and that's different from 'Here is what happened to me when I was ten. — Marie Howe

But the thing that stands eternally in the way of really good writing is always one: the virtual impossibility of lifting to the imagination those things which lie under the direct scrutiny of the senses, close to the nose. It is this difficulty that sets a value upon all works of art and makes them a necessity. The senses witnessing what is immediately before them in detail see a finality which they cling to in despair, not knowing which way to turn. Thus this so-called natural or scientific array becomes fixed, the walking devil of modern life. — William Carlos Williams

Reading is a very strange thing. We get talked to about it and talk explicitly about it in first grade and second grade and third grade, and then it all devolves into interpretation. But if you think about what's going on when you read, you're processing information at an incredible rate.
One measure of how good the writing is is how little effort it requires for the reader to track what's going on. For example, I am not an absolute believer in standard punctuation at all times, but one thing that's often a big shock to my students is that punctuation isn't merely a matter of pacing or how you would read something out loud. These marks are, in fact, cues to the reader for how very quickly to organize the various phrases and clauses of the sentence so the sentence as a whole makes sense. — David Foster Wallace

Think of it: a writer actually possesses the power to alter his past, to change what was once experienced as defeat into victory and what was once experienced as speechless anguish into a stroke of great good fortune or even something approaching blessedness, depending upon what he does with that past, what he makes out of it. — Franz Wright

so thanks for supplying all the inspiration." "But think of everything you came up with all on your own," she said. "You would have done just fine without me. I wish I had your imagination. What's your secret to making a story so good? Do you have any writing tricks or rituals?" Conner had never thought about it before. He thought back to the very first time he wrote a story and recalled a tool that had helped him write ever since. "Whenever I write, I imagine everything in Dad's voice," he said. "I try to describe everything with the same energy and enthusiasm he had when he read stories to us. Sometimes when I miss him the most, writing makes me feel like he's there with me. — Chris Colfer

I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written. — Terry Teachout

What makes a good writer of history is a guy who is suspicious. Suspicion marks the real difference between the man who wants to write honest history and the one who'd rather write a good story. — Jim Bishop

I really don't know what exactly all the songs mean. Sometimes other people have meanings and when I hear them I think, 'That's really a better meaning than I thought, and perfectly valid, given the words that exist.' So part of what makes a song really good is that people take in different meanings, and they apply them, and they might be more powerful than the ones I'm thinking. — Paul Simon

I believe it's impossible to write good poetry without reading. Reading poetry goes straight to my psyche and makes me want to write. I meet the muse in the poems of others and invite her to my poems. I see over and over again, in different ways, what is possible, how the perimeters of poetry are expanding and making way for new forms. — Denise Duhamel

I'm conscious of race whenever I'm writing, just as I'm conscious of class, religion, human psychology, politics - everything that makes up the human experience. I don't think I can do a good job if I'm not paying attention to what's meaningful to people, and in American culture, there isn't anything that informs human interaction more than the idea of race. — Dwayne McDuffie

Nerds get what they want when they want it, and they go psycho if it's not immediately available. Nerds overfocus. I guess that's the problem. But it's precisely this ability to narrow-focus that makes them so good at code writing ... — Douglas Coupland

What has a writer to be bombastic about? Whatever good a man may write is the consequence of accident, luck, or surprise, and nobody is more surprised than an honest writer when he makes a good phrase or says something truthful. — Edward Dahlberg

What I'm getting at is like the distinction between tourist and a traveler. The tourist experience is superficial and glancing. The traveler develops a deeper connection with her surroundings. She is more invested in them
the traveler stays longer, makes her own plans, chooses her own destination, and usually travels alone: solo travel and solo participation, although the most difficult emotionally, seem the most likely to produce a good story. — Ted Conover

I think what makes good children's books is putting the same care and effort into it as if I was writing for adults. I don't write anything - put anything in my books - that I'd be embarrassed to put in an adult book. — Louis Sachar

Boys,
I'm probably sleeping, but hopefully y'all got up on time. You need to be down at the factory by 9. Ask for Zeke.I listened to your interview with Starnes-it's good work, but I've changed my mind about some things.
At six hours per person, we'll never get through the whole town. I'd like you only to ask the following four questions: Where would you live if you could live anywhere? What would you do for a living if you didn't work for the factory? When did your people come to the country? And What do you think makes Gutshot special? I think that'll move things along nicely. They're expecting you at the factory. Lindsey will accompany you.
See you tonight.Hollis.
PS.I'm writing this note at 5:30., SO don't wake me up. — John Green

One wouldn't want to say that what makes a good writer is the number of books that the writer wrote because you could write a whole number of bad books. Books that don't work, mediocre books, or there's a whole bunch of people in the pulp tradition who have done that. They just wrote ... and actually they didn't write a whole bunch of books, they just wrote one book many times. — Walter Mosley

Writing is such an industry now. In many ways, that's a good thing, in that it removes all the muse-like mystique and makes it a plain old job, accessible to everyone. But with industry comes jargon. I was aware that jargon was starting to fill those growing shelves of Writer's Self Help books, not to mention the blogosphere. Wherever I looked, the writing of a script was being reduced to A, B, C plots, Text and Subtext, Three Act Structure and blah, blah, blah. And I'd think, that's not what writing is! Writing's inside your head! It's thinking! It's every hour of the day, every day of your life, a constant storm of pictures and voices and sometimes, if you're very, very lucky, insight. — Russell T. Davies

We all know what good writing is: It's the novel we can't put down, the poem we never forget, the speech that changes the way we look at the world. It's the article that tells us when, where, and how, the essay that clarifies what was hazy before. Good writing is the memo that gets action, the letter that says what a phone call can't. It's the movie that makes us cry, the TV show that makes us laugh, the lyrics to the song we can't stop singing, the advertisement that makes us buy. Good writing can take form in prose or poetry, fiction or nonfiction. It can be formal or informal, literary or colloquial. The rules and tools for achieving each are different, but one difficult-to-define quality runs through them all: style. "Effectiveness of assertion" was George Bernard Shaw's definition of style. "Proper words in proper places" was Jonathan Swift's. You — Mitchell Ivers

Writing about sex is a challenge for the same reason sex is a challenge. Because it's complicated. Because it doesn't always make sense and it isn't always perfect and it's sometimes awful and it's sometimes hilarious. But underneath all the clever wordplay, it's about hope. Hope that someone will see us, and accept us, and perhaps - after all that - choose us. It's the barest we will ever be. The barest a character will ever be. That's why it's difficult.
As for what makes a good sex scene, a romance novelist would have told you that when done well and with a skilled hand, the best sex scenes can at once arouse and empower. Sex on the page gives readers the freedom to explore their own sexuality, their own pleasures, their own identities. With hope. And without judgment. — Sarah MacLean

Writing a funny story is one thing. But writing a funny story that inspires others to venture beyond their level of comfort in pursuit of their greater good is what makes me come alive. — Romany Malco

The indifference of the world which Keats and Flaubert and other men of genius have found so hard to bear was in her case not indifference but hostility. The world did not say to her as it said to them, Write if you choose; it makes no difference to me. The world said with a guffaw, Write? What's the good of your writing? — Virginia Woolf

The beautiful unruliness of literature is what makes it so much fun to wander through: you read Jane Austen and you say, oh, that is IT. And then you turn around and read Sterne, and you say, Man, that is IT. And then you wander across a century or so, and you run into Kafka, or Calvino, or Cortazar, and you say, well that is IT. And then you stroll through what Updike called the grottos of Ulysses, and after that you consort with Baldwin or Welty or Spencer, or Morrison, or Bellow or Fitzgerald and then back to W. Shakespeare, Esq; the champ, and all the time you feel the excitement of being in the presence of IT. And when you yourself spend the good time writing, you are not different in kind than any of these people, you are part of that miracle of human invention. So get to work. Get on with IT, no matter how difficult IT is. Every single gesture, every single stumble, every single uninspired-feeling hour, is worth IT. Richard Bausch — Kathy Fish

I think the closest thing I can come to defining what that vital thing is for me - is that there's a sort of soul-quality in writing, if it's any good. It has a spirit or an energy to it that is very integral to who the writer is on a deep level. It's almost a cellular thing. It takes place in the cells of the writing, and it is what makes it alive or not. — Mary Gaitskill

Soon we're both frowning hard at the paperwork. "Middle name?" Noah says. "Does Gideon even have a middle name?"
"I don't know"
Noah turns to me and says, "Do you have a middle name?" his glare implying that, if I do, this whole thing is somehow my fault.
"I ... have no idea."
"Primary language spoken at home." Noah makes a face. "What does this mean? Our primary language? Gideon's? That's sort of why we're here ... "
"Um, it's under family, so I'm guessing ours?"
"Well ... " Noah lowers his pen. The paperwork has defeated him. "What's our primary language?"
"English? ASL? Physical affection?"
"Food?" Noah says.
"Food's a good guess."
He picks up the pen. "I'm writing food, comma passive aggressive."
"Good call. — Hannah Moskowitz

I write first drafts feverishly fast, and then I spend years editing. It's not that sentence-by-sentence perfectionist technique some writers I admire use. I need to see the thing, in some form, and then work with it over and over and over until it makes sense to me - until its concerns approach me, until its themes come to my attention. At that editing stage, the story picks itself and it's just up to me to see it, to find it. If I've done a good job, what it all means will force me to confront it in further edits. — Porochista Khakpour

Writers on the subject of August Strindberg have hitherto omitted to mention that he could not write ... Strindberg, who was neither a good nor a wise man, had a stroke of luck. He went mad. He lost the power of inhibition. Everything down to the pettiest suspicion that the dog had been given the leanest mutton chop, poured out of his lips. Men of his weakness and sensuality are usually, from their sheer brutishness, unable to express themselves. But Strindberg was mad and articulate. That is what makes him immortal. — Rebecca West

Don't worry about what you're writing or whether it's good or even whether it makes sense. — Lauren Oliver

A successful poem says what a poet wants to say, and more, with particular finality. The remarks he makes about his poems are incidental when the poem is good, or embarrassing or absurd when it is bad and he is not permitted to say how the good poem is good, and may never know how the bad poem is bad. It is better to write about other people's poetry. — Randall Jarrell