Response Write Quotes & Sayings

Sometimes I feel like I finish a song, and there's another song that I have to write in response to that song. Each is like its own separate feeling, its own separate universe. — Cass McCombs

British writer G. K. Chesterton's reply to an invitation by the Times to write an essay on the subject "What's Wrong with the World?" Chesterton's response: Dear Sirs, I am. Sincerely, G. K. Chesterton — Dale Carnegie

As a writer, you write the book, you give it to your editor, it's copy edited, it's published, it's thrown out there, and then there's a response. — David Bergen

If you want to obtain the strongest emotional response, then you write between the lines, never on the line; you write around the feeling, you don't spell it out explicitly. Because - if you tell the reader everything, if you don't leave spaces for the mind to fill in, if you don't engage the consciousness by giving the reader something to do
if, in effect, you try to do it all
then you leave the reader passive, the consciousness is not engaged as it could be, and so the reader is not that involved emotionally. — Nathaniel Branden

If somebody takes the time, a: to read a book that I have written, and then to b: care about it enough to write me and ask questions, surely I owe them a response. — Lois Lowry

We lived on 82nd Street and the Metropolitan Museum was my short cut to Central Park. I wrote:
"I go into the museum
and look at all the pictures on the walls.
Instead of feeling my own insignificance
I want to go straight home and paint."
A great painting, or symphony, or play, doesn't diminish us, but enlarges us, and we, too, want to make our own cry of affirmation to the power of creation behind the universe. This surge of creativity has nothing to do with competition, or degree of talent. When I hear a superb pianist, I can't wait to get to my own piano, and I play about as well now as I did when I was ten. A great novel, rather than discouraging me, simply makes me want to write. This response on the part of any artist is the need to make incarnate the new awareness we have been granted through the genius of someone else. — Madeleine L'Engle

The fundamental message is self-righteous, and it takes this form: 'T. S. Eliot is a homophobe and I am not. Therefore, I am a better person than Eliot.' To which the proper response is: 'But T. S. Eliot could really write, and you can't. — Ken Wilber

The whole point about vision is that it's very individual, it's very personal, and it has to be confessional. It has to be something which hurts - the pulling out of it and putting it on the page hurts. Art can be about the individual writer's response to his or her condition, and if that response comes out of a predigested belief about what the audience wants to hear about the writer's condition, then it has no truth, it has no validity. You either write with your own blood or nobody's. Otherwise it's just ink. — Clive Barker

Mr Babbington,' he said, suddenly stopping in his up and down. 'Take your hands out of your pockets. When did you last write home?' Mr Babbington was at an age when almost any question evokes a guilty response, and this was, in fact, a valid accusation. He reddened, and said, 'I don't know, sir.' 'Think, sir, think,' said Jack, his good-tempered face clouding unexpectedly ... 'Never, mind. Write a handsome letter. Two pages at least. And send it in to me with your daily workings tomorrow. Give your father my compliments and tell him my bankers are Hoares.' For Jack, like most other captains, managed the youngsters' parental allowance for them. 'Hoares,' he repeated absently once or twice, 'my bankers are Hoares,' and a strangled ugly crowing noise made him turn. Young Ricketts was clinging to the fall of the main burton-tackle in an attempt to control himself, but without much success. — Patrick O'Brian

Someday I will understand Auschwitz. This was a brave statement but innocently absurd. No one will ever understand Auschwitz. What I might have set down with more accuracy would have been: Someday I will write about Sophie's life and death, and thereby help demonstrate how absolute evil is never extinguished from the world. Auschwitz itself remains inexplicable. The most profound statement yet made about Auschwitz was not a statement at all, but a response.
The query: "At Auschwitz, tell me, where was God?"
And the answer: "Where was man? — William Styron

I am profoundly uncertain how to write. I know what I love and what I like, because it's a direct passionate response. But when I write, I'm very uncertain whether it's good enough. That is, of course, the writer's agony. — Susan Sontag

We write in response to what we read and learn; and in the end we write out of our deepest selves. — Andrea Barrett

I only tweet about food and silly things, but it's really fascinating because I get a lot of response on Twitter, and I'm always looking at the type of people who write me on there, and it is such a variety. — Sutton Foster

As a writer of worship songs, I have a hunger to write deep songs of passionate reverence to God. Yet I'm aware I cannot sing before I have seen. All worship is a response to a revelation
it's only as we breathe in more of the wonders of God that we can breathe out a fuller response to Him ... the key to a life of passionate and powerful worship comes from seeing God. — Matt Redman

In addition to thinking aloud about your processing of text, plan to show students how you respond to the completion of an organizer or write a constructed response. — Elaine K. McEwan-Adkins

Speaking of names and all-time favorite romances, Bailey told me you write under a pen name. I've been really curious about that."
Fern groaned loudly. She shook her fist toward Bailey's house. "Curse your big mouth, Bailey Sheen" She looked at Ambrose with trepidation. "You are going to think I'm some stalker chick. That I'm totally obsessed. But you have to remember that I came up with this alter ego when I was sixteen and I was a bit obsessed. Okay, I'm still a bit obsessed."
"With what?" Ambrose was confused.
"With you," Fern's response was muffled as she buried her forehead in his chest, but Ambrose still heard her. He laughed and forced her chin up so he could see her face. "I still don't understand what that has to do with your pen name."
Fern sighed. "It's Amber Rose."
"Ambrose?"
"Amber Rose," Fern corrected.
"Amber Rose?" Ambrose sputtered.
"Yes," Fern said in a very, very small voice. And Ambrose laughed for a very, very long time. — Amy Harmon

My beloved husband goes through radiation, and a book of sonnets is my passionate response. And then after he dies, I write another book of poems as a farewell. The two keywords here are passion and joy. I simply have a passion for writing, and I do it with joy. — Jane Yolen

The story comes, and it is pure story. That's all I set out to write. But I don't believe that we can write any kind of story without including, whether we intend to or not, our response to the world around us. — Madeleine L'Engle

At times, I get very lonely because people are afraid to talk to me or don't wait for me to write a response. I'm shy and tongue-tied at times. I find it difficult to talk to people who I don't know. — Stephen Hawking

In Chapter 5 we consider swindles and defalcations. It happens that crashes and panics often are precipitated by the revelation of some misfeasance, malfeasance, or malversation (the corruption of officials) engendered during the mania. It seems clear from the historical record that swindles are a response to the greedy appetite for wealth stimulated by the boom. And as the monetary system gets stretched, institutions lose liquidity, and unsuccessful swindles are about to be revealed, the temptation to take the money and run becomes virtually irresistible. It is difficult to write on this subject without permitting the typewriter to drip with irony. An attempt will be made. — Charles P. Kindleberger

I want to create a rapid response team, right around the world, perhaps starting originally with our partners, similar to the one we have in the United Nations whereby, where there's a problem in our society which demands a compassionate response, an educated, informed, not just a splurgy emotional thing, but an informed compassionate response that puts yourself in the position of the other and sees all sides of the problem, not just your own, there'll be somebody poised in each society who can write to the media, write an op-ed piece, to go on TV or radio. — Karen Armstrong

..one true thing among all these paths is the need to tap a deep vein of connection between our own uncontrollable interior preoccupations and what we're most concerned about in the world around us. We write in response to that world; we write in response to what we read and learn; and in the end we write out of our deepest selves, the live, breathing, bleeding place where the picture form, and where it all begins. — Andrea Barrett

The kind of response I hope for when I write my novels for children: to give them a chance to recognize something of their own feelings
about themselves, their parents, their friends
and their own situation as a kind of subject race, always at the mercy of the adults who mostly run their lives for them. — Nina Bawden

The seeming significance of nature's appearances, their unchanging strangeness to the senses, and the thrilling response which they awaken in the mind of man ... If we could only write near enough to the facts, and yet with no pedestrian calm, but ardently, we might transfer the glamour of reality direct upon our pages. — Robert Louis Stevenson

When a friend of Abigail and John Adams was killed at Bunker Hill, Abigail's response was to write a letter to her husband and include these words, "My bursting heart must find vent at my pen. — David McCullough

[A] couple I had known - who were old friends - asked me what I was going to work on next. I told them I wanted to write a near future book about AIDS concentration camps. They were vehement in their response: they thought it was a terrible idea. Their words both shocked and saddened me. "Do you really want to write a book about homosexuals?" they asked me. "Won't people who read your work be influenced toward sin?"
I notice that I don't hear from them much lately. — Tracy Hickman

I try to make all my songs good. I don't ever write one to finish one. A lot of protest songs end up that way, driven by some kind of emotional response. — Conor Oberst

Our truest response to the irrationality of the world is to paint or sing or write, for only in such response do we find truth. — Madeleine L'Engle

I would never write in response to what I believe the public wanted or needed. — Don DeLillo

We watch films in class," she told Obinze. "They talk about films here as if films are as important as books. So we watch films and then we write a response paper and almost everybody gets an A. Can you imagine? These Americans are not serious — Chimamanda Ngozi Adichie

As an author the question I get asked the most is, "why do you write?" My knee jerk response is, "Because I love it," which is true, but not the whole truth.
So here is my revised response to that question; "I write for the thirteen year old me who hated reading and craved something different than the boring literature I was forced to read for school. I write to see something I want to read exist in the world. I write because it becomes unbearable to hold so many stories in my head without a way to express them, but most importantly, I write to be true to myself. — Day Parker

So perhaps the reason I shuddered at the idea of writing something about 'Christian art' is that to paint a picture or to write a story or to compose a song is an incarnational activity. The artist is a servant who is willing to be a birth-giver. In a very real sense the artist (male or female) should be like Mary, who, when the angel told her that she was to bear the Messiah, was obedient to the command. Obedience is an unpopular word nowadays, but the artist must be obedient to the work, whether it be a symphony, a painting, or a story for a small child. I believe that each work of art, whether it is a work of great genius or something very small, comes to the artist and says 'Here I am. Enflesh me. Give birth to me.' And the artist either says 'My soul doth magnify the Lord' and willingly becomes the bearer of the work, or refuses; but the obedient response is not necessicarily a conscious one, and not everyone has the humble, courageous obedience of Mary. — Madeleine L'Engle

If this were simply a story about the past, it would be appropriate to write, at the conclusion of Acts 28 as at the conclusion of a film, "The End." But since the story is unfinished, it is more appropriate to conclude it with, "RSVP," like an invitation that awaits a response. This is what Luke demands from us: not satisfied curiosity about the past, but a response here and now. RSVP! — Justo L. Gonzalez

It does me good to write a letter which is not a response to a demand, a gratuitous letter, so to speak, which has accumulated in me like the waters of a reservoir. — Henry Miller

So often, environmentalists and others working to slow the destruction are capable of plainly describing the problems (Who wouldn't be? The problems are neither subtle nor cognitively challenging), yet when faced with the emotionally daunting task of fashioning a response to these clear and clearly insoluble problems, we generally suffer a failure of nerve and imagination. Gandhi wrote a letter to Hitler asking him to stop committing atrocities, and was mystified that it didn't work. I continue to write letters to the editor pointing out untruths, and continue to be surprised each time the newspaper publishes its next absurdity. At least I've stopped writing to politicians. — Derrick Jensen

The writing of a book may be a solitary business, it is done alone. The writer sits down with paper and pen, or typewriter, and, withdrawn from the world, tries to set down the story that is crying to be written. We write alone, but we do not write in isolation. No matter how fantastic a story line may be, it still comes out of our response to what is happening to us and to the world in which we live. — Madeleine L'Engle

Thomas Merton to write: The modern child may early in his or her existence have natural inclinations toward spirituality. The child may have imagination, originality, a simple and individual response to reality, and even a tendency to moments of thoughtful silence and absorption. All these tendencies, however, are soon destroyed by the dominant culture. The child becomes a yelling, brash, false little monster, brandishing a toy gun or dressed up like some character he has seen on television. His head is filled with inane slogans, songs, noises, explosions, statistics, brand names, menaces, ribaldries, and cliches. Then, when the child gets to school, he learns to verbalize, rationalize, to pace, to make faces like an advertisement, to need a car and in short, to go through life with an empty head conforming to others, like himself, in togetherness.3 — Brennan Manning

Many years from now when your children ask what New York City was like just after 9/11, this will be the book you give them in response. It's an exquisite novel full of heart, soul, passion and intelligence, and it's the one this great New York author was born to write. — Lee Child

Rad had written a two-sentence response for his comparison/contrast between Moby Dick and The Old Man and the Sea:

"The fishermen lost their fish, and that was IT. Nothing to write books about, and the 'literary devices' you want listed are nothing but made-up complications for a useless major. — Emm Oh

Even if I wrote on nothing else, it would never be enough, even if all the survivors did nothing but write about their experiences, it would still not be enough.
*Response when asked how much longer is he going to write about the Holocaust — Elie Wiesel

Western man has tried for too many centuries to fool himself that he lives in a rational world. No. There's a story about a man who, while walking along the street, was almost hit on the head and killed by an enormous falling beam. This was his moment of realization that he did not live in a rational world but a world in which men's lives can be cut off by a random blow on the head, and the discovery shook him so deeply that he was impelled to leave his wife and children, who were the major part of his old, rational world. My own response to the wild unpredictability of the universe has been to write stories, to play the piano, to read, listen to music, look at paintings - not that the world may become explainable and reasonable but that I may rejoice in the freedom which unaccountability gives us. — Madeleine L'Engle

Drift House: Susan's response to Queen Octavia's sarcasm in regards to fading memories ... "But we pass our memories on," she insisted. "I mean, from one generation to the next. Parents teach their children. They write things down, tell them stories
— Dale Peck

Why don't you write about the gypsies? My great people the gitanos!" Armando smirked in response as he moved her away from his computer. "You know when I was mortal, the gitanos were considered trash." Carlotta's face darkened with anger. "You high-brow Spanish aristocratic pig, whose genes are so inbred you're lucky your genitals aren't growing out of your forehead, — Rhiannon Frater

I write for fanboy moments. I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of. I write to do all the things the viewers want too. So the intensity of the fan response is enormously gratifying. It means I hit a nerve. — Joss Whedon

With this book I hope what I always hope - that readers will nod their heads (not constantly, you know, but at the odd juncture) and think, "Yes, that's exactly right." This is why we write, and this is why we read. It's an act of communication, and if what you're communicating is true - if you haven't screwed it up (and there are so many ways to do that) - the response of your ideal reader isn't "Wow! What a fabulous sentence!" or "Wow! I did not know that!" It's "Yes. Exactly. I felt that too once, and I forgot it until now, and I thought I was the only one. — Jincy Willett

I didn't want to play these people any more songs and have them say that they weren't good enough. So my response was to just not be able to write anymore. I know that's not the healthiest of responses. — Aimee Mann

I don't want to walk in the middle. I want people to read what I write and feel strongly about it. If, at some point, whatever I am doing is failing to elicit a response, whether it's very positive or very negative, then I am going to stop doing it. — James Frey

Writing is mysterious, and it's supposed to be ... any path that gets you there is a good path in the end. But one true thing among all these paths is the need to tap a deep vein of connection between our own uncontrollable interior preoccupations and what we're most concerned about in the world around us. We write in response to that world; we write in response to what we read and learn; and in the end we write out of our deepest selves, the live, breathing, bleeding place where the picture forms, and where it all begins. — Andrea Barrett

If you write something that gets a bad response, or someone commits candor or is off message, there are often consequences almost immediately when it appears in the paper or a magazine, that somebody gets called into the boss's office. And sometimes it can result in a loss of access for the reporter. — Ron Suskind

I would write:
"The soft melting hunk of butter trickled in gold down the stringy grooves of the split yam."
Or:
"The child's clumsy fingers fumbled in sleep, feeling vainly for the wish of its dream."
"The old man huddled in the dark doorway, his bony face lit by the burning yellow in the windows of distant skycrapers."
My purpose was to capture a physical state or movement that carried a strong subjective impression, an accomplishment which seemed supremely worth struggling for. If I could fasten the mind of the reader upon words so firmly that he would forget words and be conscious only of his response, I felt that I would be in sight of knowing how to write narrative. — Richard Wright

I believe that there are people who think as I do, who have thought as I do, who will think as I do. There are those who will live, unconscious of me, but continuing my attitude, so to speak, as I continue, unknowingly, the similar attitude of those before me. I could write and write. All it takes is a motion of the hand in response to a brain impulse, trained from childhood to record in our own American brand of hieroglyphics the translations of external stimuli. How much of my brain is wilfully my own? How much is not a rubber stamp of what I have read and heard and lived? Sure, I make a sort of synthesis of what I come across, but that is all that differentiates me from another person? - - - That I have banged into and assimilated various things? That my environment and a chance combination of genes got me where I am? — Sylvia Plath

Since the experiment began, dead beaked whales have been discovered stranded on beaches of the Gulf of California by senior marine biologists at the National Marine Fisheries Services, including several experts in beaked whales, the impacts of noise on marine mammals, and the stranding of marine mammals. These scientists, and others who care about whales, wrote letters to the expedition's sponsors. Columbia University failed to meaningfully respond. The National Science Foundation's response was to write a letter stating, "There is no evidence that there is any connection between the operations of the Ewing and the reported [sic] beached whales. — Derrick Jensen