Wall Frame Quotes & Sayings

I find the entrance to the women's washroom ... There's a rest area, gently lit in pinkish tones, with several easy chairs and a sofa, in a lime-green bamboo-shoot print, with a wall clock above it in a gold filigree frame. Here they haven't removed the mirror, there's a long one opposite the sofa. You need to know, here, what you look like. — Margaret Atwood

I guess you could say I'm like a film director but my movies have only one frame. — Jeff Wall

There was an extravagant winter storm outside. The tinfoil sky flashed beyond the window, rattling in the frame, and once or twice a white fork like a vein. Through the opposite window, which looked out onto the other side of the house, the light was pale, picking out where the wall was still broken from the last big storm, with the scorched telegraph pole and the burnt tree. — Olivia Sudjic

No one wants to admit we're addicted to music. That's just not possible. No one's addicted to music and television and radio. We just need more of it, more channels, a larger screen, more volume. We can't bear to be without it, but no, nobody's addicted. We could turn it off anytime we wanted. I fit a window frame into a brick wall. With a little brush, the size for fingernail polish, I glue it. The window is the size of a fingernail. The glue smells like hair spray. The smell tastes like oranges and gasoline. — Chuck Palahniuk

If the world could remain within a frame like a painting on the wall, I think we'd see the beauty then and stand staring in awe. — Conor Oberst

What kind of understanding?" he murmured almost absently, his mind clearly on other, more provocative things.
The trace of amusement in his voice irritated her, as if he were merely humoring her. Savannah pushed at the solid wall of his chest to put a few inches between them. His large frame didn't budge, and she was locked in by his arm. She pushed at him again. "Forget it."
He bent his head to taste the vulnerable line of her neck, to feel her pulse in the warm, moist cavern of his mouth. His blood surged and pounded. Little jackhammers began to beat at his skull. "I am listening to every word you say, ma petite," he murmured, lost in her softness, in the scent of her. He wanted her with every fiber of his being, every cell in his body. "I could repeat each word verbatim, if you desire. — Christine Feehan

His lips brushed my forehead. "Look at me." I sighed and opened my eyes. His fingers traced my jawline. "Just be with me. That's all. I don't have an agenda or a time frame. If it takes fifty years to break down that wall, I'll be there." - Aren from Hunter's Moon — Lisa Kessler

Jonathan Green sat in one of the leather director's chairs across from my desk and the two lesser attorneys went to the couch. Truly stayed on his feet. The videographer noticed the Pinocchio clock on the wall, then hustled around to the opposite side of my desk so that he could get both me and the clock in the frame. The Pinocchio clock has eyes that move side to side as it tocks. Photogenic. Like Green. — Robert Crais

Suppose one who had always continued blind be told by his guide that after he has advanced so many steps he shall come to the brink of a precipice, or be stopped by a wall; must not this to him seem very admirable and surprising? He cannot conceive how it is possible for mortals to frame such predictions as these, which to him would seem as strange and unaccountable as prophesy doth to others. Even they who are blessed with the visive faculty may (though familiarity make it less observed) find therein sufficient cause of admiration. — David Berman

She leaves him sitting there, glancing back just once before she goes through the stairwell door and observing how the cloud of smoke from his cigar gets pulled in wisps out the dark gaping hole in the glass wall
as though it is his soul, too large for his massive frame and seeping out the pores of his skin and wandering circuitous back into the wilderness where it knows itself true among the violent and the dead. — Alden Bell

I struggle against photography. I struggle against the fact that it is silent, that it is just a piece of paper on the wall, often presented in a tedious white matt frame. — Michael Light

If one can surrender, if one can trust the Master, one has surrendered to God, one has trusted God. And sooner or later one is bound to come out under the sky. One will remain grateful to the Master forever because without the window there was no sky, there were only walls. But one has to go through the Master and go beyond. One should not cling to the window; the window frame should not become a hindrance. — Rajneesh

Some people like my advice so much that they frame it upon the wall instead of using it. — Gordon R. Dickson

That evening we sat in the courtyard of the hotel once more, watching the sun sink below the western isles. I told Alexi what had happened that day. I fancied I could glimpse the grey stone wall of Lismore House on its island hilltop, the red light of the setting sun glinting from the windows, and from there the wasted frame of Jonathan Blake gazing out across the sea, on nothing, his boy waiting for him to die. But it was my fantasy, simply the image on my mind, like the image burned on to your eyes when you have stared too long at the sun, the passing footprint of a creature long gone. — P.B. North

The most important thing in art is The Frame. For painting: literally; for other arts: figuratively
because, without this humble appliance, you can't know where The Art stops and The Real World begins. You have to put a 'box' around it because otherwise, what is that shit on the wall? — Frank Zappa

Roger had a collapsible ladder in his truck. He unfolded it in Debbie and Clive's apartment until it formed an A-frame eight feet tall. It stood against the wall near their loft. "What am I looking for?" Nate shrugged. "A hidden panel or switch or something," he said. "Maybe something between the boards. Something that looks like it could be some type of control." "So ... something weird?" Nate smirked. "Yeah." "Yeah. Getting sick of that word. — Peter Clines

I'm pulled, pushed and then I find my back against a wall. Eagan's taut frame is bent toward mine, and my body is arched toward his. We create a peculiar sculpture of opposite forces. He cups my face in his palms and makes me look up at him. His lips are so close to mine, that I feel the whisper of his breath against my mouth; I smell mint and a hint of beer. I desire a kiss so desperately, my body is humming with longing. I curl my fingers around his wrists.
"I hate fighting with you," he admits huskily.
"I know. Me too."
"I need to hold you."
I nod and let him fold his arms around me. I bury my face against his chest and utter soft sounds of contentment as his warmth leaks into my skin.
I glance at our shadows painted on the gravel by darkness and streetlights; we're not opposite forces any longer, we're one single being.

("A Veil of Glass and Rain") — Petra F. Bagnardi

The servant wasn't amused. He still looked stern and suspicious, but Rupert had given his improvised explanation while walking toward the man and was within reach by the last word. He tried a punch first, grabbing the servant's shirtfront as he did so the man wouldn't land out in the hall. If that didn't work,he wasn't sure what would. He certainly didn't want to seriously harm the fellow,just knock him out and dump him out the window for the time being.
Half of that plan worked. The man did drop immediately and Rupert's hold on him kept him from falling loudly to the floor. He even got him to the window with ease, but the plan ended there. Priceless. The window frame was nailed shut for the cold months to minimize drafts. Bloody hell,it wasn't that cold yet. There were no large pieces of furniture to stick the man behind either. As a last resort, he dragged him back to the hall wall and just laid him down alongside it, so he'd be less noticeable to anyone passing by the room — Johanna Lindsey

What I need is perspective. The illusion of depth, created by a frame, the arrangement of shapes on a flat surface. Perspective is necessary. Otherwise there are only two dimensions. Otherwise you live with your face squashed up against a wall, everything a huge foreground, of details, close-ups, hairs, the weave of the bedsheet, the molecules of the face. Your own skin like a map, a diagram of futility, criscrossed with tiny roads that lead nowhere. Otherwise you live in the moment. Which is not where I want to be. — Margaret Atwood

I simply constructed a project to try to snap Kurt [Cobain] out of a frame of mind. I sent him a plane ticket and a driver, and he tacked the plane ticket to the wall in the bedroom and the driver sat outside the house for 10 hours. Kurt wouldn't come out and wouldn't answer the phone. — Michael Stipe

Time if the inner form of animal sense that animates events-the still frames-of the spatial world. The mind animates the world like the motor and gears of a projector. Each weaves a series of still pictures-a series of spatial states-into an order, into the 'current' of life. Motion is created in our minds by running "film cells" together. Remember that everything you perceive-even this page-is actively, repeatedly, being constructed inside your head. It's happening to you right now. Your eyes cannot see through the wall of the cranium; all experience including visual experience is an organized whirl of information in your brain. If your mind could stop its "motor" for a moment, you'd get a freeze frame, just as the movie projector isolated the arrow in one position with no momentum. In fact, time can be defined as the inner summation of spatial states. — Robert Lanza

I stood and looked at the large framed painting of the Pierrot clown that hung on her wall and sympathised with the tears that rolled down its cheek. Like the clown, I felt contained within a frame, the only difference being my tears were not for public show. — Eileen Munroe

The intruder hesitated, turned, and anchored itself in the corner, where the ceiling met the wall. It sat there, fastened to the paneling by enormous yellow talons, still and silent like a gargoyle in full sunlight. I took a swig from the bottle and set it so I could still see the creatures reflection. Nude and hairless, it didn't carry a single ounce of fat on its lean frame. Its skin stretched so tight over the cords of muscle, it threatened to snap. Like a thin layer of wax melted over an anatomy model.
Your friendly neighbourhood Spiderman. — Ilona Andrews

Overcooked, flabby pasta or a blob of tomato ketchup was enough to incense Frank; a plate of soggy pasta in Matteo's Italian restaurant in Los Angeles, owned by his childhood buddy, Matty Jordan, had Frank storming into the kitchens. He looked around wildly, "Where are all the Italians?" he roared at the startled Filipino kitchen staff. Not content, he shot back upstairs and threw his plate of pasta against the wall. As he walked out, he dipped his finger in the tomato sauce and signed the smear: Picasso (Matty very good-naturedly put a frame around this later). — Fiona Ross

I came from nothing. I came from the projects and welfare and ended up a millionaire with no frame of reference. I was bound to hit a wall sooner or later. — Iyanla Vanzant

Molly grabbed a vase off the mantel and flung it at the wall, knocking it into a painting of a mountain scene. The vase shattered and the picture frame swayed back and forth on the wall, taunting her with an image of what life was supposed to be like. . . — Susan Rose

He has reverted, in other words, back into a pure balls-to-the-wall nerdism rivaled only by his early game-coding days back in Seattle. The sheer depth and involution of the current nerdism binge would be hard to convey to anyone. Intellectually, he is juggling half a dozen lit torches, Ming vases, live puppies, and running chainsaws. In this frame of mind he cannot bring himself to give a shit about the fact that this incredibly powerful billionaire has gone to a lot of trouble to come and F2F with him. — Neal Stephenson

You're like a picture; you ought to be enclosed in a gilt frame and stand against the wall. — Henry James

As a kid I never knew what I wanted to be when I grow up, but the only thing I knew was that I wanted to create things. And then I wanted to be an astronaut. I would paint stars and the atmosphere and then frame and hang the universe up on my bedroom wall. A few years down the line while I was still stargazing, I came to realize that I'm halfway around the world chasing something and the whole time it's in my backyard. From the very beginning I was who I always wanted to be. — Shawn Lukas

Sam counts the money carefully. I watch him in the mirror. "You know what I wish?" he asks when he's done.
"What?"
"That someone would convert my bed into a robot that would fight other bed robots to the death for me."
That startles a laugh out of me. "That would be pretty awesome."
A slow, shy smile spreads across his mouth. "And we could take bets on them. And be filthy rich."
I lean my head against the frame of the stall, looking at the tile wall and the pattern of yellowed cracks there, and grin. "I take back anything I might have
implied to the contrary. Sam, you are a genius. — Holly Black

Conversation is the wall we build between ourselves and other people, too often with tired words like used and broken bottles which, catching the sunlight as they lie embedded in the wall, are mistaken for jewels. — Janet Frame

It's amazing, really, how in one instant a wall can be torn down, or climbed over. Misconceptions can be shattered, illusions dashed, dreams irrevocably ruined. Given the right frame of mind, within a heartbeat, people can begin the business of starting over. — Tamara Thiel

We feel ever obliged by everday charges and tasks. They conscript us more and more. We find world enough in a frame. Until at last we take our places at the wheel, or wall, or line, having somewhere forgotten that we can look up. — Chang-rae Lee

the disguise. Back in the main hall, Mr. Dart helped Stanley climb up into the empty picture frame. Stanley was able to stay in place because Mr. Dart had cleverly put four small spikes in the wall, one for each hand and foot. The frame was a perfect fit. Against the wall, Stanley looked just like a picture. "Except for one thing," Mr. Dart said. "Shepherdesses are supposed to look happy. They smile at their sheep and at the sky. You look fierce, not happy, Stanley. — Jeff Brown

the bouquet

Between me and the world
you are a bay, a sail
the faithful ends of a rope
you are a fountain, a wind,
a shrill childhood cry.

Between me and the world
you are a picture frame, a window
a field covered in wildflowers
you are a breath, a bed,
a night that keeps the stars company.

Between me and the world,
you are a calendar, a compass
a ray of light that slips through the gloom
you are a biographical sketch, a book mark
a preface that comes at the end.

between me and the world
you are a gauze curtain, a mist
a lamp shining in my dreams
you are a bamboo flute, a song without words
a closed eyelid carved in stone.

Between me and the world
you are a chasm, a pool
an abyss plunging down
you are a balustrade, a wall
a shield's eternal pattern. — Bei Dao

Woman, where are they? Has no one judged you guilty?"
She answers "No one, sir."
Then Jesus says, "I also don't judge you guilty. You may go now, but don't sin anymore."
If you have ever wondered how God reacts when you fail, frame these words and hang them on the wall.Read them. Ponder them.Drink from them. Stand below them and let them wash over your soul.
Or better still, take him with you to to your canyon of shame. Invite Christ to journey with you back to the Fremont Bridge of your world. Let Him stand beside you as you retell the events of the darkest nights of your soul.
And then listen. Listen carefully. He's speaking.
"I don't judge you guilty."
And watch. Watch carefully. He's writing. He's leaving a message. Not in the sand, but on a cross.
Not with his hand, but with his blood.
His message has two words: not guilty. — Max Lucado

In his original design the solicitor's clerk seemed to have forgotten the need for a staircase to link both the floors, and what he had provided had the appearance of an afterthought. Doorways had been punched in the eastern wall and a rough wooden staircase - heavy planks on an uneven frame with one warped unpainted banister, the whole covered with a sloping roof of corrugated iron - hung precariously at the back of the house, in striking contrast with the white-pointed brickwork of the front, the white woodwork and the frosted glass of doors and windows.
For this house Mr.Biswas had paid five thousand five hundred dollars. — V.S. Naipaul