Song Listener Quotes & Sayings

Music written by teams makes the authorship of a piece indistinct. Could it be that when hearing a song written by a team, a listener can sense that they aren't hearing an expression of a solitary individual's pain or joy, but that of a virtual conjoined person? Can we tell that an individual singer might actually represent a collective, that he might have multiple identities? Does that make the sentiments expressed more poetically universal? Dan eliminating some portion of the authorial voice make a piece of music more accessible and the singer more empathetic? — David Byrne

I think the more the listener can contribute to the song, the better; the more they become part of the song, and they fill in the blanks. Rather than tell them everything, you save your details for things that exist. Like what color the ashtray is. How far away the doorway was. So when you're talking about intangible things like emotions, the listener can fill in the blanks and you just draw the foundation. — John Prine

What always attracted me to [Bob] Dylan, and what has sustained me as a Dylan listener, or has always continued to surprise me, is his voice, the way he sings, the way he wraps his voice around certain words, the way he backs off from melodic moments, the way he moves forward to grab something in a song that, were anybody else performing it, they would have no idea it was even there. — Greil Marcus

The video forum for me has been a source of great consternation because once you start projecting a look to a song, it robs the listener of their ability to adopt that song and make the lyric their own. — Sheryl Crow

I think that if they want people to listen to ten or twelve songs, they have to give the listener a reason to listen to ten or twelve songs or to buy ten or twelve and listen to the whole thing instead of just pulling one or two for their iPod or their computer. — David Byrne

I really tried to push every genre that I could into this record. I wanted every song to have this feel, where as soon as the listener tunes in, they say "That's CoJo, that's Cody right there." That being said, it is a little different. There's Americana, there's Bluegrass, there's some rock, there's some really George Jones-style stuff on it, slow-style Ray Price country elements, there's some modern country, a little of this and a little of that. We tried to push a lot for show versatility, because I grew up with a lot of versatility in my music. — Cody Johnson

Just take me home where the mood is mellow
And the roses are grown
M&M's are yellow
And the light bulbs around my mirror don't flicker
Everybody gets a nice autograph picture
One for you and one for your sister
Who had to work tonight but is an avid listener
Every song's a favorite song
And mics don't feed back. — Lupe Fiasco

But the greatest thing about music is putting it out there for people to figure out. You want the listener to find the song on their own. If you give too much away, it takes away from the imagination. — Diana Krall

A successful song comes to sing itself inside the listener. It is cellular and seismic, a wave coalescing in the mind and in the flesh. There is a message outside and a message inside, and those messages are the same, like the pat and thud of two heartbeats, one within you, one surrounding. The message of the lullaby is that it's okay to dim the eyes for a time, to lose sight of yourself as you sleep and as you grow: if you drift, it says, you'll drift ashore: if you fall, you will fall into place. — Kevin Brockmeier

Cause when you're sequencing a record, you want the listener to stick with it from beginning to end, and in order to do that, you really have to map out the journey from the first song to the last. — Dave Grohl

People are always going to have favorite albums or songs and you know that's more the listener's personal bias than basing it on anything musical or actual. I'm the same way as a listener. — Page Hamilton

A lot of the lyrics I write involve images that just swing the song in a way that feels really good to me and there isn't a literal explanation. They're not riddles for the listener to solve. — Matt Berninger

Here's some free advice; like the folkies of yore, you need to be not just a writer of songs, you need to be a lover of songs, a listener of songs and a collector of songs. If you hear a song in a club that knocks you out or you hear an old recording of a great song you never knew existed, it does not diminish you to record it; it actually exalts you because you have brought a great song from obscurity to the ear of the public. — Michael Kosser

I regard singing pretty much like acting. Each song is like playing a different role. I get very involved with my material. I feel a responsibility for the emotion it brings out in the listener. — Peggy Lee

Above all, the listener should be able to understand the poem or the song, not be forced to unravel a complicated, self-indulgent puzzle. Offer your art up to the whole world, not just an elite few. — Lucinda Williams

Anything that happens after I write a song ... that's fine with me. It's up to the listener to read into it what they need from it. And that's part of the reason I write like I do, so I can leave the holes in the right places so people can say, 'Yeah, that happened to me,' and they're able to have their own little fantasy about it. — Guy Clark

Everything needs to be catchy because a listener is either going to stay with the song or lose interest in the first five seconds. But people also like those songs they can relate to and say, 'Yeah, I went through that.' — Benny Blanco

I love good momentum. It makes everybody happy and in this time that we're living in, especially musically speaking, if you can make a record that has more than 4 or 5 songs deep and it has a good variety of songs. You don't frontload it with those first couple of songs. You continue the record taking the listener on a journey, musically speaking. I think you've really got something there. — Charlie Benante

When I listen to them, they're like they were made as time capsules in the first place. You know that when you're writing the song and recording the song, you're already sending a message to the future listener, whoever and wherever and whenever that will be. — Will Oldham

Knowledge is still power
but today you've got to make sure you know more about your listener than their favorite song. — Bob Walker

I don't feel any obligation to make my intentions for a song accessible to a listener or an audience. I'm not interested in conveying anything to them so much as what's best for me. — J. Tillman

I think in some ways, it can do a listener a disservice to explain a song. I think I'd rather leave a little room for people to put themselves in it. — St. Vincent

I think the best thing about music is that someone could be writing a song that's so personal, and it tells so many other people's story at the same time. It kind of exemplifies that we are all kind of on the same wave[length] - it's amazing how comforting somebody else's story can be, because we have experienced their story in some way or another, and I can totally relate, and I get to feel that feeling and the expression of that emotion. I get to feel like as a listener, that somebody understands me, which is pretty incredible. — Theresa Wayman

Having not really written any generational songs - I think maybe two or three of the songs that I've ever written have any bearing on the age of the listener. My stuff tends to be far more concerned with the spiritual and with subjects like isolation and being miserable. — David Bowie

Writing original songs is much, much harder (I think) because you only have yourself to conjure up EVERY single moment a listener is going to hear. It's a craft that goes directly from your brain to their ears. You can never be sure that what you're writing is gonna be good enough to keep a listener engaged and truly experience something. It's a shot in the dark. — Alex Goot

Throughout my career, if I have done anything, I have paid attention to every note and every word I sing - if I respect the song. If I cannot project this to a listener, I fail. — Frank Sinatra

You want listeners to smell the lavender, to feel the point of those knitting needles in a handbag of the granny who happens to harbor a loyalty to Madame Defarge. You want the listener to know the wood's burning in the stove when they walk into the song with me. Music is about all of your senses, not just hearing. — Tori Amos

I am a composer first and foremost, and have always believed that being able to write memorable melodies is what sets musicians apart. My songs bring images to the listener's mind. The object is to transport my listeners to another place, some place sacred and spiritual that will make them glad they took the ride. — Bradley Joseph

Just because you've written a song doesn't mean that you have pulled through. There are definitely songs where I embodied someone else's pain and that was purely to serve the listener because I knew they needed to hear something. But most of the good stuff comes from my life. — Mat Kearney

To me, a political song is also a personal song. Most political activism has been driven by empathy for other people and the desire for a world that's less divisive. Even if songs aren't overtly political, they can make a listener more empathetic. — Conor Oberst

I seek out songs that I believe in. You have to believe it in your heart first. Then the listener will believe it. — Sonny Burgess

Songwriters write songs, but they really belong to the listener. — Jimmy Buffett

A tapping foot isn't the best a listener can get from a song: A good song makes a listener dance. A great song makes him think. — Mokokoma Mokhonoana

Needless to say, the song ["Hallelujah"] was now a climax in every show [of the 2009 Leonard Cohen tour], received like holy scripture. It belonged in a category with seeing Bob Dylan sing "Like a Rolling Stone" or watching Bruce Springsteen perform "Born to Run" - it was an event that people simply wanted to witness, to say they had seen. It took on a power that had to do with the song's history first, its feeling second, and its details hardly at all. Every performance carried with it a sense of where this song had been, who had sung it,where and how every listener had first encountered it; it had reached a place where it was something to be experienced, rather than listened to. — Alan Light

Speaking of metaphor, the dative construction works with a number of verbs of communication, as in Ask me no questions, I'll tell you no lies and Sing me no song, read me no rhyme. It's as if we think of ideas as things, knowing as having, communicating as sending, and language as the package. This is sometimes called the conduit metaphor, and it can be seen in dozens of expressions for thinking, saying, and teaching. We gather our ideas to put them into words, and if our verbiage is not empty or hollow, we might get these ideas across to a listener, who can unpack our words to extract their content. — Steven Pinker

With millions of people creating songs and uploading them to the web internationally, most artists know they need to dismantle the monetary barrier between themselves and the listener or they simply wont be heard. — Josh Garrels

I often think it's unfair to the listener and "too easy" to just choose one tempo while I make and decide the songs. — Gylve Nagell

My faith, I mean, that's such a personal aspect that a lot of times, of course it's going to come out through the song. But at the same time, I'm not a religious salesman. I feel like God doesn't really need a salesman, and what these songs are are simply my interactions with this life and learning. I guess the bottom line is the songs are really honest, you know what I mean. That faith is going to come through. If the listener is looking for it, that's definitely a part of it. — Jon Foreman

The songs we sing invite the participation of the listener, who is central to finding a way of creating the life of the song at that listening. It's the difference between poetry and didactic writing. One tells you, 'This is it,' and the other says, 'Let's find this together.' — Peter Yarrow

I'm not sure it's a better music world of appreciation and performance. I think the listener is a different guy, and listening is something he does in passing, with other stuff going on. There's less care and understanding of the relationship between the song and the listener. — Al Jarreau

My favorite period is when we lived in the land of the three-minute song. The Motown thing - I thought they were genius in knowing that's as much as a listener can take. — Meshell Ndegeocello

There isn't a better feeling in the world - not an orgasm, not a first kiss, not even that glorious soaring sensation you get when those first few notes of a new song pierce your chest and fill your whole body with absolute bliss - than acknowledgment that your mix tape was not only received and played but enjoyed. It's a dance of sorts, balancing songs you think the listener will love while trying to say everything that otherwise dries up in your throat before you can get out the words. — Libby Cudmore

I think I prefer for the listener to decide for themselves what stuff means, because I always hate it when I think a song is about a horse, and then it turns out to be about a damn trip to France ... — Amanda Shires

You can find me in the melodies, the chord progressions, the song style and structure. The lyrical places you fine me most are in the lyrics that 'show' more than 'tell.' I like to describe what the listener is seeing and let them make up the middle rather than telling them. — Kristian Bush

As a white male in America, I have privilege. As a white male who happens to be an artist with a fan base, I have a platform to spread awareness about that privilege. However, songs about race and privilege are very difficult to A) write and B) dissect as a listener. They're heavy. — Macklemore

I get really affected by songs as a music listener - they mean so much and they feel so significant. — Dee Dee Ramone

When you play guitar you are drawing a frame around a moment and saying to the listener, 'Here is how I want you to experience this. How you begin and end a solo is framing, How you structure a song is framing, how you present yourself onstage is framing. See every corner, not just the center, framing should heighten the impact of the art and give clarity to your vision. — Philip Toshio Sudo

My biggest lesson ... was to try and create narrators that were believable ... so the listener becomes really invested in the story or the song. — Kristian Bush