Sound Producers Quotes & Sayings

There are a lot of producers who basically have their sound, and if the artist works with them, you almost know what the record's going to sound like before it comes out. — Jon Brion

All you do is you go back to that, and it feels like you're in a spaceship. It feels like you're in 2001 or something like that. It's massive and well constructed and highly technologically advanced and occupied by these wise scientists, engineers, and producers. Listening to it, it just doesn't sound like me - that's a younger self that didn't know who he was or what he was doing. I can't identify with a nebulous cloud. — Will Oldham

Our job as producers is to make the music sound as good as possible. — David Guetta

I want to work with producers who are unique and have a different sound. — Victoria Justice

Artists in not only country but other genres usually make four or five albums, then they change producers to keep their sound moving forward. — Juice Newton

On a radio drama, I'd like to feel that I had just as much chance of playing Mr. Darcy as anyone else because I can sound like him, yet many radio producers find it very difficult to extend their imaginations to employing anyone who's non-white. — Sanjeev Bhaskar

Aretha Franklin's 'Let Me in Your Life' is one of the few recent R&B albums that places the emphasis entirely and deservedly on a voice. Many R&B producers have been making records on which the singer is outshined by the song, the arrangement and the sound. — Jon Landau

What producers did was mostly recording in the studio, so it never changed our sound just that much. — Stephen Malkmus

Seattle isn't known for a particular production sound, so that leaves a lot of great producers in Seattle doing kind of their own thing. And I think, for me, I was probably enough removed from hip-hop that my style was even a little bit weirder than that. — Ryan Lewis

Oh, I love making independent films, it's such a special, magical thing because you collaborate with a small group of people and everyone's pitching in. You'll see producers setting up the lunch table and the sound guy driving a van. We're all really there because we want to be. — Olivia Thirlby

The all-pervading disease of the modern world is the total imbalance between city and countryside, an imbalance in terms of wealth, power, culture, attraction and hope. The former has become over-extended and the latter has atrophied. The city has become the universal magnet, while rural life has lost its savour. Yet it remains an unalterable truth that, just as a sound mind depends on a sound body, so the health of the cities depends on the health of the rural areas. The cities, with all their wealth, are merely secondary producers, while primary production, the precondition of all economic life, takes place in the countryside. The prevailing lack of balance, based on the age-old exploitation of countryman and raw material producer, today threatens all countries throughout the world, the rich even more than the poor. To restore a proper balance between city and rural life is perhaps the greatest task in front of modern man. — Ernst F. Schumacher

I want young Indian composers to be able to do more than just film music. I want to give them the skills that will enable them to create their own palette of sounds instead of having to write formulaic music. It doesn't matter if they become sound engineers, producers, composers or performers - I want them to be as imaginative as they like. — A.R. Rahman

I've always felt that most jazz artists don't need producers .. most jazz artists know what kind of sound they want. They don't need a producer to come in there and tell them, "Oh, I think you should do this." I've always found it very strange that there's been such a thing as producers in jazz. — Christian McBride

Just as the digital dominance of the recording studio seemed complete, analog had its revenge. Musicians, producers, and engineers searching for the sound of the music that inspired them - roots Americana, blues, and classic rock - began thinking about how the process of recording affected the sound. These artists, including White, Dave Grohl, and Gillian Welch, began experimenting with old tape machines and vintage studio equipment, returning to the analog methods they'd once used. Critics and fans noted that these albums sounded different - more heartfelt, raw, and organic - and the industry began to take notice. — David Sax