Small Crisp Quotes & Sayings

Hong Mei shrugged. She didn't mind. Waiting to take out the crisp new bills was part of the lead-up to waht she considered the best part of the New Year. And that was when she received her own money inside the small red hong-bao. Throughout the days of celebrating, neighbours and patients of her mother would stop by and give her small envelopes with bills of cash inside. Just the sight of one of the little packets could make her heart race. Although she was already a teenager, girls were given hong-bao until they got married, and she was a long way from that. — B.L. Sauder

Lauren could smell the starch that kept Jared's shirtfront crisp, which blended intoxicatingly with tobacco and champagne. When he spoke in confidential tones to the silly woman, Lauren could feel the vibration of his voice in his chest. The bank director's wife moved away, and still Jared retained his possessive hold on her. His hand trembled slightly as his thumb moved upward and lightly stroked the side of her breast. Or did she only imagine it? Lauren thought she would die from the constriction in her chest that pounded up into her throat and sought release in a small moan.
Another guest walked toward them. Slowly, reluctantly, the strong fingers were withdrawn, leaving behind an imprint on Lauren's skin as scorching as a brand. — Sandra Brown

Tom Dancer's gift of a whitebark pine cone

You never know
What opportunity
Is going to travel to you,
Or through you.

Once a friend gave me
A small pine cone-
One of a few
He found in the scat

Of a grizzly
In Utah maybe,
Or Wyoming.
I took it home

And did what I supposed
He was sure I would do-
I ate it,
Thinking

How it had traveled
Through that rough
And holy body.
It was crisp and sweet.

It was almost a prayer
Without words.
My gratitude, Tom Dancer,
For this gift of the world
I adore so much
And want to belong to.
And thank you too, great bear — Mary Oliver

inferred by the pattern to either side, the small pyramidal bumps rising from the flat steel with their crisp edges and flecks of paint. Holston lifted an old boot to an old step, pressed down, — Hugh Howey

When Francie brought a ticket and a dime back and pushed them across the counter, he gave her the wrapped shirt and two lichee nuts in exchange. Francie loved these lichee nuts. There was a crisp easily broken shell and the soft sweet meat inside. Inside the meat was a hard stone that no child had ever been able to break open. It was said that this stone contained a smaller stone and that the smaller stone contained a smaller stone which contained a yet smaller stone and so on. It was said that soon the stones got so small you could only see them with a magnifying glass and those smaller ones got still smaller until you couldn't see them with anything but they were always there and would never stop coming. It was Francie's first experience with infinity. — Betty Smith

My brothers were still catching sparrows when my cousin told me to give him the baby bird. I didn't want to, but I took the squirming bird out of my pocket anyway. I wanted another look at it. It was so small. I don't think it could fly yet. My cousin plucked the bird from my palm and went off with it. I should never have taken it out of my pocket. When he returned, the birds were all burnt to a crisp. Their bones were popping out of their skin. I couldn't even tell which of the birds was mine. I looked at their burnt feathers and blackened skin and burst into tears. I cried for him to give me back my bird, but it was too late. My yelling must have irritate him, because he grabbed the smallest one and shoved it in my face, and said, 'Here it is.' When I took that charred baby bird from him, I felt the world crash down on me. It was the first time I had ever held something that had died. I love you as much as the sorrow I felt. — Kyung-Sook Shin

I never knew him. We both knew this place,
apparently, this literal small backwater,
looked at it long enough to memorize it,
our years apart. How strange. And it's still loved,
or its memory is (it must have changed a lot).
Our visions coincided--'visions' is
too serious a word--our looks, two looks:
art 'copying from life' and life itself,
life and the memory of it so compressed
they've turned into each other. Which is which?
Life and the memory of it cramped,
dim, on a piece of Bristol board,
dim, but how live, how touching in detail
--the little that we get for free,
the little of our earthly trust. Not much.
About the size of our abidance
along with theirs: the munching cows,
the iris, crisp and shivering, the water
still standing from spring freshets,
the yet-to-be-dismantled elms, the geese. — Elizabeth Bishop

She was a tall and slender woman, possibly in her early thirties. Her skin had the extraordinary fineness of grain, and the translucence you see in small children and fashion models. In her fine long hands, delicacy of wrists, floating texture of dark hair, and in the mobility of the long narrow sensitive structuring of her face there was the look of something almost too well made, too highly bred, too finely drawn for all the natural crudities of human existence. Her eyes were large and very dark and tilted and set widely. She wore dark Bermuda shorts and sandals and a crisp blue and white blouse, no jewelry of any kind, a sparing touch of lipstick. — John D. MacDonald

So black was the way ahead that my progress consisted of long periods of inert despondency punctuated by spasmodic lurches forward towards any small chink of light that I thought I saw ... As the years went by, it did not get lighter but I became accustomed to the dark — Quentin Crisp

Tucked in the back of one of the shelves is a small bottle, rounded with a short neck and closed with a matching glass stopper. He picks it up carefully. It is heavier than he had expected. Removing the stopper, he is confused, for at first the scent and the sensation do not change. Then comes the aroma of caramel, wafting on the crisp breeze of an autumn wind. The scent of wool and sweat makes him feel as though he is wearing a heavy coat, with the warmth of a scarf around his neck. There is the impression of people wearing masks. The smell of a bonfire mixes with the caramel. And then there is a shift, a movement in front of him. Something grey. A sharp pain in his chest. The sensation of falling. A sound like howling wind, or a screaming girl. — Erin Morgenstern

He had a fund of small talk, a pleasant voice, a caressing glance and his moustache was irresistible. Crisp and curly, it curved charmingly over his lip, fair with auburn tints, slightly paler where it bristled at the ends. — Guy De Maupassant

On a small square, wood is being cut for the city school. Cords of healthy, crisp timber are piled high and melt slowly, one log after another, under the saws and axes of workmen. Ah, timber, trustworthy, honest, true matter of reality, bright and completely decent, the embodiment of the decency and prose of life! However deep you look into its core, you cannot find anything that is not apparent on its evenly smiling surface, shining with that warm, assured glow of its fibrous pulp woven in a likeness of the human body. In each fresh section of a cut log a new face og the human body. In each fresh section of a cut log a new face appears, always smiling and golden. Oh, the strange complexion of timber, warm eithout exaltation, completely sound, fragrant, and pleasant! — Bruno Schulz

To her amazement, snow began to fall. Paper snowflakes cascaded through the air, some as small as Ceony's thumbnail, some as large as her hand. Hundreds of them poured down as the paper ceiling gave way, all somehow timed just right so that they fell like real snow. Ceony stood from her chair, laughing, and held out her hand to catch one. To her astonishment it felt cold, but didn't melt against her palm. Only tingled.
"When did you do this?" she asked, her breath fogging in the library's air as more snowflakes fell like crisp confetti from the ceiling. "This would take . . . ages to make."
"Not ages," Mg. Thane said. "You'll get quicker as you learn." He still sat on the floor, completely unfazed by the magic around him. But of course he would be - it was his creation. "Magician Aviosky mentioned you hadn't exactly jumped at the news of your assignment, and I can't blame you. But casting through paper has its own whimsy. — Charlie N. Holmberg