Quotes & Sayings About Rough Hands
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Top Rough Hands Quotes

If the ghost that haunts the towns of Ypres and Arras and Albert is the staturory British Tommy, slogging with rifle and pack through its ruined streets to this well-documented destiny 'up the line', then the ghost of Boulogne and Etaples and Rouen ought to be a girl. She's called Elsie or Gladys or Dorothy, her ankles are swollen, her feet are aching, her hands reddened and rough. She has little money, no vote, and has almost forgotten what it feels like to be really warm. She sleeps in a tent. Unless she has told a diplomatic lie about her age, she is twenty-three. She is the daughter of a clergyman, a lawyer or a prosperous businessman, and has been privately educated and groomed to be a 'lady'. She wears the unbecoming outdoor uniform of a VAD or an army nurse. She is on active service, and as much a part of the war as Tommy Atkins. — Lyn Macdonald

He grabs my hands and lifts them up in the air. I grip the railing on the top of the bed.
"Don't move those hands," he whispers into my nape. I nod and lick my lips. I'm on my tiptoes. My breath is catching and coming out spurts of rough air. His hands run down my arms. I shiver and pant. His lips brush the back of my neck. He sweeps my hair to one side, kissing down my shoulder blade. Heat and nerves battle low in my belly as his hands grip my hips, pulling me back to him.
"Don't let go of that railing, Sarah." His words are growled between kisses and licks. I hear the menacing threat in them. — Tara Brown

[Mark Twain] is still the rough, awkward, good-natured boy who swore at the deck hands when he was three years old. Thoroughly likeable as a good fellow, but impossible as a man of letters. — Willa Cather

I didn't respond to him. Couldn't speak at all. Couldn't look at his self-mutilation
not even the clean, bandaged version of it. Instead, I looked at my own rough, stained house painter's hand. They seemed more like puppets than hands. I had no feelings in it either. — Wally Lamb

His gaze swept over her, hot and approving, as he lifted her up. "Wrap your legs around me - There. God, yeah, like that - " His voice was a low command, caressing her as much as his hands. "Hold on to me." Then his mouth crushed her own as he pushed her back against the door.
She threaded her hands into his hair as he thrust deep inside of her. He made a rough sound of sheer male pleasure, his fingers digging into her soft flesh as she rocked into him. Again he thrust, slowly at first, teasing until she was begging. It was glorious torment, hot and demanding, just like the man kissing her. — Jill Shalvis

He proceeded to cut carefully a thin slice from the loaf, which he quartered in pieces and buttered for her, the whole business very delicately done and in striking contrast to his manner in serving himself - so much so that to Mary there was something almost horrifying in the change from rough brutality to fastidious care. It was as though there was some latent power in his fingers which turned them from bludgeons into deft and cunning servants. Had he cut her a chunk of bread and hurled it at her she would not have minded so much; it would have been in keeping with what she had seen of him. But this sudden coming to grace, this quick and exquisite moving of his hands, was a swift and rather sinister revelation, sinister because it was unexpected and not true to type. — Daphne Du Maurier

The men came to mind as mostly idle between nights of running wild or time in the pen, cooking moon and gathering around the spout, with ears chewed, fingers chopped, arms shot away, and no apologies grunted ever. The women came to mind bigger, closer, with their lonely eyes and homely yellow teeth, mouths clamped against smiles, working in the hot fields from can to can't, hands tattered rough as dry cobs, lips cracked all winter, a white dress for marrying, a black dress for burying, and Ree nodded yup. Yup. — Daniel Woodrell

What about your freedom?" he whispered in her ear over a minute later, bracing his hands palms down on the wall beside her head. He made no move to stop her as she stroked and petted every inch of that sinfully gorgeous chest, all hard muscle and gleaming skin overlaid with silky-rough strands of dark hair.
"Idiot." She nipped his jaw with her teeth. "The only freedom I ever wanted was the right to love you. — Nalini Singh

Suddenly Vasya understood why the women all begged him for prayers; understood, too, that his warm hand, the strong bones of his face, were a weapon, to use where the weapons of speech had failed. He would get her obedience thus, with his rough hands, his beautiful eyes. — Katherine Arden

We're all diamonds in the rough until God gets His hands on us".
~R. Alan Woods [1984] — R. Alan Woods

You...you always made everything sound like it's not a big deal. You're doing that now."
His lips continued to curve on the right and the dimple appeared. Then he sighed and scooted forward, spreading his legs. His hands suddenly landed on my hips, and I almost dropped the cotton ball at the unexpected contact. My breath caught as he lowered me so I was sitting on the edge of the coffee table and he kept moving forward, the inside of his legs sliding against the outside of mine. The rough material of his jeans touching my bare skin sent a raw, drenching rush of sensation through my veins.
"That better?" he asked, peering at me through lowered lashes.
I blinked, having no idea what he was talking about, and then I realized that seated like this, it was easier to reach him. His hands dropped from my hips to rest on his thighs, and they were oh so close to mine. — Jennifer L. Armentrout

He shrugged and glanced at her hair. "Rough night?"
Her brows drew together. "What makes you say that?"
"Your bun is askew."
Audrey's fingers flew to her hair. Sure enough, it was lopsided and puffy on one side. "Damn it."
Reese set down the spoon and turned to her, reaching for her hair. "Here, I'll fix it for you."
She frowned but stood still, dropping her hands. "That's very domestic of you."
"Nah. I mostly wanted to see what this looks like when it's not in a grandma style." And he reached forward and snipped the band with a pair of scissors.
She yelped, pulling away even as he ran his fingers through her hair, making it puff out into a halo around her head. "You a**hole!"
"Look at that! All that loose, untamed hair!" He teased, even as he tried to run his fingers through it again. "It's like you're a wild woman. What will people think? — Jessica Clare

BLACK HAIR, BLUE EYES, GRACEFUL CHEEKBONES, THICK DARK LASHES, FULL MOUTH - HE WOULD HAVE BEEN PRETTY IF HE HAD NOT BEEN SO TALL AND SO MUSCULAR. SHE HAD RUN HER HANDS OVER THOSE ARMS. SHE KNEW WHAT THEY FELT LIKE - IRON, CORDED WITH HARD MUSCLES; HIS HANDS, WHEN THEY CUPPED THE BACK OF HER HEAD, SLIM AND FLEXIBLE BUT ROUGH WITH CALLUSES ... — Cassandra Clare

How rough your hands still are."
Embarrassed, she made to pull them away, but he held them fast. "Yet never have I longed to kiss any woman's hands as I long to kiss these. — Julie Klassen

Not only did I rise above my drooling-hunchback-in-the-dungeon status, but I also made our meeting seem like a chance encounter, one of the most powerful aphrodisiacs known to man. Thanks to chick flicks, the concept of true love being orchestrated by the rough, construction worker hands of fate is an easy sell. — Shane Kuhn

Every moment brings us some benediction. Even the rough hand of trial holds in its clasp for us some treasure of love. — J.R. Miller

Emma wanted a real man's hands on her body. Big and rough hands belonging to a strong, tough man who would grab her and throw her onto a bed where he'd spread her thighs wide, yank her head back by the hair, and kiss her breathless while loving her until she was senseless. — Cat Johnson

A gentle breeze rustled through the leaves, bringing with it the scent of fresh-turned earth and lavender blossoms. Amanda drew to the side of the balcony, where she was completely concealed from view. As she leaned against the wall of the house, the rough texture of the red brick gently abraded her bare shoulders.
She had worn a pale blue, corded-silk gown with a low-cut back, and draperies of gauze that crossed over the bodice in an X pattern. The long sleeves of the gown were made of more transparent gauze, while her hands were encased in white gloves. The flash of her bare arms beneath the filmy blue silk made Amanda feel sophisticated and daring. — Lisa Kleypas

I grabbed the lapels of his coat, tears filling my eyes. "Don't tell me this is all happening for a reason ... Or that it's going to be okay. Don't tell me you're ready to die." ...
He met my gave, his blue eyes steady, "It's not going to be okay." He brushed hair back from my cheeks and cupped my face in his rough hands. "None of this is happening for a reason." He skimmed his lips over mine. "And Saints help me, Alina, I want to live forever."
He kissed me again, and this time, he didn't stop — Leigh Bardugo

This was not to say, however, that she did not long, at times, for some greater change, that she did not experience some of those exceptional moments when one thirsts for something other than what is, and when those who, through lack of energy or imagination, are unable to generate any motive power in themselves, cry out, as the clock strikes or the postman knocks, for something new, even if it is worse, some emotion, some sorrow; when the heartstrings, which contentment has silenced, like a harp laid by, yearn to be plucked and sounded again by some hand, however rough, even if it should break them; when the will, which has with such difficulty won the right to indulge without let or hindrance in its own desires and woes, would gladly fling the reins into the hands of imperious circumstance, however cruel. — Marcel Proust

The mountains too, at a distance, appear airy masses and smooth, but seen near at hand they are rough. — Diogenes Laertius

Life does have its twists and turns, and that certainly is true. However, one can predict the future with some degree of accuracy based on one's own knowledge of past events. And rare events do occur , but it is their lack of repetition that makes them rare.
I cannot alter the past, but the future is very much in my hands
I find that memories, especially from one's childhood, very often do not live up to the realities
Does anyone truly understand females? the more I am in their company the less i know. Their behavior is the opposite of everything in the natural order and flies in the face of logic.
Oh, I can see you are enjoying yourself. You have my heart, and now you will toy with it
She did believe that two souls could come together, so that the one would know if something had happened to the other despite distance or war.
The only way to get through life's rough spots is to laugh whenever possible — Mary Lydon Simonsen

He was a curious mixture of things to me on that first occasion: he had the general physique of a bull, the tenacity of a vulture, the agility of a leopard, the tenderness of a lamb, and the coyness of a dove. He had a curious overgrown head which fasdnated me and which, for some reason, I took to be singularly Athenian. His hands were rather small for his body, and overly delicate. He was a vital, powerful man, capable of brutal gestures and rough words, yet somehow conveying a sense of warmth which was soft and feminine. There was also a great element of the tragic in him which his adroit mimicry only enhanced. He was extremely sympathetic and at the same time ruthless as a boor. He seemed to be talking about himself all the time, but never egotistically. He talked about himself because he himself was the most interesting person he knew. I liked that quality very much - I have a little of it myself. — Henry Miller

In real life I am a large, big-boned woman with rough, man-working hands. In the winter I wear flannel nightgowns to bed and overalls during the day. I can kill and clean a hog as mercilessly as a man. My fat keeps me hot in zero weather. I can work outside all day, breaking ice to get water for washing; I can eat pork liver cooked over the open fire minutes after it comes steaming from the hog. One winter I knocked a bull calf straight in the brain between the eyes with a sledge hammer and had the meat hung up to chill before nightfall. — Alice Walker

Milla put her hands on his ribs, holding on as he braced his weight on one arm while with his other hand he guided his penis to her and in the same rough motion pushed deep inside.
He froze in place, his breath panting between his parted lips as they stared at each other. She couldn't move; the feel of him inside her was too sharp, almost painful in its intensity. Their gazes met in the mellow lamplight, and she was mesmerized by the tension in his face, the way his steely muscles were locked as if he didn't dare move. It built and built, that clawing need, and yet she remained poised on the razor's edge of something she knew she couldn't control. His chest suddenly heaved on a convulsive breath, and he moved in a long, deep stroke that took him all the way to the hilt. — Linda Howard

You needed it rough, but I need this. He laces my fingers in his and brings both of our hands above my head, and starts to move inside me again, slowly, pulling all the way out and pushing all the way in again in a slow, easy pace. — Kristen Proby

Labor is a man crowning glory."
"Not this man's."
"I quote Marx"
I raised my hands. The pickaxe handle had been rough.
"I quote blisters. — John Fowles

A few moments ago, he'd had her up against a wall, skirt shoved up to her belly button, hands in her panties, his fingers driving her straight to oblivion, and now ... now he was this intense, cool, calm, and collected man.
With a gun.
"Breanne. Are you ok?"
She stared at him. He had his shirt loose and draped over the bulge of his gun. He looked rough-and-tumble. Baddass.
Damn it, she had a serious weakness for badass. — Jill Shalvis

Men should have rough hands and be strong. — Scott Caan

His hand slides to my face. "Look at me when I enter you."
His voice is rough, intense. "See me, Sara."
"I do."
He presses inside me and thrusts, burying himself deeply, completely. "Feel me."
"Yes."
He lowers his mouth a breath from mine. "But do you feel us?"
My hands slide around him, holding on to him. "Yes."
"I'm not sure you do." He brushes his mouth over mine.
"But before tonight is over, you will. — Lisa Renee Jones

Then what do you want form me?"
"I want to lie beside you and know the weight of your dreams," he said, brushing his lips against my knuckles. "I want to share whole worlds with you and write your name in the stars." He moved closer and a chorus of songbirds twittered silver melodies.
"I want to measure eternity with your laughter."
Now, he stood inches from me; his rough hands encircled my waist. "Be my queen and I promise you a life where you will never be bored. I promise you more power than a hundred kings. And I promise you that we will always be equals. — Roshani Chokshi

Kurt dreamt about more than the rough squeeze of James's hands over his jeans. He dreamt of the warmth of his tongue and a sharp bite from his teeth in sensitive places. He dreamt of taking it further, a thought that held more of the sharp edges of delicious reality than any previous fantasy. Finally, he'd dreamt of feeling James's arms around him as he slept, feeling at once safe and needed, as if every worry could be erased if the right person cared for him. — Sara Winters

Other men might dream of high honors or riches or deeds of valor sung by minstrels. I wanted to come to a small cot as light faded, to sit in a chair by a fire, my back aching from work, my hands rough with toil, and hold a little girl in my lap while a woman who loved me told me of her day. — Robin Hobb

It is a scene of Satyrs and Nymphs, of pursuits and captures, provocative resistances followed by the enthusiastic surrender of lips to bearded lips, of panting bosoms to the impatience of rough hands, the whole accompanied by a babel of shouting, squealing and shrill laughter — Aldous Huxley

When I am lonely for boys what I miss is their bodies. The smell of their skin, its saltiness. The rough whisper of stubble against my cheek. The strong firm hands, the way they rest on the curve of my back. — A.M. Harte

A man comes walking north. He carries a sack, the first sack, containing provisions for the road and some implements. The man is strong and rough-hewn, with a red lion beard and little scars on face and hands, sites of old wounds
were they gotten at work or in a fight? Maybe he has been in jail and wants to go into hiding, or perhaps he is a philosopher looking for peace; in any case, here he comes, a human being in the midst of this immense solitude. He walks and walks, in a silence broken by neither bird nor beast. — Knut Hamsun

Not want you?" His voice was rough. "Everett, I'd lay you down right now in this thin blanket of snow and take you." Everett's eyes widened, but Alex's mind was racing, the images coming at him too quick for him to hold them back. "The cold air would touch you and then my mouth." He moved back into Everett's space, and Everett groaned. "My hands. Naked, Everett. I could bite your long limbs and lick the grace from your words and shock the neighbors with what obscenities I'd drive from your lips. — R. Cooper

I do have rough, manly, and mannish, man hands. So glad you noticed. — Anne Eliot

Long may it remain in this mixed world a question not easy of decision, which is the more beautiful evidence of the Almighty's goodness, the soft white hand formed for the ministrations of sympathy and tenderness, or the rough hard hand which the heart softens, teaches, and guides in a moment. — Charles Dickens

When his mouth was on hers, when he could feel her about to shatter yet again, he plunged into her, knocking her over the edge with that first rough stroke.
And still he thought: More.
Even as she shuddered, he shoved her knees up and went deeper inside her. His vision blurred, but through the red haze of lust he could see her eyes. Deep, dark, glazed like glass to throw his own reflection back at him.
"I'm inside you." He panted it out as he pushed them both to madness. "Everything I am. Body, heart, mind."
She struggled through layers of pleasure to say the one thing he needed. Her hands wrapped around his wrists to hold the beat of his blood. "Let go. I'll stay with you."
He pressed his face to her hair, let both heart and mind go, and let body rule them both. — J.D. Robb

My mother taught me to read hands at the same time she taught me to apply polish. Not by reading the lines of a palm, but the way she'd learned from her mother and her mother before her, by touch, decoding the curves of the hand without looking. Carlito never knew about our ability. Our mother never shared those things with him. She said there were some things that were meant to stay between mothers and daughters. It was by holding my brother's hands, once when I went to see him at the jail during the first days after his arrest, running my fingers over the rough swells at the base of his fingers, that I knew that even though Carlito was still screaming injustice, he was guilty and would never again walk free. — Patricia Engel

He had a way of taking Buck's head roughly between his hands, and resting his own head upon Buck's, of shaking him back and forth, the while calling him ill names that to Buck were love names. Buck knew no greater joy than that rough embrace and the sound of murmured oaths, and at each jerk back and forth it seemed that his heart would be shaken out of his body so great was its ecstasy. — Jack London

do not impose on us any aesthetic rules which shall banish from the region of Art those old women scraping carrots with their work-worn hands, those heavy clowns taking holiday in a dingy pot-house, those rounded backs and stupid weather-beaten faces that have bent over the spade and done the rough work of the world - those homes with their tin pans, their brown pitchers, their rough curs, and their clusters of onions. In — George Eliot

My eyelids are heavy as stone. But when I sleep, I'll have that dream again. I haven't wanted to tell you about it, until now.
I'll be in the Separates, and I'll be digging with my bare hands. When I've made a hole deep enough to plant a tree, I'll place my fingers inside. I'll slip off the ring you gave me. It will catch the light and glint a rainbow of colors over my skin, but I will take my hands away, leaving it there. I'll sprinkle the earth back over it, and I will bury it. Back where it belongs.
I'll rest against a tree's rough trunk. The sun will be setting, it's dazzling color threading through the sky, making my cheeks warm.
Then I will wake up.
Good-bye, Ty,
Gemma — Lucy Christopher

Regret is an uneven hand,
a rough palm at the cheek - tender
and calloused. — Lorna Dee Cervantes

With callused hands
i tasted
the softness of the moon
in the coldest winds
i discovered
my soul's
warmest fireplace
in the roughness
of his stubble
the tenderest love. — Sanober Khan

The Macks. They left." "Left?" Samuel asked. "For California, I guess. The whole family." Birdie pressed her lips together and dragged her palms across the rough wood behind her. There was nowhere for her shock to settle, a slow-motion spinning as the realization rose up and throbbed behind her eyes. She sat down in the weeds and tried to feel the splinters burrowing into the pads of her hands, but the pain was not enough. She — Rae Meadows

Shit," he breathed against her lips. "I've been wanting to do this since I first tasted you in the prey room." The reminder that he'd tossed her into a cold, dank dungeon and then scared her to death should have put a damper on things, but it didn't. She was so stressed out, so tired of not knowing if she was going to live or die - she couldn't help but embrace these few precious moments of forgetting the hell that was her life and remembering what it was like to actually live. Boldly, she ran her hands up Riker's arms, letting her fingers map the rough scars and thick veins that wound around his biceps. — Larissa Ione

Ouch! Son of a gu - " I scrambled to get up. My hands hit rough upholstery and the edge of a table. Okay, now I was lost. Prying open my bleary eyes, I peered around. "What the ... — Anonymous

You drugged me," she repeated, her fingers wrapping around my neck, "with your skin, and your hands, and your mouth. You're in my veins. My blood." Her lips were a breath's width from mine, her wolf teeth bright. We teetered on the delirious brink of a kiss. "You poisoned me, and it feels so fucking good. I want more."
My breath came fast. "Will you do it with me?"
"Yeah, I will. I'll fuck this world up with you."
"Good girl," I said. "Let's be bad."
I tore off her clothes. I tore off every shred of resistance she still held. And I fucked her, wild and rough, animal, like the monsters we were. — Leah Raeder

They say marry the person with whom you are the closest to, the guy with whom you can share your 3 am thoughts with, sitting on a rooftop and discussing random things like why cavemen were hirsute or why the earth isn't a square. The genie who knows what you want before you open your mouth. The angel who reads your mind before you can articulate your thoughts. The friend you can laugh and cry with. The brother whose arms are safer than any amount of security and protection the outside world can provide you. The parent that will support you through thick and thin, no matter what. The soul whose love for them in the river of your heart will never dilute, even when the currents get rough, and the waters, dark. The fellow who would tell you that he loves you every night and spend the day proving it through little gestures that speak much louder than any words of love. The person with whom you can hold hands when you turn eighty and announce to the world- 'we made it! — Faraaz Kazi

Together? " Rose asked. "Are we -- together ?"
He took one of her hands--it seemed so small and fragile in his own large, rough hand. Her porcelain skin looked even paler against his.
" Ever since I first laid eyes on you, I knew that I had to make you my woman , It was a feeling that was stronger than anything I have ever known before, and I am a man who goes after what he wants." He pulled her close to him and let his gaze meet hers, as he added, " And, my Wild Rose , I want you. — Veronica Blake

Half delirious, I slipped my hands around Whit's thick neck. The second Idid he got confident.His mouth moved over mine in a rough, unpracticed, awkward back-and-forth motion, so fast it was as if he was trying to create fire with our lips. — Kate Brian

Being a troll, he loved the earth. A troll's love for the earth is a peculiar thing - it is something like the way you and I love our parents and our dogs and our favorite novels and the stuffed rabbits we have had since we were in our cradles and the very best thing we have ever done with our own two hands, all smashed up together in a rough, enormous ball of feeling the size of a planet. — Catherynne M Valente

:Of course there are many ways to celebrate death & life, & of course as they bounce into their 40's & 50's & 60's, the fingers of time grow a bit longer, & yet ... & yet life doesn't stop. Life doesn't stop or wait even if you do. Pause if you must ... but then catch up fast. Run with the wind. Slide down the hill tumbling head first, so that you can fall into the hands of now. Today. Everyday. Every minute. Every second. Of course it's also ok to hold onto your grief, & ride it as if your own life depended on it through a sea of rough waters, waves as high as heaven, through the thunderous barrage of emotions that are the very heart of loss. Any loss. Love. Death. Job. A slice of a segment of your life that made up the whole. Of course ... the whole damn world needs to have more fun. A hellofa lot more fun. — Kris Radish

In explosive gasps Chook introduced us and we went inside. I could see that she was elderly by Chook's standards. Perhaps twenty-six or -seven. A brown-eyed blonde, with the helpless mournful eyes of a basset hound. She was a little weathered around the eyes. In the lounge lights I saw that the basic black had given her a lot of good use. Her hands looked a little rough. Under the slightly bouffant skirt of the black dress were those unmistakable dancer's legs, curved and trim and sinewy. — John D. MacDonald

Gundar's smile broadened at the memory of that evening as he recalled how his rough-and-tumble sailors had stayed on their best manners, humbly asking their table companions to pass the meat, please, or requesting just a little more ale in their drinking mugs. These were men who were accustomed to cursing heartily, tearing legs off roast boar wih their bare hands and occasionally swilling ale traight from the keg. Their attempts at mingling with polite society would have made the basis of some great stories back in Skandia. — John Flanagan

I walk into the night forest. I reach out my hands on either side. I can feel the smooth bark of the Red Alder trees and the rough chasms of mature Douglas Fir, and then I can feel the stringy fibrous bark of the Western Red Cedar. I can push my fingers into the Cedar bark; it is like cloth to my fingertips. But here and there I can also feel the lacelike fingers of Hemlock and the prickly needles of Spruce touching my face and my neck. — Ned Hayes

My name is Lev," said Lev.
"My name is Lydia," said the woman. And they shook hands, Lev's hand holding the scrunched-up kerchief and Lydia's hand rough with salt and smelling of egg, and then Lev asked, "What are you planning to do in En gland?" and Lydia said, "I have some interviews in London for jobs as a translator."
"That sounds promising."
"I hope so. I was a teacher of English at School 237 in Yarbl, so my language is very colloquial."
Lev looked at Lydia. It wasn't difficult to imagine her standing in front of a class and writing words on a blackboard. He said, "I wonder why you're leaving our country when you had a good job at School 237 in Yarbl?"
"Well," said Lydia, "I became very tired of the view from my window. Every day, summer and winter, I looked out at the schoolyard and the high fence and the apartment block beyond, and I began to imagine I would die seeing these things, and I didn't want this. I expect you understand what I mean? — Rose Tremain

The sky has stopped
offering you reasons to live and your heart is the rock
you threw through each window
of what's deserted you, so you turn
to the burnt out building inside you: the scaffolding
overhead, the fallen beams,
the unsound framework;
according to the blue that's printed on the inside of your arms
you have no plans, no plans
uncovered, or uncovering: the offing is emptying,
the horizon empty
now that your sanity is
a tarp or a bedsheet
in the rough hands of the wind,
now that everything is hooded
in drop cloth.
It didn't happen
overnight. Or maybe it did:
your heart, the rock;
your soul, the Gothic barn. — Olena Kalytiak Davis

The touch was so hesitant at first, I thought for sure that he was still asleep, shifting in dreams. Liam's hand came down next to mine on the seat, his fingers inching over one at a time, hooking over mine in a way that was as tender as it was shy. I bit my lip, letting his warm, rough skin engulf mine.
His eyes were still shut and stayed that way, even as I saw him struggle to swallow. There was nothing to say now. Our linked hands rose as he guided them to rest against his chest, and they stayed there, through the song, the mountains, the cities. Until the end. — Alexandra Bracken

As hard as the diamonds in your smile,
the wind carries its hammers with no hands
and sustains a moan with no mouth,
seems to cradle solitude in its rough arms like firewood
to be burned in my house as it passes through
and asks, Where does she sparkle from? — B.J. Ward

I wish I could tell the tale of your beauty as my rough hands caress your face ... — John Geddes

He takes her hand and they leave. There's a taxi outside and they go to her room without saying anything. Behind the door, she unties the dress, and then reaches for his belt. He pushes her hands away. He'll do it all himself, though his right hand is bleeding. He sits on a small wooden chair and pulls her down on top of him and feels how rough and silky she is straddling him. He is the one moving her, as if she's a doll, and he knows it has to be this way because it makes him feel that he won't die, at least for tonight. — Paula McLain

I am not in the least surprised that your impression of death becomes more lively, in proportion as age and infirmity bring it nearer. God makes use of this rough trial to undeceive us in respect to our courage, to make us feel our weakness, and to keep us in all humility in His hands. — Francois Fenelon

Everything made by human hands looks terrible under magnification
crude, rough, and asymmetrical. But in nature every bit of life is lovely. And the more magnification we use, the more details are brought out, perfectly formed, like endless sets of boxes within boxes. — Roman Vishniac

My characters are more like men than these real men are, see. They're rough and rude, they got hands and they got bellies. They hate and they lust; break the skin of civilization and you find the ape, roaring and red-handed. — Robert E. Howard

You're just doing this to make yourself feel better." "I will fucking punch you, you disabled asshole." Prophet threw his hands in the air. "I swear to Christ, that's abuse. You can't yell at a disabled person like that. You can't call a disabled person disabled asshole. That's just fucking wrong." "Who says?" "I do," Prophet said indignantly. Doc was biting back a smile. "And it's not funny." Doc's voice was quiet, a little rough and choked when he said, "I know, Proph." And that was enough for Prophet to admit, "I don't think I can do this." Although he had no real idea what this was. At this point, it translated into everything. Doc — S.E. Jakes

The urge to jump up and go to him was so strong that she grabbed the stool she was sitting on with both hands and clutched the rough wood with all her might. — Melanie Dickerson

When he finished cleaning my open wounds, he found a jar of salve and began rubbing it into the rough parts of my skin. I sort of got lost in the feel of his hands massaging mine. — Richelle Mead

The sun had burned off whatever morning fog and low clouds had gripped the city, and now a glorious fall day was upon them. Warm sunlight caressed his face as cool ocean breezes carried the sound of gulls and the tang of salt. He remembered the stab of pain he had felt when he had thought he would not see the day, and the terror and panic that had gripped him as rough hands had placed him upon the gallows returned. Erik felt a choking sensation in his own chest, and suddenly, without any ability to control it, he began to weep. Roo — Raymond E. Feist

Eventually, after listening to a good deal of grumbling and muttering, Jessica felt the bed dip. A calloused hand reached for hers. "It is late?" she asked. "Late enough." "Hold me?" How gentle were those powerful arms as they gathered her close. Jessica pressed her face against Richard's neck and sighed at the pleasure of the warmth. His hint of a beard was rough against her forehead but she didn't mind that either. She put her hands on the hard wall of his chest and let the heat of his body seep into hers. Richard's hand trembled as he brushed her hair back from her face and she knew it was because he was trying to be gentle. She snuggled closer to him and felt herself drifting off to sleep. — Lynn Kurland

Horace, hands on hips, paced around the circle, frowning as he studied them. They were a scruffy bunch, he thought, and none too clean. Their hair and beards were overlong and often gathered in rough and greasy plaits, like Nils's. There were scars and broken noses and cauliflower ears in abundance, as well as the widest assortment of rough tattoos, most of which looked as if they had been carved into the skin with the point of a dagger, after which dye was rubbed into the cut. There were grinning skulls, snakes, wolf heads and strange northern runes. All of the men were burly and thickset. Most had bellies on them that suggested they might be overfond of ale. All in all they were as untidy, rank smelling and rough tongued a bunch of pirates as one could be unlucky enough to run into. Horace turned to Will and his frown faded. 'They're beautiful,' he said. — John Flanagan

I near her, cupping her face with large rough hands. I stare down into her yellow-green eyes. "You're not a pit stop. You're my finish line. There's no one after you." I kiss her powerfully, my tongue parting her lips, and she responds. But not as much as I hoped. So I break apart and add, "I want you for eternity, not for a brief moment in time. — Krista Ritchie

Cold?" Ravus echoed. He took her arm and rubbed it between his hands, watching them as though they were betraying him. "Better?" He asked warily.
His skin felt hot, even through the cloth of her shirt, his touch was both soothing and electric.
She leaned into him without thinking. His thighs parted, rough black cloth scratching against her jeans as she moved between his long legs. His eyes half-lidded as he pushed himself off the desk, their bodies sliding together, his hands still holding hers. Then, suddenly, he froze. — Holly Black

Finally when he climbed below deck after dark, wondering where his dinner was, perhaps with a storm come up and rough seas and blinding rains, I'd sulk and lure him into the warm and steamy darkness and from the hairs of his warm body I'd breed a myriad smiling, sparkle-eyed one-year-olds, my broods, my flocks. In the churning seas, below the waves, together inside our hammock woven in coarse sailcloth by Unguentine's deft hands, a spherical webbed sack which hung and swivelled between the two walls of our bedroom, we would spin round and round with lapping tongues and the soft suction of lips, whirling, our amorous centrifuge, all night long, zipped inside against the elements. Now, years and years later, those nights, the thought and touch of them is enough to make me throw myself down on the ground and roll in the dust like a hen nibbled by mites, generating clouds, stars and all the rest. — Stanley Crawford

She was smooth and beautiful under his rough, callused hands-an amorous balm to soothe the ugliness of war. — Madeline Martin

I love working with my hands. My writing is rough, my paper bruised with ink stains. — Bauvard

Fire bursts inside me. My lips part under his. Coming up on my toes, I fist my hands in his hair and kiss him back, sharing the flames that lick at my soul. I breathe as he breathes, liquid heat in my veins.
He kisses me like I am water and he is parched. He is gentle and rough, taking and giving. In that moment, his kiss is all I know, all I ever want to know.
I come up higher on my toes and my lips cling to his as he pulls away. I'm left shaken and out of my element. I've never been kissed like that. I never imagined such a kiss existed. — Eve Silver

Listen! I will be honest with you,
I do not offer the old smooth prizes, but offer rough new prizes,
These are the days that must happen to you:
You shall not heap up what is call'd riches,
You shall scatter with lavish hand all that you earn or achieve,
You but arrive at the city to which you were destin'd, you hardly settle yourself to satisfaction before you are call'd by an irresistible call to depart,
You shall be treated to the ironical smiles and mockings of those who remain behind you,
What beckonings of love you receive you shall only answer with passionate kisses of parting,
You shall not allow the hold of those who spread their reach'd hands toward you."
-from "Song of the Open Road — Walt Whitman

The night was fading. It was too early to be called dawn yet, but Taylor could just make out the outline of Will's weary, unshaven face. His deep blue eyes were the only color in the gray world of rain and shadows.
Will leaned in, and his mouth covered Taylor's, rough but sweet, his tongue seeking Taylor's. Taylor opened willingly to that kiss, forgetting for a second his scratched, scraped hands and the rain running down the back of his neck. They kissed a lot these days, especially for men who had never been much for kissing. Taylor had become expert in all Will's kisses, from the hungry, lustful kisses that always made his own cock rise so fast it hurt, to the tender, almost cherishing kisses that Will generally saved for when he thought Taylor was sleeping. That dawn kiss beneath the pine trees rippled through him like an electric shock, a reminder that, tired, wet, and lost as they might be, so long as they were together, they were all right. — Josh Lanyon

Savannah's fear was being pushed aside by the heated tenderness of Gregori's mouth, by the gentleness in his caressing hands. He carelessly shoved the sheet down, exposing her bare breasts to his hungry gaze. Hot. He was so hot. Savannah could not stand the feel of the thin sheet of her heated hips, twisting around her legs. Her hands were tangled in Gregori's thick hair, crushing it in her fingers like so much silk.His shirt was open to his tapered waist, his hard muscles pressing against her soft breasts. The rough,dark hair on his chest rasped erotically over nipples.
A wave of heat heralded a storm of fire, through him, through her. Savannah's hands, of their own accord, pushed his shirt from his wide shoulders. She watched with enormous eyes as he slowly shrugged out of it, his silver gaze holding her blue one captive. She was drowning in those pale, mesmerizing eyes. Eyes filled with such intensity, with so much hunger for one woman. Her. Only her. — Christine Feehan

That's too bad, because you're going to get me," I say hoarsely, and her struggles abruptly cease. "You're going to get these rough hands that need to touch you. These eyes that will never tire of looking at you. These arms that will hold you steady or lift you up whenever you need their strength. This head that's crazy about every little thing you do." My voice deepens. "And you're going to get this heart that's already falling in love with you. — Kati Wilde

Turn off your computer and go out of doors. Dig a large enough hole to transplant a mature apple tree. Nurture the tree, feed it, coddle it so that its fruit will be ample, bright and firm. Practice open-hand strikes against the rough bark of the trunk until it's time to harvest. Choose the champion of your apple crop, pluck it from the tree, and beat yourself about the face and tits with it until your mettle will suffice. — Nick Offerman

She rubbed it onto his hands one day in Year Eleven, feeling the texture of his fingertips, callused by the strings of his guitar, and his palms, rough from woodwork. ("Productive, despite your lazy streak," she had said, inspecting them.) — Melina Marchetta

I, who cannot see, find hundreds of things to interest me through mere touch. I feel the delicate symmetry of a leaf. I pass my hands lovingly about the smooth skin of a silver birch, or the rough shaggy bark of a pine ... Yet, those who have eyes apparently see little. The panorama of color and action which fills the world is taken for granted ... It is a great pity that, in the world of light, the gift of sight is used only as a mere convenience rather than as a means of adding fullness to life. — Helen Keller

I have a hunger,
for more than food.
I have a hunger
bigger than Joyce City.
I want tongues to tie, and
eyes to shine at me
like they do at Mad Dog Craddock.
Course they never will,
not with my hands all scarred up,
looking like the earth itself,
all parched and rough and cracking,
but if I played right enough,
maybe they would see past my hands.
Maybe they could feel at ease with me again,
and maybe then,
I could feel at east with myself. — Karen Hesse

Rom. [To Juliet.] If I profane with my unworthiest hand97 This holy shrine, the gentle sin is this; My lips, two blushing pilgrims, ready stand To smooth that rough touch with a tenderkiss. Jul. Good pilgrim, you do wrong your hand too much,101 Which mannerly devotion shows in this; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers' kiss.104 Rom. Have not saints lips, and holy palmers too? Jul. Ay, pilgrim, lips that they must use in prayer. Rom. O! then, dear saint, let lips do what hands do; They pray, grant thou, lest faith turn to despair.108 Jul. Saints do not move, though grant for prayers' sake. Rom. Then move not, while my prayers' effect I take. Thus from my lips, by thine, my sin is purg'd. [Kissing her. Jul. Then have my lips the sin that they have took.112 Rom. Sin from my lips? O trespass sweetly urg'd! Give me my sin again. Jul. You kiss by the book. — William Shakespeare

That's right." He threaded both hands through her hair to hold her in place. "You like it like this. Dirty and rough, getting fucked by a man who wants you so bad he'll risk all your sharp edges. Who fucking loves your sharp edges. — Kit Rocha

Because my hands are rough and wrinkley, they are my least favourite feature. An ex-boyfriend used to call them 'Freddy Kreuger' fingers. — Tyra Banks

I like dirty boys. Mechanics, construction workers, artists who get paint and clay everywhere. They gotta have rough hands. — Tamara Feldman

Slowly those who create the wealth of the world are permitted to share it. The future is in labor's strong, rough hands. — Mother Jones

You said he was a perfectly adequate lover."
"Perfectly adequate? I dont suppose I ever said that about you?" She only had to look and Logan and those rough hands to know he'd be a thoroughly, mind-blowingly, head-bangingly, DIRTY lover."
"I bloody hope not. — Amy Andrews

With unsteady hands, Phillip yanked on the mare's bridle straps while trying to loosen one of the stubborn buckles. She snorted at his rough handling.
Totka appeared beside him. "Let me."
Phillip gratefully released the task, an unexpected sense of brotherhood filling him. If anyone knew the heartache of separation, it was the man whose deft brown hands readied Phillip's mount for the long road ahead.
Totka's own road had been lengthy. And yet, after two years, he somehow managed to continue to place one foot in front of the other. His breath still entered and left his body in the same monotonous pattern. How? When already several times over the half-day since Grayson had ridden out with Milly, Phillip had wondered if his chest might explode with the effort of expanding and contracting without her. — April W. Gardner

There was no way that these guys were going to let a bleeding, barefoot woman simply wander off alone into the streets. Two of them were already running toward her with hands reaching out in a manner that, in normal circumstances, would have seemed just plain ungentlemanly. What would have been designated, in a Western office, as a hostile environment was soon in full swing as numerous rough strong hands were all over her, easing her to a comfortable perch on a chair that was produced as if by magic, feeling through her hair to find bumps and lacerations. Three different first aid kits were broken open at her feet; older and wiser men began to lodge objections at the profligate use of supplies, darkly suggesting that it was all because she was a pretty girl. A particularly dashing young man skidded up to her on his knees (he was wearing hard-shell knee pads) and, in an attitude recalling the prince on the final page of Cinderella, fit a pair of used flip-flops onto her feet. — Neal Stephenson

The best of artists hath no thought to show which the rough stone in its superfluous shell doth not include; to break the marble spell is all the hand that serves the brain can do. — Michelangelo

In this high place it is as simple as this, Leave everything you know behind. Step toward the cold surface, say the old prayer of rough love and open both arms. Those who come with empty hands will stare into the lake astonished, there, in the cold light reflecting pure snow, the true shape of your own face. David Whyte, "Tilicho Lake" Conservatives — Richard Rohr

I picked up the butter-soft suede shirt and slacks and held them toward Martucci, but he bent over, grabbing at his stomach, and made it into the dark little cubicle in time to vomit into the toilet. He ran the small trickle of water in the sink over his hands, dabbed water on his face, then blotted himself on the rough paper towels. Within the next five minutes, he was dressed and deposited in the rear seat of my car between Haley and Finn. Vito, who had scared the living hell out of the hustler before giving him a kick in the ass out the hotel's side door, sat next to me as I drove. Vito was breathing heavily; it was the only sound in the car. — Dorothy Uhnak

Clara Morrow had painted Ruth as the elderly, forgotten Virgin Mary. Angry, demented, the Ruth in the portrait was full of despair, of bitterness. Of a life left behind, of opportunities squandered, of loss and betrayals real and imagined and created and caused. She clutched at a rough blue shawl with emaciated hands. The shawl had slipped off one bony shoulder and the skin was sagging, like something nailed up and empty.
And yet the portrait was radiant, filling the room from one tiny point of light. In her eyes. Embittered, mad Ruth stared into the distance, at something very far off, approaching. More imagined than real.
Hope.
Clara had captured the moment despair turned to hope. The moment life began. She'd somehow captured Grace. — Louise Penny

If I so do my best, may this story be recorded and printed and zipped and zapped into hands and eyes and ears and minds and hearts everywhere, and may it no longer be my story but belong to each reader who drinks it in, to make them bigger or smaller as needed; to fill in those tiny holes and smooth over the rough places; to make them sigh and laugh and dream and wonder; to pass a lonely afternoon or enliven a dull evening; to in every regard do just what a story is supposed to do, which is become whatever each reader needs most at that moment. — Shannon Hale