Quotes & Sayings About Relatability

I don't think about relatability (when writing), I think about the heart of the character. — Bill Konigsberg

The shadow of a character is defined by its maker...while a heroine is personified by its actions and relatability. So writers can create a world with a heroine that has impact and finish with everessence lights at the dims of its shadows — Raquelle Stepney

The great appeal of film is its relatability. — Akira Kurosawa

I'm a human, and I'm multidimensional. If I was the perfect form of anything, I'd be boring. If I was a free spirit all the time, I would be boring; I would lack depth. If I was dark and enigmatic all the time, then I would lack relatability. — Halsey

Yeah,' I said and started smoking another cigarette. Unless I inform you otherwise, I'm always smoking another cigarette. — Martin Amis

Maybe that's the way I'm private - I respect the privacy of "my" characters? Anyway, we're getting close to the whole "relatability" and "likability" thing. — Ben Lerner

I feel like I can always do better with action and I always want to push the envelope there as long as I can because I'm a physical person and I love expressing myself physically, but I'm also, on the very flipside, an extremely emotional person. I like watching the relationships and the chemistry and the relatability. — Gina Carano

Authenticity is what makes a relatable person believable. It is what makes the relatability sustainable. Anyone can fake relatability for a time, but authenticity is what makes it real. — Michele Jennae

The thing you can't let go of is gravity. The reality of gravity in writing. If someone says something really mean in a sitcom, and the next wave isn't a reaction to the reality of that, you start losing relatability. In a lot of romantic comedies, they throw out the rules of life. — Michael Patrick King

But to demand that a work be "relatable" expresses a different expectation: that the work itself be somehow accommodating to, or reflective of, the experience of the reader or viewer. The reader or viewer remains passive in the face of the book or movie or play: she expects the work to be done for her. If the concept of identification suggested that an individual experiences a work as a mirror in which he might recognize himself, the notion of relatability implies that the work in question serves like a selfie: a flattering confirmation of an individual's solipsism. — Rebecca Mead

My grandfather had been the ugliest, darkest, foulest, most depraved figure of my childhood, more beast than human, and I had grown up to be him, locked in the basement with my secrets as the rest of the family reveled in the petty and ordinary upstairs. Down there, I saw my black, ancient, ineluctable core exposed, like a crab forced out of its shell--dirty, vulnerable, and obscene. For the first time in my life, I was truly alone. — Marilyn Manson