Eames Quotes & Sayings
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Top Eames Quotes
Lucky," said Gabriel. Clay glanced at him sidelong. "I'm not sure that word means what you think it means." "We — Nicholas Eames
And so it goes, thought Clay. Life was funny, and fickle, and often cruel. Sometimes the unworthy went on living, while those who deserved better was lost.
Or not lost, he considered, since they lingered on in the hearts of those who loved them, who love them still, their memory nurtured like a sprig of green in an otherwise desolate soul. Which was, he supposed, a kind of immortality, after all. — Nicholas Eames
Most people think that George Nelson, Charles Eames and Eliot Noyes invented industrial design. That is, of course, an exaggeration. George did it without any assistance from the other two. — Bill N. Lacy
The details are details. They make the product. The connections, the connections, the connections. It will in the end be these details that give the product its life. — Charles Eames
This is all thousands of years old. It's the same the world over. Anyone who has ever walked upright has loved beer, celebrated over it, told talks over it, hatched plots over it, courted over it. It's what we do as a species. It's what makes us human. We brew. — Alan D. Eames
I grew up in a time when Eames and Le Corbusier and Frank Lloyd Wright and other architects were putting their furniture and objects on the market. You could buy some of those objects on the open market. Eames was a huge influence on all of us in school. — Michael Graves
Beer is a gift from the goddesses, a soothing balm given our species to bring joy and comfort in compensation for the curse of self-awareness, the awful realization of our mortality — Alan D. Eames
But what does a mirror know? What can it show us of ourselves? Oh, it might reveal a few scars, and perhaps a glimpse - there, in the eyes - of our true nature. The spirit beneath the skin. Yet the deepest scars are often hidden, and though a mirror might reveal our weakness, it reflects only a fraction of our strength. — Nicholas Eames
A good actor makes clear the meaning of the words. A better actor gives also the emotion of the part. The best actor adds emotion of which the character is unconscious. — Clare Eames
At the pinnacle of great design are products so gorgeous and lust-worthy that you want to lick them: a Porsche 911, Samsung's Luxia TV, an Eames lounge chair or anything by Loro Piana. — Gary Hamel
Beer was the driving force that led nomadic mankind into village life. It was this appetite for beer-making material that led to crop cultivation, permanent settlement and agriculture. — Alan D. Eames
As individuals they were each of them fallible, discordant as notes without harmony. But as a band they were something more, something perfect in its own intangible way — Nicholas Eames
I asked these Indians: "Do men ever make Chicha?" My question was met with gales of laughter. The women howled. Bent over in hilarity, one replied, "Men can't brew. Chicha made by men would only make gas in the belly. You are a funny man! Beer is women's work." — Alan D. Eames
Beer is sacred business, a mood-altering food substance that may have preserved the human species. To drink beer is to be human. — Alan D. Eames
EAMES: Now, in the dream, I can impersonate Browning and suggest the concepts to Fischer's conscious mind...
EAMES: (draws a diagram) Then we take Fischer down another level and his own subconscious feeds it right back to him.
ARTHUR: (impressed) So he gives himself the idea.
EAMES: Precisely. That's the only way to make it stick. It has to seem self-generated.
ARTHUR: Eames, I'm impressed.
EAMES: Your condescension, as always, is much appreciated, Arthur. — Christopher J. Nolan
It is almost impossible to reconcile self expression with the creative act. — Charles Eames
Particularly in the past fifty years the world has gradually been finding out something that architects have always known - that is - that everything is architecture. Charles Eames — John Harwood
The real questions are: Does it solve a problem? Is it serviceable? How is it going to look in ten years? — Charles Eames
The druins were brilliant craftsmen and powerful sorcerers, who ruled with the liberty of gods over the then-primitive tribes of men and monsters. But as with anything that grows too big for its own good - ambitious spiderwebs, for instance, or those giant, late-harvest pumpkins - it became something altogether monstrous, and eventually collapsed on itself. The — Nicholas Eames
The details are not the details. They make the design. — Charles Eames
EAMES: Try this... "MY FATHER ACCEPTS THAT I WANT TO CREATE FOR MYSELF, NOT FOLLOW IN HIS FOOTSTEPS."
COBB: That might work.
ARTHUR: Might? We'll have to do better than that.
EAMES: Thanks for the contribution, Arthur.
ARTHUR: Forgive me for wanting a little specificity, Eames. — Christopher J. Nolan
Who ever said that pleasure wasn't functional? — Charles Eames
Recognizing the need is the primary condition for design. — Charles Eames
Beyond the age of information, there is the age of choices. — Charles Eames
Most people aren't trained to want to face the process of re-understanding a subject they already know. One must obtain not just literacy, but deep involvement and re-understanding. — Charles Eames
ARTHUR: (indicates rain) Couldn't you have peed before we went under?
YUSUF: Sorry.
The front door OPENS and Eames climbs in, soaked.
EAMES: Bit too much free champagne before takeoff, Yusuf?
YUSUF: Ha bloody ha. — Christopher J. Nolan
The most important thing is that you love what you are doing, and the second that you are not afraid of where your next idea will lead. — Charles Eames
I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change. — Yves Behar
I truly believe that we're about to enter a second golden age of design. The first one was in the '50s and '60s, when designers like Raymond Loewy, Charles Eames, George Nelson and Dieter Rams were shepherds of the brands they were working with. They had influence over the products and how companies communicated and promoted themselves. — Yves Behar
A tiger, however fearsome, could be hunted into a corner. It fought alone, so it died alone. But to hunt a wolf was to constantly look over your shoulder, wondering if others were behind you in the dark. "Lost? — Nicholas Eames
EAMES: There's a man here. Yusuf. He formulates his own versions of the compound.
COBB: Let's go see him.
EAMES: Once you've lost your tail.
(Cobb reacts)
Back by the bar, blue tie. Came in about two minutes after we did.
COBB: Cobol Engineering?
EAMES: They pretty much own Mombasa.
Cobb glances over the balcony.
COBB: Run interference. We'll meet downstairs in half an hour.
EAMES: Back here?
COBB: Last place they'd expect.
Eames downs his drink. Rises. Walks over to the Businessman.
EAMES: Freddy!
The Businessman looks up, awkward.
EAMES: Freddy Simmonds, it is you!
Cobb nonchalantly SLIPS over the balcony DROPPING HARD into the midst of the crowd on the street below.
EAMES: (looks harder) Oh. No, it isn't.
The Businessman looks past Eames but Cobb has vanished. — Christopher J. Nolan
Eventually everything connects - people, ideas, objects. The quality of the connections is the key to quality per se. — Charles Eames
Ideas are cheap. Always be passionate about ideas and communicating those ideas and discoveries to others in the things you make. — Charles Eames
Choose Your Corner, Pick Away At It Carefully, Intensely, & To The Best Of Your Ability, & That Way, You Might change The World. — Charles Eames
In architecture the idea degenerated. Design allows a more direct and pleasurable route. — Charles Eames
To whom does design address itself: to the greatest number, to the specialist of an enlightened matter, to a privileged social class? Design addresses itself to the need. — Charles Eames
The ship, which appeared to belong to another band, was just passing by for a look. She was bigger than the Old Glory, but not by much. The words Lucky Seven had been painted on her belly, but the seven had been crossed out, as had the six below it. The word five was scrawled underneath, but Clay only spotted four people at the rail and wondered silently if the ship was due for another paint job. — Nicholas Eames
WHEN WE SEEK TO RULE ONLY OURSELVES, WE ARE EACH OF US KINGS. — Nicholas Eames
It is not easy to do something good, but it is extremely difficult to do something bad. — Charles Eames
It makes me feel guilty that anybody should have such a good time doing what they are supposed to do. — Charles Eames
Eventually Everything Connects - all the Pain, the Struggle & the People. — Charles Eames
Design is a plan for arranging elements in such a way as best to accomplish a particular purpose. — Charles Eames
EAMES: Shouldn't be afraid to dream a little bigger, Arthur-
Eames lines up a shot with a grenade launcher. Fires- the sniper EXPLODES into the air- Arthur looks at Eames.
EAMES: Shall we? — Christopher J. Nolan
Well, you see how big he was. Apparently he broke through a latrine seat and drowned in the sewage below." A shitty way to go, — Nicholas Eames
ARTHUR: How do we get out once we've made the plant?
(to Cobb)
I hope you've got something a little more elegant than shooting me in the head like last time.
Arthur tilts back in his chair. Yusuf turns to Cobb.
COBB: A kick.
ARIADNE: What's a kick?
Eames slips his foot under Arthur's chair leg. TIPS it- Arthur's legs SHOOT UP INSTINCTIVELY for balance-
EAMES: That, Ariadne, would be a kick.
COBB: That feeling of falling which snaps you awake. We use that to jolt ourselves awake once we're done. — Christopher J. Nolan
they passed through the wide-open gates into the city whose parents had hired a prostitute as a babysitter and never come home. The — Nicholas Eames
Art resides in the quality of doing, process is not magic. — Charles Eames
SAITO: Care for a lift, Mr. Cobb?
COBB: (jumping in) What brings you to Mombasa, Mr. Saito?
SAITO: I have to protect my investment.
Eames stands on pavement. The car pulls up. Cobb beckons from the rear window. Eames looks at Saito. Back to Cobb.
EAMES: This your idea of losing a tail?
COBB: (shrugs) Different tail. — Christopher J. Nolan
Take your pleasures seriously. — Charles Eames