Reuber Hardwood Quotes & Sayings

Sheriff: "There's nothing about her on Facebook, either. If she's not on Facebook, I have to wonder if people are just making her up, if she even exists"
Seth: "I'm not on Facebook"
Sheriff: "I rest my case — Elizabeth George

Artists of all disciplines must be willing to go into the dark, let go control, be surprised. — Madeleine L'Engle

Being an assassin means knowing when to kill - and when not to kill. — Jennifer Estep

At Monticello he planned to return to farming and gardening with passionate zeal. — Jon Meacham

A Communist breaks because he must choose at last between irreconcilable opposites-God or Man, Soul or Mind, Freedom or Communism. — Whittaker Chambers

Instead of "I love you," it would be better to say "I am love-I am the embodiment of Pure Love." Remove the I and you, and you will find that there is only Love. It is as if Love is imprisoned between the I and you. Remove the I and you, for they are unreal; they are self-imposed walls that don't exist. The gulf between I and you is the ego. When the ego is removed the distance disappears and the I and you also disappear. They merge to become one - and that is Love. — Mata Amritanandamayi

There is no room for dictating taste in the diverse and dynamic world of media. To limit taste only limits the role we play for people of all kinds. — Lachlan Murdoch

I snorted. "They still make you read Dickens in school? Great Expectations?" "Yeah." "You can stay at home and hide if you want - and wind up like Miss Havisham," I said. "Watching life through a window and obsessed with how things might have been." "Dear God," she said. "You've just made Dickens relevant to my life." "Weird, right?" I asked her, nodding. — Jim Butcher

I imagine that the essential gesture of the Operator is to surprise something or someone (through the little hole in the camera), and that this gesture is therefore perfect when it is performed unbeknownst to the subject being photographed. From this gesture derive all photographs whose principle (or better whose alibi) is "shock"; for the photographic "shock" consists less in traumatizing than in revealing what was so well hidden that the actor himself was unaware or unconscious of it. — Roland Barthes

A trick I picked up from reading Frank Miller scripts: ... He tended to always start his panel caps sometimes with a general noun and a verb. 'He weeps,' and then there'd be whatever else. And a couple of collaborators of mine have always said that the first sentence of my script is for them, and everything else that comes after is for me. Which is true, that's very much how I try to write. The first line is just to get the physical action down, and then I'll kind of drift off into whatever else I see in my head and they can take it or leave it. — Matt Fraction