Western Canon Quotes & Sayings

If we read the Western Canon in order to form our social, political, or personal moral values, I firmly believe we will become monsters of selfishness and exploitation. — Harold Bloom

The Western musical canon came about not merely by accumulation, but by opposition and subversion, both to the ruling powers on whom composers depended for their livelihoods and to other musics. — Brian Ferneyhough

The Western Canon does not exist in order to augment preexisting societal elites. It is there to be read by you and by strangers, so that you and those you will never meet can encounter authentic aesthetic power and the authority of what Baudelaire (and Erich Auerbach after him) called "aesthetic dignity." One — Harold Bloom

Along with the mystical wonderment and sense of ecological responsibility that comes with the recognition of connectedness, more disturbing images come to mind. When applied to economics, connectedness seems to take the form of chain stores, multinational corporations, and international trade treaties which wipe out local enterprise and indigenous culture. When I think of it in the realm of religion, I envision smug missionaries who have done such a good job of convincing native people everywhere that their World-Maker is the same as God, and by this shoddy sleight of hand have been steadily impoverishing the world of the great fecundity and complex localism of belief systems that capture truths outside the Western canon. And I wonder - if everything's connected, does that mean that everything can be manipulated and controlled centrally by those who know how to pull strings at strategic places? — Malcolm Margolin

Gertrude Stein maintained that one wrote for oneself and for strangers, a superb recognition that I would extend into a parallel apothegm: one reads for oneself and for strangers. The Western Canon does not exist in order to augment preexisting societal elites. It is there to be read by you and by strangers, so that you and those you will never meet can encounter authentic aesthetic power and the authority of what Baudelaire (and Erich Auerbach after him) called "aesthetic dignity." One of the ineluctable stigmata of the canonical is aesthetic dignity, which is not to be hired. — Harold Bloom

Eighty per cent of my output is 'Mallory clowns on the Western canon,' and I'm happy to be that person. — Mallory Ortberg

The defense of the Western Canon is in no way a defense of the West or a nationalist enterprise ... The greatest enemies of aesthetic and cognitive standards are purported defenders who blather to us about moral and political values in literature. We do not live by the ethics of the Iliad, or by the politics of Plato. Those who teach interpretation have more in common with the Sophists than with Socrates. What can we expect Shakespeare to do for our semiruined society, since the function of Shakespearean drama has so little to do with civic virtue or social justice? — Harold Bloom

To read in the service of any ideology is not to read at all. The mind's dialogue with itself is not primarily a social reality. All that the Western canon can bring one is the proper use of one's own solitude. — Harold Bloom

My history teacher could make us feel like he was imparting rare gossip to us when he was talking about Maria Theresa and the Habsburgs. I just loved that sense of - the Western canon is here, and it's gossipy and tawdry, and everyone is sort of goofy. — Mallory Ortberg

Fiction writers are fully ten times more likely to be bipolar than the general population, and poets are an amazing forty times more likely to struggle with the disorder. Based on statistics like these, psychologist Daniel Nettle writes, "It is hard to avoid the conclusion that most of the canon of Western culture was produced by people with a touch of madness." Essayist Brooke Allen does Nettle one better: "The Western literary tradition, it seems, has been dominated by a sorry collection of alcoholics, compulsive gamblers, manic-depressives, sexual predators, and various unfortunate combinations of two, three, or even all of the above. — Jonathan Gottschall

The creator of Sir John Falstaff, of Hamlet, and of Rosalind also makes me wish I could be more myself. But that, as I argue throughout this book, is why we should read, and why we should read only the best of what has been written. — Harold Bloom

The true use of Shakespeare or of Cervantes, of Homer or of Dante, of Chaucer or of Rabelais, is to augment one's own growing inner self. Reading deeply in the Canon will not make one a better or a worse person, a more useful or more harmful citizen. The mind's dialogue with itself is not primarily a social reality. All that the Western Canon can bring one is the proper use of one's own solitude, that solitude whose final form is one's confrontation with one's own mortality. W — Harold Bloom

Rooms, corridors, bookcases, shelves, filing cards, and computerized catalogues assume that the subjects on which our thoughts dwell are actual entities, and through this assumption a certain book may be lent a particular tone and value. Filed under Fiction, Jonathon Swift's Gulliver's Travels is a humorous novel of adventure; under Sociology, a satirical study of England in the eighteenth century; under Children's Literature, an entertaining fable about dwarfs and giants and talking horses; under Fantasy, a precursor of science fiction; under Travel, an imaginary voyage; under Classics, a part of the Western literary canon. Categories are exclusive; reading is not--or should not be. Whatever classifications have been chosen, every library tyrannizes the act of reading, and forces the reader--the curious reader, the alert reader--to rescue the book from the category to which it has been condemned. — Alberto Manguel