The Bones Below Quotes & Sayings

Rita Vargas caught her breath - the dark was spilling out of the mountains as the sun vanished in the west. The deep purple/blue shadows spread out on the water of the Caribe. The ocean was shadowy, yet at the same time, glowing. The massif green on one side, and velvety black on the other. And below, the lights of the cities scattered and burned, white, yellow, white, looking like gems. Stars.
She still recalls it as one of the most beautiful sights she'd ever witnessed, as if the coast of Veracruz were somehow welcoming its sons home. It would have astounded the dead if the could have looked out the windows. Why would they ever have left such a beautiful home for the dry bones and spikes of the desert? If they could have seen what she saw, they might have stayed home. — Luis Alberto Urrea

Buried him next to my cabin door, in that sunken, blissful spot where he had napped, always waiting for the next hunt: beneath the wild rose bushes. I buried him, as I had Ann, with bones and antlers and venison and dog food and a wreath of cedar and lupine. I buried him with shells, both 12- and 20-gauge, for whenever we went hunting again, and I put in extras because I knew I'd miss some shots. The bones and wings of his quarry. A whistle, a brass bell. Then the earth back in over him, and new grief in over old grief, like a mountain eroding to bury with its disintegrating sediments, disintegrating heart and body, something bright and valuable below. — Rick Bass

Down below the mines and sea ooze and fake fossil bones put there by a Creator with nothing better to do than upset archeologists and give them silly ideas. — Terry Pratchett

From up here, the city below looked calm. Peaceful. Serene.

It was a lie.

Mia could feel the lie in her bones, in the foreboding creeping along the fine hairs on her skin. But mostly she could feel it in her head, where preparations were underway across Romane to meet the coming chaos. — G.S. Jennsen

Call it a good marriage -
For no one ever questioned
Her warmth, his masculinity,
Their interlocking views;
Except one stray graphologist
Who frowned in speculation
At her h's and her s's,
His p's and w's.

Though few would still subscribe
To the monogamic axiom
That strife below the hip-bones
Need not estrange the heart,
Call it a good marriage:
More drew those two together,
Despite a lack of children,
Than pulled them apart.

Call it a good marriage:
They never fought in public,
They acted circumspectly
And faced the world with pride;
Thus the hazards of their love-bed
Were none of our damned business -
Till as jurymen we sat on
Two deaths by suicide. — Robert Graves

Young bones groan And the rocks below say, "Throw your white body down!" But I'm going to meet the one I love At last — Steven Morrissey

Metal. In some ways, that was the true mark of mankind. Man tamed the stones, the bones of the earth below. Man tamed the fire, that ephemeral, consuming soul of life. And combining the two, he drew forth the marrow of the rocks themselves, then made molten tools. — Brandon Sanderson

Every time I go to sleep, I know I may never wake up. How could anyone expect to? You drop your tiny, helpless mind into a bottomless well, crossing your fingers and hoping when you pull it out on its flimsy fishing wire it hasn't been gnawed to bones by nameless beasts below. — Isaac Marion

Humans are built to move. We evolved under conditions that required daily intense physical activity, and even among individuals with lower physical potential, that hard-earned genotype is still ours today. The modern sedentary lifestyle leads to the inactivation of the genes related to physical performance, attributes that were once critical for survival and which are still critical for the correct, healthy expression of the genotype. The genes are still there, they just aren't doing anything because the body is not stressed enough to cause a physiological adaptation requiring their activation. The sedentary person's heart, lungs, muscles, bones, nerves and brain all operate far below the level at which they evolved to function, and at which they still function best. — Mark Rippetoe

Until they stood at last by a crumbling wall, looking up and up and still farther up at the great tombyard top of the old house. For that's what it seemed. The high mountain peak of the mansion was littered with what looked like black bones or iron rods, and enough chimneys to choke out smoke signals from three dozen fires on sooty hearths hidden far below in dim bowels of this monster place. With so many chimneys, the roof seemed a vast cemetery, each chimney signifying the burial place of some old god of fire or enchantress of steam, smoke, and firefly spark. even as they watched, a kind of bleak exhalation of soot breathed up out of some four dozen flues, darkening the sky still more, and putting out some few stars. — Ray Bradbury

May you be tired and afraid
overwhelmed and ready to quit.
Quit!
Start over, over
ten thousand times over
roll out, get up, fall down
break into tears
open in laughter
sing and dance
be silly, be glad.
May you forget most things,
remember everything,
come to know in your bones
with your blood
through your eyes
from your lips
out of earth
deep below, well beyond
you are love.
You are just love.
Amen. — Karen Maezen Miller

Four years ago the clocks started turning back. I open my eyes and see nothing. I feel nothing below or above me. I feel the absence of things. The absence of my flesh, my bones, my body, my mind. All that is left is awareness. I see nothing but the absence of colour. It's not a black darkness. It's simply nothing. The interior of a black hole. I recall news of a black hole lingering along the edges of our solar system. All that time ago. Four years ago. When the clocks started turning back. I hear nothing. Until there is a something. A small thing. A voice. I listen. There are more voices. The sounds are human. How long has it been since I've heard a human? The sounds scratch along my now present attention. They carve into my hearing. They are horrid, wretched things. Voices screaming. Growing loud and desperate. How many voices? Billions. This is the birth of our species. We are born screaming. It's all we know to do. We have screamed for eternity. Within this empty space. — F.K. Preston

And this, she saw, her dream had done. She had built against that fear a vision of power not wholly selfish - power to protect not only herself, but others. And that vision - however partial it had been in those days - was worth following. For it led not away from the fear, as a dream of rule might do, but back into it. The pattern of her life - as she saw it then, clear and far away and painted in bright colors - the pattern of her life was like an intricate song, or the way the Kuakgan talked of the grove's interlacing trees. There below were the dream's roots, tangled in fear and despair, nourished in the death of friends, the bones of the strong, the blood of the living, and there high above were the dream's images, bright in the sun like banners or the flowering trees of spring. And to be that banner, or that flowering branch, meant being nourished by the same fears: meant encompassing them, not rejecting them. — Elizabeth Moon

Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf
a strawberry mark, a scar. Not blemishes. Adornments. — Ian McEwan

I finally drift back to sleep. I'm in the darkness. The molecules of my mind are still scattered, and I float through oily black space, trying to swipe them up like fireflies. Every time I go to sleep, I know I may never wake up. How could anyone expect to? You drop your tiny, helpless mind into a bottomless well, crossing your fingers and hoping that when you pull it out on its flimsy fishing wire it hasn't been gnawed to bones by nameless beasts below. Hoping you pull up anything at all. — Isaac Marion

Dilemmas of the Angels: Flight"

Before the angel there was something else -
not this coffee shop next to a drug rehabilitation center
filled with war veterans of the past, men and women
strapped to their chairs, birds straining to rise
from piles of feathers, bones, and blood.

Drenched in sweat and a little shaky
from too much caffeine, she takes flight,
a shining white-winged trumpeter swan
crossing open water, steam rising
from the feathers' barbs. Below her,
a cormorant, unfolding its black wings,
explodes from the surface, and even fish,
leaping from the oily sheen, glide
for a moment, gills pumping
in the poisonous atmosphere.

Such longing. How large
the muscles in our shoulders must be
to lift our wings even a single time. — David Romtvedt

The spray, the fog, the night. A moisture that seeps into your bones with the boldness of a rooting weed. Dark water, turbid. Thousands of feet of abyss beneath the ship and somewhere, below, monsters. — Manel Loureiro

They rode for days through the rain and they rode through rain and hail and rain again. In that gray storm light they crossed a flooded plain with the footed shapes of the horses reflected in the water among clouds and mountains and the riders slumped forward and rightly skeptic of the shimmering cities on the distant shore of that sea whereon they trod miraculous. They climbed up through rolling grasslands where small birds shied away chittering down the wind and a buzzard labored up from among bones with wings that went whoop whoop whoop like a child's toy swung on a string and in the long red sunset the sheets of water on the plain below them lay like tidepools of primal blood. — Cormac McCarthy

In a while, one of us will go up to bed
and the other one will follow.
Then we will slip below the surface of the night
into miles of water, drifting down and down
to the dark, soundless bottom
until the weight of dreams pulls us lower still,
below the shale and layered rock,
beneath the strata of hunger and pleasure,
into the broken bones of the earth itself,
into the marrow of the only place we know. — Billy Collins

They trekked out along the crescent sweep of beach, keeping to the firmer sand below the tidewrack. They stood, their clothes flapping softly. Glass floats covered with a gray crust. The bones of seabirds. At the tideline a woven mat of weeds and the ribs of fishes in their millions stretching along the shore as far as the eye could see like an isocline of death. One vast salt sepulchre. Senseless. Senseless. — Cormac McCarthy

Strategically placed at the level of her T3 vertebra, just below the deepest back on any of her blouses, was a tattoo of the human brain. He had to look away or else he'd jump her bones all over again. The brain got him every time. — Meredith Marple