Text You First Quotes & Sayings

We face two overlapping challenges. The first concerns real-time court-ordered interception of what we call 'data in motion,' such as phone calls, e-mail, and live chat sessions. The second challenge concerns court-ordered access to data stored on our devices, such as e-mail, text messages, photos, and videos - or what we call 'data at rest.' — James Comey

As Deborah sits below a tree to give advice to her people, the cat could envision itself above Deborah. In the cats mind, the visual allusion would first point to the prophetess as being a predator. This consideration would not be hard to reach for the lucid intelligent cat as she is giving advice to her people here as how to engage in war. Envisioning this text, the cats would find it hard not to recognize the predatory nature of the human beneath it. This fact means that Deborah becomes, in feline hermeneutics, the antagonist. The prophetess would be seen as a danger to the cat. This could lead the cat to deduce that the enemy of the prophetess was a fellow protagonist. Then the advice that Deborah gave to Barak would seem as a malicious attack on a ally or worse an innocent. — Leviak B. Kelly

I have a way of making narrative sculpture, where first you make a text and out of that text you make objects. I start with a story and then I make sculpture from that story, it's just that the stories become more and more elaborate. — Matthew Barney

The Sun Tzu School (which wrote the Art of War) surely never imagined that their antiwar, pro-empire treatise would become known and accepted after the fall of the first empire as a text on military tactics. Likewise, they would have been surprised to see the Ping-fa military metaphor - an inspired teaching device - come to be seen as the message and not the medium. — David G. Jones

What the Latins have done in this text (1 John v, 7) the Greeks have done to Paul (1 Tim. iii, 16). They now read, "Great is the mystery of godliness; God manifest in the flesh"; whereas all the churches for the first four or five hundred years, and the authors of all the ancient versions, Jerome as well as the rest, read, "Great is the mystery of godliness, which was manifest in the flesh." Our English version makes it yet a little stronger. It reads, "Great is the mystery of godliness: God was manifest in the flesh." — Isaac Newton

I begin. I write a draft without ever looking back. Without ever touching what's gone before. Because I think it will be shit, so I daren't look back. I write a draft. I start again. I have the text when I start the second draft and then I do the same thing a third time.
- To Linda L. Richards, The January Interview — Clive Barker

Tugging her purse strap up on her arm, she headed for the
door. "You have my cell number. I'll text you. If something goes
wrong and he pulls an axe, you'll be the first person I call."
Michelle groaned. "See, this is why I worry. The first person
you call is the police. Then you call me and tell me the authorities are
on their way and you're hiding in a closet."
"Yeah, ancient wooden closet door versus axe? And you call
me the illogical one? — Virginia Nelson

My text for today is taken from the twenty-first chapter of Isaiah, verse six: For thus hath the Lord said unto me, Go, set a watchman, let him declare what he seeth." Jean — Harper Lee

For most writers, reading is also a very intense experience; they don't read so much as compete. The writer measure's himself against every text he encounters, imagining he could do it better or wishing he had thought of it first. The natural writer would almost always rather be reading, writing, or alone, except of course when he needs to come up for air (that is, for subject matter, food, sex, love, attention). He may be a selfish son of a bitch, he may seem to care more about his work than about the people in his life, he may be a social misfit, a freak, or a smooth operator, but every person who does serious time with a keyboard is attempting to translate his version of the world into words so that he might be understood. Indeed, the great paradox of the writer's life is how much time he spends alone trying to connect with other people. — Betsy Lerner

deaf. Unruffled by Herbert Jemson's breach of allegiance, because he had not heard it, Mr. Stone rose and walked to the pulpit with Bible in hand. He opened it and said, "My text for today is taken from the twenty-first — Harper Lee

The devil can quote Scripture for his purpose; and the text of Scripture which he now most commonly quotes is, "The Kingdom of heaven is within you." That text has been the stay and support of more Pharisees and prigs and self-righteous spiritual bullies than all the dogmas in creation; it has served to identify self-satisfaction with the peace that passes all understanding. And the text to be quoted in answer to it is that which declares that no man can receive the kingdom except as a little child. What we are to have inside is a childlike spirit; but the childlike spirit is not entirely concerned about what is inside. It is the first mark of possessing it that one is interested in what is outside. The most childlike thing about a child is his curiosity and his appetite and his power of wonder at the world. We might almost say that the whole advantage of having the kingdom within is that we look for it somewhere else. — G.K. Chesterton

night, I think I can hear the stars scraping against the sky. That's how quiet it is. After a while it's almost more than I can stand. I want to scream at the top of my lungs. I want to sing, shout, stamp my feet, clap my hands, anything to declare my presence. My conversation with the soldier had been the first words I'd said aloud in weeks. The Hum died on the tenth day after the Arrival. I was sitting in third period texting Lizbeth the last text I — Rick Yancey

The truth that writers secretly harbor is that all books are failures. We try to do something that can't be done. Words. Is that all we rely on? Smudgy ink marks on a page? Pallid wisps and blotches? Text as scaffolding trying to hold up worlds? Actually, no, it's not all we rely on. What's worse is our reliance on the reader. A writer is forever locked in an interdependent relationship. It's like building a bridge from opposite sides of a river - our flimsy words and their frail, overreaching imaginations. The bridge will never meet in the middle. It's not possible. Sometimes you haven't even decided on the same river. The Gateway Arch in Saint Louis missed in the middle by a matter of inches the first time around. They tried again and made it. Writers know we never will. — Julianna Baggott

Now she is ignoring me as first

...

AS second


Not every word
...

sentece
...

text
...

can be told
...

read and written. — Deyth Banger

At first the creative mind submits to its entry into the symbolic register and gets itself structured like everyone else. Then he balks at a fateful moment which becomes a turning point in the history of his mental growth. From the entry into the imaginary order where he acknowledges his ego and then to the symbolic order where he recognizes his place in the society and finally in his de-symbolization or a refusal to obey the Law that is the rules of the world of symbols, a creative genius is born. — Anuradha Bhattacharyya

And the third is from him: "Second date?"
I immediately text him back: "Hell yeah!"
Then I collapse on my bed and enjoy that "butterflies in the stomach" feeling. I've felt the butterflies before from time to time, but this is the first time I haven't sort of wanted to attack them with a flyswatter. — Adam Selzer

Pigpen leans against the railing and nails me with his stare. "This is the second time you've gone AWOL on the club. Let me tell you, that shit got old the first time. Next time I fucking text to see if you're alive, you text back. — Katie McGarry

Nothing is text but what is spoken of in the Bible and meant there for person and place; the rest is application; which a discreet man may do well; but it is his scripture, not the Holy Ghost's. First, in your sermons use your logic, and then your rhetoric; rhetoric without logic is like a tree with leaves and blossoms, but no root. — John Selden

It is in the translation that the innocence lost after the first reading is restored under another guise, since the reader is once again faced with a new text and its attendant mystery. That is the inescapable paradox of translation, and also its wealth. — Alberto Manguel

On the first page of the Bible there is an instance of how literalism is but an invitation to transcend the image to which literalism points. That first page is not geology, biology or paleontology; it is high religion. For there we are told who we are in terms of our constititutive text. And if we could understand that, we would worrying about whether the antelopes or the cantaloupes came in a certain order. — Joseph Sittler

The task of liturgy is to order the life of the holy community following the text of Holy Scripture. It consists of two movements. First it gets us into the sanctuary, the place of adoration and attention, listening and receiving and believing before God. There is a lot involved, all the parts of our lives ordered to all aspects of the revelation of God in Jesus.

Then it gets us out of the sanctuary into the world into places of obeying and loving ordering our lives as living sacrifices in the world to the glory of God. There is a lot involved, all the parts of our lives out on the street participating in the work of salvation. — Eugene H. Peterson

The Arden Shakespeare is intended both as a student text and as a revision of traditional scholarship. If it is to be used in the first way, then the often narrow thread of text above a sediment of footnotes, something Dr Leavis so deplored, can prove debilitating. Poems, especially the classics of our language, should be read headlong. Dubieties may be looked up later. — Peter Porter

No text message will ever replace the first kiss. — Tom Brokaw

My first job in Brazil was actually to develop a way to improve the readability of billboards, and based on speed, angle of approach and actually blocks of text. It was very - actually, it was a very good study, and got me a job in an ad agency. And they also decided that I had to - to give me a very ugly Plexiglas trophy for it. — Vik Muniz

Under the deluge of minute-to-minute text conversations, emails, relentless exchange of media channels and passwords and apps and reminders and tweets and tags, we lose sight of what all this fuss is supposed to be about in the first place: ourselves. — Ariel Garten

My general working style is to write everything first with pencil and paper, sitting beside a big wastebasket. Then I use Emacs to enter the text into my machine. — Donald Knuth

1. The first partner in the meeting is the text. — Walter Brueggemann

The love is so powerful that both people have to surrender. I think that's the funny thing about dating somebody for the first time, it's kind of a question of who wears the pants, or who's gonna text you first, how much am I supposed to put myself out there, and it makes you feel a little bit crazy. But at the end of the day, it's not about that. And if it's the right person you don't have to worry about that. — Zella Day

Nader's data could not have been clearer, or more unsettling. He demonstrated that the very act of remembering something makes it vulnerable to change. Like a text recalled from a computer's hard drive, each memory was subject to editing. First you have to search the computer for the the text and then bring it to the screen, at which point you can alter it and save it. Whether the changes are slight or extensive, the new document is never quite the same as the original. — Rebecca Skloot

Happy Christmas, Clara. Xx.
Yes, I know. I know that text doesn't look like much. But ... actually. First note the comma. I feel proud of his comma, and of being his comma's recipient. — India Knight

If I firmly believed, as millions say they do, that the knowledge of a practice of religion in this life influences destiny in another, then religion would mean to me everything. I would cast away earthly enjoyments as dross, earthly thoughts and feelings as vanity. Religion would be my first waking thought and my last image before sleep sank me into unconsciousness. I should labor in its cause alone. I would take thought for the marrow of eternity alone. I would esteem one soul gained for heaven worth a life of suffering. Earthly consequences would never stay in my head or seal my lips. Earth, its joys and its griefs, would occupy no moment of my thoughts. I would strive to look upon eternity alone, and on the immortal souls around me, soon to be everlastingly happy or everlastingly miserable. I would go forth to the world and preach to it in season and out of season. and my text would be, "What shall it profit a man if he gains the whole world and loses his own soul — Norman P. Grubb

That Christ ushered in this new era of life and liberation in the presence of women, and that he sent them out as the first witnesses of the complete gospel story, is perhaps the boldest, most overt affirmation of their equality in this kingdom that Jesus ever delivered. And yet too many Easter services begin with a man standing before a congregation shouting, "He is risen!" to a chorused response of "He is risen indeed!" Were we to honor the symbolic details of the text, that distinction would always belong to a woman. — Rachel Held Evans

What simpletons we are! Whatever our natural age, how childish we are in spiritual things! What great simpletons we are when we first believe in Christ! We think that our being pardoned involves a great many things which we afterwards find have nothing whatever to do with our pardon. For instance, we think we shall never sin again. We fancy that the battle is all fought; that we have got into a fair field, with no more war to wage; that in fact we have got the victory, and have only just to stand up and wave the palm branch; that all is over, that God has only got to call us up to himself and we shall enter into heaven without having to fight any enemies upon earth. Now, all these are obvious mistakes. Though the text has a great meaning, it does not mean anything of this kind. — Charles Haddon Spurgeon

My friends knew that I was reading the Bible. First, the dean of the chapel took me out to lunch and shared his belief that the Old Testament was dispensable and, with it, any prohibition about sexuality and immorality. But I had been reading and studying the three different narratives of the Old Testament, and it seemed to me that you couldn't dispense with it in its entirety without violating a foundational rule about canonicity: no creating canons within canons. In fact, I had just gone over this in my graduate seminar in Queer Theory and it made me wonder if the chapel dean ought not sit in on my class. His position seemed like a hermeneutic of convenience, tailoring the text to fit my experience, and not a hermeneutic of integrity, where the text gets the chance to fulfill its internal mission. — Rosaria Champagne Butterfield

A wish: to abolish walls between mouths. Mm-mmm the taste of it. Luckily keeps flowing in the text and on my tongue, erotic substitutes, and luckily that tipsy feeling in the dark, inside beside a cheek so just enjoy, rejoice in the juice, turn and return to that first excitement. What is excitement? Encouragement to do what you feel like doing when seen by someone else / the reader in company with Lucy, Georges or Alexandre, or Elle; being used to spinning out one's dreams by muddling one's own reflection in the mirror so marvellously that paradoxes come to life and whatever the cost force a retake of the sentences, the caresses that started the excitement (what did we say it was?), stimulated spine and breasts dandled in a hand, a phallus emerged invitation to oblivion, to the feel of rhythmic shudder, loins more titillating than some corny happy-ever-after tale, pelvic basins the pornographic mudholes of one's imagination. Narrator fem. / masc. Pelvic basins liquid base. — Nicole Brossard

Well, he'd get help from the Bible. It was all inspired, every word, no matter what scoffers like Jim said. He'd take the first text he turned to and talk on that.
He opened on: 'Now THEREFORE, Tatnai, governor beyond the river, Shethar-boznai, and your companions the Apharsachites, which ARE beyond the river, be ye far from thence,' an injunction spirited but not at present helpful. — Sinclair Lewis

I sold my chastity for a book. If I had only resisted him, would I be here now? "I want you to read to me," he murmured as he turned to the first page. I stared at the Cyrillic script. "I can't. I don't know how." Simple conversational Russian was one thing, but the complex language of Jane Austen was another. "You will learn," he informed me. "I will help you." A small furrow appeared between his brows as he turned his eyes to the text. "It is generally accepted that a rich man should need a wife," he read, butchering the classic first line. I — Julia Sykes

Two days after your death, in a dream you text me many times. I read the first of them. ME! And so are the living comforted. — Marion Coutts

You always know when one of the first ["Harry Potter" movies] are on TV, because you'll get a text message from one of your friends saying, "How high was your voice?" It's like watching a home movie, in some sense. But you just remember because the audience sees the scenes as they're written, but we remember shooting [the scenes] and all the stories that came around it. Like the Quidditch World Cup in ["Harry Potter and the] Goblet of Fire," it's like the Glastonbury Festival at Leavesden [Studios]. — James Phelps

And if the best you can do is quote the Bible in defence of your prejudice, then have the humility to be consistent. The same book that exhorts against the abomination of one man lying with another also contains exhortations against the eating of pork and shell-fish and against menstruating women daring to come near holy places. It's no good functionalistically claiming that kosher diet had its local, meteorological purposes now defunct, or that the prejudice against ovulation can be dispensed with as superstition, the Bible that you bash us with tells you that much of what you do is unclean: don't pick and choose with a Revealed Text - or if you do, pick and choose the good bits, the bits that say things like 'Let he who is without sin cast the first stone', or 'Love thy neighbour as thyself'. — Stephen Fry

The concept of an author, the single creative person who gives the text 'authority', only comes later in this period. Most Old English poetry is anonymous, even though names which are in no way comparable, such as Caedmon and Deor, are used to identify single texts. Caedmon and Deor might indeed be as mythical as Grendel, might be the originators of the texts which bear their names, or, in Deor's case only, the persona whose first-person voice narrates the poem. Only Cynewulf 'signed' his works, anticipating the role of the 'author' by some four hundred years. — Ronald Carter

Now and then there are readings that make the hairs on the neck, the non-existent pelt, stand on end and tremble, when every word burns and shines hard and clear and infinite and exact, like stones of fire, like points of stars in the dark - readings when the knowledge that we shall know the writing differently or better or satisfactorily, runs ahead of any capacity to say what we know, or how. In these readings, a sense that the text has appeared to be wholly new, never before seen, is followed, almost immediately, by the sense that it was always there, that we the readers, knew it was always there, and have always known it was as it was, though we have now for the first time recognised, become fully cognisant of, our knowledge. — A.S. Byatt

Eventually I found it had been working all along-but didn't show anything on screen until it had the first full page of text. I inserted 30 new lines, and suddenly my toy said 'hEllO woRlD'. An hour later I understood alphabet shifting rather better! — Graham Nelson

Mr Bott sits down and gestures gracefully to the board. "As you are clearly both fascinated by this text, would you like to explain the significance of Laertes in Hamlet?" He looks at Alexa. "Please go first, Miss Roberts."
"Well ... " Alexa says hesitantly. "He's Ophelia's brother, right?"
"I didn't ask for his family tree, Alexa. I want to know his literary significance as a fictional character."
Alexa looks uncomfortable. "Well then, his literary significance is in being Ophelia's brother, isn't it? So she has someone to hang out with."
"How very kind of Shakespeare to give fictional Ophelia a fictional playmate so that she doesn't get fictionally bored. Your analytical skills astound me, Alexa. Perhaps I should send you to Set Seven with Mrs White and you can spend the rest of the lesson studying Thomas the Tank Engine. I believe he has lots of buddies too. — Holly Smale

In practically every film you experience, you can see the director following the text. Illustrating the words first, making the pictures after, and, alas, so often not making pictures at all, but holding up the camera to do its mimetic worst. — Peter Greenaway

I was about to order Chinese when I looked out the window and saw you. Hey, do you two want to stay? We're getting moo shu."
It was so like Uncle Chris to go from wanting to beat John up one minute, to inviting him for moo shu the next.
"Uh, maybe," I said. I pointed to the French doors, looking questioningly at John. He nodded. "Let's see how it goes, okay, Uncle Chris?"
"That'd be good," Uncle Chris said. "We could talk all this out."
John followed me inside, Uncle Chris trailing behind us, his expression curious rather than suspicious.
"I hate it when families fight," Uncle Chris was saying. "It makes it so uncomfortable ... "
I suppose I should have counted it lucky that it had been Uncle Chris, and not some other adult, I'd run into first at home. I wasn't sure if it was because of all the years he'd sent out of mainstream society-he still had no idea how to text, or what Google was-or if his personality was really this childlike. — Meg Cabot

Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie. — Gary Kemp

The first forty years of life give us the text; the next thirty supply the commentary on it. — Arthur Schopenhauer

If one wants to go on living, one must evolve. Before, when we composed, we would start by a series of music themes. Once created, we would hire writers and lyricists to make up the text and the story line. I was the first to do this backwards with 'Man of La Mancha.' — Mitch Leigh

More and more, I tried to make comics in the way I like to read comics, and I found that when I read comics that are really densely packed with text, it may be rewarding when I finally do sit down and read it, but it never is going to be the first I'm going to read, and I never am fully excited to just sit down and read that comic. — Daniel Clowes

The special knowledge you are about to learn will reveal a "letter theory" that was set into motion from the very first verse in your Bible. It is as though the divine author is telling the reader to expect Hebrew letters and numbers to weave messages, in the sub-text, through the rest of the Bible - starting with verse one. — Michael Ben Zehabe

The first forty years of our life give the text, the next thirty furnish the commentary upon it, which enables us rightly to understand the true meaning and connection of the text with its moral and its beauties. — Arthur Schopenhauer

Clearly in textbook terms, the gentleman should text the lady first after intercourse, but perhaps the whole socio-etiquettical system breaks down when an insect plague is involved. — Helen Fielding

Where lies your text?
Viola: In Orsino's bosom.
Olivia: In his bosom! In what chapter of his bosom?
Viola: To answer by the method, in the first of his heart. — William Shakespeare

Isn't one of your first exercises in learning how to communicate to write a description of how to tie your shoelaces? The point being that it's basically impossible to use text to show that. — Donald Norman

The ground we have in common with unbelievers is not the Bible, but our common needs, hurts, and interests as human beings. You cannot start with a text expecting the unchurched to be fascinated by it. You must first capture their attention, and then move them to the truth of God's Word. By starting with a topic that interests the unchurched and then showing what the Bible says about it, you can grab their attention, disarm prejudices, and create an interest in the Bible that wasn't there before. — Rick Warren

With vocal and choral music, first and foremost, it's the text. Not only do I need to serve the text, but the text - when I'm doing it right - acts as the perfect 'blueprint', and all the architecture is there. The poet has done the heavy lifting, so my job is to find the soul of the poem and then somehow translate that into music. — Eric Whitacre

The first scholarly edition of Magna Carta was published by the eminent jurist William Blackstone. It was not an easy task. There was no good text available. — Noam Chomsky

The Dominion in 1983 was first published as a thirty page booklet in 1883 under the pseudonym Ralph Centennius. (The author's real name is unknown.) This edition has been proof-read word-by-word against a copy of the original on microfiche. (Canadian Institute for Historical Microreproductions no. 00529) In this text, a mixture of American and British spelling can be found. (For example — Ralph Centennius

Somewhere between us hating each other back then, you became my first real friend, my first and only best friend, and I didn't realize it until last summer, but you've actually been my first everything." "You were my first kiss, my first date that I actually enjoyed, and the first woman I fell in love with - the first woman I actually made love to..." he said. "And you're still the only person I can talk to twenty times a day - whether it's via letter, email, text, or phone call, and still feel like it's not enough. — Whitney G.

People are drawn to preaching that is passionate and offered with conviction. Passion comes when the preacher has spent significant time with the text, and when God has spoken through the text in a way that addresses the preacher's life first. — Adam Hamilton

I tend the mobile now
like an injured bird

We text, text, text
our significant words.

I re-read your first,
your second, your third,

look for your small xx,
feeling absurd.

The codes we send
arrive with a broken chord.

I try to picture your hands,
their image is blurred.

Nothing my thumbs press
will ever be heard.


"Text — Carol Ann Duffy

I still can't believe he just left. I mean, if you sleep with a girl for the first time, you at least send her a text, right? If not an actual phone call to say, "Hey, thanks for letting me deflower you. It was rad. — Leisa Rayven

I was taking my first uncertain steps towards writing for children when my own were young. Reading aloud to them taught me a great deal when I had a great deal to learn. It taught me elementary things about rhythm and pace, the necessary musicality of text. — Mal Peet

You're breaking my heart."
At the sound of Rider's voice, I wheeled around, clutching my bag to my side. First thing I noticed was the faded Ravens emblem stretched over his broad chest, and then I forced my eyes up. The slight scruff along his jaw was gone. Nothing but smooth skin today.
No notebook. Hands shoved into the pockets of his jeans, a familiar, crooked grin pulled at Rider's lips, causing the dimple in his right cheek to pop. He stepped forward, and my heart did a backflip as he dipped his chin. I felt his warm breath on the side of my cheek as he spoke.
"You didn't respond to my text last night," he said, and there was a light, teasing tone I didn't remember from before. "I thought maybe you didn't realize it was me, but that would mean someone else would be texting you good-night and calling you Mouse. I'm not sure how I feel about that. — Jennifer L. Armentrout

Unless you first do the hard work of answering those questions about a text, your meditations won't be grounded in what God is actually saying in the passage. Something in the passage may "hit" you - but it may hit you as expressing almost the opposite of what the biblical author, inspired by the Spirit, was saying. When that happens, you are listening to your own heart or to the spirit of your own culture, not to God's voice in the Scripture. A great number of books advise "divine reading" of the Bible today, and define the activity uncarefully as reading "not for information but to hear a personal word of God to you." This presents a false contrast. It is certainly true that meditation personalizes the Word, but before we can meditate on what the text personally means to us and our time, we must first need to know as much as possible what the author meant to say to his readers when he wrote it. — Timothy Keller

There are two distinct methods of interpreting the Quran. The first, tafsir, is primarily concerned with elucidating the literal meaning of the text, while the second, ta'wil, is more concerned with the hidden, esoteric meaning of the Quran. Tafsir answers questions of context and chronology, providing an easily understandable framework for Muslims to live a righteous life. Ta'wil delves into the concealed message of the text, which, because of its mystical nature, is comprehensible only to a select few. While both are considered equally valid approaches, the tension between tafsir and ta'wil is but one of the inevitable consequences of trying to interpret an eternal and uncreated scripture that is nevertheless firmly grounded in a specific historical context. For — Reza Aslan

It's a wonder that any mother ever called a daughter Dinah again. But some did. Maybe you guessed that there was more to me than the voiceless cipher in the text. Maybe you heard it in the music of my name: the first vowel high and clear, as when a mother calls to her child at dusk; the second sound soft, for whispering secrets on pillows. Dee-nah. — Anita Diamant

A text is not a text unless it hides from the first comer, from the first glance, the law of its composition and the rules of its game. A text remains, moreover, forever imperceptible. Its laws and rules are not, however, harbored in the inaccessibility of a secret; it is simply that they can never be booked, in the present, into anything that could rigorously be called a perception. — Jacques Derrida

What do I want?" His fingers brushed over loose strands of hair near my temple. "I want to call you every five minutes. I want to text you good night every night. I want to make you laugh. And I want you to look at me like you did that first night on the bus. — Jenn Bennett

It is one of the striking generalizations of biochemistry - which surprisingly is hardly ever mentioned in the biochemical text-books - that the twenty amino acids and the four bases, are, with minor reservations, the same throughout Nature. As far as I am aware the presently accepted set of twenty amino acids was first drawn up by Watson and myself in the summer of 1953 in response to a letter of Gamow's. — Francis Crick

Shiftrunes?" "Letters that are pronounced one way on their first occurrence in a text, another on their second, another on their third, and so on in a fixed sequence. It gives the poet an interesting technique to exploit: she can have pairs of words that alliterate visually but not phonetically as well as pairs that alliterate phonetically but not visually. And she can play the two off against each other. — Samuel R. Delany

Social networking technology allows us to spend our time engaged in a hypercompetitive struggle for attention, for victories in the currency of "likes." People are given more occasions to be self-promoters, to embrace the characteristics of celebrity, to manage their own image, to Snapchat out their selfies in ways that they hope will impress and please the world. This technology creates a culture in which people turn into little brand managers, using Facebook, Twitter, text messages, and Instagram to create a falsely upbeat, slightly overexuberant, external self that can be famous first in a small sphere and then, with luck, in a large one. The manager of this self measures success by the flow of responses it gets. The social media maven spends his or her time creating a self-caricature, a much happier and more photogenic version of real life. People subtly start comparing themselves to other people's highlight reels, and of course they feel inferior. — David Brooks

When someone reads a text whose meaning he wants to comprehend, he does not despise the signs and letters, calling them deceptive, contingent, and worthless husks, but rather he reads them, he studies and loves them, letter by letter. But I, the I who wished to read the book of the world and the book of my own essential being, I have, for the sake of a previously imagined meaning, held these signs and letters in contempt, calling the world of appearances deception, calling my eye and my tongue themselves contingent, and worthless appearances. No, this is over, I have awakened, I have indeed awakened, and today is the first day of my new life." --Siddhartha — Hermann Hesse

Facts that have been forges into history first appear as incoherent text scribbled on aged paper. Only as we examine the whole of that which we know, can we surmise the elements of that which we do not. — Ron Mayes

I never reread a text until I have finished the first draft. Otherwise it's too discouraging. — Gore Vidal

Text for today is taken from the twenty-first chapter of Isaiah, verse six: For thus hath the Lord said unto me, Go, set a watchman, let him declare what he seeth. — Harper Lee

It's hard to confront someone without knowing, [but] I think the first thing you should do in a relationship - any kind of relationship - is confront. Then, if they seem shady, maybe go for the email or the text message. — Chloe Grace Moretz

Context enables us to determine which of several meanings is in play in a particular text. The verb in "I see" means something quite different if uttered by a formerly blind man healed with spittle and dust, by a student who has just received an extended explanation of a difficult mathematical theorem, or by a skeptical wife whose husband offers a lame explanation for the lipstick on his collar. In the first context, see refers to physical sight, while in the latter two it refers to understanding, and in the last it could hardly be said without a heap of sarcasm. — Peter J. Leithart

Jesus said, "Do not think that I have come to abolish the Law or the Prophets; I have not come to abolish them but to fulfill them" (Mt 5:17). Yet Paul could say, "Christ is the end of the law" (Rom 10:4); "you also died to the law through the body of Christ" (Rom 7:4); and "Now that faith has come, we are no longer under the supervision of the law" (Gal 3:25). Hebrews states, "By calling this covenant 'new,' he has made the first one obsolete; and what is obsolete and aging will soon disappear" (Heb 8:13), and "The law is only a shadow of the good things that are coming" (Heb 10:1). The Matthew text is the key one, for Jesus is asserting that the Torah has not been abrogated and in fact is intact in him. — Grant R. Osborne

This criticism of Wolffian monism is by no means Kant's own accomplishment. In the first introduction to the Critique of Judgment he writes: "Yet it is quite easy to establish, and has in fact been realized for some time, that this attempt to bring unity into that diversity of faculties, though otherwise undertaken in the genuine philosophical spirit, is futile."25 However, if we seek to determine who was the first to have that insight, then both Kant's text and Lehmann's — Anonymous

We must find a balance between "reddish whites," "bluish whites" and "yellowish whites," and decide on the proper length and thickness of the fiber. Then each part of the book can play its proper role: the front cover conveys a powerful silence; the inside cover the purity of first openings; the title page the texture of new beginnings; while the body of the text sets the words and pictures against a clear background, or whispers "touch me!" to the reader's fingertips — Kenya Hara