Quotes & Sayings About Tribal Art

Modern man has lost the sense of wonder
about the unknown and he treats it as
an enemy. — Laurens Van Der Post

I think my masks reference artists who reference primitivism. They're not directly connected to tribal arts. I think they look more like third-grade art projects. — Mark Grotjahn

I am about tribal feminine power. As a leader, I may stumble but my essence lives to the future
of my people, of my literature, of my art. And when a tribesman turn against its leader, that tribe will become two. It may faulter my course, but it will not stifle my ending. I rule only among my believers. — Kristie LeVangie

Dance in this century has remained primarily a personal ritual operating, like most avant-garde art, as an idiosyncratic form rather than a tribal expression of religious powers or a corporate expression of societal values. — Jamake Highwater

Poetry is one of the oldest of all art forms, and one of its powers for shamans and tribal leaders was the mnemonic. — Felix Dennis

The Art Deco movement, architecture from that period and sort of the industrial aesthetic from that period. Art Deco meets tribal kind of thing. All that is my primal inspiration. — Pamela Love

We've made it private, contained it in family, when its audacity is in its potential to cross tribal lines. We've fetishized it as romance, when its true measure is a quality of sustained, practical care. We've lived it as a feeling, when it is a way of being. It is the elemental experience we all desire and seek, most of our days, to give and receive. The sliver of love's potential that the Greeks separated out as eros is where we load so much of our desire, center so much of our imagination about delight and despair, define so much of our sense of completion. There is the love the Greeks called filia - the love of friendship. There is the love they called agape - love as embodied compassion, expressions of kindness that might be given to a neighbor or a stranger. The Metta of the root Buddhist Pali tongue, "lovingkindness," carries the nuance of benevolent, active interest in others known and unknown, and its cultivation begins with compassion towards oneself. — Krista Tippett

He orders a batch of handmade tiedyed shirts from Guizhou province and takes them to a graduate student at the Central Authority Fine Arts School to find out what to charge. The graduate student swings his long hair back and forth and tells Hao An these shirts are not authentic enough, not tribal enough. No way are young Beijingers going to be interested in them: there's no art, no attitude. "What should I do now then?" asks Hao An. The graduate student tells him to head to the bars in Sanlitun and sell them to drunken foreigners and pretentious businessmen with art collections. — Xiaolu Guo

My art collection is dominated by tribal art from Nigeria where I taught school, from New Guinea where we've travelled, and by Canadian Haida pieces. My own art is either on exhibition or owned by other people! — Robert Bateman