Quotes & Sayings About Romanticism Poetry

Modern poetry is, essentially, an extension of romanticism; it is what romantic poetry wishes or finds it necessary to become. It is the end product of romanticism, all past and no future; it is impossible to go further by any extrapolation of the process by which we have arrived, and certainly it is impossible to remain where we are who could endure a century of transition ? — Randall Jarrell

Thus, Symbolism and Decadence are not a separate new school which arose in France and spread throughout all of Europe: they represent the end and culmination of a certain other school whose links were very extensive and whose roots go back to the beginning of the modern age. Symbolism, easily deduced from Maupassant, can also be deduced from Zola, Flaubert, and Balzac, from Ultra-realism as the antithesis of the previous Ultra-idealism Romanticism and "renascent" Classicism. It is precisely this element of ultra - the result of ultra manifested in life itself, in its mores, ideas, proclivities, and aspirations - that has wormed into literature and remained there ever since, expressing itself, finally, in such a hideous phenomenon as Decadence and Symbolism. The ultra without its referent, exaggeration without the exaggerated object, preciosity of form conjoined with total disappearance of content, and "poetry" devoid of rhyme, meter, and sense - that is what constitutes Decadence. — Vasily Rozanov

Kiss me, so long but as a kiss may last! — Percy Bysshe Shelley

And aye, beside her stalks her amarous knight!
Still on his thighs their wonted brogues are worn,
And thro' those brogues, still tatter'd and betorn,
His hindward charms glean an unearthly white,
Ah! thus thro' broken clouds at night's high Noon
Peeps in fair fragments forth the full-orb'd harvest-moon! — Samuel Taylor Coleridge

Fall in love
with the energy
of the mornings

trace your fingers
along the lull
of the afternoons

take the spirit
of the evenings
in your arms
kiss it deeply

and then
make love
to the tranquility
of the nights. — Sanober Khan

In fact he was as
lovesick as a high schooler of an especially sensitive sort who wonders if he dare share a poem with his
beloved or whether she will laugh at him. He does read her the poem and her feminine capacity for
romanticism for a moment approaches his own and they are suffused in a love trance, a state that so
ineluctably peels back the senses making them fresh again whatever ages the lovers might be. — Jim Harrison

Ah youth, youth! That's what happens when you go steeping your soul into Shakespeare — Fyodor Dostoyevsky

Recall what used to be the theme of poetry in the romantic era. In neat verses the poet lets us share his private, bourgeois emotions: his sufferings great and small, his nostalgias, his religious or political pre-occupations, and, if he were English, his pipe-smoking reveries. On occasions, individual genius allowed a more subtle emanation to envelope the human nucleus of the poem - as we find in Baudelaire for example. But this splendour was a by-product. All the poet wished was to be a human being.
When he writes, I believe today's poet simply wishes to be a poet. — Jose Ortega Y Gasset

There is no single thing ... that is so cut and dried that one cannot attend to its secret whisper which says 'I am more than just my appearance'. If each object quivers with readiness to imply something other than itself, if each perception is a word in a poem dense with connotations, then the poet's selection of any given subject of speculation will become ... a means of attuning himself to the rhythms and harmonies of reality at large ... The notion of a network of correspondence is not an outmoded Romantic illusion: it represents a crucial intuition ... — Roger Cardinal

[H]e initially conceived of Olivier as a man of the greatest promise destroyed by a fatal flaw, the unreasoning passion for a woman dissolving into violence, desperately weakening everything he tried to do. For how could learning and poetry be defended when it produced such dreadful results and was advanced by such imperfect creatures? At least Julien did not see the desperate fate of the ruined lover as a nineteenth-century novelist or a poet might have done, recasting the tale to create some appealing romantic hero, dashed to pieces against the unyielding society that produced him. Rather, his initial opinion
held almost to the last
was of Olivier as a failure, ruined by a terible weakness. — Iain Pears

Imagism was a reductio ad absurdum of one or two tendencies of romanticism, such a beautifully and finally absurd one that it is hard to believe it existed as anything but a logical construction; and what imagist found it possible to go on writing imagist poetry? A number of poets have stopped writing entirely; others, like recurring decimals, repeat the novelties they commeced with, each time less valuably than before. And there are surrealist poetry, and political poetry, and all the othe refuges of the indigent. — Randall Jarrell

She was around two. She and Laura went down in a shipwreck. I heard Henry didn't eat or sleep for days. He searched for them for weeks, but there was never any sign of them. There were no survivors." "How sad," she whispered. He touched her chin and turned her liquid eyes toward him. "Don't cry. It happened a long time ago. I'm sure Henry is over it all by now." "Love like that never dies." He smiled. "Such romanticism. No wonder you read poetry." "Does he ever talk about them?" He released her chin and shook his head. "Clara would be in tears if he did. The servants tell how he raved like a madman when he heard the news. Molly said she'd never heard a grown man cry like that. — Colleen Coble

But no matte what kind of an understanding is adopted, whether associated with positivism, which asserts that the truth can only be reached by trial and error, or rationalism, which asserts that everything can be explained and grasped by reason, whether the perspective of romanticism, which overemphasizes imagination and sensitivity, or an approach based on ardent naturalism, whether based on realism, which aims to describe everything as it is including its shortcomings, or a curiosity-raising approach such as surrealism, whether idealism, which asserts that there is nothing real but ideas, or cubism, which asserts that there is nothing real but instead of direct description, or some other such current or perspective, that is not true poetry. — M. Fethullah Gulen

Sir Hiram Maxim is a genuine and typical example of the man of science, romantic, excitable, full of real but somewhat obvious poetry, a little hazy in logic and philosophy, but full of hearty enthusiasm and an honorable simplicity. He is, as he expresses it, "an old and trained engineer," and is like all of the old and trained engineers I have happened to come across, a man who indemnifies himself for the superhuman or inhuman concentration required for physical science by a vague and dangerous romanticism about everything else. — Gilbert K. Chesterton

Poetry and visions, springing as they do from an ever-present sense of mortality, might easily appear morbid to the sturdy
common sense of a burgher-class in the making. — Hope Mirrlees

It is thus the adventure of poetry, not the closure of philosophy, that most truly reflects the human condition. — Terry Eagleton

We thought it was drops
of dew and kissed
cold tears from the crossgrass. — Jonas Hallgrimsson

I fancied my luck to be witnessing yet another full moon. True, I'd seen hundreds of full moons in my life, but they were not limitless. When one starts thinking of the full moon as a common sight that will come again to one's eyes ad-infinitum, the value of life is diminished and life goes by uncherished. 'This may be my last moon,' I sighed, feeling a sudden sweep of sorrow; and went back to reading more of The Odyssey. — Roman Payne

Freedom is the dream you dream
While putting thought in chains again
— Giacomo Leopardi

In perhaps 50 years, 60 years, we can finish completely this civilization, and offer to our children the possibility to invent a new story, a new poetry, a new romanticism. — Philippe Starck