Sad Image Sad Quotes & Sayings

There were times when he confronted his own image as a man confronts an empty valley, and the vision propelled him forward again to experience as despair compels us to extinction. Sometimes he was like a man in flight, but running toward the enemy, desperate to feel upon his vanishing body the blows that would prove his being; desperate to imprint upon his sad conformity the mark of real purpose, desperate perhaps, as Leclerc had hinted, to abdicate his conscience in order to discover God. — John Le Carre

Today I live on an island, in a house that is sad, hard, severe, that I built for myself, solitary on a sheer rock over the sea: a house that is the spectre, the secret image of prison. The image of my nostalgia. Maybe I never desired, not even then, to escape from jail. Man is not meant to live freely in freedom, but to be free inside a prison. — Curzio Malaparte

That's sad. How plastic and artificial life has become. It gets harder and harder to find something ... real." Nin interlocked his fingers, and stretched out his arms. "Real love, real friends, real body parts ... — Jess C. Scott

The sad truth is that many of us are addicted to our phones because we crave immediate approval and affirmation. The fear we feel in our hearts when we are engaged online is the impulse that drives our "highly selective self-representations." We want to be loved and accepted by others, so we wash away our scars and defects. When we put this scrubbed-down representation of ourselves online, we tabulate the human approval in a commodity index of likes and shares. We post an image, then watch the immediate response. We refresh. We watch the stats climb-or stall. We gauge the immediate responses from friends, family members, and strangers. Did what we posted gain the immediate approval of others? We know within minutes. Even the promise of religious approval and the affirmations of other Christians is a gravitational pull that draws us toward our phones. — Tony Reinke

All those posters and PSAs and health class presentations on body image and the way you can burst blood vessels in your face and rupture your esophagus if you can't stop ramming those sno balls down your throat every night, knowing they'll have to come back up again, you sad weak girl.
Because of all this, Coach surely can't tell a girl, a sensitive, body-conscious teenage girl, to get rid of the tender little tuck around her waist, can she?
She can.
Coach can say anything.

And there's Emily, keening over the toilet bowl after practice, begging me to kick her in the gut so she can expel the rest, all that cookie dough and cool ranch, the smell making me roil. Emily, a girl made entirely of donut sticks, cheese powder, and haribo.
I kick, I do.
She would do the same for me. — Megan Abbott

Many people have failing relationships because they have not really fallen in love with each other, but they have fallen for the mental images they have created of one another. We assume we know our partner, we think about them nonstop, creating many different ideas of who they are, what they like, and how we will be together, then as soon as our partner does something that doesn't fit with our mental image of them, we become sad, upset, confused, or heart broken. Our partner did not cause our suffering; we caused it, through our false perceptions and mental images. — Joseph P. Kauffman

It's like we learn to think something's ugly. Maybe if we're could all stop being taught that only certain things are right or pretty, or that only certain things are the way that everything else should be, you know, I mean physically, then we could start looking at things through fresh eyes. And then we're wouldn't look at things or people in a way that would make them sad or that would exclude them. It might even stop us from constantly trying to change our own body image, and maybe we'd just learn to enjoy what we have, enjoy what great gifts we've been given and revel in them instead of wishing they'd be different. — John C. Horst

And really, that's the most important thing he does with his days. It's a small, measurable success, in the face of diminishing sales and an empty double bed and a set of skills which were marketable one hundred years ago, but now look quaint and even sad. Every afternoon for the last six months he has been fighting an uneven battle with himself not to overturn the trolley with its many keys, and scatter them across the room. His better nature has won only because the image of himself on his knees, remorsefully gathering them again, repairing scratched case clocks and whispering apologies to the ghost of his grandfather - and for strange and different reasons also his father - is more than he can bear. — Nick Harkaway

That's what real love amounts to - letting a person be what he really is. Most people love you for who you pretend to be. To keep their love, you keep pretending - performing. You get to love your pretence. It's true, we're locked in an image, an act - and the sad thing is, people get so used to their image, they grow attached to their masks. They love their chains. They forget all about who they really are. And if you try to remind them, they hate you for it, they feel like you're trying to steal their most precious possession. — Jim Morrison

It came as a gift. A large gray bird flew up with a loud alarm call as he approached. As it gained height and wheeled away over the valley, it gave out a piping sound on three notes, which he recognized as the inversion of a line he had already scored for a piccolo. How elegant, how simple. Turning the sequence round opened up the idea of a plain and beautiful song in common time, which he could almost hear. But not quite. An image came to him of a set of unfolding steps, sliding and descending-from the trap door of a loft, or from the door of a light plane. One note lay over and suggested the next. He heard it, he had it, and then it was gone. There was a glow of a tantalizing afterimage and the fading call of a sad little tune ... These notes were perfectly interdependent, little polished hinges swinging the melody through its perfect arc. He could almost hear it again as he reached the top of the angled rock slab and paused to reach into his pocket for notebook and pencil. — Steven Pinker

I don't want it to end, and so, as every therapist knows, the ego does not want an end to its "problems" because they are part of its identity. If no one will listen to my sad story, I can tell it to myself in my head, over and over, and feel sorry for myself, and so have an identity as someone who is being treated unfairly by life or other people, fate or God. It gives definition to my self-image, makes me into someone, and that is all that matters to the ego. — Eckhart Tolle

I was at the Olympic Games winning medals and I still doubted my image. I doubted what I looked like. That's sad. — Shawn Johnson

He could read two books to my one, but he preferred the magic of his own inventions. He could add and subtract faster than lightning, but he preferred his own twilight world, a world where babies slept, waiting to be gathered like morning lilies. He was slowly talking himself to sleep and taking me with him, but in the quietness of his foggy island there rose the faded image of gray house with sad brown doors. — Harper Lee

One is wearing a uniform of green-and-gray camouflage, as if he were hunting deer in the woods. The other is wearing a uniform of brown-and-beige camouflage, as if he were hunting insurgents in the desert. These two clowns are standing in the driveway of a suburban home, about fifteen minutes from downtown, in a well-developed city of a million people, and they're wearing camouflage. The sad and scary thing about this image is that these guys have no idea how stupid they look. Instead, they're proud, arrogant. They're on display, tough guys fighting bad guys. One of their brethren has been hit, wounded, fallen in the line of duty, and they're pissed about it. They scowl at the neighbors across the street. One wrong word, and they might start shooting. Their fingers are on the triggers. — John Grisham

He was as bold as a lion about it, and 'mightily convinced' not only himself, but everybody that heard him; - but then his idea of a fugitive was only an idea of the letters that spell the word, - or at the most, the image of a little newspaper picture of a man with a stick and bundle, with "Ran away from the subscriber" under it. The magic of the real presence of distress, - the imploring human eye, the frail, trembling human hand, the despairing appeal of helpless agony, - these he had never tried. He had never thought that a fugitive might be a hapless mother, a defenseless child, - like that one which was now wearing his lost boy's little well-known cap; and so, as our poor senator was not stone or steel, - as he was a man, and a downright noble-hearted one, too, - he was, as everybody must see, in a sad case for his patriotism. — Harriet Beecher Stowe

Cain killed Abel, and the blood cried out from the ground
a story so sad that even God took notice of it. Maybe it was not the sadness of the story, since worse things have happened every minute since that day, but its novelty that He found striking. In the newness of the world God was a young man, and grew indignant over the slightest things. In the newness of the world God had perhaps not Himself realized the ramifications of certain of his laws, for example, that shock will spend itself in waves; that our images will mimic every gesture, and that shattered they will multiply and mimic every gesture ten, a hundred, or a thousand times. Cain, the image of God, gave the simple earth of the field a voice and a sorrow, and God himself heard the voice, and grieved for the sorrow, so Cain was a creator, in the image of his creator. — Marilynne Robinson

I have a vague memory of seeing an image of a child in an iron lung and the phrase "sad little breathing machine" coming into my head. The more I thought about it, the more I felt that on certain days - the worse ones - we could all be described as sad little breathing machines. — Matthea Harvey

Somewhere someone is thinking of you. Someone is calling you an angel. This person is using celestial colors to paint your image. Someone is making you into a vision so beautiful that it can only live in the mind. Someone is thinking of the way your breath escapes your lips when you are touched. How your eyes close and your jaw tightens with concentration as you give pleasure a home. These thoughts are saving a life somewhere right now. In some airless apartment on a dark, urine stained, whore lined street, someone is calling out to you silently and you are answering without even being there. So crystalline. So pure. Such life saving power when you smile. You will never know how you have cauterized my wounds. So sad that we will never touch. How it hurts me to know that I will never be able to give you everything I have — Henry Rollins

Ah, what a warning for a thoughtless man, Could field or grove, could any spot of earth, Show to his eye an image of the pangs Which it hath witnessed,-render back an echo Of the sad steps by which it hath been trod! — William Wordsworth

Ronan and Seth knew how sad I was when they said I wasn't gonna have any hair for a while, so look." The image teetered for a moment and when it came back into focus, I slapped my hand over my mouth in disbelief. Because there on the bed next to my son sat Ronan and Seth, their heads completely bald. "Hi! — Sloane Kennedy

The Secoya are trapped between the devastating effects of the colonization frontier and their rich traditional past, which is proving to be as fragile a reality and as fleeting a memory as the most powerful visions of their esoteric science. But instead of detailing that sad scene, in this chapter I have attempted to portray my image of this culture as I see it in its fading colors, magic, and awe-inspiring mystery. — Jonathon Miller Weisberger

You never come back, not all the way. Always there is an odd distance between you and the people you love and the people you meet, a barrier thin as the glass of a mirror, you never come all the way out of the mirror; you stand, for the rest of your life, with one foot in this world and no one in another, where everything is upside down and backward and sad. — Marya Hornbacher

As Ganin looked up at the skeletal roof in the ethereal sky he realized with merciless clarity that his affair with Mary was ended forever. It had lasted no more than four days - four days which were perhaps the happiest days of his life. But now he had exhausted his memories, was sated by them, and the image of Mary, together with that of the old dying poet, now remained in the house of ghosts, which itself was already a memory — Vladimir Nabokov

How could anything be the same? The red of blood lay over the market road in slick pools mingled with a yellow spread of dal someone must have brought in anticipation of a picnic after the parade, and there were flies on it, left behind odd slippers, and a sad pair of broken spectacles, even a tooth. It was rather like the government warning about safety that appeared in the cinema before the movie with the image of a man cycling to work, a poor man but with a wife who loved him, and she had sent his lunch with him in a tiffin container; then came a blowing of horns and small, desperate cycle tinkle, and a messy blur clearing into the silent still image of a spread of food mingled with blood. Those mismatched colors, domesticity shuffled with death, sureness running into the unexpected, kindness replaced by the image of violence, always made the cook feel like throwing up and weeping both together. — Kiran Desai

We have so many priests who have gone half way ... it's sad that they did not manage to go the whole way; they have something of the employee in them, something of the bureaucrat in them and this is not good for the Church. Please be careful you don't fall into this! You are becoming pastors in the image of Jesus, the good pastor. Your aim is to resemble him and act on behalf of him amidst his flock, letting his sheep graze. — Pope Francis

Instead of turning our heads from pain, we merge with it, neither holding on to it nor pushing it away, becoming instead an instrument of transformation. Recently, on my early morning drive to a health club, I saw a deer in the middle lane, trying to get up, but obviously crippled. Her eyes looked confused and frightened. As I drove by, I breathed in her pain and breathed out a blessing. I could feel a dark cloud swirling inside of me, but I also had an image of a deer running freely in the woods. I can never know if it helped her, but something loosened inside of me. Instead of turning away from her pain, I joined her. It was then I realized more deeply the power of Tonglin...

When you feel hurt, confused, lonely, or sad, breathe into your pain, feel it, be with it, then breathe out an image of clarity, light, and a blessing. This alone will start to change your life. — Charlotte Kasl

As every languageless, stateless, selfless nation has one last, twisted image of its worst and best, we have the ceilidh. Here we pretend we are Highland, pretend we have mysteries in our work, pretend we have work. We forget our record of atrocities wherever we have been made masters and become comfortable servants again. Our present and our past creep in to change each other and we feel angry and sad and Scottish. Perhaps we feel free. — A. L. Kennedy

Take them, O Death! and bear away Whatever thou canst call thine own! Thine image, stamped upon this clay, Doth give thee that, but that alone! — Henry Wadsworth Longfellow