She's A Work Of Art Quotes & Sayings

Most artists are brought to their vocation when their own nascent gifts are awakened by the work of a master. That is to say, most artists are converted to art by art itself. Finding one's voice isn't just an emptying and purifying oneself of the words of others but an adopting and embracing of filiations, communities, and discourses. Inspiration could be called inhaling the memory of an act never experienced. Invention, it must be humbly admitted, does not consist in creating out of void but out of chaos. Any artist knows these truths, no matter how deeply he or she submerges that knowing. — Lewis Hyde

Adele doesn't need any ironic detachment. She can love and appreciate the talent of others without feeling threatened herself. This is often very hard for people. We usually worry that someone else's talent or success is being compared with our own so we take the role of a critic and evaluate people harshly in order to protect our own egos.

People like Adele focus on what they like and they ignore the comparisons. Plus, they let the people around them know when they found something that they love about their work or their art. — Charlie Houpert

She jerked her hand back and shot me what could only be described as a 'bitch' look. Frankly, it was a fucking work of art and I was sort of jealous of that level of mastery. — Jennifer L. Armentrout

Her voice was polished with a hint of a New England-boarding-school accent that shouted refinement over geographic locale. I was trying not to stare. She saw that and smiled a little. I don't want to sound like some kind of pervert because it wasn't like that. Femal beauty gets to me. I don't think I'm alone in that. It gets to me like a work of art gets to me. It gets to me like a Rembrandt or Michelangelo. It gets to me like night views of Paris or when the sun rises on the Grand Canyon or sets in the turquoise Arizona sky. My thoughts were not illicit. Ther were, I self-rationalized, rather artistic. — Harlan Coben

Art,' she said.
'My second favorite subject.'
She gave him a shrewd look. 'You wish for me to ask you what your favorite is.'
'Am I so obvious?'
'You are only obvious when you wish to be.'
'And alas, it still doesn't work. You have not asked me what my favorite subject is.'
'Because,' she returned, sitting down, 'I am quite certain the answer will contain something highly inappropriate.'
He placed one hand on his chest, the dramatic gesture somehow restoring his equilibrium. It was easier to play the jester. No one expected as much from fools. 'I am wounded,' he proclaimed. 'I promise you, I was not going to say that my favorite subject was seduction, or the art of a kiss, or the proper way to remove a lady's glove, or for that matter the proper way to remove - '
'Stop! — Julia Quinn

In the wildest nature, there is not only the material of the most cultivated life, and a sort of anticipation of the last result,but a greater refinement already than is ever attained by man ... Nature is prepared to welcome into her scenery the finest work of human art, for she is herself an art so cunning that the artist never appears in his work. — Henry David Thoreau

In the bottom right-hand corner was a decent-sized color photo of Mr. and Mrs. Carl Trudeau posing with their new acquisition. Brianna, ever photogenic, as she damned well be, emanated glamour. Carl looked rich, thin, and young, he thought, and Imelda was as baffling in print as she was in person. Was she really a work of art? Or was she just a hodgepodge of bronze and cement thrown together by some confused soul working hard to appear tortured? — John Grisham

Watch a French housewife as she makes her way slowly along the loaded stalls ... searching for the peak of ripeness and flavor ... What you are seeing is a true artist at work, patiently assembling all the materials of her craft, just as the painter squeezes oil colors onto his palette ready to create a masterpiece. — Keith Floyd

Man can never know the loneliness a woman knows. Man lies in the woman's womb only to gather strength, he nourishes himself from this fusion, and then he rises and goes into the world, into his work, into battle, into art. He is not lonely. He is busy. The memory of the swim in amniotic fluid gives him energy, completion. Woman may be busy too, but she feels empty. Sensuality for her is not only a wave of pleasure in which she is bathed, and a charge of electric joy at contact with another. When man lies in her womb, she is fulfilled, each act of love a taking of man within her, an act of birth and rebirth, of child rearing and man bearing. Man lies in her womb and is reborn each time anew with a desire to act, to be. But for woman, the climax is not in the birth, but in the moment man rests inside of her. — Anais Nin

Anyone who works on a quilt, who devotes her time, energy, creativity, and passion to that art, learns to value the work of her hands. And as any quilter will tell you, a quilter's quilting friends are some of the dearest, most generous, and most supportive people she knows. — Jennifer Chiaverini

The trick of it, she told herself, is to be courageous and bold and make a different. Not change the world exactly, just the bit around you. Go out there with your double-first, your passion and your new Smith Carona electric typewriter and work hard at ... something. Change lives through art maybe. Write beautifully. Cherish your friends, stay true to your principles, live passionately and fully and well. Experience new things. Love and be loved if at all possible. East sensibly. Stuff like that. — David Nicholls

People need to believe in more than what they see in everyday life. Somewhere inside, we all know that there is more out there than we experience normally. A belief in the other world can help explain why things happen to us. It can give us hope. I feel that we all hope we never get to be too old to fly to Never-Never Land or go through a wardrobe into Narnia. We want to think that there is something looking back at us when we look at the stars. We want to think that just around the bend in the forest, we'll find fairies dancing in a ring. I hope that my work affirms those beliefs," she continues. "I want people to think of my work as a key to that other world. — Wendy Froud

As I explain at some length in 'The Crystal Sun' this particular angle, which we can call the 'golden angle,' is the precise value of the acute angle of of a right-angled 'golden triangle' that embodies the golden mean proportion ....

The Danish art historian Else Kielland established with conclusive and absolutely overwhelming evidence and analysis that this angle was the basis for all Egyptian art and architecture. She did this in her monumental work 'Geometry in Egyptian Art' .....

The King's Chamber inside the Great Pyramid embodies no fewer than eight occurrences of the golden angle, and the coffer in the chamber embodies yet more. — Robert K. G. Temple

No, I promised him I wouldn't fight a giant." "So you obey the letter of the law and not the spirit," she said. "Yes." My teeth finally stopped chattering. I loved my turtleneck. I loved my jacket. I loved my boots. Mmm, wonderful warm boots. "How come when I do that, you chew me out?" "Because you don't do it well enough to get away with it." Julie blinked. "What kind of move was that, at the end?" "It's from Escrima, a Filipino martial art. I'll show you when we get a minute, but you will have to practice, because it has to be done really fast for it to work. — Ilona Andrews

Fifteen years ago, before we met, Daniela was a comer to Chicago's art scene. She had a studio in Bucktown, showed her work in half-dozen galleries, and had just lined up her first solo exhibition in New York. Then came life. Me. Charlie. A bout of crippling postpartum depression. Derailment. Now she teaches private art lessons to middle-grade students. — Blake Crouch

Sybil entered, with a plate.
"You're not eating enough, Sam," she announced. "And the canteen here is a disgrace. It's all grease and garbage!"
"That's what the men like, I'm afraid," said Vimes guiltily.
"I've cleaned out the tar in the tea urn, at least," Sybil went on, with satisfaction.
"You cleaned out the tar urn?" said Vimes in a hollow voice. It was like being told that someone had wiped the patina off a fine old work of art.
"Yes, it was like tar in there. There really wasn't much proper food in the store, but I managed to make you a bacon, lettuce, and tomato sandwich."
"Thank you, dear." Vimes cautiously lifted a corner of the bread with his broken pencil. There seemed to be too much lettuce, which is to say, there was some lettuce. — Terry Pratchett

How would she fill the days? She had no idea. The trick of it, she told herself, is to be courageous and bold and make a difference. Not change the world exactly, just the bit around you. Go out there with your double first, your passion and your new Smith Corona electric typewriter and work hard at ... something. Change lives through art maybe. Write beautifully. Cherish your friends, stay true to your principles, live passionately and fully and well. Experience new things. Love and be loved if at all possible. Eat sensibly. Stuff like that. — David Nicholls

A writer needs certain conditions in which to work and create art. She needs a piece of time; a peace of mind; a quiet place; and a private life. — Margaret Walker

Gertrude Stein, all courage and will, is a soldier of minimalism. Her work, unlike the resonating silences in the art of Samuel Beckett, embodies in its loquacity and verbosity the curious paradox of the minimalist form. This art of the nuance in repetition and placement she shares with the orchestral compositions of Philip Glass. — Elizabeth Hardwick

But to demand that a work be "relatable" expresses a different expectation: that the work itself be somehow accommodating to, or reflective of, the experience of the reader or viewer. The reader or viewer remains passive in the face of the book or movie or play: she expects the work to be done for her. If the concept of identification suggested that an individual experiences a work as a mirror in which he might recognize himself, the notion of relatability implies that the work in question serves like a selfie: a flattering confirmation of an individual's solipsism. — Rebecca Mead

To Jacob the act of critiquing art was essentially imprecise. That's why he didn't read reviews on anything he liked, be it a book, a movie, or a record. He believed that any work an artist puts forth which contains the truth as he or she sees it is worthy of consideration, and any commentary of the work beyond that is nothing more than pure individual opinion and should not be considered relevant to the work itself. — Tiffanie DeBartolo

My wife is a painter, musician, and fiber artist. We married in 1993, and as she worked, I found that my reading about art was helping me understand what she was doing, just as seeing her work gave me a language with which to speak of art. — Floyd Skloot

You are an artist," she said. "But then all scientists are artists, my father used to say. You think like an artist, at any rate, and I can see that you want what you create to be a work of art. — Pearl S. Buck

The artistic life is a long and lovely suicide precisely because it involves the negation of self; as Highsmith imagined herself as her characters, so Ripley takes on the personae of others and in doing so metamorphoses himself into a 'living' work of art. A return to the 'real life' after a period of creativity resulted in a fall in spirits, an agony Highsmith felt acutely. She voiced this pain in the novel via Bernard's quotation of an excerpt from Derwatt's notebook: 'There is no depression for the artist except that caused by a return to the self'. — Andrew Wilson

Remind me who you are," he said in a gentler tone, almost a please. "How we know each other."
"Okay," she began. "I'm Savannah Evans, a grad student and teaching assistant who teaches English at a college in Cambridge. I applied to the colony to work on my poetry and arrived six weeks ago. "We've spoken many times. You've praised my work, which I find a great honor as I'm a fan of your art. — Lisa Carlisle

As for Madelyne, she continued to ply her trade. But such a life takes a fast toll on a woman. It is easy to be a remote, untouchable beauty and stay that way for many, many years. And if a stunning tapestry is hung upon a wall, it remains unsullied and a work of art. However, if one drapes it across the floor of a pub and all manner of men tread upon it with their heavy boots, it's going to be worn rather thin, and rather quickly. Such was the case with my mother. — Peter David

Would any link be missing from the whole chain of science and art, if woman, if woman's work, were excluded from it? Let us acknowledge the exception - it proves the rule - that woman is capable of perfection in everything which does not constitute a work: in letters, in memoirs, in the most intricate handiwork - in short, everything which is not a craft; and precisely because in the things mentioned woman perfects herself, because in them she obeys the only artistic impulse in her nature, which is to captivate. — Friedrich Nietzsche

Rainer Maria Rilke sacrificed everything
For his art he dedicated himself
To the Great Work

I admired his single-mindedness
All through my twenties
I argued his case

Now I think he was a jerk
For skipping his daughter's wedding
For fear of losing his focus

He believed in the ancient enmity
Between daily life and the highest work
Or Ruth and the Duino Elegies

It is probably a middle-class prejudice
Of mine to think that Anna Akhmatova
Should have raised her son Lev

Instead of dumping him on her husband's mom
Motherhood is a bright torture she confessed
I was not worthy of it

Lev never considered it sufficient
For her to stand outside his prison
Month after month clutching packages

And composing Requiem for the masses — Edward Hirsch

So perhaps the reason I shuddered at the idea of writing something about 'Christian art' is that to paint a picture or to write a story or to compose a song is an incarnational activity. The artist is a servant who is willing to be a birth-giver. In a very real sense the artist (male or female) should be like Mary, who, when the angel told her that she was to bear the Messiah, was obedient to the command. Obedience is an unpopular word nowadays, but the artist must be obedient to the work, whether it be a symphony, a painting, or a story for a small child. I believe that each work of art, whether it is a work of great genius or something very small, comes to the artist and says 'Here I am. Enflesh me. Give birth to me.' And the artist either says 'My soul doth magnify the Lord' and willingly becomes the bearer of the work, or refuses; but the obedient response is not necessicarily a conscious one, and not everyone has the humble, courageous obedience of Mary. — Madeleine L'Engle

From the first time he'd met her, he'd sensed an air of contradiction about her. She was very much a woman, but still retained a waiflike quality. She could be brash, and at times deliberately suggestive, yet she was painfully shy. She was incredibly easy to get along with, yet she had few friends. She was a talented artist in her own right, but so self-conscious about her work that she rarely completed a piece and preferred to work with other people's art and ideas ... — Charles De Lint

Live each day as if it's your last', that was the conventional advice, but really, who had the energy for that? What if it rained or you felt a bit glandy? It just wasn't practical. The trick of it, she told herself, is to be courageous and bold and make a difference. Not change the world exactly, just the bit around you. Go out there with your double-first, your passion and your new Smith Corona electric typewriter and work hard at ... something. Change lives through art maybe. Write beautifully. Cherish your friends, stay true to your principles, live passionately and fully and well. Experience new things. Love and be loved if at all possible. — David Nicholls

That's partly the success of my work-the ability to have a young black girl walk into the Brooklyn Museum and see paintings she recognizes not because of their art or historical influence but because of their inflection, in terms of colors, their specificity and presence. — Kehinde Wiley

Many a night that summer she left Dr. Archie's office with a desire to run and run about those quiet streets until she wore out her shoes, or wore out the streets themselves; when her chest ached and it seemed as if her heart were spreading all over the desert. When she went home, it was not to go to sleep. She used to drag her mattress beside her low window and lie awake for a long while, vibrating with excitement, as a machine vibrates from speed. Life rushed in upon her through that window
or so it seemed. In reality, of course, life rushes from within, not from without. There is no work of art so big or so beautiful that it was not once all contained in some youthful body, like this one which lay on the floor in the moonlight, pulsing with ardor and anticipation. It was on such nights that Thea Kronborg learned the thing that old Dumas meant when he told the Romanticists that to make a drama he needed but one passion and four walls. — Willa Cather

Pardis Sabeti thought small by focusing patiently for years on a narrow niche (the genetics of diseases in Africa), but then acting big once she acquired enough capital to identify a mission (using computational genetics to help understand and fight ancient diseases). Sarah and Jane, by contrast, reversed this order. They started by thinking big, looking for a world-changing mission, but without capital they could only match this big thinking with small, ineffectual acts. The art of mission, we can conclude, asks us to suppress the most grandiose of our work instincts and instead adopt the patience - the style of patience observed with Pardis Sabeti - required to get this ordering correct. — Cal Newport

Kaldar smiled at her. Now there was a work of art. If she were just a girl and he were just a man, and they met at a party, that smile would've guaranteed him a date. The man was hot. There was no doubt. But right now, all it would get him was a solid punch in those even teeth.
Audrey laughed. "Aren't you sweet? Tell me, do girls usually throw their panties at you when you do that?"
He grinned wider, and she glimpsed the funny evil spark in his eyes. "Do men throw money when you do your little Southern belle? — Ilona Andrews

She had stayed home and worked hard and a posthumous recognition had eventually followed. Not that Buck hadn't worked hard, sure he did, but in the end the body won't hold up as a work of art. — Duff Brenna

And Lynnie understood. There were two kinds of hope: the kind you couldn't do anything about and the kind you could. And even if the kind you could do something about wasn't what you'd originally wanted, it was still worth doing. A rainy day is better than no day. A small happiness can make a big sadness less sad.
p 313
"The sky was crying outside, and as she watched the drops come down, she thought: A rainy day can actually be a very important day. And a small hope isn't really small if it makes a lost hope less sad."
p 318
Lynnie about the lost hope of finding Homan, the hope of seeing the lighthouse/connecting with her daughter and how selling her art work was doing something about it. — Rachel Simon

Art arises from loss. I wish this weren't the case. I wish that every time I met a new woman and she rocked my world, I was inspired to write my ass off. But that is not what happens. What happens is we lie around in bed eating chocolate and screwing. Art is what happens when things don't work out, when you're licking your wounds. Art is, to a larger extent than people would like to think, a productive licking of the wounds. — Steve Almond

The artist is a servant who is willing to be a birthgiver. In a very real sense the artist (male or female) should be like Mary who, when the angel told her that she was to bear the Messiah, was obedient to the command.
... I believe that each work of art, whether it is a work of great genius, or something very small, comes to the artist and says, "Here I am. Enflesh me. Give birth to me." And the artist either says, "My soul doth magnify the Lord," and willingly becomes the bearer of teh work, or refuses; but the obedient response is not necessarily a conscious one, and not everyone has the humble, courageous obedience of Mary.
As for Mary, she was little more than a child when the angel came to her; she had not lost her child's creative acceptance of the realities moving on the other side of the everyday world. We lose our ability to see angels as we grow older, and that is a tragic loss. — Madeleine L'Engle

His wife had also studied art in her hometown, and she could paint, but depending on such work for her livelihood was just not possible. As far as appearances went, she was definitely a real beauty. When she was young, she looked a little like Gong Li, but now that she was middle-aged, she had put on weight and gradually taken on more of a bell-shaped look, resembling Li Siqin. But no matter what, a wife always looks better than her balding, broadbellied husband. — Chew Kok Chang

Dept. of Speculation is gorgeous, funny, a profound and profoundly moving work of art. Jenny Offill is a master of form and feeling, and she gets life on the page in new, startling ways. — Sam Lipsyte

Darwin struggled for a very long time with the problem of evolution being wrong but finally came up with the answer: it's all the fault of the females. . . The females aren't crazy at all. If a female sees a magnificent work of art, she knows she's dealing with an experienced male - a male who's good at surviving and who has enough time to spare to create a beautiful work of art. He's got to be a strong and healthy male, the kind of male you'd want to father your children. — Jan Paul Schutten

Fortunately I don't want to be part of the mainstream. When I see a Kiki Smith work, for example, she's very contemporary, and I feel a lot of emotion in each of her pieces; I think she understands our time, and she makes really interesting art because of that. — Luis Gonzalez

Writing becomes a form of protest against the incontestable ravages of time. The poet takes revenge on mortality, defeating cruelty and saving what she can by thinking the unthinkable and presiding over her own creation. The joy of writing stands against the bitter knowledge of just how much of the world cannot be controlled outside the work of art. This is the art of poetry trying to kill time. Probably — Edward Hirsch

Well, well," she murmurs as I back away.
She makes a rectangle with her index fingers and thumbs and looks at my skin through it.
"You're right," she says. "The boy's a living work of art. — David Almond