She Sees Quotes & Sayings

I think a writer is a describer. She describes society and human nature as she sees it. She has to be both typical of that society and alone within it. — Amity Gaige

Your mama coming back. Just cause you cant sees a person aint mean nothing. They still there. You worry you never gonna find your mama but she gonna come to you. Close your eyes. I bets you see her good. — Nancy Rawles

Westcliff thinks that St. Vincent is in love with you."
Evie choked a little and didn't dare look up from her tea. "Wh-why does he think that?"
"He's known St. Vincent from childhood, and can read him fairly well. And Westcliff sees an odd sort of logic in why you would finally be the one to win St. Vincent's heart. He says a girl like you would appeal to ... hmm, how did he put it? ... I can't remember the exact words, but it was something like ... you would appeal to St. Vincent's deepest, most secret fantasy."
Evie felt her cheeks flushing while a skirmish of pain and hope took place in the tired confines of her chest. She tried to respond sardonically. "I should think his fantasy is to consort with as many women as possible."
A grin crossed Lillian's lips. "Dear, that is not St. Vincent's fantasy, it's his reality. And you're probably the first sweet, decent girl he's ever had anything to do with. — Lisa Kleypas

Tempting. But you see, I can simply insist on a lifetime contract with none of your silly restrictions, or kill you right now."
"You won't," Shane said. That made Morley's eyes open wide.
"Why not? Jacob and Patience were quite specific - they're concerned for Claire. Not for you, boy."
"Because if you kill me and Eve, you'll make her your enemy. This girl won't stop until she sees you all pay."
Claire had no idea whom he was talking about - she didn't feel like that Claire at all, until she imagined Shane and Eve lying dead on the ground.
Then she understood. "I'd hunt you down," she said quietly. "I'd use every resource I have to do it.
And you know I'd win."
Morley seemed impressed. "She is small, but I see your point, boy. Besides, she has the ear of Amelie, Oliver, and Myrnin; not a combination I would care to test. — Rachel Caine

She blinks furiously, trying to dredge up some more moisture from her now dry-baked tear ducts. Two of the shapes resolve. One is Selkirk, on her side on the floor of the lab, her legs jackknifing in furious staccato. The other is a hungry which is kneeling astride her, stuffing her spilled intestines into its mouth in pink, sagging coils. More hungries surge in from all sides, hiding Selkirk from view. She's a honey-pot for putrescent bees. The last Justineau sees of her is her inconsolable face. Melanie! — M.R. Carey

The grey nurse resumed her knitting as Peter Walsh, on the hot seat beside her, began snoring. In her grey dress, moving her hands indefatigably yet quietly, she seemed like the champion of the rights of sleepers, like one of those spectral presences which rise in twilight in woods made of sky and branches. The solitary traveler, haunter of lanes, disturber of ferns, and devastator of hemlock plants, looking up, suddenly sees the giant figure at the end of the ride. — Virginia Woolf

Proud to steal her anything she sees, but you will wind up peeking through her key hole down upon your knees. — Bob Dylan

It is a different sensation than watching the stars while lying in a field, something Bailey has done many times. There are no trees creeping into the edges, and the gentle swaying of the carriage makes him feel almost weightless. And it is incredibly quiet. As the carriage moves along in what seems to be a circular pattern, Bailey can hear nothing but a soft creak and the sound of Poppet breathing next to him. It is as though the entire circus has faded away into the darkness. He glances over at Poppet, who is looking at him instead of the sky. She gives him a grin and then turns away. Bailey wonders if he should ask if she sees anything in the stars. — Erin Morgenstern

This softening she sees in me isn't enough to make me affectionate, but it's just enough to render me inept. I can't give her what she wants - virtuousness - or what she needs - protection. — Nenia Campbell

I don't think a woman riding a motorcycle thinks of herself as doing something that has sex appeal. I think she's trying to replicate for herself an experience that she sees men having. — Rachel Kushner

She sees things - things that might happen, things that are coming. But it's very subjective. The future isn't set in stone. Things change. — Stephenie Meyer

Should i even bother scanning the crowd for my parents? I could turn around and go back to the dormitory. Then I see her. My mother stands alone near the railing with her hands clasped in front of her. she has never looked more out of place, with her gray slacks and gray jacket buttoned at the throat, her hair in its simple twist and her face placid. I start toward her, tears jumping into my eyes. She came. She came for me. I walk faster. She sees me, and for a second her expression is blank, like she doesn't know who I am. Then her eyes light up, and she opens her arms. She smells like soap and laundry detergent. — Veronica Roth

She sees where she is, she's here, by herself, she's stranded in the future. She doesn't know how to get back. — Margaret Atwood

Westcliff sees an odd sort of logic in why you would finally be the one to win St. Vincent's heart. He says a girl like you would appeal to ... hmm, how did he put it? ... I can't remember the exact words, but it was something like ... you would appeal to St. Vincent's deepest, most secret fantasy."
Evie felt her cheeks flushing while a skirmish of pain and hope took place in the tired confines of her chest. She tried to respond sardonically. "I should think his fantasy is to consort with as many women as possible."
A grin crossed Lillian's lips. "Dear, that is not St. Vincent's fantasy, it's his reality. And you're probably the first sweet, decent girl he's ever had anything to do with."
"He spent quite a lot of time with you and Daisy in Hampshire," Evie countered.
That seemed to amuse Lillian further. "I'm not at all sweet, dear. And neither is my sister. Don't say you have been laboring under that misconception all this time? — Lisa Kleypas

Whenever Sadie sees engagement rings, she feels a strange mix of emotions: a kind of excitement mixed
with a vague sadness. A longing for a speci??c kind of inclusion she both aspires to and fears. And, oddly, she feels a sense of failure, of
shame. She knows it's nonsensical, but there it is, big inside her, this sense of having screwed everything up, of having lost something she
never had. — Elizabeth Berg

The world beyond the glass is the world of masculine action. Everything she sees is what a man has built. But at each turn-off, each junction, women are waiting to know their fate. — Hilary Mantel

She wished she could visit Mariam's grave, to sit with her awhile, leave a flower or two. But she sees now that it doesn't matter. Mariam is never very far ... Mariam is in her own heart, where she shines with the bursting radiance of a thousand suns. — Khaled Hosseini

Besides," he said, clomping down the centuries-old stone steps, "she won't last that long. Once she sees all those sharp swords and dirks, and all that fighting and mayhem, she'll turn around and leave, realizing she really didn't want to stay her after all. — Terry Spear

They say I am a brave girl
I'm a hailstorm for the rain
I'm a volcano for the mountain
I'm a diamond for the stone
And I wonder if I can be real me.
I see the crowd
I hear the noise
I keep my patience.
But inside I want to scream
Yes I want to scream like hell.
And when she call me on phone,
I wonder how she knows it.
I wonder how she hears those silent words..
How she sees those forbidden tears ...
I wonder how she knows I am missing somewhere ... — Emma Brynstein

The Talmud, the compilation of discussions of Jewish Law which I have quoted earlier in this book, gives examples of bad prayers, improper prayers, which one should not utter. If a woman is pregnant, neither she nor her husband should pray, "May God grant that this child be a boy" (nor, for that matter, may they pray that it be a girl). The sex of the child is determined at conception, and God cannot be invoked to change it. Again, if a man sees a fire engine racing toward his neighborhood, he should not pray, "Please God, don't let the fire be in my house." Not only is it mean-spirited to pray that someone else's house burn instead of yours, but it is futile. A certain house is already on fire; the most sincere or articulate of prayers will not affect the question of which house it is. — Harold S. Kushner

Tis said if under a waxing moon a maid weaves a chain of bluebells within the stone circle, the next lad she sees will be her true love." She held up her handiwork. "Tis no' quite finished, so I believe ye are safe from me... — Willa Blair

Every photo takes him a hairsbreadth closer to her, to the essential core of Helle, a purified Helle that he will one day hand back to her on a sheet of photographic paper. Here, he imagines himself saying. This is you. She will look at the print and know herself, at last, and she will wonder how she missed herself all along. Helle, seeing Helle as clearly as she sees the rest of the world: this is something to be dreamed of. It — Lauren Groff

Golden sees parental uninterest in collective solutions as part of a larger "decline in the social contract" ... "As a scholar, I'm very disturbed that we have more [media] articles about toxins in the home than the fact that we don't have universal prenatal care, she says. "We've moved from collective concern about infant and child welfare into this very privatized focus on "my child" and this intensive child-rearing. — Emily Matchar

I've told you many times that the first thing I decide is the kind of story I want. ( ... ) This is not the kind of story I want. The story we bought had shine and glow - it was a happy story. This is all full of doubt and hesitation. The hero and heroine stop loving each other over trifles - then they start up again over trifles. After the first sequence you don't care if she never sees him again or he her. — F Scott Fitzgerald

So ... I feel in regard to this aged England ... pressed upon by transitions of trade and ... competing populations,-I see her not dispirited, not weak, but well remembering that she has seen dark days before;-indeed, with a kind of instinct that she sees a little better in a cloudy day, and that, in storm of battle and calamity, she has a secret vigor and a pulse like a cannon. — Ralph Waldo Emerson

Helen

All Greece hates
the still eyes in the white face,
the lustre as of olives
where she stands,
and the white hands.

All Greece reviles
the wan face when she smiles,
hating it deeper still
when it grows wan and white,
remembering past enchantments
and past ills.

Greece sees, unmoved,
God's daughter, born of love,
the beauty of cool feet
and slenderest knees,
could love indeed the maid,
only if she were laid,
white ash amid funereal cypresses. — H.D.

Clarissa will be bereaved, deeply lonely, but she will not die. She will be too much in love with life, with London. Virginia imagines someone else, yes, someone strong of body but frail-minded; someone with a touch of genius, of poetry, ground under by the wheels of the world, by war and government, by doctors; a someone who is, technically speaking insane, because that person sees meaning everywhere, knows that trees are sentient beings and sparrows sing in Greek. Yes, someone like that. Clarissa, sane Clarissa -exultant, ordinary Clarissa - will go on, loving London, loving her life of ordinary pleasures, and someone else, a deranged poet, a visonary, will be the one to die. — Michael Cunningham

I think Nesta feels everything - sees too much; sees and feels it all. And she burns with it. Keeping that wall up helps from being overwhelmed, from caring too greatly. — Sarah J. Maas

He is looking down on the two crystal balls that the old man's foul, strong hands have rolled across to him. In one he sees Margaret, not in her raincoat and her nodding plumes, but as she is transfigured in the light of eternity. Long he looks there; then drops a glance to the other, just long enough to see that in its depths Kitty and I walk in bright dresses through our glowing gardens. We had suffered no transfiguration, for we are as we are, and there is nothing more to us. The whole truth about us lies in our material seeming. He sighs a deep sigh of delight and puts out his hand to the ball where Margaret shines. His sleeve catches the other one and sends it down to crash in a thousand pieces on the floor. The old man's smile continues to be lewd and benevolent; he is still not more interested in me than in the bare-armed woman. Chris is wholly inclosed in his intentness on his chosen crystal. No one weeps for this shattering of our world. — Rebecca West

From the top of the staircase she sees the London train, modern and elegant, and she tells herself again: Whether it's good luck or bad to be born onto this earth, the best way to spend a life here is to let yourself be carried along, as I am moving at this moment, by a cheerful, noisy crowd moving forward. — Milan Kundera

'Yeah, that's his girlfriend. Jennifer Rodriguez,' I inform her. She eyes me and sees that I am none to thrilled about it either. Nothing like a hot woman to make two chubby girls feel like they're having a bonding moment. — Karina Halle

Not exactly. I see a girl who wants to present someone special to the world. Someone beautiful. The pinnacle of beauty. But she has lost her hold on reality. Real beauty isn't thin. It isn't size two, unless you happen to be four foot ten. What the world sees when they look at you is someone who believes self-worth is all about how she looks, and that very often means that what she's missing is love. Not someone else's love. But love and respect for herself. — Ellen Hopkins

She tried to kill you, Viola. She tried to blow you up ... You don't owe her nothing,' he says.
But I feel his arms on me and I'm realizing things don't seem so impossible anymore. I feel Todd touching me and there's anger rising in my gut but it's not at him and I grunt and I pull myself up again, leaning on him to keep me there as I stand. 'I do owe her,' I say. 'I owe her the look on her face when she sees me alive. — Patrick Ness

That night, Zalmai wakes up coughing. Before Laila can move, Tariq swings his legs over the side of the bed. He straps on his prosthesis and walks over to Zalmai, lifts him up into his arms. From the bed, Laila watches Tariq's shape moving back and forth in the darkness. She sees the outline of Zalmai's head on his shoulder, the knot of his hands at Tariq's neck, his small feet bouncing by Tariq's hip.
When Tariq comes back to bed, neither of them says anything. Laila reaches over and touches his face. Tariq's cheeks are wet. — Khaled Hosseini

Jules stood up and stretched gracelessly. "Let's hurry up and pay before she"-she indicated Claire with a flick of her thumb-"sees something shiny and we lose her again. — Kimberly Derting

thighs flesh rather than steel, her groin matted from the moisture of their passion. Her face is dark, the sun behind her, but he sees red flames dying in the multifaceted pits of her eyes. She smiles and he sees sunlight glint on rows of metal — Dan Simmons

She smiles when she sees me. That's it. All she did just now was smile, but all of a sudden, my chest is on fire, and it feels as if a wave of heat just rolled down the entire length of my body. I recognize this feeling, and it's not good. — Colleen Hoover

At this point, harking back to the stuff about souls, Andersen bolts on a perplexing Christian salvation message about how the Little Mermaid can earn a soul if she is good for three hundred years, but every time she sees 'a rude, naughty child', she'll get more time in purgatory. Don't be rude or naughty or the mermaids will suffer? Please. Even as a child, I knew this was ridiculous. — Samantha Ellis

I have not harmed her. I have not allowed harm to come to her. It's more than her lot has ever offered me, and English has seen what befalls them when they press the boot on our necks. She has survived the wages of justice through luck, mettle, and wit enough to open her eyes.
English finally sees.
If I'm to be ruled, may it be by those who see. — J. Anderson Coats

Livia stopped to hold her small tiara on with her bouquet hand, and she finally looked at him. As always, her blazing beauty ignited him as she approached.
Me. She sees me.
She was only a few steps from the bottom when she smiled at him. Blake mouthed the number back to her.
"You're here," she whispered.
"Always," he said loud enough for everyone to hear. — Debra Anastasia

I'm not the girl who swings from the chandeliers and screws men because she can, fixing her lipstick in the rear view mirror of a cab hailed at dawn. I'm the girl you call Wednesday for Saturday. The girl who reads Milton for fun and knows a fish fork when she sees one. A flirt maybe, but in that harmless, nineteenth-century, kiss-my-hand-and-ask-me-to-waltz kind of way. Mostly, I'm a thinker, a worrier. Since I'm a New Yorker, you can take that last bit up a notch. It's not that there's no free spirit in me. But it's a free spirit with a five-year plan. — Elizabeth Bard

He welcomes the chance to do fatherly things with the little girl, and those ten morning minutes with dear little four-year-old Ruby, with her deep soulful eyes, and the wondrous things she sees with them, and her deep soulful voice, and the precious though not entirely memorable things she says with it, and the smell of baby shampoo and breakfast cereal filling the car, that little shimmering capsule of time is like listening to cello music in the morning, or watching birds in a flutter of industry building a nest, it simply reminds you that even if God is dead, or never existed in the first place, there is, nevertheless, something tender at the center of creation, some meaning, some purpose and poetry. — Scott Spencer

The saddest thing is an old bag lady, freezing to death in the snow on Christmas Eve, and the last thing she sees is a family in a nice warm diner getting beheaded by the Taliban. — Chris Onstad

Animus is the soul in woman just as anima is the soul in man. Animus usually personifies himself as a masculine force and appears in women's dreams as a masculine figure. Women relate to their animus side differently than men relate to anima, but there is one thing that men and women have in common: Romantic love always consists in the projection of the soul-image. When a woman falls in love it is animus that she sees projected onto the mortal man before her. When a man drinks of the love potion, it is anima, his soul, that he sees superimposed on a woman. — Robert A. Johnson

At this time in his life Zinkoff sees no difference between the stars in the sky and the stars in his mother's plastic Baggie. He believes that stars fall from the sky sometimes, and that his mother goes around collecting them like acorns. He believes she has to use heavy gloves and dark sunglasses because the fallen stars are so hot and shiny. She puts them in the freezer for forty-five minutes, and when they come out they are flat and silver and sticky on the back and ready for his shirts. — Jerry Spinelli

But how he acts, and what he says, and what he does, and who he is, they don't line up anymore, and the lie is in that not lining up, the lie is in not being what she needs but pretending that he is. No one says a word, and she sees it every minute they have together. — Brad Barkley

Far from polarizing male and female
as patriarchal definitions do
or highlighting gender distinctions between them (none of which are mentioned here), God's method in creating the woman unites them in a bone level solidarity. When the man sees the woman, he doesn't distinguish himself from her. He sees a reflection of himself. She is literally bone of his bones and flesh of his flesh perfectly re-engineered into a woman. The oneness between God's male and female image bearers is unmistakable and utterly profound. — Carolyn Custis James

Yeah. Rose." Jill sighed and stared vacantly ahead. "She's all he sees when he closes his eyes. Flashing dark eyes and a body full of fire and energy. No matter how much he tries to forget her, no matter how much he drinks ... she's always there. He can't escape her. — Richelle Mead

Dawn is breaking, sending pale fingers of cold light across the hills that surround the Harrisons' farmyard. Jess is being difficult, rearing and trying to bolt away from the truck, and we've been at it for some time when Liam comes out of the house and sees our predicament. He marches across the yard, picks up a piece of cut-off hosepipe and walks up behind the pony. I see the look on Alec's face as his dad approaches, and he's not happy. Liam tells his son to "walk her up" and then cracks the mare around the rump with the piece of pipe when she plants her feet. The sound of the pipe hitting the pony echoes across the hills and rings in my ears. Jess starts to rear but earns another whack around the backside, so scrambles up the ramp and stands trembling in the truck. Alec quickly ties her up, his expression unreadable. — Kate Lattey

I do not think science has to make any apologies. It looks at the world and tells it like it is. And we all live longer, better lives because of this dispassionate view. Sure, it commands awe and provides inspiration. Still, I would rather be operated on by a surgeon who sees me as an assemblage of atoms than one who lovingly tries to manipulate what he or she imagines are my vital energy fields. — Victor J. Stenger

The humble woman is surprised by all the good that she sees around her rather than scandalized by what she cannot judge anyway. The humble woman is grateful for her successes but not disheartened by her failures. She enjoys her gifts and readily admits her mistakes. She maintains a sense of humor, whether the news from Wall Street is giddy or glum. She faces her character defects without getting discouraged. Her humble confidence in God's love and her enchantment with the kabod Yahweh shape a hedge of thorns against self-absorption and frees her for an unselfconscious presence to others. — Brennan Manning

Nd she sees, like in a vision, that life and the future are going to be way more complicated than she ever expected, impossibly, unbearably complicated and difficult. In that same moment she feels herself grow older, like she's finished a level in a video game and moved on invisibly to the next stage; it's a tiredness that takes over her body, a tiredness like nothing before, like she's swallowed a ton weight ... — Paul Murray

Justice is justly represented blind, because she sees no difference in the parties concerned. She has but one scale and weight, for rich and poor, great and small. — William Penn

The way Smith sees it, this kind of approach denotes a certain category of writer: the Micro Manager. Authors fall into one of two primary camps, she explained in her 2009 book of essays, Changing My Mind.691 Macro Planners work out the structure of their novels and then write within that structure. Micro Managers, on the other hand, don't rely on an overarching configuration (don't even conceive of one), but rather home in on each sentence, one by one, and each sentence, as they come to it, becomes the only thing that exists. If there is a spectrum starting with Macro Planners on one end and Micro Managers on the other, Smith would be somewhere to the right of the page. Smith's writing is entirely incremental and cumulative. The grand plan is that there is no grand plan; working things out ahead of time ruins everything, "feels disastrous."She prefers the writing of a novel as a process of discovery. "The thinking goes on on the page," not beforehand. — Sarah Stodola

Does a caterpillar sit on the same leaf when it's a butterfly? No! It goes for a little fly and sees something of the world. Does the tadpole stay in the same pond once it's a frog? No! It stretches its legs, goes for a jump, explores other waters. Did Cinderella go back cleaning hearths once she married the prince? ... Transformation means moving forward. If a butterfly stays on the same leaf and a frog stays in the same pond, then they may as well have stayed a caterpillar or a tadpole. There was no point in metamorphosing. — Holly Smale

A human being can survive almost anything, as long as she sees the end in sight! — Elizabeth Wurtzel

I stare at her. I've always known that it's impossible to argue with Belinda, not because she's particularly good at it, but because she's so bad at it- that there is no common ground to work from. She simply sees the world she wants to see it and no amount of logic can change her mind. — Rick Yancey

She thought, Ours is one of the epic loves of our generation. Possibly of all time. Who cares if no one sees it, walking by? This story is s a love song. Who cares if history won't remember? — Lydia Netzer

How can she who had torn his heart open at the waterworks with her art lie now like a human in his arms? Or stand catatonic in front of bananas on Eastern Avenue deciding which bunch to buy? Does this make her more magical? As if a fabulous heron in flight has fallen dead at his feet and he sees the further wonder of its meticulous construction. How did someone conceive of putting this structure of bones and feathers together, deciding on the weight of beak and skull, and give it the ability to fly? — Michael Ondaatje

I was happy to find out that when on tour, Dolly Parton doesn't use hotels but stays on her bus every night, to the point of having her buses shipped from Austria to Australia so she can tour the way she sees fit. I used one of her buses once - an honor. — Henry Rollins

It's kind of weird," she told Qi. "Gilly doesn't run up and kiss people. She doesn't dance. Se's usually so quiet. I mean, it's cool as hell, but for Gilly, it's weird."
"Part of it is Maggie," Qi said. "She has a talent for making people fall in love with her."
Sam started to nod, then she remembered she was talking to a witch. "So is Gilly like ... under like ... "
"A spell?" A hint of a smile crossed Qi's face. "Don't worry. Maggie just loves everybody, finds something good in everybody. And when people see the way she sees them, they tend to fall in love right back. — Kristopher Reisz

No man could bring himself to reveal his true character, and, above all, his true limitations as a citizen and a Christian, his true meannesses, his true imbecilities, to his friends, or even to his wife. Honest autobiography is therefore a contradiction in terms: the moment a man considers himself, even in petto, he tries to gild and fresco himself. Thus a man's wife, however realistic her view of him, always flatters him in the end, for the worst she sees in him is appreciably better, by the time she sees it, than what is actually there. — H.L. Mencken

If a girl sees herself as a lady, she will expect her escort to behave like a gentleman. He will respect her if she respects herself. — James C. Dobson

You can't understand it; for you men, who are free and make your own choice, it's always clear whom you love. But a girl's in a position of suspense, with all a woman's or maiden's modesty, a girl who sees you men from afar, who takes everything on trust, - a girl may have, and often has, such a feeling that she cannot tell what to say. — Leo Tolstoy

There goes the dismantled - Love has fallen off her wall. A religious woman," he thought to himself, "without the joy and safety of the Catholic faith, which at a pinch covers up the spots on the wall when the family portraits take a slide; take that safety from a woman," he said to himself, quickening his step to follow her, "and love gets loose and into the rafters. She sees her everywhere," he added, glancing at Nora as she passed into the dark. "Out looking for what she's afraid to find - Robin. There goes mother of mischief, running about, trying to get the world home. — Djuna Barnes

If only, I feel now, if only I could be someone able to see all this as if he had no other relation with it than that of seeing it, someone able to observe everything as if he were an adult traveler newly arrived today on the surface of life! If only one had not learned, from birth onwards, to give certain accepted meanings to everything, but instead was able to see the meaning inherent in each thing rather than that imposed on it from without. If only one could know the human reality of the woman selling fish and go beyond just labeling her a fishwife and the known fact that she exists and sells fish. If only one could see the policeman as God sees him. If only one could notice everything for the first time, not apocalyptically, as if they were revelations of the Mystery, but directly as the flowerings of Reality. — Fernando Pessoa

C. On that cloudless Saturday morning, Madeline wakes up and sees Jonathan lying beside her, then decides that she's probably going to end up loving him forever. — Joe Meno

Sometimes when Anna is talking to Louise she sees words coming out of her mouth like fistfuls of stones. But she doesn't intend to spew stones; it's simply the only way Anna knows how to takl to her mother. — Jessica Anya Blau

Good Lord. The first person she sees is Mick Drummond, with his ancient bobbing head. Would that man never die? Was he immortal? Was he real? — Liane Moriarty

She sees ghosts," said Samuel, impatient with my whining.
"I see dead people," I deadpanned back. Oddly, it was Uncle Mike who laughed. I hadn't thought he'd be a moviegoer. — Patricia Briggs

One of the most popular illustrations we use in Love and Respect Conferences compares women and men to pink and blue. The audience responds immediately when I talk about how she sees through pink sunglasses and hears with pink hearing aids, while he sees through blue sunglasses and hears with blue hearing aids. In other words, women and men are very different. Yet, when blue blends with pink, it becomes purple, God's color - the color of royalty. The way for pink and blue to blend is spelled out in Ephesians 5:33: "[Every husband] must love his wife as he loves himself, and the wife must respect her husband" (NIV). Living out Ephesians 5:33 is the key to blending together as one to reflect the very image of God. — Emerson Eggerichs

Green tree. Pretty lady. Car. Car. Truck," she recites, naming out loud almost everything she sees. "Don't mind me, I'm a gabberbox," she chuckles. "A gabberbox?" I ask, confused at her term. "You know, hon, I talk a lot," she explains before breaking into a laugh that is eerily familiar. — John Waters

Death itself is too big to take in, she already sees that; the loss comes at you instead in an infinite number of small installments that can never be paid off. — Allison Pearson

The guys can't take their eyes off Colleen ... one of them ... probably sees her just like I do, she's the gatekeeper to another world. — Ron Koertge

The things she sees are uninteresting to her. Irrelevant. Until there's a clatter of wings. We both look up. There's a pigeon, a woodpigeon, sailing down to roost in a lime tree above us. Time slows. The air thickens and the hawk is transformed. It's as if all her weapons systems were suddenly engaged. Red cross-hairs. She stands on her toes and cranes her neck. This. This flightpath. This thing, she thinks. This is fascinating. Some part of the hawk's young brain has just worked something out, and it has everything to do with death. — Helen Macdonald

Mostly, she sees the good in the world, the light where there is dark ... She sees beauty where we mostly pass it by. But tonight, she was heavy-hearted. I think sometimes she unfolds all her losses and stares at them, in the dark. — Susan Fletcher

Darwin struggled for a very long time with the problem of evolution being wrong but finally came up with the answer: it's all the fault of the females. . . The females aren't crazy at all. If a female sees a magnificent work of art, she knows she's dealing with an experienced male - a male who's good at surviving and who has enough time to spare to create a beautiful work of art. He's got to be a strong and healthy male, the kind of male you'd want to father your children. — Jan Paul Schutten

The past is a presence between us. In all my mother does and says, the past continually discloses itself in the smallest ways. She sees it directly; I see its shadow. Still, it pulses in my fingertips, feeds on my consciousness. It is a backdrop for each act, each drama of our lives. I have absorbed a sense of what she has suffered, what she has lost, even what her mother endured and handed down. It is my emotional gene map. — Fern Schumer Chapman

Madonna has a far profounder vision of sex than do the feminists. She sees both the animality and the artifice. Changing her costume style and hair color virtually every month, Madonna embodies the eternal values of beauty and pleasure. Feminism says, 'No more masks.' Madonna says we are nothing but masks. Through her enormous impact on young women around the world, Madonna is the future of feminism. — Camille Paglia

The guiding metaphor of classic style is seeing the world. The writer can see something that the reader has not yet noticed, and he orients the reader's gaze so that she can see it for herself. The purpose of writing is presentation, and its motive is disinterested truth. It succeeds when it aligns language with the truth, the proof of success being clarity and simplicity. The truth can be known, and is not the same as the language that reveals it; prose is a window onto the world. The writer knows the truth before putting it into words; he is not using the occasion of writing to sort out what he thinks. Nor does the writer of classic prose have to argue for the truth; he just needs to present it. That is because the reader is competent and can recognize the truth when she sees it, as long as she is given an unobstructed view. The writer and the reader are equals, and the process of directing the reader's gaze takes the form of a conversation. — Steven Pinker

A girl sees what she likes, a boy likes what he sees. — Jessica Walsh

She felt like a chess player who, by the clever handling of his pieces, sees the game taking the course intended. Her eyes were bright and tender with a smile as they glanced up into his; and her lips looked hungry for the kiss which they invited. — Kate Chopin

At that moment, noticing that his embroidered handkerchief was revealing part of its coloured edging, he thrust it back into his pocket with a startled glance, like a prudish but not innocent woman concealing bodily charms which in her excessive modesty she sees as wanton. — Marcel Proust

She's, like, really, really beautiful, but I don't think she sees that when she looks in the mirror. — Sharon M. Draper

I want you to read 'God Sees the Truth, but Waits,' " said Mother. "Tolstoy writes about a man, wrongly accused of a murder, who spends the rest of his life in a prison camp. Twenty-six years later, as a convict in Siberia, he meets the true murderer and has an opportunity to free himself, but chooses not to. His longing for home leaves him and he dies." I ask Mother why this story matters to her. "Each of us must face our own Siberia," she says. "We must come to peace within our own isolation. No one can rescue us. My cancer is my Siberia." Suddenly, two white birds about the size of finches, dart in front of us and land on the snow. — Terry Tempest Williams

Yet she is happy -- is it happiness she feels? -- as she places her things in the cupboards and drawers. Her quills, stockings, shoes. The room is dotted by porcelain figures. Punctuated, she thinks. She picks one up, puts it down. The former wife's collection? Then opens a window to London bells and that green-silk scent of spring. And she sees now, here in this room, how badly she'd needed to leave. — Danielle Dutton

I take four or five heavy steps beyond the front door and Mom comes rushing down the hallway. "Shane! What in the hell-" Now she sees me, in all my dignified glory. I tell her I'm fine. Swear I stuck up for my sister, not an alien but an angel. By the time I get to, "I think I might need stitches," Mom is my mommy. She may have forgotten my birthday. But today she remembers me. (154) — Ellen Hopkins

I keep saying that backwards is all you can see. You can't see front. My wife says, "Stop, you're always in the past." She sees me sort of daydreaming. — Tom Courtenay

When I see you, I think I wonder which face she sees when she looks into the mirror. — C. JoyBell C.

He sees her standing at the end of a passage in her life, without any next step to take - all her bets are in, she has only the tedium now of being knocked from one room to the next, a sequence of numbered rooms whose numbers do not matter, till inertia brings her to the last. That's all. — Thomas Pynchon

Conned any other women out of their valuables lately ?" she says quietly, so quietly that only he will hear it.
"Nope. I've been too busy stealing handbags and seducing the vulnerable."
Her head shoots up and his eyes lock on hers. He is, she sees with some shock, as furious as she is. — Jojo Moyes

Pam (from The Office) is not intimidating, like one of those women who wears makeup and tailored clothes, and has a good job that she enjoys, and confidence, and an adult woman's sexuality. There's nothing scary about Pam, because there's no mystery; she's just like the boys who like her; mousy and shy. The ultimate emo-boy fantasy is to meet a nerdy, cute girl just like him, and nobody else will realize she's pretty. And she'll melt when she sees his record collection because it's just like hers ... and she'll never want to go out to a party for which he'll be forced to comb his hair, or buy grown-up shoes or tie a tie, or demonstrate a hearty handshake, or make eye contact, or relate to people who work in different fields, or to basically act like a man. — Julie Klausner

Willow sees her before any of the others. A walking skeleton, the victim of some terrible wasting disease, like something out of the history books, a death camp survivor. It takes Willow a moment to realize that the girl is none of those things. She's just a girl, a girl like Willow, who's chosen to inflict terrible pain on herself. Only this girl's weapon isn't a razor, it's starvation. — Julia Hoban

The universe, she sees, exists as it does to not simply humble, but abuse, denigrate, and humiliate the minds it was so expertly commissioned to birth. This is malevolence on an unfathomable scale, expressed through immeasurable waste stretched out between distances and times that cannot be understood. It is cruel, but not hateful, depraved, but not vengeful. This is considered pain, carefully presented in careless proportions to blister and disgrace anyone - or anything - that might momentarily dare to ever privately contemplate it is in control. — John Zande

And Mother, I love her dearly, but she flies into a panic whenever I mention women's rights. As she sees it, it will be so much more difficult to marry me off if I am not only of a weak constitution but of a progressive mind as well. — Gwenn Wright

He is lying on dirty straw. He has been beaten so many times, his body is one bloodied bruise; he is filthy, he is hideous, he is a sinner and he is utterly unloved. At any moment, at any instant, he will be put on a train in his shackles and taken through Cerberus's mouth to Hades for the rest of his wretched life. And it is at that precise moment that the light shines from the door of his dark cell #7, and in front of him Tatiana stands, tiny, determined, disbelieving, having returned for him. Having abandoned the infant boy who needs her most to go find the broken beast who needs her most. She stands mutely in front of him and doesn't see the blood, doesn't see the filth, sees only the man, and then he knows; he is not cast out. He is loved. — Paullina Simons

Tomorrow sees undone, what happens not to-day; Still forward press, nor never tire! The possible, with steadfast trust, Resolve should be by the forelock grasp. Then she will ne'er let go her clasp, And labors on, because she must. — Johann Wolfgang Von Goethe

She hops expectantly into the sink. I turn on the tap for her; she laps without a glance in my direction, like a duchess so used to being ministered to that she no longer notices the servants and sees only a world where objects dumbly bend to her wishes, doors opening, faucets discharging cool water, delicious things appearing in her dish. — Peter Trachtenberg

She saw both serenity and suffering in the calm of his face, an expression like a smile of pain, though he was not smiling ... He did not look like a man bearing torture now, but like a man who sees that which makes the torture worth bearing. — Ayn Rand

Not everyone sees the goof in people like you do Emmy" Sam said
"She even sees the good in you — Kady Cross