Step Up Or Step Down Quotes & Sayings

There are two of you now. Neither is sufficient unto itself, but you learn, over time, to join your two halves together, and hobble around. There are limits to what you can do, though you're able to get from place to place. Each half, naturally enough, requires the cooperation of the other, and you find yourself getting snappish with yourself; you find yourself cursing yourself for your clumsiness, your overeagerness, your lack of consideration for your other half. You feel it doubly. Still, you go on. Still, you step in tandem, make your slow and careful way up and down the stairs, admonishing, warning, each of you urging the other to slow down, or speed up, or wait a second. What else can you do? Each would be helpless without the other. Each would be stranded, laid flat, abandoned, bereft. — Michael Cunningham

Starting isn't like that. Starting something is not an event; it's a series of events. You decide to walk to Cleveland. So you take a first step in the right direction. That's starting. You spend the rest of the day walking toward Cleveland, one step at a time, picking your feet up and putting them down. At the end of the day, twenty miles later, you stop at a hotel. And what happens the next morning? Either you quit the project or you start again, walking to Cleveland. In fact, every step is a new beginning. Sure, you're closer than you were yesterday or last week, but you're still ... — Seth Godin

I also worry that my reporting will become this deluge of tragedy for people, who like myself, unable or uncertain of what to do, let it wash over them. Some African journalists call it poverty porn - stories or images of intense suffering designed solely for emotional impact, but often have the effect of shutting people down rather than helping them step up. — Kevin Sites

He was the real hero, Tenzing," Gyan had said, "Hilary couldn't have made it without sherpas carrying his bags." Everyone around had agreed. Tenzing was certainly first, or else he was made to wait with the bags so Hilary could take the first step on behalf of that colonial enterprise of sticking your flag on what was not yours.
Sai had wondered, should humans conquer the mountain or should they wish for the mountain to possess them? Sherpas went up and down, ten times, fifteen times in some cases, without glory, without claim of ownership, and there were those who said it was sacred and shouldn't be sullied at all. — Kiran Desai

Looking at and 'appreciating' art has been understood as an instrument (or at best a result) of upward mobility, in which owning art is the ultimate step. making art is at the bottom of the scale. This is the only legitimate reason to see artists as so many artists see themselves - as 'workers'. At the same time, artists/makers tend to feel misunderstood and, as creators, innately superior to the buyers/owners. The innermost circle of the art-world class system thereby replaces the rulers with the creators, and the contemporary artist in the big city is a schizophrenic creature. S/he is persistently working 'up' to be accepted, not only by other artists, but also by the hierarchy that exhibits, writes about and buys his / her work. At the same time s/he is often ideologically working 'down' in an attempt to identify with the workers outside of the art context and to overthrow the rulers in the name of art. — Ben Davis

Life pulls down every person to the least possible negativity and thrusts them outward to shine. It is the fight that matters; when you reach the bottom, you are left with no choice but to pick yourself up and climb every difficult step. Feeling down
and letting situations tear you apart proves that we all are human and nothing more or less. So, there is no need to worry about the devastating moments; there will come a moment
when you will be forced to stand for your rights and make one single move that will pull you into the world of success. Seize the moment and grow, that's all you can do and that's why you are born. — Kavipriya Moorthy

We were about a mile from school, on a path in the park, when Chirag reached down and took off his shoes, tossing them into the trees beside us.

"What are you doing?" I shouted in between breaths. Step, breath. Step, breath. He was a few yards ahead of me. I took advantage of his pause to pass him; I wasn't about to let him beat me.

"There's a tribe of Indians in Mexico who are the best runners in the world," he shouted. "They run barefoot for miles and miles and never break a sweat."

"You're not that kind of Indian," I shouted back, and Chirag laughed, his golden skin shimmering beneath his sweat.

"You should try it, too!"

"No way!" I replied without turning around to face him. "The ground is filthy. There could be glass or splinters or something."

"Aw, come on, Maisie," he cooed, coming up on my left side and getting a few steps ahead of me once more. "I dare you. — Alyssa B. Sheinmel

As Lorcan stared down at Lysandra, his blood-splattered face impassive. "Out of the way, shifter."
Lysandra had held up a slender hand- and Lorcan paused. The shape-shifter pressed her other hand against her stomach, her face blanching. But then she smiled and said, "You forgot to say 'please.' "
Lorcan's dark brows flattened. "I don't have time for this." He made to step around her, shove her aside.
Lysandra vomited black blood all over him.
Rowan didn't know whether to laught or cringe as Lysandra, panting, gaped at Lorcan, and at the blood on his neck and chest. Slowly, too slowly, Lorcan looked down at himself.
She pressed a hand over her mouth. "I am-so sorry-"
Lorcan didn't even step out of the way as Lysandra vomited on him again, black blood and bits of gore now on the warrior and on the marble floor. — Sarah J. Maas

I wouldn't even feel sorry for us if I was going against us. I know teams are licking their chops. The Bulls or Milwaukee, they're excited. Even though somebody is hurt they're still excited because they feel like we're a man down and we might not be as strong, but we're confident here. We got the players to still make something special happen. Guys just have to step up as a unit. — Tristan Thompson

Finally I find it, the book, but as I'm pulling it out of the stack I hear a noise coming from my toy room. It sounds like scratching or scraping maybe and my mind instantly goes to the possibility that maybe it's a monster or a dragon or something else with claws. My hand shakes a little as I stand up and turn back toward the room. When I step into it, I feel the wind hit my cheeks. I shine the light around and notice one of the windows is open. I don't understand why. I didn't open it and I don't think it was open when I came down here. What if it was a monster?
I sweep the flashlight around the room at all my toys as I start back toward the corner. Then the light lands on something tall ... I hear voices. Ones that don't sound like they belong to a monster, but just people. But that's what they end up being.
Terrible, horrible monsters. — Jessica Sorensen

Many of us say we want to experience God, but we don't look for his majesty. [Tweet this] We travel life's paths with our heads down, focused on the next step with our careers or families or retirement plans. But we don't really expect God to show up with divine wonder. — Margaret Feinberg

Imagine: If shifting from one universe to another is like moving up or down to parallel layers, overlapping with one universe, then going to another timeline is like taking a jump to the left.'
'Or a step to the right,' Jena said wryly. — E.C. Myers

You can't jump down the stairs in one leap, however much you might wish to, and you even more surely can't jump up it, but one step and then the next and there you are, at the top or the bottom and not a bit out of breath or discomposed. — Elizabeth Aston

Every man is part boy and part man. God requires the man to step up and play the man; but to the boy he offers comfort and healing. Be kind to the boy inside. It is the man God is calling to face down the next lion, but the boy he treats with genuine kindness. Do the same - be kind to yourself, your fears, your feelings of inadequacy. Don't despise the fact that places in you still feel young; shame never heals, never encourages, never makes whole. Give grace to those places that feel six or ten or even thirteen. — John Eldredge

Day-um." He whistled, keeping his voice low as he looked up and down my body. The tiny shorts and tank left very little to the imagination. "You look hot," he growled and came at me. I backed up a step and he caught me around the waist. Both of us fell back and landed on my bed. I laughed and looked up. But he wasn't laughing or smiling. His gaze was intense and it made my heart skip a beat. "What?" I whispered. Maybe he'd come to tell me how much he regretted earlier. "Has anyone ever told you just how beautiful you really are?" He breathed. The bottom fell out of my stomach and I shook my head. "That's a damn shame," he muttered and lowered his head to capture my lips.
- Romeo & Rimmel — Cambria Hebert

Jesus, Dolores, you've got to get yourself together. You've got responsibilities. Think about those sometimes - okay? - and get your fucking head right.
Those were the last words his wife heard from him. He'd closed the door and walked down the stairs, paused on the last step. He thought of going back. He thought of going back up the stairs and into the apartment and somehow making it right. Or, if not right, at least softer.
Softer. That would have been nice. — Dennis Lehane

In classical pas de deux, the man controls everything. He picks up the girl. He puts her down. He turns her, takes her weight, stops her, and she must always go where he leads. The woman submits to all this completely. But her submission is not feeble. In fact, the only reason she can submit so utterly is because she is very strong in herself. In her center. She does not collapse, or cave, or stutter-step, or flop. No, she holds herself very consciously, very confidently. She is centered within her own weight. So the man always knows where she is. He can feel her. He can absorb her strength. — Meg Howrey

Faced with a choice of stepping up or stepping it down, we are going to step it down. — Bill McDermott

How to walk to Cleveland Shipping is an event. There's life before you ship and then there's the moment you ship. And then there's life after you ship. Starting isn't like that. Starting something is not an event; it's a series of events. You decide to walk to Cleveland. So you take a first step in the right direction. That's starting. You spend the rest of the day walking toward Cleveland, one step at a time, picking your feet up and putting them down. At the end of the day, twenty miles later, you stop at a hotel. And what happens the next morning? Either you quit the project or you start again, walking to Cleveland. In fact, every step is a new beginning. Sure, you're closer than you were yesterday or last week, but you're still heading toward Cleveland. Keep starting until you finish. — Seth Godin

Big worms that move through the sand like it's water." Roger's level arm went up and down in a smooth wave. "Or the big thing in Star Wars. What if we step down there and the sand just turns into a big pit with a mouth at the bottom?" "For the record, it's called a Sarlacc," Xela said. — Peter Clines

Even though they're often doing it out of love and concern, having others smear their fear and worry all over you is the last thing you need when you're strengthening your superhero muscles to step out and take some risks, so I highly recommend keeping your mouth shut around people who are gonna bring you down. Instead, seek out those who are already totally kicking butt (or who are lifting up their foot to do so), or people who you know will be supportive, and confide in them. Because you'll have your own internal freak show to deal with as you try to overcome the objections from your own BS. — Jen Sincero

But I'm sick of this bloody jagged graph. You know, two steps up, one step down. It's so painful. It's so slow. It's like this endless game of snakes and ladders." And Mum just looked at me as if she wanted to laugh or maybe cry, and said, "But Audrey, that's what life is. We're all on a jagged graph. I know I am. Up a bit, down a bit. That's life. — Sophie Kinsella

How is it different?"
He rolled his head back, sable hair falling down on his shoulders. "With Rose I knew what to say. I could take a step back and talk to her. I remembered all the crap from the magaznies. It was easy."
"And with me, it's hard?" Why? Because she was a swamp girl? And how did the magazines fit into it?
William looked away from her. "I don't like it when you're away. If I don't see you, I can't settle down. If I see you talking with another man, I want to claw his throat out. And none of the things you're supposed to say fit."
Oh, this had to be good. "What sort of things?"
He sighed. "The lines. Like, 'You're my everything,' or 'Did it hurt when you fell from heaven? — Ilona Andrews

I'd write and read and let myself, a little at a time, step down into myself- like a stairway down into a dark, intimate kiva- where the work of vigil is taking place, the necessary attending. I imagine there's a little fire burning in there, a few steadily glowing embers, and a quiet chant going on, from me, from some singer in me, honoring and accompanying W's soul, which is with him as he is making his passage..there's a leavetaking in process, a movement towards increasing simplicity, away from complexity, activity, expectation. The bout of paranoia, with a childlike quality of being threatened, seems part of that-like a day or two when he couldn't just let go and float on the energies of other people, who are bearing him up-but had to doubt them, struggle. So much better when he can trust and float. There's enough love around him to carry him now ... — Mark Doty

Secondly, these missionaries would gradually, and without creating suspicion or exciting alarm, introduce a rudimentary cleanliness among the nobility, and from them it would work down to the people, if the priests could be kept quiet. This would undermine the Church. I mean would be a step toward that. Next, education - next, freedom - and then she would begin to crumble. It being my conviction that any Established Church is an established crime, an established slave-pen, I had no scruples, but was willing to assail it in any way or with any weapon that promised to hurt it. Why, in my own former day - in remote centuries not yet stirring in the womb of time - there were old Englishmen who imagined that they had been born in a free country: a "free" country with the Corporation Act and the Test still in force in it - timbers propped against men's liberties and dishonored consciences to shore up an Established Anachronism with. — Mark Twain

He knew it would take as many years as could think of now to forget the tracks, no matter how deeply buried. Some morning in autumn, spring, or winter he kn he'd wake and, if he didn't go near the window, if he just lay deep and snug and warm, in his bed, he would hear it, faint and far away.
And around the bend of the morning street, up the avenue, between the even rows of sycamore, elm and maple, it the quietness before the start of living, past his house h would hear the familiar sounds. Like the ticking of a doe the rumble of a dozen metal barrels rolling, the hum of single immense dragonfly at dawn. Like a merry-go-round like a small electrical storm, the color of blue lightning, coming, here, and gone. The trolley's chime! The hiss like a sc fountain spigot as it let down and took up its step, and starting of the dream again, as on it sailed along its way, traveling a hidden and buried track to some hidden and buried destination. — Ray Bradbury

It is the omnipresent rush of water which give the Este Gardens their peculiar character. From the Anio, drawn up the hillside at incalculable cost and labour, a thousand rills gush downward, terrace by terrace, channeling the stone rails of the balusters, leaping from step to step, dripping into mossy conches, flashing in spray from the horns of sea-gods and the jaws of mythical monsters, or forcing themselves in irrepressible overflow down the ivy-matted banks. — Edith Wharton

I went after him and picked him off with a right, like a predator and was all over him like a rash! I was in to him with a right hand lead and out to inflict pain, but it wasn't all one-sided! This guy was on a wing and a prayer when he threw a chopping right hand that whizzed past me with him on the other end of it ... I was blessed, or something!
I had to turn it on and step it up, because if he connected with one of those shots then I was chicken fodder! I could see that his wasted efforts were tiring him by the second. I boxed him from range and kept tying him up, I was now in to a rhythm, I swung lefts and rights, all of them smashing in to his head with an unrelenting ferocity.
By now his face was covered in blood and he was about to go down when the ref stepped in and stopped it. I won; I had defeated Goliath. — Stephen Richards

It amazes me how easy it is for things to change, how easy it is to start off down the same road you always take and wind up somewhere new. Just one false step, one pause, one detour, and you end up with new friends or a bad reputation or a boyfriend or a breakup. It's never occurred to me before; I've never been able to see it. And it makes me feel, weirdly, like maybe all of these different possibilities exist at the same time, like each moment we live has a thousand other moments layered underneath it that look different. — Lauren Oliver

I don't know why it is that one kind of dark can be so different from another. Real dark is thicker and quieter, it fills up the space between your jacket and your heart. It gets in your eyes. When I have to be out late at night, it's not knives and kicks I'm afraid of, though there are plenty of those behind walls and hedges. I'm afraid of the Dark. You, who walk so cheerfully, whistling your way, stand still for five minutes. Stand still in the Dark in a field or down a track. It's then you know you're there on sufferance. The Dark only lets you take one step at a time. Step and the Dark closes round your back. In front, there is no space for you until you take it. Darkness is absolute. Walking in the Dark is like swimming underwater except you can't come up for air. — Jeanette Winterson

I think I just said it, but I think it's worth repeating. They gave me hope that there is good in the world out there. There really is. It really does exist. Regardless of how bad things can be, and how down on your luck you can be, or how bad your trust is broken when it comes to warming up to people and all that stuff, I know that there's people out there that genuinely wanna help. Putting yourself in that position is a huge step, and it's a very risky and fragile step, but it's also a step that needs to be taken because there is help. And you can get through something like this. You really can. - Jim, from To the Survivors — Robert Uttaro

Who is righteous? Anyone who is repenting. No matter how bad he has been, if he is repenting he is a righteous man. There is hope for him. And no matter how good he has been all his life, if he is not repenting, he is a wicked man. The difference is which way you are facing. The man on the top of the stairs facing down if much worse off than the man on the bottom step who is facing up. The direction we are facing, that is repentance; and that is what determines whether we are good or bad. — Hugh Nibley

What ever you do, try to do it perfectly because the world is watching you; every step and every move you make. It's ready to crush you down or to build you up. That's the world for you. — Euginia Herlihy