Shakespeare In Love Important Quotes & Sayings

This is the very ecstasy of love. — William Shakespeare

Why do you want to do this?" he asked curiously. "Why is this woman so important to you?"
Saint-Germain blinked in surprise. "Have you ever loved anyone?" he asked.
"Yes," Tamnuz said cautiously, "I had a consort once, Inanna ... "
"But did you love her? Truly love her?"
The Green Man remained silent.
"Did she mean more to you than life itself?" Saint-Germain persisted.
"They do not love that do not show their love," Shakespeare murmured very softly.
The French immortal stepped closer to the Elder. "I love my Jeanne," he said simply. "I must go to her."
"Even though it will cost you everything?" Tamnuz persisted, as if the idea was incomprehensible.
"Yes. Without Joan, everything I have is worthless."
"Even your immortality?"
"Especially my immortality." Gone were the banter and the jokes. This was a Saint-Germain whom neither Shakespeare nor Palamedes had ever seen before. "I love her," he said, — Michael Scott

If the distinction is not held too rigidly nor pressed too far, it is interesting to think of Shakespeare's chief works as either love dramas or power dramas, or a combination of the two. In his Histories, the poet handles the power problem primarily, the love interest being decidedly incidental. In the Comedies, it is the other way around, overwhelmingly in the lighter ones, distinctly in the graver ones, except in Troilus and Cressida
hardly comedy at all
where without full integration something like a balance is maintained. In the Tragedies both interests are important, but Othello is decidedly a love drama and Macbeth as clearly a power drama, while in Hamlet and King Lear the two interests often alternate rather than blend. — Harold Clarke Goddard

If you think about Shakespeare, you remember Richard III and Macbeth before you remember Ferdinand, whose role is just to fall in love and be a bit of a wimp. I love the baddies. More important, though, is making the baddies somehow, weirdly, understood. — Mark Strong

This posture of skepticism towards the classics displays a profound misjudg- ment. For the great works of Western culture are remarkable for the dis- tance that they maintained from the norms and orthodoxies that gave birth to them. Only a very shallow reading of Chaucer or Shakespeare would see those writers as endorsing the societies in which they lived, or would over- look the far more important fact that their works hold mankind to the light of moral judgment, and examine, with all the love and all the pity that it calls for, the frailty of human nature. It is precisely the aspiration towards universal truth, towards a God's-eye perspective on the human condition, that is the hallmark of Western culture. — Theodore Dalrymple

Robert Burton's The Anatomy of Melancholy (1621) was a profoundly important analysis of human states of mind - a kind of early philosophical/ psychological study. He sees 'melancholy' as part of the human condition, especially love melancholy and religious melancholy. His concerns are remarkably close to those which Shakespeare explores in his plays. Ambition, for example, Burton describes as 'a proud covetousness or a dry thirst of Honour, a great torture of the mind, composed of envy, pride and covetousness, a gallant madness' - words which could well be applied to Macbeth. — Ronald Carter